Songs like Livin' for the Ones by Bonnie Raitt
Based on a tempo of (+/- 10%) and a similar genre
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Bonnie Raitt
The Comin' Round Is Going Through
136 bpm • F# min • 05:29 • -5.74db
12% Popularity • 58% Danceability • 84% Energy • 4% Liveness
0% Instrumentalness • 72% Positiveness
12% Popularity • 58% Danceability • 84% Energy • 4% Liveness
0% Instrumentalness • 72% Positiveness
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Elvis Costello
Surrender To The Rhythm
136 bpm • G Maj • 03:41 • -4.43db
13% Popularity • 62% Danceability • 74% Energy • 21% Liveness
0% Instrumentalness • 80% Positiveness
13% Popularity • 62% Danceability • 74% Energy • 21% Liveness
0% Instrumentalness • 80% Positiveness
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Lyle Lovett
Don't Touch My Hat
136 bpm • G Maj • 03:46 • -8.91db
32% Popularity • 60% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
32% Popularity • 60% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Alice Howe
It's a Big Old Goofy World
136 bpm • D# Maj • 03:56 • -13.63db
9% Popularity • 77% Danceability • 23% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
9% Popularity • 77% Danceability • 23% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
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Walter Trout
High Is Low
135 bpm • D Maj • 04:19 • -5db
22% Popularity • 37% Danceability • 91% Energy • 28% Liveness
83% Instrumentalness • 48% Positiveness
22% Popularity • 37% Danceability • 91% Energy • 28% Liveness
83% Instrumentalness • 48% Positiveness
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Robin Trower
No More Worlds to Conquer
137 bpm • G Maj • 03:54 • -7.37db
27% Popularity • 63% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
27% Popularity • 63% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
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Bonnie Raitt
Livin' for the Ones
136 bpm • G# Maj • 03:04 • -3.31db
25% Popularity • 52% Danceability • 88% Energy • 20% Liveness
0% Instrumentalness • 64% Positiveness
25% Popularity • 52% Danceability • 88% Energy • 20% Liveness
0% Instrumentalness • 64% Positiveness
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Luke Winslow-King
Love At First Sight
135 bpm • F Maj • 03:28 • -9.47db
35% Popularity • 38% Danceability • 54% Energy • 17% Liveness
0% Instrumentalness • 74% Positiveness
35% Popularity • 38% Danceability • 54% Energy • 17% Liveness
0% Instrumentalness • 74% Positiveness
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Jesse Malin
State of the Art
137 bpm • E Maj • 03:45 • -5.55db
16% Popularity • 50% Danceability • 92% Energy • 18% Liveness
1% Instrumentalness • 72% Positiveness
16% Popularity • 50% Danceability • 92% Energy • 18% Liveness
1% Instrumentalness • 72% Positiveness
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Blue Rodeo
I Owe It to Myself
135 bpm • F Maj • 04:45 • -4.73db
15% Popularity • 60% Danceability • 91% Energy • 27% Liveness
0% Instrumentalness • 86% Positiveness
15% Popularity • 60% Danceability • 91% Energy • 27% Liveness
0% Instrumentalness • 86% Positiveness
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Ray Charles
Do I Ever Cross Your Mind
135 bpm • D Maj • 04:34 • -9db
47% Popularity • 56% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
47% Popularity • 56% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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Robert Plant
Trouble with My Lover
135 bpm • A# min • 04:03 • -12.84db
30% Popularity • 66% Danceability • 33% Energy • 11% Liveness
43% Instrumentalness • 27% Positiveness
30% Popularity • 66% Danceability • 33% Energy • 11% Liveness
43% Instrumentalness • 27% Positiveness
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John Hiatt
Slow Turning
135 bpm • F Maj • 03:37 • -12.66db
31% Popularity • 74% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
31% Popularity • 74% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
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Dion
Cryin' Shame
133 bpm • G Maj • 04:45 • -4.88db
14% Popularity • 60% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 75% Positiveness
14% Popularity • 60% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 75% Positiveness
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The Cactus Blossoms
Ballad of an Unknown
139 bpm • D min • 03:19 • -10.02db
29% Popularity • 64% Danceability • 69% Energy • 8% Liveness
2% Instrumentalness • 79% Positiveness
29% Popularity • 64% Danceability • 69% Energy • 8% Liveness
2% Instrumentalness • 79% Positiveness
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The Allman Betts Band
