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Living in a Magazine
Songs like
Living in a Magazine
by
Zoot Woman
Based on a tempo of (+/- 10%) and a similar genre
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Zoot Woman
Half Full of Happiness
134 bpm • D# Maj • 05:11 • -12.71db
10% Popularity • 48% Danceability • 46% Energy • 10% Liveness
69% Instrumentalness • 14% Positiveness
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Ms. John Soda
No. One
134 bpm • B Maj • 05:00 • -8.92db
9% Popularity • 83% Danceability • 80% Energy • 8% Liveness
78% Instrumentalness • 75% Positiveness
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POLIÇA
Chain My Name
134 bpm • C Maj • 04:07 • -5.24db
8% Popularity • 62% Danceability • 96% Energy • 17% Liveness
2% Instrumentalness • 94% Positiveness
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Clor
Outlines
134 bpm • E Maj • 04:33 • -4.31db
10% Popularity • 73% Danceability • 67% Energy • 37% Liveness
0% Instrumentalness • 45% Positiveness
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Fischerspooner
All We Are
134 bpm • C Maj • 04:40 • -8.96db
33% Popularity • 75% Danceability • 71% Energy • 17% Liveness
57% Instrumentalness • 23% Positiveness
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Poni Hoax
The Bird is on Fire
134 bpm • G min • 04:36 • -9.92db
21% Popularity • 76% Danceability • 56% Energy • 23% Liveness
86% Instrumentalness • 78% Positiveness
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Zoot Woman
Living in a Magazine
134 bpm • D Maj • 04:09 • -4.41db
17% Popularity • 61% Danceability • 80% Energy • 62% Liveness
9% Instrumentalness • 42% Positiveness
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The Raveonettes
Twilight
134 bpm • G# Maj • 03:35 • -5.32db
21% Popularity • 54% Danceability • 90% Energy • 34% Liveness
1% Instrumentalness • 36% Positiveness
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Neon Neon
I Told Her on Alderaan
134 bpm • D Maj • 03:43 • -4.3db
21% Popularity • 61% Danceability • 84% Energy • 36% Liveness
1% Instrumentalness • 71% Positiveness
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Six by Seven
I O U Love
135 bpm • A min • 04:12 • -4.47db
13% Popularity • 43% Danceability • 88% Energy • 11% Liveness
90% Instrumentalness • 28% Positiveness
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These New Puritans
Elvis
135 bpm • C# Maj • 02:46 • -5.73db
25% Popularity • 58% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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Midnight Juggernauts
Into the Galaxy - Metronomy Remix
135 bpm • A# min • 04:19 • -7.53db
20% Popularity • 75% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
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Zoot Woman
Living In A Magazine - Paper Faces Remix
134 bpm • G Maj • 07:11 • -7.79db
8% Popularity • 78% Danceability • 54% Energy • 7% Liveness
80% Instrumentalness • 71% Positiveness
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The Raveonettes
Bang!
134 bpm • A# Maj • 02:53 • -4.09db
24% Popularity • 57% Danceability • 94% Energy • 37% Liveness
0% Instrumentalness • 75% Positiveness
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Get Well Soon
Listen! Those Lost at Sea Sing a Song on...
