Songs like Lizzie Joe by Vasco
Based on a tempo of (+/- 10%) and a similar genre
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Vasco
Lizzie Joe
122 bpm • C Maj • 03:45 • -8.71db
6% Popularity • 60% Danceability • 51% Energy • 23% Liveness
1% Instrumentalness • 56% Positiveness
6% Popularity • 60% Danceability • 51% Energy • 23% Liveness
1% Instrumentalness • 56% Positiveness
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Almost Here
For the Moment
122 bpm • G min • 03:19 • -11.51db
36% Popularity • 72% Danceability • 34% Energy • 13% Liveness
94% Instrumentalness • 37% Positiveness
36% Popularity • 72% Danceability • 34% Energy • 13% Liveness
94% Instrumentalness • 37% Positiveness
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The Jonny Kerry Quartet
I Miss You
122 bpm • D Maj • 05:15 • -8.69db
21% Popularity • 47% Danceability • 43% Energy • 20% Liveness
12% Instrumentalness • 25% Positiveness
21% Popularity • 47% Danceability • 43% Energy • 20% Liveness
12% Instrumentalness • 25% Positiveness
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William Ross
Adjoining Rooms
122 bpm • A Maj • 01:04 • -11.99db
17% Popularity • 70% Danceability • 33% Energy • 15% Liveness
58% Instrumentalness • 35% Positiveness
17% Popularity • 70% Danceability • 33% Energy • 15% Liveness
58% Instrumentalness • 35% Positiveness
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John Runefelt
When I Had You
123 bpm • G Maj • 03:32 • -10.26db
12% Popularity • 81% Danceability • 56% Energy • 13% Liveness
93% Instrumentalness • 85% Positiveness
12% Popularity • 81% Danceability • 56% Energy • 13% Liveness
93% Instrumentalness • 85% Positiveness
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Golden Age Radio
Like You and I
121 bpm • G Maj • 01:54 • -8.61db
18% Popularity • 55% Danceability • 36% Energy • 11% Liveness
78% Instrumentalness • 51% Positiveness
18% Popularity • 55% Danceability • 36% Energy • 11% Liveness
78% Instrumentalness • 51% Positiveness
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Vasco
Stingray
122 bpm • E Maj • 03:15 • -10.25db
1% Popularity • 56% Danceability • 43% Energy • 21% Liveness
87% Instrumentalness • 35% Positiveness
1% Popularity • 56% Danceability • 43% Energy • 21% Liveness
87% Instrumentalness • 35% Positiveness
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Trabant 33
Cinq Nuits
121 bpm • D min • 02:08 • -11.32db
10% Popularity • 46% Danceability • 26% Energy • 20% Liveness
0% Instrumentalness • 46% Positiveness
10% Popularity • 46% Danceability • 26% Energy • 20% Liveness
0% Instrumentalness • 46% Positiveness
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Bernd Schoenhart
Tango D'Amour
123 bpm • A min • 02:18 • -12db
9% Popularity • 54% Danceability • 41% Energy • 24% Liveness
4% Instrumentalness • 68% Positiveness
9% Popularity • 54% Danceability • 41% Energy • 24% Liveness
4% Instrumentalness • 68% Positiveness
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William Ross
Love Shuttle
123 bpm • F min • 01:43 • -13.22db
14% Popularity • 70% Danceability • 33% Energy • 14% Liveness
80% Instrumentalness • 43% Positiveness
14% Popularity • 70% Danceability • 33% Energy • 14% Liveness
80% Instrumentalness • 43% Positiveness
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Louis Adrien
Nice and Easy
124 bpm • G min • 02:24 • -12.53db
34% Popularity • 74% Danceability • 25% Energy • 17% Liveness
1% Instrumentalness • 63% Positiveness
34% Popularity • 74% Danceability • 25% Energy • 17% Liveness
1% Instrumentalness • 63% Positiveness
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Barney Kingswell & The Dandies
Biarritz Blues
124 bpm • C# min • 01:12 • -9.83db
13% Popularity • 88% Danceability • 61% Energy • 8% Liveness
95% Instrumentalness • 98% Positiveness
13% Popularity • 88% Danceability • 61% Energy • 8% Liveness
95% Instrumentalness • 98% Positiveness
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Vasco
Lighthouse Horizon
124 bpm • G min • 02:27 • -11.29db
1% Popularity • 75% Danceability • 58% Energy • 19% Liveness
93% Instrumentalness • 41% Positiveness
