Songs like Live With Somebody You Love by Matthew Cammelle
Based on a tempo of (+/- 10%) and a similar genre
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Peter Joback
Something - Reprise
76 bpm • C# Maj • 01:09 • -19db
9% Popularity • 22% Danceability • 6% Energy • 8% Liveness
5% Instrumentalness • 7% Positiveness
9% Popularity • 22% Danceability • 6% Energy • 8% Liveness
5% Instrumentalness • 7% Positiveness
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Miss Saigon Original Cast
Why God Why? - Live
76 bpm • A min • 04:14 • -12db
40% Popularity • 32% Danceability • 45% Energy • 91% Liveness
0% Instrumentalness • 17% Positiveness
40% Popularity • 32% Danceability • 45% Energy • 91% Liveness
0% Instrumentalness • 17% Positiveness
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Hinton Battle
Please
76 bpm • D Maj • 02:34 • -18db
16% Popularity • 27% Danceability • 11% Energy • 27% Liveness
0% Instrumentalness • 14% Positiveness
16% Popularity • 27% Danceability • 11% Energy • 27% Liveness
0% Instrumentalness • 14% Positiveness
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The Scarlet Pimpernel
I'll Forget You
76 bpm • C# min • 03:29 • -13.96db
15% Popularity • 26% Danceability • 12% Energy • 16% Liveness
0% Instrumentalness • 19% Positiveness
15% Popularity • 26% Danceability • 12% Energy • 16% Liveness
0% Instrumentalness • 19% Positiveness
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Douglas Sills
She Was There
76 bpm • B Maj • 03:07 • -11db
21% Popularity • 32% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
21% Popularity • 32% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
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Lee Remick
There Won't Be Trumpets
76 bpm • F Maj • 02:37 • -10.14db
20% Popularity • 44% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
20% Popularity • 44% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
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Alexander Gemignani
When The Children Are Asleep
76 bpm • F Maj • 04:54 • -11.52db
19% Popularity • 42% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
19% Popularity • 42% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Matthew Cammelle
Live With Somebody You Love
76 bpm • A Maj • 03:42 • -12db
11% Popularity • 24% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
11% Popularity • 24% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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Jimmy Roberts
Prologue / Cantata For A First Date
76 bpm • C min • 04:44 • -10db
16% Popularity • 63% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
16% Popularity • 63% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Emma
Once Upon a Dream
75 bpm • B Maj • 02:49 • -17db
29% Popularity • 27% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
29% Popularity • 27% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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Carmen Cusack
Flying Over Sunset
77 bpm • E min • 05:18 • -9.88db
8% Popularity • 25% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
8% Popularity • 25% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Kyra Da Costa
Baby, Dream Your Dream
77 bpm • B Maj • 03:41 • -13.65db
11% Popularity • 50% Danceability • 22% Energy • 24% Liveness
0% Instrumentalness • 26% Positiveness
11% Popularity • 50% Danceability • 22% Energy • 24% Liveness
0% Instrumentalness • 26% Positiveness
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Audra McDonald
Your Daddy's Son
77 bpm • G# min • 03:42 • -12.81db
29% Popularity • 32% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
29% Popularity • 32% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Megan McGinnis
I'm a Beast
77 bpm • C# Maj • 02:11 • -13.77db
19% Popularity • 41% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
19% Popularity • 41% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Mindi Dickstein
Small Umbrella in the Rain
77 bpm • G Maj • 04:22 • -12.13db
25% Popularity • 44% Danceability • 23% Energy • 34% Liveness
0% Instrumentalness • 31% Positiveness
25% Popularity • 44% Danceability • 23% Energy • 34% Liveness
0% Instrumentalness • 31% Positiveness
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Hunter Foster
Favorite Places
77 bpm • E Maj • 03:48 • -13.98db
21% Popularity • 42% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
21% Popularity • 42% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Chris Miller
Disappear
75 bpm • F Maj • 02:49 • -6.79db
13% Popularity • 38% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
13% Popularity • 38% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Karen Mason
Isn't This Better?
