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Little Waltz
Songs like
Little Waltz
by
Ron Carter
Based on a tempo of (+/- 10%) and a similar genre
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Eddie Higgins
ディトゥア・アヘッド
143 bpm • C Maj • 05:50 • -14.12db
14% Popularity • 44% Danceability • 20% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
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Sonny Rollins
You Don't Know What Love Is - Rudy Van G...
143 bpm • G# min • 06:27 • -8db
38% Popularity • 55% Danceability • 27% Energy • 13% Liveness
73% Instrumentalness • 32% Positiveness
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Ron Carter
Little Waltz
143 bpm • F Maj • 09:14 • -27.22db
20% Popularity • 32% Danceability • 3% Energy • 9% Liveness
96% Instrumentalness • 6% Positiveness
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Baptiste Trotignon
Love Me Tender
142 bpm • C Maj • 03:21 • -22.6db
26% Popularity • 40% Danceability • 10% Energy • 14% Liveness
92% Instrumentalness • 8% Positiveness
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Jan Lundgren Trio
Almas Vaggvisa
144 bpm • G Maj • 03:52 • -25.77db
29% Popularity • 39% Danceability • 4% Energy • 18% Liveness
96% Instrumentalness • 20% Positiveness
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Ethan Iverson
Song for My Father
144 bpm • F min • 05:20 • -13.21db
8% Popularity • 60% Danceability • 50% Energy • 14% Liveness
86% Instrumentalness • 76% Positiveness
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Tord Gustavsen Trio
Blessed Feet
144 bpm • G# Maj • 06:04 • -17db
39% Popularity • 42% Danceability • 34% Energy • 11% Liveness
89% Instrumentalness • 42% Positiveness
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Steve Gadd
I Can't Turn You Loose
142 bpm • C Maj • 05:14 • -9.2db
16% Popularity • 74% Danceability • 57% Energy • 10% Liveness
68% Instrumentalness • 73% Positiveness
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Ron Carter
Ten Strings
142 bpm • E min • 05:35 • -34.24db
3% Popularity • 40% Danceability • 6% Energy • 12% Liveness
89% Instrumentalness • 14% Positiveness
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Guilherme Vergueiro
SÓ DÁ MANGUEIRA
141 bpm • G Maj • 04:32 • -17.43db
0% Popularity • 23% Danceability • 57% Energy • 26% Liveness
8% Instrumentalness • 68% Positiveness
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Eric Legnini Trio
Prelude to a Kiss
141 bpm • A min • 04:26 • -18.99db
30% Popularity • 45% Danceability • 12% Energy • 11% Liveness
94% Instrumentalness • 7% Positiveness
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Rosa Passos
The Girl from Ipanema
142 bpm • A min • 03:19 • -24.87db
19% Popularity • 59% Danceability • 12% Energy • 11% Liveness
20% Instrumentalness • 56% Positiveness
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Lafayette Harris, Jr.
Wonder Why
145 bpm • G# Maj • 05:15 • -17db
47% Popularity • 48% Danceability • 28% Energy • 9% Liveness
36% Instrumentalness • 36% Positiveness
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Kenny Burrell
Tres Palabras
146 bpm • A# min • 06:46 • -20.16db
25% Popularity • 57% Danceability • 14% Energy • 10% Liveness
74% Instrumentalness • 72% Positiveness
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Eric Reed
New Morning
146 bpm • D Maj • 09:30 • -16.48db
22% Popularity • 37% Danceability • 12% Energy • 8% Liveness
83% Instrumentalness • 10% Positiveness
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Guilherme Vergueiro
CAINDO NO SAMBA
140 bpm • F min • 04:35 • -17.69db
0% Popularity • 24% Danceability • 56% Energy • 29% Liveness
32% Instrumentalness • 75% Positiveness
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Nicholas Payton
Gold Dust Black Magic - Karriem Riggins ...