1% Popularity • 75% Danceability • 58% Energy • 19% Liveness
93% Instrumentalness • 41% Positiveness
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The Fly Guy Five
Small Talk and Lemonade
124 bpm • A# min • 02:09 • -13.05db
12% Popularity • 85% Danceability • 45% Energy • 7% Liveness
84% Instrumentalness • 73% Positiveness
12% Popularity • 85% Danceability • 45% Energy • 7% Liveness
84% Instrumentalness • 73% Positiveness
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Kevin MacLeod
As I Figure
120 bpm • E min • 03:36 • -19db
18% Popularity • 79% Danceability • 28% Energy • 11% Liveness
86% Instrumentalness • 68% Positiveness
18% Popularity • 79% Danceability • 28% Energy • 11% Liveness
86% Instrumentalness • 68% Positiveness
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Bohoman
Easy
120 bpm • A# Maj • 02:11 • -8.05db
19% Popularity • 80% Danceability • 65% Energy • 14% Liveness
74% Instrumentalness • 97% Positiveness
19% Popularity • 80% Danceability • 65% Energy • 14% Liveness
74% Instrumentalness • 97% Positiveness
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Louis Adrien
Goodness Gracious
120 bpm • C# Maj • 02:16 • -9.62db
10% Popularity • 81% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 78% Positiveness
10% Popularity • 81% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 78% Positiveness
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Raymond Grouse
Just a Cup of Coffee
120 bpm • A# Maj • 01:39 • -19.42db
25% Popularity • 89% Danceability • 9% Energy • 11% Liveness
92% Instrumentalness • 59% Positiveness
25% Popularity • 89% Danceability • 9% Energy • 11% Liveness
92% Instrumentalness • 59% Positiveness
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Jean-Pierre Menager
Strolling on the Champs Elysées
120 bpm • G Maj • 03:13 • -8.86db
28% Popularity • 88% Danceability • 51% Energy • 16% Liveness
72% Instrumentalness • 90% Positiveness
28% Popularity • 88% Danceability • 51% Energy • 16% Liveness
72% Instrumentalness • 90% Positiveness
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Dwight Batteau
Every Little Movement
120 bpm • C min • 04:23 • -9db
33% Popularity • 82% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
33% Popularity • 82% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
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Fred De Fred
Romance
120 bpm • C min • 01:37 • -10.83db
12% Popularity • 56% Danceability • 28% Energy • 25% Liveness
25% Instrumentalness • 74% Positiveness
12% Popularity • 56% Danceability • 28% Energy • 25% Liveness
25% Instrumentalness • 74% Positiveness
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White Bones
Jazz Street
120 bpm • D Maj • 01:52 • -12.05db
16% Popularity • 78% Danceability • 24% Energy • 11% Liveness
3% Instrumentalness • 31% Positiveness
16% Popularity • 78% Danceability • 24% Energy • 11% Liveness
3% Instrumentalness • 31% Positiveness
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The Waiting World
Slide on Over
120 bpm • G min • 02:14 • -17.5db
7% Popularity • 67% Danceability • 14% Energy • 11% Liveness
69% Instrumentalness • 41% Positiveness
7% Popularity • 67% Danceability • 14% Energy • 11% Liveness
69% Instrumentalness • 41% Positiveness
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Ofelia Moore
We Were Both Kids
120 bpm • A Maj • 01:39 • -16.63db
18% Popularity • 86% Danceability • 11% Energy • 11% Liveness
90% Instrumentalness • 49% Positiveness
18% Popularity • 86% Danceability • 11% Energy • 11% Liveness
90% Instrumentalness • 49% Positiveness
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Trabant 33
La Mer Pour Vous
120 bpm • C Maj • 01:52 • -14.72db
18% Popularity • 30% Danceability • 26% Energy • 30% Liveness
86% Instrumentalness • 25% Positiveness
18% Popularity • 30% Danceability • 26% Energy • 30% Liveness
86% Instrumentalness • 25% Positiveness
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The New Fools
Park Avenue Stroll
124 bpm • C Maj • 01:57 • -8.55db
14% Popularity • 76% Danceability • 50% Energy • 8% Liveness
30% Instrumentalness • 87% Positiveness
14% Popularity • 76% Danceability • 50% Energy • 8% Liveness