74 bpm • F# Maj • 04:55 • -20db
9% Popularity • 25% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
9% Popularity • 25% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Jeanine Tesori
Bring Me to Light
78 bpm • A Maj • 03:26 • -9.4db
21% Popularity • 24% Danceability • 30% Energy • 28% Liveness
0% Instrumentalness • 12% Positiveness
21% Popularity • 24% Danceability • 30% Energy • 28% Liveness
0% Instrumentalness • 12% Positiveness
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Caroline Head
One Moment
78 bpm • D Maj • 03:56 • -10.29db
11% Popularity • 48% Danceability • 47% Energy • 17% Liveness
0% Instrumentalness • 11% Positiveness
11% Popularity • 48% Danceability • 47% Energy • 17% Liveness
0% Instrumentalness • 11% Positiveness
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Mindi Dickstein
The Fire Within Me
78 bpm • C Maj • 05:16 • -9.52db
27% Popularity • 24% Danceability • 24% Energy • 9% Liveness
1% Instrumentalness • 8% Positiveness
27% Popularity • 24% Danceability • 24% Energy • 9% Liveness
1% Instrumentalness • 8% Positiveness
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Miss Saigon Original Cast
I Still Believe - Live
78 bpm • D min • 04:16 • -14.55db
37% Popularity • 27% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
37% Popularity • 27% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Joshua Henry
If I Loved You
78 bpm • C# Maj • 09:07 • -14db
32% Popularity • 37% Danceability • 17% Energy • 21% Liveness
0% Instrumentalness • 16% Positiveness
32% Popularity • 37% Danceability • 17% Energy • 21% Liveness
0% Instrumentalness • 16% Positiveness
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Brent Barrett
At the Grand Hotel / Table with a View
78 bpm • G# Maj • 03:05 • -14.53db
8% Popularity • 34% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
8% Popularity • 34% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Jimmy Roberts
I Will Be Loved Tonight
78 bpm • G# Maj • 02:55 • -11.11db
15% Popularity • 41% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
15% Popularity • 41% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Rebecca Caine
Love Montage: I Saw Him Once / In My Lif...
78 bpm • A# Maj • 05:17 • -11.39db
35% Popularity • 19% Danceability • 26% Energy • 35% Liveness
4% Instrumentalness • 10% Positiveness
35% Popularity • 19% Danceability • 26% Energy • 35% Liveness
4% Instrumentalness • 10% Positiveness
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The Original Broadway Cast Of 'Curtains'
I Miss The Music
74 bpm • F Maj • 05:08 • -20.17db
25% Popularity • 55% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
25% Popularity • 55% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Maury Yeston
Overture Delle Donne
78 bpm • C Maj • 04:15 • -11.72db
13% Popularity • 34% Danceability • 32% Energy • 60% Liveness
0% Instrumentalness • 39% Positiveness
13% Popularity • 34% Danceability • 32% Energy • 60% Liveness
0% Instrumentalness • 39% Positiveness
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Original London Cast Of The Wind In The Willows
A Place to Come Back To
78 bpm • C Maj • 03:48 • -10.93db
13% Popularity • 27% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
13% Popularity • 27% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Tam Mutu
Who Is She?