140 bpm • G# Maj • 05:30 • -8.94db
12% Popularity • 55% Danceability • 61% Energy • 13% Liveness
91% Instrumentalness • 48% Positiveness
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Ron Carter
Seven Steps to Heaven
146 bpm • F min • 06:55 • -14.19db
5% Popularity • 43% Danceability • 51% Energy • 9% Liveness
40% Instrumentalness • 35% Positiveness
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The Modern Jazz Quartet
Don't Stop This Train
140 bpm • A min • 01:48 • -20.51db
31% Popularity • 58% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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Michael Brecker
I Can See Your Dreams
140 bpm • F Maj • 03:49 • -17.16db
12% Popularity • 38% Danceability • 6% Energy • 10% Liveness
16% Instrumentalness • 12% Positiveness
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Gerry Mulligan Sextet
Prelude In E Minor
139 bpm • E min • 04:16 • -21.52db
55% Popularity • 57% Danceability • 5% Energy • 11% Liveness
79% Instrumentalness • 38% Positiveness
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Houston Person
Love Is Here to Stay
139 bpm • G Maj • 06:57 • -15.86db
10% Popularity • 62% Danceability • 13% Energy • 12% Liveness
92% Instrumentalness • 24% Positiveness
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Duke Jordan
No problem
147 bpm • G min • 06:47 • -13db
29% Popularity • 43% Danceability • 27% Energy • 8% Liveness
92% Instrumentalness • 49% Positiveness
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Ron Carter
Bye Bye Blackbird
140 bpm • G min • 05:27 • -18.58db
34% Popularity • 56% Danceability • 24% Energy • 9% Liveness
78% Instrumentalness • 33% Positiveness
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Wayne Shorter
Infant Eyes - Remastered1998/Rudy Van Ge...
139 bpm • D# Maj • 06:54 • -12.07db
48% Popularity • 34% Danceability • 8% Energy • 9% Liveness
76% Instrumentalness • 12% Positiveness
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Cyrus Chestnut
Turkish Rondo
138 bpm • A min • 03:37 • -16.93db
24% Popularity • 53% Danceability • 43% Energy • 18% Liveness
94% Instrumentalness • 80% Positiveness
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Marcin Wasilewski
Ballad Of The Sad Young Men
138 bpm • G Maj • 05:29 • -21.78db
42% Popularity • 37% Danceability • 9% Energy • 16% Liveness
91% Instrumentalness • 8% Positiveness
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Guilherme Vergueiro
SAMBA DO BRILHO
148 bpm • A# Maj • 04:12 • -16.51db
0% Popularity • 22% Danceability • 52% Energy • 19% Liveness
34% Instrumentalness • 36% Positiveness
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WDR Big Band
Of Mystery & Beauty
138 bpm • F# min • 10:56 • -12.02db
3% Popularity • 36% Danceability • 34% Energy • 12% Liveness
18% Instrumentalness • 15% Positiveness
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Ron Carter
R.J.
139 bpm • G min • 02:46 • -16.52db
4% Popularity • 42% Danceability • 32% Energy • 49% Liveness
0% Instrumentalness • 58% Positiveness
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Wayne Shorter
Valse Triste - Rudy Van Gelder Edition/D...
148 bpm • F min • 07:43 • -9db
18% Popularity • 38% Danceability • 49% Energy • 29% Liveness
0% Instrumentalness • 37% Positiveness
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Cyrus Chestnut
Darn That Dream
148 bpm • G Maj • 05:05 • -24.55db
44% Popularity • 42% Danceability • 9% Energy • 11% Liveness
90% Instrumentalness • 14% Positiveness
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Yellowjackets
Even Song
149 bpm • C min • 08:23 • -13.59db
24% Popularity • 58% Danceability • 48% Energy • 5% Liveness
74% Instrumentalness • 70% Positiveness
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Guilherme Vergueiro
NOITES VAZIAS
138 bpm • C min • 02:50 • -19.74db
0% Popularity • 26% Danceability • 28% Energy • 9% Liveness
78% Instrumentalness • 8% Positiveness
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Anat Fort Trio
If
137 bpm • A Maj • 01:18 • -20.75db
47% Popularity • 29% Danceability • 15% Energy • 14% Liveness
67% Instrumentalness • 10% Positiveness
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Ron Carter
Django
138 bpm • F min • 05:30 • -18.63db
11% Popularity • 47% Danceability • 36% Energy • 12% Liveness
88% Instrumentalness • 21% Positiveness
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Espen Eriksen Trio
Above the Horizon
137 bpm • D min • 05:42 • -11.56db
18% Popularity • 58% Danceability • 33% Energy • 9% Liveness
89% Instrumentalness • 28% Positiveness
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The Classical Jazz Quartet
Movement I, Pt. II
137 bpm • G Maj • 08:44 • -14.92db
10% Popularity • 42% Danceability • 48% Energy • 11% Liveness
86% Instrumentalness • 68% Positiveness
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Yellowjackets