30% Instrumentalness • 87% Positiveness
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Hans Zimmer
Le tour de France en diligence
124 bpm • G Maj • 01:16 • -14.85db
33% Popularity • 50% Danceability • 26% Energy • 20% Liveness
0% Instrumentalness • 71% Positiveness
33% Popularity • 50% Danceability • 26% Energy • 20% Liveness
0% Instrumentalness • 71% Positiveness
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Heinz Kiessling
Butterfly By
119 bpm • G# Maj • 02:26 • -9.6db
22% Popularity • 54% Danceability • 44% Energy • 34% Liveness
0% Instrumentalness • 54% Positiveness
22% Popularity • 54% Danceability • 44% Energy • 34% Liveness
0% Instrumentalness • 54% Positiveness
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Vasco
Tokyo Fire
125 bpm • G Maj • 02:44 • -6.04db
4% Popularity • 67% Danceability • 88% Energy • 19% Liveness
74% Instrumentalness • 86% Positiveness
4% Popularity • 67% Danceability • 88% Energy • 19% Liveness
74% Instrumentalness • 86% Positiveness
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Rune Dale
Grab a Cab
125 bpm • F# Maj • 02:02 • -6.31db
21% Popularity • 88% Danceability • 75% Energy • 5% Liveness
89% Instrumentalness • 93% Positiveness
21% Popularity • 88% Danceability • 75% Energy • 5% Liveness
89% Instrumentalness • 93% Positiveness
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Julian Napolitano
Island Party
125 bpm • C# Maj • 02:20 • -7.67db
0% Popularity • 66% Danceability • 78% Energy • 4% Liveness
6% Instrumentalness • 68% Positiveness
0% Popularity • 66% Danceability • 78% Energy • 4% Liveness
6% Instrumentalness • 68% Positiveness
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Quincas Moreira
Gaviota
125 bpm • A# min • 02:08 • -10.88db
29% Popularity • 78% Danceability • 32% Energy • 10% Liveness
85% Instrumentalness • 62% Positiveness
29% Popularity • 78% Danceability • 32% Energy • 10% Liveness
85% Instrumentalness • 62% Positiveness
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Patrick West
Happy Go Holiday
125 bpm • C Maj • 02:42 • -8.5db
0% Popularity • 88% Danceability • 60% Energy • 10% Liveness
14% Instrumentalness • 99% Positiveness
0% Popularity • 88% Danceability • 60% Energy • 10% Liveness
14% Instrumentalness • 99% Positiveness
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Stuart Roslyn
Stars and Thunder
119 bpm • D Maj • 03:08 • -8.21db
1% Popularity • 64% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
1% Popularity • 64% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
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Vasco
Tokyo Fire - Instrumental Version
125 bpm • G Maj • 02:45 • -6.13db
2% Popularity • 67% Danceability • 88% Energy • 30% Liveness
86% Instrumentalness • 90% Positiveness
2% Popularity • 67% Danceability • 88% Energy • 30% Liveness
86% Instrumentalness • 90% Positiveness
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Paul Mancini
Titine
126 bpm • F min • 01:58 • -10.22db
13% Popularity • 66% Danceability • 27% Energy • 18% Liveness
87% Instrumentalness • 88% Positiveness
13% Popularity • 66% Danceability • 27% Energy • 18% Liveness
87% Instrumentalness • 88% Positiveness
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Julian Napolitano
Beat Thief
125 bpm • G Maj • 02:06 • -7.62db
0% Popularity • 92% Danceability • 68% Energy • 8% Liveness
4% Instrumentalness • 75% Positiveness
0% Popularity • 92% Danceability • 68% Energy • 8% Liveness
4% Instrumentalness • 75% Positiveness
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Nocturnal Spirits
Back in a Jiffy
119 bpm • G min • 03:25 • -9.76db
21% Popularity • 77% Danceability • 40% Energy • 22% Liveness
65% Instrumentalness • 45% Positiveness
21% Popularity • 77% Danceability • 40% Energy • 22% Liveness
65% Instrumentalness • 45% Positiveness
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Conal Fowkes
Let's Do It (Let's Fall in Love)
118 bpm • A# Maj • 02:57 • -13.09db
39% Popularity • 57% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
39% Popularity • 57% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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May J.