73 bpm • C Maj • 02:44 • -10.79db
8% Popularity • 29% Danceability • 39% Energy • 32% Liveness
0% Instrumentalness • 26% Positiveness
8% Popularity • 29% Danceability • 39% Energy • 32% Liveness
0% Instrumentalness • 26% Positiveness
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Bertie Carvel
It's Hard To Speak My Heart
79 bpm • E Maj • 03:18 • -9.94db
8% Popularity • 40% Danceability • 18% Energy • 14% Liveness
0% Instrumentalness • 11% Positiveness
8% Popularity • 40% Danceability • 18% Energy • 14% Liveness
0% Instrumentalness • 11% Positiveness
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Burton Lane
Look to the Rainbow
73 bpm • C# Maj • 02:33 • -14.2db
18% Popularity • 38% Danceability • 10% Energy • 17% Liveness
0% Instrumentalness • 45% Positiveness
18% Popularity • 38% Danceability • 10% Energy • 17% Liveness
0% Instrumentalness • 45% Positiveness
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William Finn
And They're Off
79 bpm • C Maj • 03:32 • -3.89db
24% Popularity • 38% Danceability • 70% Energy • 57% Liveness
0% Instrumentalness • 49% Positiveness
24% Popularity • 38% Danceability • 70% Energy • 57% Liveness
0% Instrumentalness • 49% Positiveness
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Miss Saigon Original Cast
Bui Doi - Live
79 bpm • G# Maj • 03:52 • -11db
37% Popularity • 32% Danceability • 33% Energy • 78% Liveness
0% Instrumentalness • 33% Positiveness
37% Popularity • 32% Danceability • 33% Energy • 78% Liveness
0% Instrumentalness • 33% Positiveness
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Shannon Bolin
Overture: Six Months Out of Every Year
73 bpm • G Maj • 04:43 • -11db
12% Popularity • 63% Danceability • 47% Energy • 83% Liveness
0% Instrumentalness • 68% Positiveness
12% Popularity • 63% Danceability • 47% Energy • 83% Liveness
0% Instrumentalness • 68% Positiveness
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Roger Allam
Javert's Suicide: Soliloquy
79 bpm • F Maj • 03:39 • -10.31db
34% Popularity • 33% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
34% Popularity • 33% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Megan McGinnis
I Couldn't Know Someone Less
79 bpm • E Maj • 03:08 • -8db
24% Popularity • 48% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
24% Popularity • 48% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Jane Krakowski
A Trip to the Library
73 bpm • A Maj • 04:27 • -11.7db
25% Popularity • 63% Danceability • 31% Energy • 30% Liveness
0% Instrumentalness • 42% Positiveness
25% Popularity • 63% Danceability • 31% Energy • 30% Liveness
0% Instrumentalness • 42% Positiveness
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Douglas Sills
Prayer
79 bpm • A min • 03:34 • -9.28db
23% Popularity • 24% Danceability • 34% Energy • 52% Liveness
1% Instrumentalness • 10% Positiveness
23% Popularity • 24% Danceability • 34% Energy • 52% Liveness
1% Instrumentalness • 10% Positiveness
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James Naughton
With Every Breath I Take (Duet)
79 bpm • F# min • 02:27 • -21.83db
12% Popularity • 23% Danceability • 11% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
12% Popularity • 23% Danceability • 11% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
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Sherie Rene Scott
I Can Do Better Than That
73 bpm • A Maj • 05:11 • -11db
31% Popularity • 62% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
31% Popularity • 62% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
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Andy Karl
Adrian - Rocky Broadway Cast Recording
80 bpm • D# Maj • 01:41 • -14.69db
8% Popularity • 36% Danceability • 16% Energy • 19% Liveness
0% Instrumentalness • 30% Positiveness
8% Popularity • 36% Danceability • 16% Energy • 19% Liveness
0% Instrumentalness • 30% Positiveness
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Sonia Swaby
The Movie in My Mind
80 bpm • G# min • 04:46 • -19.4db
25% Popularity • 16% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
25% Popularity • 16% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
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Jesse L. Martin
I'll Cover You (Reprise)
80 bpm • E Maj • 02:51 • -11.57db
32% Popularity • 38% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
32% Popularity • 38% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Burton Lane
How Are Things in Glocca Morra?
80 bpm • C# Maj • 02:58 • -15.44db
19% Popularity • 28% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
19% Popularity • 28% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Kenneth Nelson
Metaphor
80 bpm • G Maj • 04:13 • -11.47db
0% Popularity • 32% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
0% Popularity • 32% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Brent Barrett
Love Can't Happen
80 bpm • C# Maj • 02:50 • -11.76db
17% Popularity • 30% Danceability • 38% Energy • 21% Liveness
0% Instrumentalness • 41% Positiveness
17% Popularity • 30% Danceability • 38% Energy • 21% Liveness
0% Instrumentalness • 41% Positiveness
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Matthew James Thomas
Morning Glow
81 bpm • C# Maj • 04:16 • -7.86db
36% Popularity • 19% Danceability • 33% Energy • 28% Liveness
0% Instrumentalness • 22% Positiveness
36% Popularity • 19% Danceability • 33% Energy • 28% Liveness
0% Instrumentalness • 22% Positiveness
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Liz Callaway
The Story Goes On
81 bpm • C Maj • 04:32 • -11.49db
13% Popularity • 27% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
13% Popularity • 27% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Ragtime Orchestra
Epilogue: Ragtime (Reprise) / Wheels of ...