135 bpm • E min • 04:18 • -5.69db
9% Popularity • 35% Danceability • 83% Energy • 11% Liveness
8% Instrumentalness • 6% Positiveness
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Digitalism
I Want I Want
135 bpm • A min • 03:28 • -4.12db
28% Popularity • 65% Danceability • 93% Energy • 30% Liveness
0% Instrumentalness • 67% Positiveness
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James
Bitch
133 bpm • F# min • 04:52 • -6.19db
19% Popularity • 54% Danceability • 80% Energy • 9% Liveness
40% Instrumentalness • 55% Positiveness
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Whitey
A Walk In The Dark
133 bpm • C# Maj • 05:28 • -8.97db
16% Popularity • 71% Danceability • 72% Energy • 10% Liveness
75% Instrumentalness • 70% Positiveness
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Zoot Woman
Just A Friend Of Mine
134 bpm • A min • 03:09 • -4.51db
16% Popularity • 61% Danceability • 89% Energy • 11% Liveness
1% Instrumentalness • 65% Positiveness
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Bodi Bill
Pyramiding
133 bpm • G# Maj • 05:43 • -14.38db
13% Popularity • 78% Danceability • 36% Energy • 14% Liveness
70% Instrumentalness • 52% Positiveness
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The Raveonettes
Breaking Into Cars
135 bpm • A Maj • 03:07 • -4.31db
22% Popularity • 63% Danceability • 85% Energy • 12% Liveness
47% Instrumentalness • 68% Positiveness
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Yuksek
On A Train
133 bpm • E Maj • 04:02 • -6.53db
21% Popularity • 62% Danceability • 82% Energy • 39% Liveness
3% Instrumentalness • 68% Positiveness
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The Hundred In The Hands
Commotion
135 bpm • A# Maj • 04:45 • -8.25db
23% Popularity • 59% Danceability • 72% Energy • 64% Liveness
0% Instrumentalness • 41% Positiveness
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Midnight Juggernauts
Into the Galaxy - Radio Version
135 bpm • A# min • 03:39 • -3.8db
38% Popularity • 52% Danceability • 96% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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Zoot Woman
Chemistry
135 bpm • C Maj • 04:09 • -4.98db
7% Popularity • 65% Danceability • 72% Energy • 9% Liveness
1% Instrumentalness • 53% Positiveness
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Fujiya & Miyagi
Sore Thumb
133 bpm • F# Maj • 03:07 • -7.11db
28% Popularity • 90% Danceability • 58% Energy • 9% Liveness
85% Instrumentalness • 97% Positiveness
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Fischerspooner
Turn On
135 bpm • F Maj • 04:24 • -6.58db
18% Popularity • 76% Danceability • 99% Energy • 5% Liveness
19% Instrumentalness • 80% Positiveness
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Grafton Primary
The Garden
133 bpm • A# min • 04:29 • -7.54db
13% Popularity • 75% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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We Have Band
Where Are Your People?
133 bpm • A# min • 03:49 • -6.21db
29% Popularity • 62% Danceability • 73% Energy • 8% Liveness
9% Instrumentalness • 84% Positiveness
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autoKratz
Becoming The Wraith - Featuring Peter Ho...
133 bpm • C min • 03:15 • -3.64db
14% Popularity • 59% Danceability • 88% Energy • 13% Liveness
4% Instrumentalness • 77% Positiveness
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Midnight Juggernauts
Into the Galaxy
135 bpm • A# min • 04:55 • -4.44db
28% Popularity • 51% Danceability • 95% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Das Pop
Ordinary Sunset
133 bpm • E min • 05:34 • -9.98db
9% Popularity • 70% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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UNKLE
Follow Me Down
133 bpm • G Maj • 04:23 • -7.12db
5% Popularity • 51% Danceability • 77% Energy • 12% Liveness
1% Instrumentalness • 9% Positiveness
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The Kills
The Good Ones
135 bpm • A Maj • 03:29 • -8.23db
29% Popularity • 74% Danceability • 56% Energy • 16% Liveness
1% Instrumentalness • 96% Positiveness
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We Have Band
How to Make Friends
132 bpm • C Maj • 04:01 • -6.91db
12% Popularity • 59% Danceability • 70% Energy • 10% Liveness
34% Instrumentalness • 35% Positiveness
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The Raveonettes
D.R.U.G.S.