Another Day of Sun - Instrumental
126 bpm • C min • 03:47 • -7.33db
33% Popularity • 62% Danceability • 65% Energy • 32% Liveness
88% Instrumentalness • 73% Positiveness
33% Popularity • 62% Danceability • 65% Energy • 32% Liveness
88% Instrumentalness • 73% Positiveness
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Vasco
Psychedelic Sky
119 bpm • G Maj • 02:22 • -7.59db
3% Popularity • 51% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
3% Popularity • 51% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
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Nicholas Britell
It's A Strange Glorious World
118 bpm • G Maj • 02:34 • -10.42db
26% Popularity • 68% Danceability • 46% Energy • 8% Liveness
54% Instrumentalness • 28% Positiveness
26% Popularity • 68% Danceability • 46% Energy • 8% Liveness
54% Instrumentalness • 28% Positiveness
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Jake Shillingford
Smashing Time
118 bpm • C Maj • 02:17 • -5.88db
0% Popularity • 81% Danceability • 56% Energy • 5% Liveness
0% Instrumentalness • 86% Positiveness
0% Popularity • 81% Danceability • 56% Energy • 5% Liveness
0% Instrumentalness • 86% Positiveness
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Little Island Leap
Blue Bora Baby
126 bpm • F Maj • 02:09 • -6.51db
13% Popularity • 96% Danceability • 61% Energy • 8% Liveness
92% Instrumentalness • 97% Positiveness
13% Popularity • 96% Danceability • 61% Energy • 8% Liveness
92% Instrumentalness • 97% Positiveness
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Gustav Lundgren
LÃ¥ngholmen
118 bpm • C Maj • 03:41 • -11.58db
18% Popularity • 86% Danceability • 38% Energy • 11% Liveness
90% Instrumentalness • 69% Positiveness
18% Popularity • 86% Danceability • 38% Energy • 11% Liveness
90% Instrumentalness • 69% Positiveness
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Werner Tautz
Sugar Daddy'O
126 bpm • G min • 02:22 • -7.17db
16% Popularity • 60% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 84% Positiveness
16% Popularity • 60% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 84% Positiveness
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Vasco
Perfect Sky
118 bpm • D Maj • 02:28 • -17.81db
0% Popularity • 54% Danceability • 23% Energy • 12% Liveness
87% Instrumentalness • 15% Positiveness
0% Popularity • 54% Danceability • 23% Energy • 12% Liveness
87% Instrumentalness • 15% Positiveness
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Gianluca Podio
Bomarzo
118 bpm • C Maj • 02:24 • -11db
38% Popularity • 91% Danceability • 32% Energy • 10% Liveness
73% Instrumentalness • 97% Positiveness
38% Popularity • 91% Danceability • 32% Energy • 10% Liveness
73% Instrumentalness • 97% Positiveness
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Nicholas Britell
Don't Look Up - Main Title Suite - Bonus...
