Songs like Livin' On Love by Alan Jackson
Based on a tempo of (+/- 10%) and a similar genre
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Luke Combs
Lovin' On You
119 bpm • E Maj • 03:14 • -4.87db
70% Popularity • 57% Danceability • 95% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
70% Popularity • 57% Danceability • 95% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
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Montgomery Gentry
Gone
119 bpm • G Maj • 04:10 • -5db
50% Popularity • 65% Danceability • 90% Energy • 5% Liveness
0% Instrumentalness • 58% Positiveness
50% Popularity • 65% Danceability • 90% Energy • 5% Liveness
0% Instrumentalness • 58% Positiveness
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Toby Keith
Beer For My Horses
119 bpm • A# Maj • 03:24 • -5.33db
73% Popularity • 72% Danceability • 85% Energy • 5% Liveness
0% Instrumentalness • 80% Positiveness
73% Popularity • 72% Danceability • 85% Energy • 5% Liveness
0% Instrumentalness • 80% Positiveness
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Alan Jackson
Livin' On Love
119 bpm • A Maj • 03:48 • -9.71db
58% Popularity • 72% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
58% Popularity • 72% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
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Tracy Lawrence
Time Marches On
118 bpm • F# min • 03:05 • -9db
69% Popularity • 86% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
69% Popularity • 86% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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Joe Diffie
Bigger Than the Beatles
119 bpm • G Maj • 03:57 • -8db
50% Popularity • 74% Danceability • 77% Energy • 3% Liveness
0% Instrumentalness • 65% Positiveness
50% Popularity • 74% Danceability • 77% Energy • 3% Liveness
0% Instrumentalness • 65% Positiveness
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Martina McBride
Independence Day
118 bpm • A Maj • 03:24 • -6.2db
61% Popularity • 71% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
61% Popularity • 71% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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Dierks Bentley
Free And Easy (Down The Road I Go)
120 bpm • F# Maj • 03:19 • -5db
60% Popularity • 58% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
60% Popularity • 58% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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Toby Keith
As Good As I Once Was
119 bpm • F Maj • 03:47 • -4db
75% Popularity • 68% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
75% Popularity • 68% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Alan Jackson
Little Man
120 bpm • C# Maj • 04:27 • -11.44db
36% Popularity • 71% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
36% Popularity • 71% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Clay Walker
What's It to You
118 bpm • D Maj • 02:46 • -13.22db
58% Popularity • 72% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
58% Popularity • 72% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
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Easton Corbin
Roll With It
120 bpm • F Maj • 03:27 • -8db
58% Popularity • 71% Danceability • 65% Energy • 28% Liveness
0% Instrumentalness • 49% Positiveness
58% Popularity • 71% Danceability • 65% Energy • 28% Liveness
0% Instrumentalness • 49% Positiveness
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Hank Williams, Jr.
Country State Of Mind
118 bpm • D Maj • 03:57 • -9db
55% Popularity • 71% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
55% Popularity • 71% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
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Don Williams
I Believe In You
118 bpm • G Maj • 04:06 • -21.43db
60% Popularity • 51% Danceability • 21% Energy • 12% Liveness
1% Instrumentalness • 51% Positiveness
60% Popularity • 51% Danceability • 21% Energy • 12% Liveness
1% Instrumentalness • 51% Positiveness
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Jerry Reed
East Bound and Down
121 bpm • G Maj • 02:48 • -8.12db
63% Popularity • 51% Danceability • 94% Energy • 16% Liveness
0% Instrumentalness • 72% Positiveness
63% Popularity • 51% Danceability • 94% Energy • 16% Liveness
0% Instrumentalness • 72% Positiveness
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Neal McCoy
Wink
118 bpm • E Maj • 02:42 • -6.18db
59% Popularity • 71% Danceability • 85% Energy • 17% Liveness
0% Instrumentalness • 93% Positiveness
59% Popularity • 71% Danceability • 85% Energy • 17% Liveness
0% Instrumentalness • 93% Positiveness
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Brooks Jefferson
Two Pina Coladas
117 bpm • F Maj • 03:35 • -5.11db
53% Popularity • 76% Danceability • 79% Energy • 22% Liveness
0% Instrumentalness • 70% Positiveness
53% Popularity • 76% Danceability • 79% Energy • 22% Liveness