Coherence
137 bpm • C# Maj • 07:35 • -18.32db
11% Popularity • 50% Danceability • 33% Energy • 25% Liveness
85% Instrumentalness • 18% Positiveness
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Antonio Faraò
I Could Have Done More
136 bpm • E min • 04:44 • -14db
20% Popularity • 35% Danceability • 20% Energy • 10% Liveness
91% Instrumentalness • 7% Positiveness
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Michael Brecker
Chan's Song (Never Said)
150 bpm • G# Maj • 05:15 • -16db
31% Popularity • 37% Danceability • 13% Energy • 11% Liveness
17% Instrumentalness • 11% Positiveness
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Ron Carter
Bass Duet
137 bpm • F min • 05:41 • -37.84db
13% Popularity • 57% Danceability • 2% Energy • 11% Liveness
93% Instrumentalness • 32% Positiveness
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Guilherme Vergueiro
SEMPRE
136 bpm • A# min • 04:59 • -16.45db
0% Popularity • 32% Danceability • 50% Energy • 34% Liveness
18% Instrumentalness • 64% Positiveness
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Joshua Redman Quartet
Come What May
135 bpm • A# min • 06:46 • -13.66db
42% Popularity • 53% Danceability • 22% Energy • 28% Liveness
69% Instrumentalness • 20% Positiveness
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Alboran Trio
Nic's Road
135 bpm • A min • 06:25 • -20db
15% Popularity • 39% Danceability • 16% Energy • 26% Liveness
53% Instrumentalness • 24% Positiveness
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Esbjörn Svensson Trio
I Walked Bud
135 bpm • F min • 06:40 • -18.49db
32% Popularity • 55% Danceability • 30% Energy • 9% Liveness
20% Instrumentalness • 47% Positiveness
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Anat Fort Trio
En If
135 bpm • A Maj • 05:54 • -21.11db
24% Popularity • 41% Danceability • 13% Energy • 8% Liveness
88% Instrumentalness • 12% Positiveness
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Ron Carter
Flamenco Sketches
136 bpm • D min • 06:11 • -19.4db
7% Popularity • 41% Danceability • 19% Energy • 11% Liveness
28% Instrumentalness • 24% Positiveness
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Lyle Mays
Bill Evans
135 bpm • A min • 04:49 • -23.56db
29% Popularity • 46% Danceability • 8% Energy • 12% Liveness
48% Instrumentalness • 13% Positiveness
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Guilherme Vergueiro
LOVE, CARNIVAL AND DREAMS
136 bpm • C Maj • 04:26 • -17.06db
0% Popularity • 29% Danceability • 49% Energy • 16% Liveness
12% Instrumentalness • 64% Positiveness
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Marian McPartland
Piano Cocktail
135 bpm • C Maj • 02:11 • -18.33db
37% Popularity • 51% Danceability • 19% Energy • 19% Liveness
79% Instrumentalness • 37% Positiveness
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Eric Legnini Trio
Don't Let Me Be Lonely Tonight
152 bpm • G Maj • 03:10 • -17db
47% Popularity • 56% Danceability • 31% Energy • 10% Liveness
81% Instrumentalness • 58% Positiveness
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Bobo Stenson Trio
Élégie
152 bpm • F min • 06:11 • -22.74db
18% Popularity • 40% Danceability • 25% Energy • 9% Liveness
79% Instrumentalness • 17% Positiveness
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Anat Fort Trio
Minnesota
135 bpm • D Maj • 07:34 • -21db
25% Popularity • 45% Danceability • 16% Energy • 13% Liveness
83% Instrumentalness • 14% Positiveness
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Helge Lien Trio
Popkoral
135 bpm • F Maj • 04:27 • -21db
33% Popularity • 38% Danceability • 12% Energy • 10% Liveness
83% Instrumentalness • 19% Positiveness
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Bill Laurance
Ready Wednesday - Live
134 bpm • D min • 10:02 • -12.46db
13% Popularity • 36% Danceability • 67% Energy • 93% Liveness
91% Instrumentalness • 9% Positiveness
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Andy Sheppard Quartet
Romaria
134 bpm • G Maj • 05:11 • -21.94db
42% Popularity • 38% Danceability • 5% Energy • 15% Liveness
68% Instrumentalness • 18% Positiveness
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Carla Bley
Vashkar
134 bpm • F# Maj • 07:22 • -16.18db
24% Popularity • 50% Danceability • 12% Energy • 14% Liveness
83% Instrumentalness • 22% Positiveness
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Ron Carter
You Are My Sunshine
133 bpm • G Maj • 06:32 • -33.46db
4% Popularity • 41% Danceability • 7% Energy • 59% Liveness
86% Instrumentalness • 17% Positiveness
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Anat Fort Trio
Clouds Moving
152 bpm • C Maj • 05:35 • -16.38db
27% Popularity • 22% Danceability • 43% Energy • 10% Liveness
88% Instrumentalness • 34% Positiveness
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Christoph Willibald Gluck
Orphée & Eurydice: Mélodie - Arranged ...