118 bpm • G Maj • 04:08 • -6.31db
32% Popularity • 59% Danceability • 56% Energy • 9% Liveness
44% Instrumentalness • 37% Positiveness
32% Popularity • 59% Danceability • 56% Energy • 9% Liveness
44% Instrumentalness • 37% Positiveness
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Mike Franklyn
How About Forever
127 bpm • A Maj • 01:56 • -8db
28% Popularity • 76% Danceability • 53% Energy • 11% Liveness
89% Instrumentalness • 38% Positiveness
28% Popularity • 76% Danceability • 53% Energy • 11% Liveness
89% Instrumentalness • 38% Positiveness
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Il Sorenti
Summertime in Venice
117 bpm • A# Maj • 04:15 • -13db
25% Popularity • 57% Danceability • 25% Energy • 14% Liveness
25% Instrumentalness • 53% Positiveness
25% Popularity • 57% Danceability • 25% Energy • 14% Liveness
25% Instrumentalness • 53% Positiveness
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The Flax
In the Spirit of Cannes
117 bpm • C# Maj • 04:04 • -15.83db
21% Popularity • 69% Danceability • 13% Energy • 8% Liveness
92% Instrumentalness • 48% Positiveness
21% Popularity • 69% Danceability • 13% Energy • 8% Liveness
92% Instrumentalness • 48% Positiveness
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Joséphine Baker
Paris, Paris, Paris
127 bpm • E Maj • 02:28 • -15.52db
31% Popularity • 67% Danceability • 13% Energy • 14% Liveness
17% Instrumentalness • 65% Positiveness
31% Popularity • 67% Danceability • 13% Energy • 14% Liveness
17% Instrumentalness • 65% Positiveness
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Adam Saunders
Curious Cats
127 bpm • C Maj • 02:11 • -13.26db
8% Popularity • 80% Danceability • 39% Energy • 10% Liveness
84% Instrumentalness • 95% Positiveness
8% Popularity • 80% Danceability • 39% Energy • 10% Liveness
84% Instrumentalness • 95% Positiveness
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Marc Durst
Cinnecitta nostalgia
117 bpm • D min • 01:05 • -9.87db
32% Popularity • 85% Danceability • 29% Energy • 10% Liveness
95% Instrumentalness • 70% Positiveness
32% Popularity • 85% Danceability • 29% Energy • 10% Liveness
95% Instrumentalness • 70% Positiveness
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Alan Silvestri
Sing Sing Sing
116 bpm • F# Maj • 04:09 • -8.29db
41% Popularity • 58% Danceability • 63% Energy • 9% Liveness
92% Instrumentalness • 57% Positiveness
41% Popularity • 58% Danceability • 63% Energy • 9% Liveness
92% Instrumentalness • 57% Positiveness
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Paul Reeves
Like the Clappers
128 bpm • C# Maj • 01:03 • -14.83db
17% Popularity • 74% Danceability • 49% Energy • 17% Liveness
89% Instrumentalness • 74% Positiveness
17% Popularity • 74% Danceability • 49% Energy • 17% Liveness
89% Instrumentalness • 74% Positiveness
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Stuart Roslyn
Amber Lights
128 bpm • B min • 02:57 • -5.14db
0% Popularity • 61% Danceability • 87% Energy • 32% Liveness
88% Instrumentalness • 37% Positiveness
0% Popularity • 61% Danceability • 87% Energy • 32% Liveness
88% Instrumentalness • 37% Positiveness
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Vasco
Picnic Rose
116 bpm • D Maj • 02:53 • -11.72db
34% Popularity • 89% Danceability • 15% Energy • 11% Liveness
26% Instrumentalness • 87% Positiveness
34% Popularity • 89% Danceability • 15% Energy • 11% Liveness
26% Instrumentalness • 87% Positiveness
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Martin Landström
Jazz by Night
129 bpm • B min • 03:20 • -9db
23% Popularity • 75% Danceability • 40% Energy • 7% Liveness
68% Instrumentalness • 64% Positiveness
23% Popularity • 75% Danceability • 40% Energy • 7% Liveness
68% Instrumentalness • 64% Positiveness
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Trabant 33
Sunset Over Seine
129 bpm • C Maj • 02:21 • -6.72db
10% Popularity • 57% Danceability • 46% Energy • 22% Liveness
1% Instrumentalness • 52% Positiveness
10% Popularity • 57% Danceability • 46% Energy • 22% Liveness
1% Instrumentalness • 52% Positiveness
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Bernd Schoenhart