0% Instrumentalness • 70% Positiveness
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Billy Currington
That's How Country Boys Roll
121 bpm • D Maj • 03:44 • -3.01db
49% Popularity • 68% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
49% Popularity • 68% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
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Luke Bryan
All My Friends Say
117 bpm • A Maj • 04:02 • -4.42db
59% Popularity • 68% Danceability • 90% Energy • 18% Liveness
0% Instrumentalness • 96% Positiveness
59% Popularity • 68% Danceability • 90% Energy • 18% Liveness
0% Instrumentalness • 96% Positiveness
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Alan Jackson
Freight Train
121 bpm • G min • 04:39 • -7.54db
63% Popularity • 71% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
63% Popularity • 71% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
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Dierks Bentley
5-1-5-0
117 bpm • C# min • 03:02 • -5.18db
64% Popularity • 55% Danceability • 85% Energy • 31% Liveness
0% Instrumentalness • 68% Positiveness
64% Popularity • 55% Danceability • 85% Energy • 31% Liveness
0% Instrumentalness • 68% Positiveness
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Justin Moore
Why We Drink
117 bpm • F# Maj • 03:31 • -3.05db
61% Popularity • 62% Danceability • 90% Energy • 31% Liveness
0% Instrumentalness • 72% Positiveness
61% Popularity • 62% Danceability • 90% Energy • 31% Liveness
0% Instrumentalness • 72% Positiveness
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Brooks Jefferson
The Beaches of Cheyenne
117 bpm • G Maj • 04:13 • -3.57db
40% Popularity • 59% Danceability • 81% Energy • 38% Liveness
0% Instrumentalness • 60% Positiveness
40% Popularity • 59% Danceability • 81% Energy • 38% Liveness
0% Instrumentalness • 60% Positiveness
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George Strait
Amarillo By Morning
121 bpm • A Maj • 02:53 • -16.03db
71% Popularity • 61% Danceability • 36% Energy • 38% Liveness
0% Instrumentalness • 62% Positiveness
71% Popularity • 61% Danceability • 36% Energy • 38% Liveness
0% Instrumentalness • 62% Positiveness
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Dwight Yoakam
A Thousand Miles from Nowhere
117 bpm • C Maj • 04:28 • -5.95db
57% Popularity • 60% Danceability • 83% Energy • 32% Liveness
16% Instrumentalness • 71% Positiveness
57% Popularity • 60% Danceability • 83% Energy • 32% Liveness
16% Instrumentalness • 71% Positiveness
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Doug Stone
Why Didn't I Think Of That
121 bpm • D Maj • 03:11 • -7.47db
49% Popularity • 76% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 86% Positiveness
49% Popularity • 76% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 86% Positiveness
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Clint Black
Killin' Time
121 bpm • G Maj • 02:47 • -10.32db
63% Popularity • 71% Danceability • 49% Energy • 25% Liveness
0% Instrumentalness • 67% Positiveness
63% Popularity • 71% Danceability • 49% Energy • 25% Liveness
0% Instrumentalness • 67% Positiveness
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Shenandoah
Two Dozen Roses
121 bpm • E Maj • 03:24 • -9.14db
71% Popularity • 69% Danceability • 65% Energy • 29% Liveness
0% Instrumentalness • 60% Positiveness
71% Popularity • 69% Danceability • 65% Energy • 29% Liveness
0% Instrumentalness • 60% Positiveness
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Shania Twain
Party For Two - Country Version With Int...
121 bpm • B Maj • 03:32 • -5db
43% Popularity • 75% Danceability • 71% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
43% Popularity • 75% Danceability • 71% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
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Lonestar
No News
116 bpm • F min • 02:53 • -6db
54% Popularity • 74% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
54% Popularity • 74% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
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Trace Adkins
Ladies Love Country Boys
116 bpm • G Maj • 03:41 • -4db
61% Popularity • 66% Danceability • 96% Energy • 38% Liveness
0% Instrumentalness • 96% Positiveness
61% Popularity • 66% Danceability • 96% Energy • 38% Liveness
0% Instrumentalness • 96% Positiveness
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Josh Turner
Why Don't We Just Dance
122 bpm • F Maj • 03:12 • -5.93db
71% Popularity • 68% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
71% Popularity • 68% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Billy Ray Cyrus
Achy Breaky Heart
122 bpm • A Maj • 03:23 • -10.21db
69% Popularity • 80% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
69% Popularity • 80% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Hank Williams, Jr.