81 bpm • F# Maj • 03:52 • -10.37db
20% Popularity • 38% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
20% Popularity • 38% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Matt Cavenaugh
One Hand, One Heart
81 bpm • A# min • 04:06 • -19.29db
19% Popularity • 18% Danceability • 5% Energy • 18% Liveness
0% Instrumentalness • 4% Positiveness
19% Popularity • 18% Danceability • 5% Energy • 18% Liveness
0% Instrumentalness • 4% Positiveness
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Julie Atherton
Wait A Bit
81 bpm • A Maj • 04:06 • -14.62db
19% Popularity • 40% Danceability • 9% Energy • 20% Liveness
0% Instrumentalness • 18% Positiveness
19% Popularity • 40% Danceability • 9% Energy • 20% Liveness
0% Instrumentalness • 18% Positiveness
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Megan McGinnis
My Manhattan
81 bpm • D# Maj • 02:51 • -6.95db
21% Popularity • 38% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
21% Popularity • 38% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
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Maria Friedman
Words, Words, Words
81 bpm • G# Maj • 04:48 • -19db
14% Popularity • 59% Danceability • 19% Energy • 88% Liveness
0% Instrumentalness • 22% Positiveness
14% Popularity • 59% Danceability • 19% Energy • 88% Liveness
0% Instrumentalness • 22% Positiveness
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Christine Andreas
Only Love
81 bpm • G# Maj • 04:08 • -11.22db
22% Popularity • 23% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
22% Popularity • 23% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
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Enrico Rodriguez
Do You Know What It's Like?
81 bpm • E Maj • 04:20 • -11db
10% Popularity • 59% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
10% Popularity • 59% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Joanna Ampil
I Still Believe
71 bpm • D min • 04:07 • -16db
18% Popularity • 17% Danceability • 17% Energy • 36% Liveness
0% Instrumentalness • 10% Positiveness
18% Popularity • 17% Danceability • 17% Energy • 36% Liveness
0% Instrumentalness • 10% Positiveness
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Nicholas Barasch
Somewhere
81 bpm • D# Maj • 06:49 • -16db
23% Popularity • 34% Danceability • 5% Energy • 24% Liveness
0% Instrumentalness • 8% Positiveness
23% Popularity • 34% Danceability • 5% Energy • 24% Liveness
0% Instrumentalness • 8% Positiveness
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William Finn
What More Can I Say?
81 bpm • C Maj • 03:43 • -23.6db
16% Popularity • 23% Danceability • 5% Energy • 7% Liveness
0% Instrumentalness • 9% Positiveness
16% Popularity • 23% Danceability • 5% Energy • 7% Liveness
0% Instrumentalness • 9% Positiveness
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Sherie Rene Scott
See I'm Smiling
81 bpm • A Maj • 05:11 • -13db
30% Popularity • 44% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
30% Popularity • 44% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Matt Rawle
Martin Guerre
81 bpm • D Maj • 02:55 • -15.12db
15% Popularity • 47% Danceability • 29% Energy • 20% Liveness
0% Instrumentalness • 44% Positiveness
15% Popularity • 47% Danceability • 29% Energy • 20% Liveness
0% Instrumentalness • 44% Positiveness
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Kooman & Dimond
Walking Without You
81 bpm • F Maj • 04:05 • -8.09db
13% Popularity • 20% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
13% Popularity • 20% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Geoffrey Abbott
The Imposter Is Here
71 bpm • C# Maj • 04:22 • -8.77db
4% Popularity • 36% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
4% Popularity • 36% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Liz Callaway
The Story Goes On (Baby)
81 bpm • C Maj • 04:23 • -9.1db
9% Popularity • 26% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
9% Popularity • 26% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
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William Finn
I'd Rather Be Sailing
71 bpm • C# Maj • 03:02 • -8.03db
26% Popularity • 33% Danceability • 35% Energy • 29% Liveness
0% Instrumentalness • 13% Positiveness
26% Popularity • 33% Danceability • 35% Energy • 29% Liveness
0% Instrumentalness • 13% Positiveness
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Norbert Leo Butz
Shiksa Goddess
81 bpm • D Maj • 03:58 • -7.62db
30% Popularity • 51% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
30% Popularity • 51% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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Solea Pfeiffer
I'm Not Afraid of Anything
81 bpm • D Maj • 04:49 • -9.13db
31% Popularity • 40% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
31% Popularity • 40% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Idina Menzel
What If?