King Crawler
139 bpm • G Maj • 04:04 • -4.11db
17% Popularity • 38% Danceability • 90% Energy • 37% Liveness
0% Instrumentalness • 46% Positiveness
17% Popularity • 38% Danceability • 90% Energy • 37% Liveness
0% Instrumentalness • 46% Positiveness
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John Prine
Angel from Montgomery - Live
133 bpm • A Maj • 04:16 • -17.61db
45% Popularity • 46% Danceability • 26% Energy • 69% Liveness
0% Instrumentalness • 22% Positiveness
45% Popularity • 46% Danceability • 26% Energy • 69% Liveness
0% Instrumentalness • 22% Positiveness
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Bonnie Raitt
Under the Falling Sky - 2008 Remaster
133 bpm • C Maj • 03:43 • -11db
22% Popularity • 34% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
22% Popularity • 34% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
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Eilen Jewell
Lethal Love
133 bpm • F min • 03:06 • -7.67db
28% Popularity • 57% Danceability • 67% Energy • 17% Liveness
0% Instrumentalness • 85% Positiveness
28% Popularity • 57% Danceability • 67% Energy • 17% Liveness
0% Instrumentalness • 85% Positiveness
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Mary Gauthier
Amsterdam
139 bpm • F Maj • 05:01 • -8.88db
16% Popularity • 50% Danceability • 44% Energy • 9% Liveness
7% Instrumentalness • 56% Positiveness
16% Popularity • 50% Danceability • 44% Energy • 9% Liveness
7% Instrumentalness • 56% Positiveness
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Amy Helm
Cotton And The Cane
139 bpm • D Maj • 04:10 • -9.17db
11% Popularity • 39% Danceability • 34% Energy • 11% Liveness
3% Instrumentalness • 16% Positiveness
11% Popularity • 39% Danceability • 34% Energy • 11% Liveness
3% Instrumentalness • 16% Positiveness
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Mike Campbell & The Dirty Knobs
Electric Gypsy
140 bpm • D Maj • 04:35 • -5.09db
20% Popularity • 40% Danceability • 64% Energy • 20% Liveness
1% Instrumentalness • 49% Positiveness
20% Popularity • 40% Danceability • 64% Energy • 20% Liveness
1% Instrumentalness • 49% Positiveness
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Amythyst Kiah
In The Pines
140 bpm • D Maj • 03:30 • -13.39db
27% Popularity • 40% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
27% Popularity • 40% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
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Altered Five Blues Band
Great Minds Drink Alike - With Horns
132 bpm • C Maj • 03:57 • -6db
12% Popularity • 60% Danceability • 89% Energy • 25% Liveness
9% Instrumentalness • 72% Positiveness
12% Popularity • 60% Danceability • 89% Energy • 25% Liveness
9% Instrumentalness • 72% Positiveness
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John Hiatt & The Goners
How Bad's the Coffee
140 bpm • G Maj • 03:56 • -4.97db
19% Popularity • 49% Danceability • 91% Energy • 32% Liveness
0% Instrumentalness • 92% Positiveness
19% Popularity • 49% Danceability • 91% Energy • 32% Liveness
0% Instrumentalness • 92% Positiveness
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Davy Knowles
Roll Me
140 bpm • D# Maj • 05:07 • -9.43db
22% Popularity • 65% Danceability • 32% Energy • 12% Liveness
2% Instrumentalness • 23% Positiveness
22% Popularity • 65% Danceability • 32% Energy • 12% Liveness
2% Instrumentalness • 23% Positiveness
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Sheryl Crow
Live Wire
140 bpm • D Maj • 05:09 • -3.32db
31% Popularity • 63% Danceability • 75% Energy • 61% Liveness
0% Instrumentalness • 71% Positiveness
31% Popularity • 63% Danceability • 75% Energy • 61% Liveness
0% Instrumentalness • 71% Positiveness
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Ginger Wildheart & The Sinners
Lately, Always
132 bpm • C Maj • 03:51 • -7.48db
8% Popularity • 53% Danceability • 74% Energy • 30% Liveness
0% Instrumentalness • 71% Positiveness
8% Popularity • 53% Danceability • 74% Energy • 30% Liveness
0% Instrumentalness • 71% Positiveness
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Will Hoge
John Prine's Cadillac
140 bpm • A Maj • 03:21 • -6.63db
15% Popularity • 53% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
15% Popularity • 53% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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Altered Five Blues Band
Great Minds Drink Alike
132 bpm • C Maj • 03:56 • -5db
23% Popularity • 60% Danceability • 92% Energy • 55% Liveness
1% Instrumentalness • 78% Positiveness
23% Popularity • 60% Danceability • 92% Energy • 55% Liveness
1% Instrumentalness • 78% Positiveness
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Lyle Lovett