133 bpm • D min • 03:43 • -26.96db
33% Popularity • 39% Danceability • 12% Energy • 68% Liveness
81% Instrumentalness • 4% Positiveness
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Michel Bisceglia
Dry Water
153 bpm • A# Maj • 05:43 • -21.37db
30% Popularity • 46% Danceability • 11% Energy • 10% Liveness
84% Instrumentalness • 30% Positiveness
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Bobo Stenson Trio
Doubt Thou The Stars
133 bpm • G min • 07:57 • -22.11db
18% Popularity • 46% Danceability • 28% Energy • 15% Liveness
94% Instrumentalness • 19% Positiveness
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Harold López-Nussa
Contigo en la Distancia
133 bpm • G# Maj • 05:47 • -20.52db
10% Popularity • 39% Danceability • 18% Energy • 8% Liveness
90% Instrumentalness • 16% Positiveness
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Branford Marsalis Quartet
Muldoon
133 bpm • A# min • 04:16 • -18.3db
35% Popularity • 43% Danceability • 3% Energy • 8% Liveness
85% Instrumentalness • 15% Positiveness
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Tommy Flanagan
Milestones - Studio
133 bpm • A min • 04:40 • -14.36db
9% Popularity • 41% Danceability • 57% Energy • 14% Liveness
64% Instrumentalness • 71% Positiveness
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Jan Lundgren Trio
The Poet
133 bpm • A min • 06:20 • -23.71db
10% Popularity • 50% Danceability • 25% Energy • 16% Liveness
56% Instrumentalness • 30% Positiveness
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Ron Carter
Yes, Indeed!
133 bpm • G min • 05:48 • -23.33db
11% Popularity • 58% Danceability • 16% Energy • 10% Liveness
78% Instrumentalness • 60% Positiveness
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McCoy Tyner Trio
Sunset - 2018 Digitally Remastered
132 bpm • D Maj • 04:43 • -22.01db
27% Popularity • 41% Danceability • 10% Energy • 11% Liveness
79% Instrumentalness • 8% Positiveness
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Joshua Redman Quartet
Alone in the Morning
155 bpm • G Maj • 05:05 • -14.54db
23% Popularity • 54% Danceability • 33% Energy • 11% Liveness
83% Instrumentalness • 34% Positiveness
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Eric Legnini Trio
Portrait in Black and White "Zingaro"
132 bpm • D# Maj • 02:38 • -19.09db
47% Popularity • 67% Danceability • 33% Energy • 16% Liveness
86% Instrumentalness • 74% Positiveness
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Bill Laurance
Swift - Live
132 bpm • G# min • 05:32 • -12.32db
7% Popularity • 39% Danceability • 76% Energy • 97% Liveness
68% Instrumentalness • 34% Positiveness
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Jacques Loussier
Suite Pour Orchestre N 3 En Ré Majeur B...
131 bpm • C Maj • 03:24 • -22.02db
24% Popularity • 49% Danceability • 7% Energy • 10% Liveness
88% Instrumentalness • 25% Positiveness
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Tord Gustavsen Trio
Melted Matter
131 bpm • G# Maj • 05:25 • -23.91db
25% Popularity • 48% Danceability • 3% Energy • 12% Liveness
89% Instrumentalness • 7% Positiveness
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Marshall Gilkes
Sin Filtro
131 bpm • D min • 09:26 • -13.26db
12% Popularity • 48% Danceability • 43% Energy • 12% Liveness
91% Instrumentalness • 41% Positiveness
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Aldo Romano
L.A. 58
131 bpm • C Maj • 04:06 • -11.62db
40% Popularity • 48% Danceability • 49% Energy • 14% Liveness
8% Instrumentalness • 58% Positiveness
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Christian McBride Trio
I Guess I'll Have to Forget
131 bpm • A# Maj • 08:26 • -27.33db
30% Popularity • 51% Danceability • 7% Energy • 12% Liveness
89% Instrumentalness • 51% Positiveness
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Esbjörn Svensson
Prelude in D-Minor
130 bpm • F Maj • 04:13 • -15db
21% Popularity • 44% Danceability • 11% Energy • 8% Liveness
90% Instrumentalness • 26% Positiveness
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Yellowjackets
Downtown
130 bpm • C Maj • 06:30 • -13.6db
21% Popularity • 60% Danceability • 39% Energy • 16% Liveness
72% Instrumentalness • 51% Positiveness
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Tord Gustavsen Quartet
Staying There
130 bpm • F min • 04:52 • -15db
26% Popularity • 63% Danceability • 22% Energy • 11% Liveness
92% Instrumentalness • 28% Positiveness