71 bpm • A Maj • 04:43 • -9.97db
24% Popularity • 46% Danceability • 38% Energy • 28% Liveness
0% Instrumentalness • 31% Positiveness
24% Popularity • 46% Danceability • 38% Energy • 28% Liveness
0% Instrumentalness • 31% Positiveness
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Rebecca Faulkenberry
Playing Nancy
71 bpm • D Maj • 03:11 • -8db
32% Popularity • 52% Danceability • 29% Energy • 15% Liveness
0% Instrumentalness • 24% Positiveness
32% Popularity • 52% Danceability • 29% Energy • 15% Liveness
0% Instrumentalness • 24% Positiveness
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Leanne Cope
The Man I Love
81 bpm • G# min • 01:59 • -17db
17% Popularity • 24% Danceability • 12% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
17% Popularity • 24% Danceability • 12% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
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Maria Friedman
Look At Me
81 bpm • C# Maj • 03:58 • -14db
16% Popularity • 32% Danceability • 23% Energy • 20% Liveness
0% Instrumentalness • 18% Positiveness
16% Popularity • 32% Danceability • 23% Energy • 20% Liveness
0% Instrumentalness • 18% Positiveness
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Kate Baldwin
Ribbons Down My Back
71 bpm • D min • 03:08 • -14db
28% Popularity • 28% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
28% Popularity • 28% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Lea Michele
Whispering - Original Broadway Cast Reco...
81 bpm • E min • 03:35 • -16.06db
34% Popularity • 36% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
34% Popularity • 36% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
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James Snyder
Hey, Kid
81 bpm • F Maj • 03:38 • -11.83db
17% Popularity • 34% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
17% Popularity • 34% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Tam Mutu
Now
82 bpm • D# Maj • 04:15 • -12.97db
11% Popularity • 28% Danceability • 18% Energy • 21% Liveness
0% Instrumentalness • 15% Positiveness
11% Popularity • 28% Danceability • 18% Energy • 21% Liveness
0% Instrumentalness • 15% Positiveness
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Stephen Weller
Live With Somebody You Love - Reprise
82 bpm • E Maj • 04:40 • -13.93db
3% Popularity • 18% Danceability • 10% Energy • 7% Liveness
2% Instrumentalness • 4% Positiveness
3% Popularity • 18% Danceability • 10% Energy • 7% Liveness
2% Instrumentalness • 4% Positiveness
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Carole Bayer Sager
Don't Wish Too Hard - The Boy From Oz/Or...
82 bpm • G# Maj • 01:39 • -5.3db
9% Popularity • 53% Danceability • 62% Energy • 39% Liveness
0% Instrumentalness • 93% Positiveness
9% Popularity • 53% Danceability • 62% Energy • 39% Liveness
0% Instrumentalness • 93% Positiveness
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David St. Louis
You Should Be Loved
82 bpm • F Maj • 05:20 • -9.8db
9% Popularity • 37% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
9% Popularity • 37% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
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Martin Smith
Funny
83 bpm • A# min • 02:01 • -16.04db
7% Popularity • 46% Danceability • 23% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
7% Popularity • 46% Danceability • 23% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
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Nunsense 30th Anniversary Cast
Growing Up Catholic
83 bpm • G# Maj • 02:38 • -13.84db
10% Popularity • 32% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
10% Popularity • 32% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
► Preview
Nicholas Barasch
Try Me
83 bpm • D Maj • 03:41 • -10.41db
24% Popularity • 49% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
24% Popularity • 49% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
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Matthew Cammelle
Why?