Pig Meat Man
140 bpm • F Maj • 04:43 • -9.44db
12% Popularity • 79% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
12% Popularity • 79% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
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Little Village
Big Love
131 bpm • D Maj • 06:25 • -12db
27% Popularity • 62% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
27% Popularity • 62% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Tony Joe White
Ice Cream Man
141 bpm • A min • 04:28 • -12.79db
17% Popularity • 49% Danceability • 55% Energy • 8% Liveness
73% Instrumentalness • 85% Positiveness
17% Popularity • 49% Danceability • 55% Energy • 8% Liveness
73% Instrumentalness • 85% Positiveness
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The War And Treaty
Lover's Game
142 bpm • F# min • 02:49 • -4.54db
33% Popularity • 39% Danceability • 94% Energy • 38% Liveness
0% Instrumentalness • 47% Positiveness
33% Popularity • 39% Danceability • 94% Energy • 38% Liveness
0% Instrumentalness • 47% Positiveness
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Linda Ronstadt
Willin'
141 bpm • E Maj • 03:02 • -10.81db
46% Popularity • 52% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
46% Popularity • 52% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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Warren Haynes
Free to Go
130 bpm • A Maj • 08:28 • -6.52db
11% Popularity • 45% Danceability • 51% Energy • 10% Liveness
7% Instrumentalness • 17% Positiveness
11% Popularity • 45% Danceability • 51% Energy • 10% Liveness
7% Instrumentalness • 17% Positiveness
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Mike Campbell & The Dirty Knobs
State Of Mind
142 bpm • G# Maj • 04:18 • -8.76db
22% Popularity • 54% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
22% Popularity • 54% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Rodney Crowell
Triage
142 bpm • D min • 03:49 • -8.81db
9% Popularity • 68% Danceability • 51% Energy • 30% Liveness
2% Instrumentalness • 48% Positiveness
9% Popularity • 68% Danceability • 51% Energy • 30% Liveness
2% Instrumentalness • 48% Positiveness
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Elvis Costello
Everybody Knows This Is Nowhere / Dance ...
130 bpm • G Maj • 03:52 • -4.72db
9% Popularity • 62% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
9% Popularity • 62% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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Gary Louris
Almost Home
130 bpm • A Maj • 03:30 • -4.31db
17% Popularity • 54% Danceability • 86% Energy • 6% Liveness
1% Instrumentalness • 86% Positiveness
17% Popularity • 54% Danceability • 86% Energy • 6% Liveness
1% Instrumentalness • 86% Positiveness
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Tift Merritt
I Am Your Tambourine
143 bpm • D Maj • 03:44 • -3.3db
24% Popularity • 45% Danceability • 98% Energy • 27% Liveness
1% Instrumentalness • 82% Positiveness
24% Popularity • 45% Danceability • 98% Energy • 27% Liveness
1% Instrumentalness • 82% Positiveness
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Eilen Jewell
Crawl
130 bpm • D Maj • 03:38 • -6db
36% Popularity • 54% Danceability • 74% Energy • 28% Liveness
8% Instrumentalness • 76% Positiveness
36% Popularity • 54% Danceability • 74% Energy • 28% Liveness
8% Instrumentalness • 76% Positiveness
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Bonnie Raitt
Hell To Pay
130 bpm • G# min • 04:03 • -11db
12% Popularity • 74% Danceability • 48% Energy • 7% Liveness
1% Instrumentalness • 81% Positiveness
12% Popularity • 74% Danceability • 48% Energy • 7% Liveness
1% Instrumentalness • 81% Positiveness
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Mary Gauthier
Fall Apart World
143 bpm • A Maj • 04:37 • -9db
21% Popularity • 45% Danceability • 55% Energy • 11% Liveness
42% Instrumentalness • 71% Positiveness
21% Popularity • 45% Danceability • 55% Energy • 11% Liveness
42% Instrumentalness • 71% Positiveness
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Rickie Lee Jones
Danny's All-Star Joint
143 bpm • E Maj • 04:06 • -14.19db
30% Popularity • 71% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
30% Popularity • 71% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
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Paul Thorn
Here We Go
129 bpm • E Maj • 02:48 • -11.44db
13% Popularity • 56% Danceability • 55% Energy • 8% Liveness
19% Instrumentalness • 54% Positiveness
13% Popularity • 56% Danceability • 55% Energy • 8% Liveness
19% Instrumentalness • 54% Positiveness
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Son Volt
Sometimes You've Got to Stop Chasing Rai...