The American Way
116 bpm • D Maj • 03:07 • -12.47db
57% Popularity • 62% Danceability • 58% Energy • 3% Liveness
0% Instrumentalness • 73% Positiveness
57% Popularity • 62% Danceability • 58% Energy • 3% Liveness
0% Instrumentalness • 73% Positiveness
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Aaron Tippin
Kiss This
116 bpm • F# min • 02:53 • -5.48db
56% Popularity • 76% Danceability • 71% Energy • 36% Liveness
0% Instrumentalness • 67% Positiveness
56% Popularity • 76% Danceability • 71% Energy • 36% Liveness
0% Instrumentalness • 67% Positiveness
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Kenny Chesney
She Thinks My Tractor's Sexy
122 bpm • A# min • 04:08 • -7.07db
66% Popularity • 69% Danceability • 89% Energy • 28% Liveness
0% Instrumentalness • 91% Positiveness
66% Popularity • 69% Danceability • 89% Energy • 28% Liveness
0% Instrumentalness • 91% Positiveness
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Trace Adkins
(This Ain't) No Thinkin' Thing
116 bpm • A min • 04:02 • -6.3db
54% Popularity • 64% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
54% Popularity • 64% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Sawyer Brown
Thank God For You
116 bpm • F Maj • 03:18 • -6.46db
48% Popularity • 80% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
48% Popularity • 80% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Jon Pardi
Heartache On The Dance Floor
116 bpm • A Maj • 03:25 • -4.31db
74% Popularity • 60% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
74% Popularity • 60% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Rodney Atkins
If You're Going Through Hell (Before The...
116 bpm • A Maj • 03:36 • -3.66db
64% Popularity • 57% Danceability • 90% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
64% Popularity • 57% Danceability • 90% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
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Craig Campbell
Outskirts of Heaven
116 bpm • C Maj • 04:04 • -5.73db
55% Popularity • 50% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
55% Popularity • 50% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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John Michael Montgomery
Sold (The Grundy County Auction Incident...
116 bpm • D Maj • 02:32 • -7.37db
71% Popularity • 77% Danceability • 85% Energy • 35% Liveness
0% Instrumentalness • 80% Positiveness
71% Popularity • 77% Danceability • 85% Energy • 35% Liveness
0% Instrumentalness • 80% Positiveness
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Billy Currington
Good Directions
123 bpm • F Maj • 03:35 • -2.18db
72% Popularity • 72% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
72% Popularity • 72% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Montgomery Gentry
Hillbilly Shoes
116 bpm • G Maj • 03:12 • -6.07db
50% Popularity • 66% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
50% Popularity • 66% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Deana Carter
Strawberry Wine
123 bpm • C# Maj • 04:51 • -6.57db
68% Popularity • 57% Danceability • 45% Energy • 3% Liveness
0% Instrumentalness • 21% Positiveness
68% Popularity • 57% Danceability • 45% Energy • 3% Liveness
0% Instrumentalness • 21% Positiveness
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Alan Jackson
Where Were You (When the World Stopped T...