83 bpm • D Maj • 06:02 • -10.94db
5% Popularity • 31% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
5% Popularity • 31% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Maria Friedman
Loose Ends
83 bpm • G# Maj • 04:25 • -18.89db
15% Popularity • 36% Danceability • 9% Energy • 13% Liveness
2% Instrumentalness • 13% Positiveness
15% Popularity • 36% Danceability • 9% Energy • 13% Liveness
2% Instrumentalness • 13% Positiveness
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Lewis Flinn
Where Am I Now?
83 bpm • A# Maj • 04:09 • -8.85db
19% Popularity • 32% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 25% Positiveness
19% Popularity • 32% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 25% Positiveness
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Kiki Dee
Marilyn Monroe (3)
83 bpm • D Maj • 04:26 • -23.44db
10% Popularity • 20% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
10% Popularity • 20% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Rebecca Lock
When Will Someone Hear?
83 bpm • A Maj • 02:40 • -17.3db
11% Popularity • 44% Danceability • 18% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
11% Popularity • 44% Danceability • 18% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
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Brian D'Arcy James
Did Spring Come to Texas?
83 bpm • C Maj • 02:28 • -7.15db
10% Popularity • 43% Danceability • 50% Energy • 20% Liveness
0% Instrumentalness • 70% Positiveness
10% Popularity • 43% Danceability • 50% Energy • 20% Liveness
0% Instrumentalness • 70% Positiveness
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Stephen Weller
Prologue
69 bpm • A# min • 00:58 • -15.2db
3% Popularity • 40% Danceability • 24% Energy • 26% Liveness
0% Instrumentalness • 4% Positiveness
3% Popularity • 40% Danceability • 24% Energy • 26% Liveness
0% Instrumentalness • 4% Positiveness
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Ty Taylor
King of the World
84 bpm • C Maj • 04:16 • -11.37db
19% Popularity • 46% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
19% Popularity • 46% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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Cast of Ghost - The Musical
Nothing Stops Another Day
84 bpm • D# Maj • 04:01 • -7.79db
26% Popularity • 21% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
26% Popularity • 21% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Sean Hayes
Half as Big as Life
84 bpm • F min • 02:05 • -7.97db
14% Popularity • 63% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
14% Popularity • 63% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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Iain Glen
Tell Me To Go
84 bpm • A# Maj • 04:35 • -17.29db
11% Popularity • 26% Danceability • 12% Energy • 18% Liveness
0% Instrumentalness • 14% Positiveness
11% Popularity • 26% Danceability • 12% Energy • 18% Liveness
0% Instrumentalness • 14% Positiveness
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Joanna Riding
If I Loved You
84 bpm • C# Maj • 11:44 • -19.07db
20% Popularity • 35% Danceability • 10% Energy • 6% Liveness
0% Instrumentalness • 13% Positiveness
20% Popularity • 35% Danceability • 10% Energy • 6% Liveness
0% Instrumentalness • 13% Positiveness
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Ross Lekites
I'll Go Home with Bonnie Jean
84 bpm • G Maj • 02:19 • -8.76db
11% Popularity • 61% Danceability • 40% Energy • 21% Liveness
0% Instrumentalness • 84% Positiveness
11% Popularity • 61% Danceability • 40% Energy • 21% Liveness
0% Instrumentalness • 84% Positiveness
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Kelli Barrett
When the Music Played
84 bpm • F Maj • 04:54 • -14.73db
16% Popularity • 26% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
16% Popularity • 26% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Idina Menzel
What If? (Reprise)
84 bpm • A Maj • 01:32 • -9.97db
18% Popularity • 28% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
18% Popularity • 28% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
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Maurice Clark
The Killing
68 bpm • D Maj • 01:15 • -7.5db
2% Popularity • 57% Danceability • 50% Energy • 28% Liveness
0% Instrumentalness • 47% Positiveness
2% Popularity • 57% Danceability • 50% Energy • 28% Liveness
0% Instrumentalness • 47% Positiveness
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Stephen Weller
Family Man
68 bpm • G Maj • 03:09 • -11.22db
0% Popularity • 23% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
0% Popularity • 23% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