129 bpm • A Maj • 02:56 • -8.37db
23% Popularity • 57% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
23% Popularity • 57% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
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Eilen Jewell
Green River
129 bpm • A Maj • 02:57 • -8.48db
51% Popularity • 84% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
51% Popularity • 84% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Little Village
She Runs Hot
144 bpm • A Maj • 03:18 • -9db
27% Popularity • 72% Danceability • 67% Energy • 23% Liveness
0% Instrumentalness • 86% Positiveness
27% Popularity • 72% Danceability • 67% Energy • 23% Liveness
0% Instrumentalness • 86% Positiveness
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Bonnie Raitt
Thing Called Love
130 bpm • F Maj • 03:52 • -12db
40% Popularity • 64% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
40% Popularity • 64% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
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Colin Hay
Man Without a Name
144 bpm • C# min • 03:38 • -7.36db
7% Popularity • 63% Danceability • 65% Energy • 18% Liveness
1% Instrumentalness • 77% Positiveness
7% Popularity • 63% Danceability • 65% Energy • 18% Liveness
1% Instrumentalness • 77% Positiveness
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Gregg Allman
Willin’
128 bpm • G Maj • 03:36 • -6.68db
28% Popularity • 52% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 42% Positiveness
28% Popularity • 52% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 42% Positiveness
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Lyle Lovett
On A Winter's Morning
128 bpm • G# Maj • 06:21 • -6.82db
13% Popularity • 78% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
13% Popularity • 78% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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Curtis Salgado
The Longer That I Live
128 bpm • C Maj • 03:51 • -4.01db
32% Popularity • 76% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
32% Popularity • 76% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
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Rosanne Cash
Motherless Children
128 bpm • G min • 03:06 • -7.16db
34% Popularity • 68% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
34% Popularity • 68% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Blackie & The Rodeo Kings
O Glory Lost Those Blues Again
144 bpm • D min • 03:23 • -7.38db
8% Popularity • 57% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
8% Popularity • 57% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
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Christone "Kingfish" Ingram
Rock & Roll - Bonus Track
145 bpm • D Maj • 04:40 • -9.29db
25% Popularity • 51% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
25% Popularity • 51% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
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Robert Cray
You're Everything
145 bpm • D min • 06:05 • -9.92db
35% Popularity • 52% Danceability • 42% Energy • 10% Liveness
5% Instrumentalness • 29% Positiveness
35% Popularity • 52% Danceability • 42% Energy • 10% Liveness
5% Instrumentalness • 29% Positiveness
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Jack Broadbent
I Love Your Rock 'n' Roll
127 bpm • C Maj • 04:14 • -8.64db
20% Popularity • 57% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
20% Popularity • 57% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
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Bonnie Raitt
Gnawin' On It
145 bpm • G# Maj • 04:44 • -7.9db
12% Popularity • 56% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 73% Positiveness
12% Popularity • 56% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 73% Positiveness
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A.J. Croce
Nothing Can Change This Love
145 bpm • F Maj • 02:45 • -6.99db
12% Popularity • 53% Danceability • 62% Energy • 24% Liveness
0% Instrumentalness • 59% Positiveness
12% Popularity • 53% Danceability • 62% Energy • 24% Liveness
0% Instrumentalness • 59% Positiveness
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Daniel Tashian
Night After Night
127 bpm • C# Maj • 02:41 • -9.14db
9% Popularity • 68% Danceability • 54% Energy • 13% Liveness
1% Instrumentalness • 56% Positiveness
9% Popularity • 68% Danceability • 54% Energy • 13% Liveness
1% Instrumentalness • 56% Positiveness
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Lyle Lovett
The Mocking Ones
127 bpm • F Maj • 03:42 • -8.46db
12% Popularity • 62% Danceability • 30% Energy • 35% Liveness
0% Instrumentalness • 36% Positiveness
12% Popularity • 62% Danceability • 30% Energy • 35% Liveness
0% Instrumentalness • 36% Positiveness
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Quinn Sullivan
How Many Tears
127 bpm • G Maj • 03:32 • -6.87db
31% Popularity • 65% Danceability • 68% Energy • 30% Liveness
0% Instrumentalness • 42% Positiveness