115 bpm • C Maj • 05:05 • -9.19db
52% Popularity • 64% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
52% Popularity • 64% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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Josh Turner
Would You Go With Me
123 bpm • F# Maj • 03:48 • -5.37db
72% Popularity • 60% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
72% Popularity • 60% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Brooks & Dunn
Play Something Country
115 bpm • G Maj • 03:14 • -3db
61% Popularity • 69% Danceability • 94% Energy • 57% Liveness
0% Instrumentalness • 77% Positiveness
61% Popularity • 69% Danceability • 94% Energy • 57% Liveness
0% Instrumentalness • 77% Positiveness
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Clay Walker
Rumor Has It
123 bpm • G Maj • 03:10 • -9.1db
46% Popularity • 63% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 74% Positiveness
46% Popularity • 63% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 74% Positiveness
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Cody Jinks
Hippies and Cowboys
115 bpm • F Maj • 05:00 • -5.07db
68% Popularity • 70% Danceability • 58% Energy • 30% Liveness
0% Instrumentalness • 62% Positiveness
68% Popularity • 70% Danceability • 58% Energy • 30% Liveness
0% Instrumentalness • 62% Positiveness
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Toby Keith
I Love This Bar
115 bpm • D Maj • 05:35 • -6.3db
68% Popularity • 61% Danceability • 82% Energy • 35% Liveness
1% Instrumentalness • 45% Positiveness
68% Popularity • 61% Danceability • 82% Energy • 35% Liveness
1% Instrumentalness • 45% Positiveness
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Gary Allan
Smoke Rings In The Dark
115 bpm • D Maj • 04:17 • -7.15db
54% Popularity • 53% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
54% Popularity • 53% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
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Josh Turner
Lord Have Mercy On A Country Boy
115 bpm • D Maj • 03:06 • -4.55db
46% Popularity • 67% Danceability • 72% Energy • 33% Liveness
2% Instrumentalness • 76% Positiveness
46% Popularity • 67% Danceability • 72% Energy • 33% Liveness
2% Instrumentalness • 76% Positiveness
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Trace Adkins
Honky Tonk Badonkadonk
115 bpm • D Maj • 04:01 • -3.49db
64% Popularity • 64% Danceability • 92% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
64% Popularity • 64% Danceability • 92% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
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Dwight Yoakam
I Sang Dixie
115 bpm • E Maj • 03:47 • -12.5db
47% Popularity • 70% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
47% Popularity • 70% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
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Alan Jackson
There Goes
115 bpm • B Maj • 03:55 • -8.22db
44% Popularity • 71% Danceability • 50% Energy • 20% Liveness
0% Instrumentalness • 56% Positiveness
44% Popularity • 71% Danceability • 50% Energy • 20% Liveness
0% Instrumentalness • 56% Positiveness
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Brooks & Dunn
Cowgirls Don't Cry
115 bpm • A Maj • 03:39 • -5.25db
59% Popularity • 66% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 62% Positiveness
59% Popularity • 66% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 62% Positiveness
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George Strait
Write This Down
124 bpm • D# Maj • 03:39 • -7.47db
70% Popularity • 73% Danceability • 69% Energy • 30% Liveness
0% Instrumentalness • 67% Positiveness
70% Popularity • 73% Danceability • 69% Energy • 30% Liveness
0% Instrumentalness • 67% Positiveness
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Gretchen Wilson
Here for the Party
124 bpm • C Maj • 03:16 • -4.87db
62% Popularity • 66% Danceability • 72% Energy • 90% Liveness
0% Instrumentalness • 81% Positiveness
62% Popularity • 66% Danceability • 72% Energy • 90% Liveness
0% Instrumentalness • 81% Positiveness
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Trace Adkins
Honky Tonk Badonkadonk
124 bpm • B min • 04:00 • -5.32db
55% Popularity • 54% Danceability • 94% Energy • 22% Liveness
0% Instrumentalness • 62% Positiveness
55% Popularity • 54% Danceability • 94% Energy • 22% Liveness
0% Instrumentalness • 62% Positiveness
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Travis Tritt
The Whiskey Ain't Workin'
124 bpm • G Maj • 02:39 • -9.26db
53% Popularity • 67% Danceability • 63% Energy • 27% Liveness
0% Instrumentalness • 89% Positiveness
53% Popularity • 67% Danceability • 63% Energy • 27% Liveness
0% Instrumentalness • 89% Positiveness
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Tim McGraw
I Like It, I Love It
124 bpm • C Maj • 03:25 • -5.3db
71% Popularity • 64% Danceability • 96% Energy • 95% Liveness
0% Instrumentalness • 96% Positiveness
71% Popularity • 64% Danceability • 96% Energy • 95% Liveness
0% Instrumentalness • 96% Positiveness
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Rodney Atkins
Caught Up In The Country
124 bpm • G Maj • 02:40 • -7db
73% Popularity • 60% Danceability • 81% Energy • 54% Liveness
0% Instrumentalness • 68% Positiveness
73% Popularity • 60% Danceability • 81% Energy • 54% Liveness
0% Instrumentalness • 68% Positiveness
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George Strait
Blue Clear Sky
124 bpm • E Maj • 02:54 • -7db
65% Popularity • 64% Danceability • 82% Energy • 30% Liveness
0% Instrumentalness • 71% Positiveness
65% Popularity • 64% Danceability • 82% Energy • 30% Liveness
0% Instrumentalness • 71% Positiveness
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Alan Jackson
The Older I Get
114 bpm • D Maj • 03:49 • -12db
51% Popularity • 62% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
51% Popularity • 62% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
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Dan Seals
Meet Me In Montana
124 bpm • A# Maj • 03:56 • -12.29db
53% Popularity • 66% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
53% Popularity • 66% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Cody Johnson
Dance Her Home
114 bpm • C Maj • 02:54 • -3.77db
72% Popularity • 67% Danceability • 89% Energy • 69% Liveness
0% Instrumentalness • 89% Positiveness
72% Popularity • 67% Danceability • 89% Energy • 69% Liveness
0% Instrumentalness • 89% Positiveness
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Ronnie Milsap
I Wouldn't Have Missed It For The World
114 bpm • G Maj • 03:37 • -10.84db
59% Popularity • 66% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
59% Popularity • 66% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Brooks Jefferson
That Summer
114 bpm • A Maj • 04:45 • -7db
49% Popularity • 58% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
49% Popularity • 58% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Trisha Yearwood
She's In Love With The Boy - Single Vers...