French Riviera
129 bpm • F Maj • 02:07 • -12.48db
11% Popularity • 51% Danceability • 43% Energy • 16% Liveness
5% Instrumentalness • 39% Positiveness
11% Popularity • 51% Danceability • 43% Energy • 16% Liveness
5% Instrumentalness • 39% Positiveness
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Francois Parisi
Ballad Du Paris
129 bpm • C# Maj • 03:14 • -10db
47% Popularity • 49% Danceability • 43% Energy • 32% Liveness
4% Instrumentalness • 33% Positiveness
47% Popularity • 49% Danceability • 43% Energy • 32% Liveness
4% Instrumentalness • 33% Positiveness
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Cavendish Music
Hotel Claridge
129 bpm • A min • 02:08 • -6.49db
32% Popularity • 64% Danceability • 42% Energy • 29% Liveness
38% Instrumentalness • 60% Positiveness
32% Popularity • 64% Danceability • 42% Energy • 29% Liveness
38% Instrumentalness • 60% Positiveness
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Steve Adams
Meeka
115 bpm • F Maj • 02:51 • -14.36db
12% Popularity • 79% Danceability • 24% Energy • 11% Liveness
79% Instrumentalness • 33% Positiveness
12% Popularity • 79% Danceability • 24% Energy • 11% Liveness
79% Instrumentalness • 33% Positiveness
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Radio Night
Jazz in Paris
115 bpm • D Maj • 02:20 • -12.11db
12% Popularity • 65% Danceability • 53% Energy • 9% Liveness
77% Instrumentalness • 77% Positiveness
12% Popularity • 65% Danceability • 53% Energy • 9% Liveness
77% Instrumentalness • 77% Positiveness
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Ziv Grinberg
She's in Love
115 bpm • C Maj • 04:51 • -15.62db
33% Popularity • 49% Danceability • 14% Energy • 9% Liveness
93% Instrumentalness • 18% Positiveness
33% Popularity • 49% Danceability • 14% Energy • 9% Liveness
93% Instrumentalness • 18% Positiveness
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Joseph Stephens
Dinner
115 bpm • A Maj • 00:57 • -15.69db
10% Popularity • 48% Danceability • 47% Energy • 12% Liveness
70% Instrumentalness • 64% Positiveness
10% Popularity • 48% Danceability • 47% Energy • 12% Liveness
70% Instrumentalness • 64% Positiveness
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Bensound
Jazz Comedy
115 bpm • C Maj • 03:13 • -8.99db
14% Popularity • 86% Danceability • 44% Energy • 23% Liveness
86% Instrumentalness • 61% Positiveness
14% Popularity • 86% Danceability • 44% Energy • 23% Liveness
86% Instrumentalness • 61% Positiveness
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Arthur Benson
How to Tango
115 bpm • B min • 02:21 • -20.34db
19% Popularity • 66% Danceability • 12% Energy • 11% Liveness
42% Instrumentalness • 38% Positiveness
19% Popularity • 66% Danceability • 12% Energy • 11% Liveness
42% Instrumentalness • 38% Positiveness
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Hara Noda
Ship
129 bpm • F min • 02:51 • -9db
26% Popularity • 64% Danceability • 42% Energy • 10% Liveness
46% Instrumentalness • 60% Positiveness
26% Popularity • 64% Danceability • 42% Energy • 10% Liveness
46% Instrumentalness • 60% Positiveness
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Cavendish Music
A Walk in the Rain
129 bpm • A min • 02:01 • -8.02db
23% Popularity • 71% Danceability • 39% Energy • 12% Liveness
20% Instrumentalness • 52% Positiveness
23% Popularity • 71% Danceability • 39% Energy • 12% Liveness
20% Instrumentalness • 52% Positiveness
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Walt Adams
Streak of Luck
115 bpm • A min • 01:49 • -7.97db
15% Popularity • 61% Danceability • 56% Energy • 8% Liveness
81% Instrumentalness • 37% Positiveness
15% Popularity • 61% Danceability • 56% Energy • 8% Liveness
81% Instrumentalness • 37% Positiveness
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Mathilda June
Vintage Dream
115 bpm • G min • 02:35 • -7db
30% Popularity • 68% Danceability • 44% Energy • 21% Liveness
0% Instrumentalness • 56% Positiveness
30% Popularity • 68% Danceability • 44% Energy • 21% Liveness
0% Instrumentalness • 56% Positiveness
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Claire Victoria Roberts
Que Reste-T-Til de Nous Amour?