31% Popularity • 65% Danceability • 68% Energy • 30% Liveness
0% Instrumentalness • 42% Positiveness
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Amazing Rhythm Aces
Dancing the Night Away - Remastered
127 bpm • A Maj • 05:40 • -13db
27% Popularity • 46% Danceability • 56% Energy • 29% Liveness
0% Instrumentalness • 57% Positiveness
27% Popularity • 46% Danceability • 56% Energy • 29% Liveness
0% Instrumentalness • 57% Positiveness
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Bonnie Raitt
Angel from Montgomery
127 bpm • G# Maj • 04:11 • -9.54db
24% Popularity • 47% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
24% Popularity • 47% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Shannon McNally
I Ain’t Living Long Like This
146 bpm • A Maj • 04:37 • -6.13db
16% Popularity • 54% Danceability • 93% Energy • 29% Liveness
0% Instrumentalness • 72% Positiveness
16% Popularity • 54% Danceability • 93% Energy • 29% Liveness
0% Instrumentalness • 72% Positiveness
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Tom Petty
Cabin Down Below - Acoustic Version
126 bpm • E Maj • 02:45 • -7db
18% Popularity • 69% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
18% Popularity • 69% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
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Vintage Trouble
Dare You Be Mine
146 bpm • A# Maj • 03:27 • -5.94db
23% Popularity • 58% Danceability • 85% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
23% Popularity • 58% Danceability • 85% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
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Taj Mahal
Is You Is Or Is You Ain't My Baby
126 bpm • G Maj • 04:36 • -10.44db
18% Popularity • 67% Danceability • 41% Energy • 23% Liveness
0% Instrumentalness • 52% Positiveness
18% Popularity • 67% Danceability • 41% Energy • 23% Liveness
0% Instrumentalness • 52% Positiveness
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Rosanne Cash
Crawl into the Promised Land
126 bpm • D Maj • 03:26 • -5.02db
25% Popularity • 70% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
25% Popularity • 70% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Bodeans
Ya Gotta Go Crazy
126 bpm • G Maj • 03:50 • -6.09db
12% Popularity • 57% Danceability • 85% Energy • 15% Liveness
8% Instrumentalness • 85% Positiveness
12% Popularity • 57% Danceability • 85% Energy • 15% Liveness
8% Instrumentalness • 85% Positiveness
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John Hiatt
Little Goodnight
147 bpm • A Maj • 04:43 • -9.71db
17% Popularity • 54% Danceability • 60% Energy • 11% Liveness
4% Instrumentalness • 81% Positiveness
17% Popularity • 54% Danceability • 60% Energy • 11% Liveness
4% Instrumentalness • 81% Positiveness
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Tom Petty
Cabin Down Below - Alternate Version
126 bpm • A Maj • 03:50 • -4.73db
21% Popularity • 52% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
21% Popularity • 52% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
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Bonnie Raitt
Poor Poor Pitiful Me
126 bpm • G Maj • 04:05 • -7.89db
22% Popularity • 57% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
22% Popularity • 57% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Drive-By Truckers
Welcome 2 Club XIII
126 bpm • C Maj • 03:22 • -6.53db
17% Popularity • 54% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
17% Popularity • 54% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Chris Smither
Link Of Chain
147 bpm • F# Maj • 04:50 • -9db
35% Popularity • 44% Danceability • 47% Energy • 70% Liveness
7% Instrumentalness • 13% Positiveness
35% Popularity • 44% Danceability • 47% Energy • 70% Liveness
7% Instrumentalness • 13% Positiveness
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The Black Crowes
You Wear It Well
126 bpm • D Maj • 04:52 • -6db
24% Popularity • 59% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
24% Popularity • 59% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Trigger Hippy
Full Circle and Then Some
125 bpm • E Maj • 04:11 • -6db
16% Popularity • 47% Danceability • 79% Energy • 27% Liveness
0% Instrumentalness • 56% Positiveness
16% Popularity • 47% Danceability • 79% Energy • 27% Liveness
0% Instrumentalness • 56% Positiveness
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Crystal Shawanda
Church House Blues
125 bpm • F# min • 03:32 • -3.51db
9% Popularity • 66% Danceability • 78% Energy • 46% Liveness
0% Instrumentalness • 78% Positiveness
9% Popularity • 66% Danceability • 78% Energy • 46% Liveness
0% Instrumentalness • 78% Positiveness
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Bonnie Raitt
Right Down The Line
125 bpm • F Maj • 05:27 • -6.82db
37% Popularity • 67% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
37% Popularity • 67% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
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Colin Linden