125 bpm • D# Maj • 04:08 • -8.27db
71% Popularity • 78% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
71% Popularity • 78% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Alan Jackson
1976
125 bpm • A Maj • 04:09 • -13.84db
44% Popularity • 75% Danceability • 44% Energy • 36% Liveness
0% Instrumentalness • 62% Positiveness
44% Popularity • 75% Danceability • 44% Energy • 36% Liveness
0% Instrumentalness • 62% Positiveness
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Billy Currington
Let Me Down Easy
125 bpm • C# Maj • 03:48 • -5db
59% Popularity • 61% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
59% Popularity • 61% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Eric Church
Drink In My Hand
113 bpm • C Maj • 03:11 • -4.45db
73% Popularity • 63% Danceability • 91% Energy • 29% Liveness
0% Instrumentalness • 95% Positiveness
73% Popularity • 63% Danceability • 91% Energy • 29% Liveness
0% Instrumentalness • 95% Positiveness
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Luke Combs
Does To Me
113 bpm • C Maj • 03:43 • -4.9db
68% Popularity • 62% Danceability • 85% Energy • 31% Liveness
0% Instrumentalness • 64% Positiveness
68% Popularity • 62% Danceability • 85% Energy • 31% Liveness
0% Instrumentalness • 64% Positiveness
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Chris Stapleton
Parachute
113 bpm • F# Maj • 04:13 • -7.41db
76% Popularity • 64% Danceability • 76% Energy • 18% Liveness
0% Instrumentalness • 60% Positiveness
76% Popularity • 64% Danceability • 76% Energy • 18% Liveness
0% Instrumentalness • 60% Positiveness
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Clay Walker
She Won't Be Lonely Long
113 bpm • G Maj • 03:29 • -6db
68% Popularity • 64% Danceability • 76% Energy • 23% Liveness
0% Instrumentalness • 32% Positiveness
68% Popularity • 64% Danceability • 76% Energy • 23% Liveness
0% Instrumentalness • 32% Positiveness
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Alan Jackson
Hard Hat And A Hammer
125 bpm • E Maj • 02:48 • -7.49db
51% Popularity • 75% Danceability • 62% Energy • 22% Liveness
0% Instrumentalness • 67% Positiveness
51% Popularity • 75% Danceability • 62% Energy • 22% Liveness
0% Instrumentalness • 67% Positiveness
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The Judds
Why Not Me
126 bpm • A# Maj • 03:29 • -9.28db
64% Popularity • 73% Danceability • 67% Energy • 5% Liveness
0% Instrumentalness • 73% Positiveness
64% Popularity • 73% Danceability • 67% Energy • 5% Liveness
0% Instrumentalness • 73% Positiveness
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Brooks & Dunn
My Maria
126 bpm • D# Maj • 03:28 • -4.63db
69% Popularity • 67% Danceability • 84% Energy • 18% Liveness
0% Instrumentalness • 90% Positiveness
69% Popularity • 67% Danceability • 84% Energy • 18% Liveness
0% Instrumentalness • 90% Positiveness
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Trisha Yearwood
XXX's And OOO's (An American Girl)
126 bpm • C Maj • 02:47 • -8.91db
64% Popularity • 71% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
64% Popularity • 71% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Lonestar
What About Now
126 bpm • E Maj • 03:30 • -7db
50% Popularity • 66% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
50% Popularity • 66% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
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Earl Thomas Conley
Holding Her and Loving You
126 bpm • G Maj • 03:10 • -14db
52% Popularity • 64% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
52% Popularity • 64% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Alan Jackson
Drive (For Daddy Gene)
125 bpm • B Maj • 04:02 • -8.07db
67% Popularity • 71% Danceability • 58% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
67% Popularity • 71% Danceability • 58% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
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Keith Whitley
Brotherly Love
113 bpm • E Maj • 03:19 • -11db
44% Popularity • 68% Danceability • 44% Energy • 32% Liveness
1% Instrumentalness • 45% Positiveness