136 bpm • C# Maj • 04:30 • -6.72db
16% Popularity • 68% Danceability • 70% Energy • 12% Liveness
32% Instrumentalness • 50% Positiveness
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Hope Of The States
Sing It Out
136 bpm • F# Maj • 03:14 • -2.9db
13% Popularity • 41% Danceability • 98% Energy • 27% Liveness
1% Instrumentalness • 43% Positiveness
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The Chemical Brothers
Close Your Eyes
132 bpm • D Maj • 06:13 • -5.66db
30% Popularity • 64% Danceability • 78% Energy • 9% Liveness
1% Instrumentalness • 21% Positiveness
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Midnight Juggernauts
Deep Blue Lines
132 bpm • F# Maj • 03:35 • -5.93db
31% Popularity • 55% Danceability • 88% Energy • 22% Liveness
88% Instrumentalness • 48% Positiveness
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Zoot Woman
The Model
136 bpm • A min • 03:31 • -4.15db
10% Popularity • 66% Danceability • 87% Energy • 13% Liveness
55% Instrumentalness • 83% Positiveness
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The Whip
Save My Soul
136 bpm • C# min • 05:12 • -7.11db
16% Popularity • 49% Danceability • 82% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
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LCD Soundsystem
Tribulations - Edit
132 bpm • F# min • 03:52 • -5db
19% Popularity • 66% Danceability • 84% Energy • 6% Liveness
92% Instrumentalness • 83% Positiveness
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Fischerspooner
We Need A War
132 bpm • G# Maj • 03:41 • -5db
26% Popularity • 74% Danceability • 74% Energy • 3% Liveness
54% Instrumentalness • 84% Positiveness
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The Chemical Brothers
All Rights Reversed
132 bpm • B min • 04:42 • -4.24db
27% Popularity • 61% Danceability • 97% Energy • 8% Liveness
14% Instrumentalness • 70% Positiveness
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Sea of Sin
Synchronize - Zoot Woman Remix
136 bpm • A# min • 03:35 • -5.83db
1% Popularity • 64% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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The Raveonettes
You Say You Lie
136 bpm • G# Maj • 02:54 • -5.55db
13% Popularity • 59% Danceability • 92% Energy • 11% Liveness
35% Instrumentalness • 11% Positiveness
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The Whip
Frustration
132 bpm • D Maj • 05:01 • -5.02db
11% Popularity • 57% Danceability • 90% Energy • 38% Liveness
17% Instrumentalness • 43% Positiveness
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Primal Scream
Autobahn 66
132 bpm • C Maj • 06:14 • -7db
23% Popularity • 58% Danceability • 79% Energy • 8% Liveness
11% Instrumentalness • 78% Positiveness
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New Young Pony Club
The Bomb - Original Version
137 bpm • A min • 04:16 • -5.88db
30% Popularity • 62% Danceability • 75% Energy • 12% Liveness
50% Instrumentalness • 78% Positiveness
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The Rakes
When Tom Cruise Cries
137 bpm • G# min • 04:48 • -10.08db
14% Popularity • 67% Danceability • 66% Energy • 21% Liveness
81% Instrumentalness • 31% Positiveness
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Fujiya & Miyagi
Ankle Injuries
137 bpm • B min • 05:05 • -9db
40% Popularity • 77% Danceability • 67% Energy • 8% Liveness
75% Instrumentalness • 48% Positiveness
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Bodi Bill
I like Holden Caulfield
131 bpm • D Maj • 03:50 • -13.04db
18% Popularity • 83% Danceability • 61% Energy • 14% Liveness
68% Instrumentalness • 49% Positiveness
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Baxter Dury
Isabel
131 bpm • A Maj • 03:45 • -5.36db
30% Popularity • 76% Danceability • 78% Energy • 9% Liveness
38% Instrumentalness • 96% Positiveness
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The Long Blondes
Giddy Stratospheres
138 bpm • C# Maj • 05:06 • -5.64db
27% Popularity • 58% Danceability • 84% Energy • 26% Liveness
0% Instrumentalness • 64% Positiveness
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New Young Pony Club
The Get Go
137 bpm • A min • 04:27 • -4.21db
33% Popularity • 72% Danceability • 84% Energy • 11% Liveness
1% Instrumentalness • 95% Positiveness
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Ladyhawke
Back Of The Van
131 bpm • C Maj • 03:40 • -3db
22% Popularity • 61% Danceability • 95% Energy • 6% Liveness
0% Instrumentalness • 56% Positiveness
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Radio 4
Dance To The Underground