Knob & Tube
125 bpm • C Maj • 03:14 • -6.31db
13% Popularity • 69% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
13% Popularity • 69% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
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Bette Smith
Brown Sugar
125 bpm • C Maj • 04:26 • -7db
10% Popularity • 58% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
10% Popularity • 58% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
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Gerry Rafferty
Stuck in the Middle with You
125 bpm • F Maj • 03:35 • -6.61db
27% Popularity • 75% Danceability • 72% Energy • 33% Liveness
0% Instrumentalness • 69% Positiveness
27% Popularity • 75% Danceability • 72% Energy • 33% Liveness
0% Instrumentalness • 69% Positiveness
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Big Head Todd and The Monsters
Brandy (You're A Fine Girl)
125 bpm • E Maj • 03:10 • -6.05db
36% Popularity • 76% Danceability • 56% Energy • 9% Liveness
1% Instrumentalness • 80% Positiveness
36% Popularity • 76% Danceability • 56% Energy • 9% Liveness
1% Instrumentalness • 80% Positiveness
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Jesse Malin
Lost Forever
125 bpm • C Maj • 03:24 • -7.28db
12% Popularity • 58% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
12% Popularity • 58% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
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Mike Campbell & The Dirty Knobs
Wreckless Abandon
125 bpm • E Maj • 06:02 • -6.64db
24% Popularity • 40% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
24% Popularity • 40% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Bettye LaVette
Plan B
125 bpm • E min • 03:43 • -3.98db
11% Popularity • 61% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
11% Popularity • 61% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Lyle Lovett
The Road To Ensenada
125 bpm • D Maj • 04:15 • -11db
31% Popularity • 57% Danceability • 36% Energy • 39% Liveness
0% Instrumentalness • 26% Positiveness
31% Popularity • 57% Danceability • 36% Energy • 39% Liveness
0% Instrumentalness • 26% Positiveness
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Quinn Sullivan
Midnight Highway
125 bpm • D Maj • 05:55 • -5db
28% Popularity • 48% Danceability • 71% Energy • 52% Liveness
0% Instrumentalness • 49% Positiveness
28% Popularity • 48% Danceability • 71% Energy • 52% Liveness
0% Instrumentalness • 49% Positiveness
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Bonnie Raitt
Love Me Like a Man - 2008 Remaster
125 bpm • B min • 03:12 • -11.58db
53% Popularity • 60% Danceability • 52% Energy • 20% Liveness
0% Instrumentalness • 83% Positiveness
53% Popularity • 60% Danceability • 52% Energy • 20% Liveness
0% Instrumentalness • 83% Positiveness
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Gregg Allman
My Only True Friend
149 bpm • A Maj • 06:16 • -5.94db
33% Popularity • 43% Danceability • 67% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
33% Popularity • 43% Danceability • 67% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
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Chuck Prophet
Ford Econoline
124 bpm • A Maj • 03:41 • -2.87db
32% Popularity • 50% Danceability • 94% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
32% Popularity • 50% Danceability • 94% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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Malcolm Holcombe
Money Train
124 bpm • A# min • 04:38 • -9.7db
8% Popularity • 65% Danceability • 46% Energy • 11% Liveness
23% Instrumentalness • 44% Positiveness
8% Popularity • 65% Danceability • 46% Energy • 11% Liveness
23% Instrumentalness • 44% Positiveness
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Mavis Staples
When I Go Away
124 bpm • G# Maj • 05:16 • -6.39db
16% Popularity • 56% Danceability • 87% Energy • 69% Liveness
0% Instrumentalness • 62% Positiveness
16% Popularity • 56% Danceability • 87% Energy • 69% Liveness
0% Instrumentalness • 62% Positiveness
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John Hiatt
Adios to California
149 bpm • B min • 03:47 • -10.57db
47% Popularity • 55% Danceability • 49% Energy • 11% Liveness
2% Instrumentalness • 44% Positiveness
47% Popularity • 55% Danceability • 49% Energy • 11% Liveness
2% Instrumentalness • 44% Positiveness
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Bonnie Raitt
Cry Like a Rainstorm - 2008 Remaster
125 bpm • D Maj • 03:55 • -8.49db
20% Popularity • 50% Danceability • 48% Energy • 11% Liveness
1% Instrumentalness • 43% Positiveness
20% Popularity • 50% Danceability • 48% Energy • 11% Liveness
1% Instrumentalness • 43% Positiveness
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Rodney Crowell
56 Fury
124 bpm • E Maj • 03:50 • -5db
29% Popularity • 64% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
29% Popularity • 64% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