115 bpm • G Maj • 04:05 • -12.6db
16% Popularity • 42% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
16% Popularity • 42% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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TrackTribe
The Thought of You
130 bpm • G# Maj • 04:09 • -22.86db
26% Popularity • 54% Danceability • 11% Energy • 10% Liveness
90% Instrumentalness • 14% Positiveness
26% Popularity • 54% Danceability • 11% Energy • 10% Liveness
90% Instrumentalness • 14% Positiveness
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Ofelia Moore
A Little More Conversation
130 bpm • F Maj • 01:32 • -16.23db
13% Popularity • 88% Danceability • 9% Energy • 11% Liveness
90% Instrumentalness • 78% Positiveness
13% Popularity • 88% Danceability • 9% Energy • 11% Liveness
90% Instrumentalness • 78% Positiveness
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Michael Ball
Leaning On A Rainbow
130 bpm • F min • 02:33 • -10db
7% Popularity • 78% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
7% Popularity • 78% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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Cavendish Music
Gitane
130 bpm • E Maj • 03:17 • -9.17db
23% Popularity • 56% Danceability • 34% Energy • 11% Liveness
56% Instrumentalness • 45% Positiveness
23% Popularity • 56% Danceability • 34% Energy • 11% Liveness
56% Instrumentalness • 45% Positiveness
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Oleg Kirilkov
Food Show
130 bpm • F min • 01:04 • -10.95db
39% Popularity • 88% Danceability • 47% Energy • 10% Liveness
2% Instrumentalness • 95% Positiveness
39% Popularity • 88% Danceability • 47% Energy • 10% Liveness
2% Instrumentalness • 95% Positiveness
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Pelacha
Acid Troops
130 bpm • D Maj • 07:28 • -10.18db
0% Popularity • 80% Danceability • 36% Energy • 9% Liveness
71% Instrumentalness • 19% Positiveness
0% Popularity • 80% Danceability • 36% Energy • 9% Liveness
71% Instrumentalness • 19% Positiveness
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TrackTribe
Busy City
130 bpm • G# Maj • 02:30 • -27.28db
22% Popularity • 53% Danceability • 18% Energy • 10% Liveness
89% Instrumentalness • 48% Positiveness
22% Popularity • 53% Danceability • 18% Energy • 10% Liveness
89% Instrumentalness • 48% Positiveness
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Arthur Benson
Simple Pleasantries
130 bpm • B min • 02:10 • -22db
28% Popularity • 81% Danceability • 13% Energy • 8% Liveness
8% Instrumentalness • 68% Positiveness
28% Popularity • 81% Danceability • 13% Energy • 8% Liveness
8% Instrumentalness • 68% Positiveness
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Bladverk Band
Bobby Swing
130 bpm • C Maj • 03:11 • -9.12db
27% Popularity • 72% Danceability • 45% Energy • 12% Liveness
11% Instrumentalness • 28% Positiveness
27% Popularity • 72% Danceability • 45% Energy • 12% Liveness
11% Instrumentalness • 28% Positiveness
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Kevin MacLeod
Night in Venice
114 bpm • C Maj • 03:38 • -17.02db
20% Popularity • 64% Danceability • 19% Energy • 12% Liveness
87% Instrumentalness • 41% Positiveness
20% Popularity • 64% Danceability • 19% Energy • 12% Liveness
87% Instrumentalness • 41% Positiveness
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Abigail Flowers
My Kind of Night
114 bpm • A# Maj • 02:03 • -11db
42% Popularity • 84% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
42% Popularity • 84% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Cavendish Music