44% Popularity • 68% Danceability • 44% Energy • 32% Liveness
1% Instrumentalness • 45% Positiveness
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Cody Jinks
Must Be the Whiskey
126 bpm • D# min • 03:25 • -5.81db
68% Popularity • 55% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
68% Popularity • 55% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
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Dwight Yoakam
Fast as You
126 bpm • E Maj • 04:45 • -7.93db
64% Popularity • 63% Danceability • 80% Energy • 40% Liveness
9% Instrumentalness • 84% Positiveness
64% Popularity • 63% Danceability • 80% Energy • 40% Liveness
9% Instrumentalness • 84% Positiveness
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Aaron Lewis
That Ain’t Country
126 bpm • F# Maj • 04:02 • -4db
54% Popularity • 73% Danceability • 82% Energy • 29% Liveness
0% Instrumentalness • 85% Positiveness
54% Popularity • 73% Danceability • 82% Energy • 29% Liveness
0% Instrumentalness • 85% Positiveness
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Travis Tritt
Here's a Quarter (Call Someone Who Cares...
112 bpm • G Maj • 02:32 • -7db
63% Popularity • 65% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
63% Popularity • 65% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Alan Jackson
Remember When
125 bpm • D Maj • 04:30 • -10.62db
50% Popularity • 56% Danceability • 31% Energy • 25% Liveness
0% Instrumentalness • 28% Positiveness
50% Popularity • 56% Danceability • 31% Energy • 25% Liveness
0% Instrumentalness • 28% Positiveness
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Kip Moore
Beer Money
126 bpm • D Maj • 03:38 • -5.55db
55% Popularity • 74% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
55% Popularity • 74% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
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Brooks Jefferson
Two of a Kind (Workin' On a Full House)
126 bpm • D Maj • 02:31 • -3.73db
43% Popularity • 63% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 91% Positiveness
43% Popularity • 63% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 91% Positiveness
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Dan Seals
Everything That Glitters (Is Not Gold)
112 bpm • E Maj • 04:52 • -16.73db
52% Popularity • 65% Danceability • 26% Energy • 5% Liveness
0% Instrumentalness • 47% Positiveness
52% Popularity • 65% Danceability • 26% Energy • 5% Liveness
0% Instrumentalness • 47% Positiveness
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Terri Clark
Poor, Poor Pitiful Me
126 bpm • C# Maj • 03:10 • -7db
53% Popularity • 74% Danceability • 70% Energy • 5% Liveness
0% Instrumentalness • 74% Positiveness
53% Popularity • 74% Danceability • 70% Energy • 5% Liveness
0% Instrumentalness • 74% Positiveness
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Hank Williams, Jr.
Family Tradition
126 bpm • E Maj • 04:02 • -12.07db
68% Popularity • 66% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
68% Popularity • 66% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
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Alan Jackson
Gone Country
126 bpm • G Maj • 04:19 • -7db
55% Popularity • 68% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
55% Popularity • 68% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Randy Houser
Boots On
112 bpm • G# Maj • 02:50 • -5db
61% Popularity • 71% Danceability • 89% Energy • 27% Liveness
0% Instrumentalness • 88% Positiveness
61% Popularity • 71% Danceability • 89% Energy • 27% Liveness
0% Instrumentalness • 88% Positiveness
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Billy Currington
I Got A Feelin'
112 bpm • D Maj • 03:13 • -5.4db
60% Popularity • 65% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
60% Popularity • 65% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
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Josh Turner
Time Is Love
112 bpm • D Maj • 03:20 • -4.99db
57% Popularity • 66% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
57% Popularity • 66% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