130 bpm • G Maj • 04:03 • -6.27db
27% Popularity • 67% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
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Alex Gopher
Brain Leech
130 bpm • C# min • 03:44 • -6.72db
17% Popularity • 56% Danceability • 79% Energy • 6% Liveness
0% Instrumentalness • 47% Positiveness
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The Dandy Warhols
Wonderful You
130 bpm • A Maj • 04:37 • -9.02db
24% Popularity • 85% Danceability • 45% Energy • 10% Liveness
77% Instrumentalness • 55% Positiveness
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Groove Armada
Time & Space
130 bpm • D min • 04:53 • -4.88db
8% Popularity • 52% Danceability • 82% Energy • 40% Liveness
10% Instrumentalness • 36% Positiveness
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New Young Pony Club
Chaos
137 bpm • A min • 03:38 • -3.7db
25% Popularity • 70% Danceability • 80% Energy • 24% Liveness
1% Instrumentalness • 80% Positiveness
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Delphic
Doubt
138 bpm • G# Maj • 04:06 • -5.81db
23% Popularity • 48% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Wild Beasts
All The King's Men
130 bpm • A# Maj • 03:59 • -7db
35% Popularity • 57% Danceability • 85% Energy • 20% Liveness
0% Instrumentalness • 77% Positiveness
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Fischerspooner
A Kick In The Teeth
138 bpm • C# Maj • 04:21 • -8.41db
25% Popularity • 56% Danceability • 67% Energy • 9% Liveness
27% Instrumentalness • 25% Positiveness
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Tom Vek
I Ain't Saying My Goodbyes
138 bpm • D Maj • 03:43 • -3.76db
30% Popularity • 61% Danceability • 86% Energy • 11% Liveness
2% Instrumentalness • 54% Positiveness
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Teleman
Family Of Aliens
138 bpm • C Maj • 04:02 • -8.49db
31% Popularity • 70% Danceability • 73% Energy • 7% Liveness
26% Instrumentalness • 60% Positiveness
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Polarkreis 18
Somedays Sundays
138 bpm • A Maj • 04:16 • -7.92db
0% Popularity • 61% Danceability • 78% Energy • 25% Liveness
46% Instrumentalness • 22% Positiveness
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Datarock
The Most Beautiful Girl
138 bpm • A min • 03:55 • -9.32db
0% Popularity • 68% Danceability • 57% Energy • 9% Liveness
81% Instrumentalness • 97% Positiveness
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UNKLE
Natural Selection
138 bpm • A Maj • 04:10 • -5.83db
7% Popularity • 50% Danceability • 94% Energy • 8% Liveness
75% Instrumentalness • 15% Positiveness
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Zoot Woman
Coming Up for Air
138 bpm • B Maj • 03:35 • -4.74db
9% Popularity • 59% Danceability • 88% Energy • 9% Liveness
21% Instrumentalness • 84% Positiveness
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The Whip
Trash - Radio Edit
130 bpm • F# min • 03:14 • -7db
30% Popularity • 57% Danceability • 77% Energy • 11% Liveness
46% Instrumentalness • 55% Positiveness
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Goldfrapp
Train
130 bpm • A# Maj • 04:11 • -6.07db
38% Popularity • 63% Danceability • 71% Energy • 7% Liveness
9% Instrumentalness • 35% Positiveness
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Polarkreis 18
Comes Around
130 bpm • G Maj • 05:10 • -8.01db
0% Popularity • 65% Danceability • 70% Energy • 68% Liveness
36% Instrumentalness • 75% Positiveness
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Tristesse Contemporaine
Empty hearts
130 bpm • C Maj • 04:33 • -6.92db
17% Popularity • 70% Danceability • 74% Energy • 11% Liveness
26% Instrumentalness • 49% Positiveness
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Daddy Squad
A Habit I Can't Break - Club Mix Edit
130 bpm • C Maj • 04:53 • -8.84db
3% Popularity • 73% Danceability • 68% Energy • 9% Liveness
45% Instrumentalness • 77% Positiveness
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Zoot Woman
Saturation
130 bpm • D# min • 06:11 • -7.75db
12% Popularity • 59% Danceability • 84% Energy • 11% Liveness
73% Instrumentalness • 73% Positiveness
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New Young Pony Club
Hard Knocks
130 bpm • A Maj • 04:27 • -5.66db
19% Popularity • 70% Danceability • 72% Energy • 20% Liveness
11% Instrumentalness • 46% Positiveness
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The Whip
Trash
130 bpm • D Maj • 06:25 • -6.24db
12% Popularity • 58% Danceability • 91% Energy • 33% Liveness
75% Instrumentalness • 77% Positiveness