Moonlight Walk
130 bpm • F Maj • 02:49 • -7.17db
24% Popularity • 54% Danceability • 40% Energy • 33% Liveness
28% Instrumentalness • 38% Positiveness
24% Popularity • 54% Danceability • 40% Energy • 33% Liveness
28% Instrumentalness • 38% Positiveness
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Nocturnal Spirits
Last Time We Kissed
114 bpm • G min • 03:32 • -11.9db
15% Popularity • 43% Danceability • 33% Energy • 10% Liveness
96% Instrumentalness • 36% Positiveness
15% Popularity • 43% Danceability • 33% Energy • 10% Liveness
96% Instrumentalness • 36% Positiveness
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Larry Tuttle
Hot and Tasty
114 bpm • A min • 02:12 • -5.78db
30% Popularity • 87% Danceability • 36% Energy • 13% Liveness
39% Instrumentalness • 86% Positiveness
30% Popularity • 87% Danceability • 36% Energy • 13% Liveness
39% Instrumentalness • 86% Positiveness
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Laylo
Oh My Dear Friend - Magmatunes Remix
114 bpm • A min • 06:32 • -9.89db
0% Popularity • 84% Danceability • 56% Energy • 35% Liveness
34% Instrumentalness • 51% Positiveness
0% Popularity • 84% Danceability • 56% Energy • 35% Liveness
34% Instrumentalness • 51% Positiveness
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Aoi Teshima
C'est si bon
114 bpm • A min • 01:48 • -13.24db
52% Popularity • 74% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
52% Popularity • 74% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Paul Lenart
Central Park Breakdown
114 bpm • A# Maj • 02:31 • -10.29db
14% Popularity • 80% Danceability • 61% Energy • 5% Liveness
91% Instrumentalness • 95% Positiveness
14% Popularity • 80% Danceability • 61% Energy • 5% Liveness
91% Instrumentalness • 95% Positiveness
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Pomplamoose
Douce France
114 bpm • G Maj • 03:35 • -9.39db
41% Popularity • 61% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
41% Popularity • 61% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Trabant 33
No Lack of Refinement
114 bpm • D Maj • 02:01 • -16.13db
28% Popularity • 58% Danceability • 15% Energy • 15% Liveness
96% Instrumentalness • 35% Positiveness
28% Popularity • 58% Danceability • 15% Energy • 15% Liveness
96% Instrumentalness • 35% Positiveness
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Vendla
My Friends
114 bpm • A Maj • 03:37 • -15.82db
19% Popularity • 52% Danceability • 21% Energy • 36% Liveness
10% Instrumentalness • 13% Positiveness
19% Popularity • 52% Danceability • 21% Energy • 36% Liveness
10% Instrumentalness • 13% Positiveness
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Laylo
Oh My Dear Friend - Upbeat Mix
114 bpm • G Maj • 04:56 • -5.55db
0% Popularity • 57% Danceability • 82% Energy • 12% Liveness
19% Instrumentalness • 19% Positiveness
0% Popularity • 57% Danceability • 82% Energy • 12% Liveness
19% Instrumentalness • 19% Positiveness
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Abaco Tango Club
Carmen Habanera
114 bpm • D Maj • 03:16 • -15db
31% Popularity • 62% Danceability • 1% Energy • 13% Liveness
74% Instrumentalness • 55% Positiveness
31% Popularity • 62% Danceability • 1% Energy • 13% Liveness
74% Instrumentalness • 55% Positiveness
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Alan Moorhouse
Dreams of You
113 bpm • G Maj • 02:39 • -13.87db
8% Popularity • 46% Danceability • 24% Energy • 12% Liveness
93% Instrumentalness • 69% Positiveness
8% Popularity • 46% Danceability • 24% Energy • 12% Liveness
93% Instrumentalness • 69% Positiveness