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WDR Big Band
Variation 9
130 bpm • G# Maj • 02:51 • -25.68db
3% Popularity • 29% Danceability • 3% Energy • 19% Liveness
90% Instrumentalness • 21% Positiveness
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John Coltrane Quartet
Too Young To Go Steady
130 bpm • F Maj • 04:19 • -12.48db
52% Popularity • 55% Danceability • 18% Energy • 7% Liveness
37% Instrumentalness • 35% Positiveness
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Ron Carter
You and the Night and the Music
129 bpm • C Maj • 10:08 • -14.47db
3% Popularity • 52% Danceability • 40% Energy • 67% Liveness
61% Instrumentalness • 45% Positiveness
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The Classical Jazz Quartet
Movement I, Pt. IV
130 bpm • F min • 04:09 • -19.96db
27% Popularity • 47% Danceability • 19% Energy • 13% Liveness
86% Instrumentalness • 10% Positiveness
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Esbjörn Svensson Trio
When Everyone Has Gone
129 bpm • C min • 06:43 • -18.64db
16% Popularity • 55% Danceability • 19% Energy • 6% Liveness
55% Instrumentalness • 22% Positiveness
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Tord Gustavsen Quartet
On Every Corner
129 bpm • C min • 05:12 • -18.9db
24% Popularity • 43% Danceability • 14% Energy • 10% Liveness
88% Instrumentalness • 12% Positiveness
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Wynton Kelly
Autumn Leaves
129 bpm • G min • 06:11 • -15.2db
28% Popularity • 58% Danceability • 28% Energy • 8% Liveness
87% Instrumentalness • 33% Positiveness
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Kristjan Randalu
Stiller Beobachter
128 bpm • A min • 05:45 • -15.64db
13% Popularity • 35% Danceability • 26% Energy • 10% Liveness
78% Instrumentalness • 14% Positiveness
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Ron Carter
Eight
129 bpm • D Maj • 06:45 • -16.27db
0% Popularity • 43% Danceability • 46% Energy • 11% Liveness
71% Instrumentalness • 50% Positiveness
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Courtney Pine
The Morning After the Night Before
128 bpm • C min • 04:52 • -14.6db
29% Popularity • 46% Danceability • 14% Energy • 10% Liveness
23% Instrumentalness • 29% Positiveness
► Preview
Tommy Flanagan
New Song - Studio
128 bpm • G Maj • 04:09 • -13.36db
8% Popularity • 50% Danceability • 62% Energy • 27% Liveness
68% Instrumentalness • 69% Positiveness
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Nicholas Payton
The Last Goodbye
160 bpm • D Maj • 05:25 • -12db
36% Popularity • 32% Danceability • 16% Energy • 8% Liveness
90% Instrumentalness • 7% Positiveness
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Aaron Parks
Praise
128 bpm • F Maj • 04:43 • -19.24db
38% Popularity • 64% Danceability • 24% Energy • 8% Liveness
86% Instrumentalness • 31% Positiveness
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Espen Eriksen Trio
Anthem
128 bpm • A# Maj • 08:16 • -15.65db
39% Popularity • 64% Danceability • 22% Energy • 12% Liveness
88% Instrumentalness • 40% Positiveness
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Yellowjackets
One Day
128 bpm • E min • 06:32 • -12.7db
27% Popularity • 62% Danceability • 44% Energy • 10% Liveness
27% Instrumentalness • 36% Positiveness
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Joshua Redman Quartet
Faith
128 bpm • D min • 04:33 • -13.67db
22% Popularity • 54% Danceability • 20% Energy • 11% Liveness
65% Instrumentalness • 20% Positiveness
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WDR Big Band
Knife's Edge
126 bpm • A# min • 06:05 • -9.19db
6% Popularity • 53% Danceability • 64% Energy • 4% Liveness
49% Instrumentalness • 40% Positiveness
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Esbjörn Svensson Trio
I Mean You
126 bpm • A# Maj • 06:47 • -20db
30% Popularity • 75% Danceability • 28% Energy • 3% Liveness
90% Instrumentalness • 76% Positiveness
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Mary Lou Williams
It Ain’t Necessarily So
126 bpm • E min • 04:45 • -22db
41% Popularity • 59% Danceability • 14% Energy • 10% Liveness
93% Instrumentalness • 20% Positiveness
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Espen Eriksen Trio
Anthem
128 bpm • D# Maj • 04:41 • -20.89db
22% Popularity • 53% Danceability • 18% Energy • 13% Liveness
93% Instrumentalness • 19% Positiveness
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Little Waltz