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Fischerspooner
Everything To Gain
130 bpm • F Maj • 04:13 • -6.88db
17% Popularity • 76% Danceability • 73% Energy • 7% Liveness
68% Instrumentalness • 7% Positiveness
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We Have Band
Time After Time
130 bpm • D# Maj • 03:21 • -2.87db
16% Popularity • 66% Danceability • 96% Energy • 18% Liveness
1% Instrumentalness • 80% Positiveness
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Friska Viljor
Monday
130 bpm • F# min • 04:13 • -5.93db
8% Popularity • 76% Danceability • 92% Energy • 50% Liveness
0% Instrumentalness • 98% Positiveness
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The World Domination
Galactic Lover
130 bpm • F Maj • 05:15 • -3.69db
7% Popularity • 81% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
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Zoot Woman
Gem
130 bpm • G# Maj • 04:10 • -10.31db
19% Popularity • 73% Danceability • 68% Energy • 7% Liveness
34% Instrumentalness • 80% Positiveness
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The Whip
Trash
130 bpm • F# Maj • 06:23 • -7.21db
34% Popularity • 56% Danceability • 85% Energy • 39% Liveness
61% Instrumentalness • 48% Positiveness
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Tristesse Contemporaine
Fire
130 bpm • E min • 03:20 • -7.2db
20% Popularity • 82% Danceability • 79% Energy • 6% Liveness
54% Instrumentalness • 96% Positiveness
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Fischerspooner
Cloud
130 bpm • C# Maj • 03:32 • -5.94db
27% Popularity • 61% Danceability • 66% Energy • 12% Liveness
2% Instrumentalness • 69% Positiveness
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Datarock
Computer Camp Love
130 bpm • B min • 03:08 • -5.53db
9% Popularity • 73% Danceability • 93% Energy • 15% Liveness
4% Instrumentalness • 70% Positiveness
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Das Pop
The Love Program - I Love Version
130 bpm • E Maj • 03:32 • -6.08db
11% Popularity • 77% Danceability • 81% Energy • 5% Liveness
0% Instrumentalness • 48% Positiveness
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Poni Hoax
Images of Sigrid
130 bpm • G# Maj • 05:15 • -8.08db
18% Popularity • 57% Danceability • 61% Energy • 10% Liveness
3% Instrumentalness • 16% Positiveness
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The Whip
Sister Siam
130 bpm • C Maj • 04:53 • -6.66db
13% Popularity • 67% Danceability • 73% Energy • 16% Liveness
4% Instrumentalness • 78% Positiveness
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Colder
To The Music
130 bpm • G# Maj • 05:27 • -8db
22% Popularity • 78% Danceability • 70% Energy • 17% Liveness
52% Instrumentalness • 90% Positiveness
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Fischerspooner
The 15th
130 bpm • A Maj • 03:58 • -7.36db
35% Popularity • 59% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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The Juan Maclean
One Day
130 bpm • C min • 04:16 • -7.08db
14% Popularity • 86% Danceability • 37% Energy • 18% Liveness
2% Instrumentalness • 56% Positiveness
► Preview
Django Django
Storm
130 bpm • D Maj • 03:14 • -6.31db
28% Popularity • 73% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
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Grand National
Playing in the Distance
130 bpm • C Maj • 04:00 • -5.3db
11% Popularity • 76% Danceability • 94% Energy • 12% Liveness
26% Instrumentalness • 82% Positiveness
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Graham Coxon
What'll It Take
139 bpm • D Maj • 04:29 • -5db
13% Popularity • 51% Danceability • 90% Energy • 30% Liveness
61% Instrumentalness • 53% Positiveness
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Savages
Flying to Berlin
139 bpm • B min • 04:48 • -7db
10% Popularity • 59% Danceability • 76% Energy • 35% Liveness
1% Instrumentalness • 62% Positiveness
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Delphic
This Momentary - Original Version
139 bpm • B min • 04:56 • -5.69db
1% Popularity • 49% Danceability • 89% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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Zoot Woman
Nothing in the World
129 bpm • C Maj • 03:23 • -5.99db
4% Popularity • 52% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 68% Positiveness
► Preview
Soviet
Candy Girl
129 bpm • D Maj • 04:16 • -12.4db
11% Popularity • 72% Danceability • 60% Energy • 12% Liveness
87% Instrumentalness • 65% Positiveness
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Living in a Magazine