Songs like Llegó el Candombe by Fernando Cabrera
Based on a tempo of (+/- 10%) and a similar genre
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Milongas Extremas
Incendio
124 bpm • C Maj • 02:38 • -18.4db
17% Popularity • 92% Danceability • 20% Energy • 11% Liveness
1% Instrumentalness • 51% Positiveness
17% Popularity • 92% Danceability • 20% Energy • 11% Liveness
1% Instrumentalness • 51% Positiveness
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Jorge Nasser
Corazones Perdidos
124 bpm • B min • 03:38 • -6.16db
29% Popularity • 84% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
29% Popularity • 84% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
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Eté & Los Problems
Objetos Perdidos
124 bpm • C Maj • 02:51 • -8.34db
37% Popularity • 62% Danceability • 62% Energy • 25% Liveness
7% Instrumentalness • 43% Positiveness
37% Popularity • 62% Danceability • 62% Energy • 25% Liveness
7% Instrumentalness • 43% Positiveness
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Ana Prada
Me quiere sonar
124 bpm • A Maj • 02:34 • -10.78db
24% Popularity • 80% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 90% Positiveness
24% Popularity • 80% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 90% Positiveness
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Jorge Fandermole
Ay, Deseo
124 bpm • D Maj • 04:17 • -9.33db
19% Popularity • 76% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
19% Popularity • 76% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
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Eduardo Mateo
De Nosotros Dos
124 bpm • A Maj • 03:18 • -16.72db
33% Popularity • 79% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
33% Popularity • 79% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Guillermo Beresñak
Antes que te duermas
124 bpm • G Maj • 03:09 • -9.37db
20% Popularity • 71% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
20% Popularity • 71% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Gustavo Pena - El PrÃncipe
Beibi
124 bpm • D Maj • 04:33 • -11.29db
29% Popularity • 66% Danceability • 26% Energy • 70% Liveness
0% Instrumentalness • 46% Positiveness
29% Popularity • 66% Danceability • 26% Energy • 70% Liveness
0% Instrumentalness • 46% Positiveness
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Samantha Navarro
MandolÃn
125 bpm • A min • 04:27 • -11.78db
24% Popularity • 71% Danceability • 38% Energy • 72% Liveness
2% Instrumentalness • 63% Positiveness
24% Popularity • 71% Danceability • 38% Energy • 72% Liveness
2% Instrumentalness • 63% Positiveness
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Georgina Hassan
Canto Difuso
125 bpm • G# Maj • 02:34 • -8.1db
17% Popularity • 61% Danceability • 32% Energy • 18% Liveness
0% Instrumentalness • 53% Positiveness
17% Popularity • 61% Danceability • 32% Energy • 18% Liveness
0% Instrumentalness • 53% Positiveness
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Jorge Fandermole
El Presagio
123 bpm • B min • 05:10 • -13.15db
18% Popularity • 50% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
18% Popularity • 50% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Leo MaslÃah
Corriente Alterna
123 bpm • A Maj • 02:33 • -12.01db
19% Popularity • 55% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 92% Positiveness
19% Popularity • 55% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 92% Positiveness
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Nicolas Ibarburu
Otra AsÃ
123 bpm • D Maj • 02:27 • -13.12db
21% Popularity • 18% Danceability • 29% Energy • 20% Liveness
21% Instrumentalness • 15% Positiveness
21% Popularity • 18% Danceability • 29% Energy • 20% Liveness
21% Instrumentalness • 15% Positiveness
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Pablo Routin
Murga Madre
123 bpm • D min • 06:03 • -5.76db
23% Popularity • 58% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 90% Positiveness
23% Popularity • 58% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 90% Positiveness
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Papina de Palma
La buena lectura
125 bpm • C Maj • 02:14 • -13.52db
31% Popularity • 68% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
31% Popularity • 68% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Orozco-Barrientos
Caminito
123 bpm • D Maj • 02:46 • -17.5db
29% Popularity • 53% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
29% Popularity • 53% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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MartÃn Buscaglia
Oda a Mi Bicicleta
123 bpm • C Maj • 02:11 • -8.97db
36% Popularity • 91% Danceability • 33% Energy • 20% Liveness
0% Instrumentalness • 61% Positiveness
36% Popularity • 91% Danceability • 33% Energy • 20% Liveness
0% Instrumentalness • 61% Positiveness
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Gabo Ferro
Soy todo lo que recuerdo
125 bpm • D Maj • 02:57 • -9db
42% Popularity • 62% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
42% Popularity • 62% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Jorge Galemire
Perfume
125 bpm • G Maj • 04:27 • -8db
8% Popularity • 70% Danceability • 39% Energy • 11% Liveness
3% Instrumentalness • 26% Positiveness
8% Popularity • 70% Danceability • 39% Energy • 11% Liveness
3% Instrumentalness • 26% Positiveness
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Luna Sujatovich
DesafÃo Guerrero - Full Banda
123 bpm • G Maj • 03:44 • -6.98db
17% Popularity • 53% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
17% Popularity • 53% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Papina de Palma
Supersticioso
123 bpm • C Maj • 02:46 • -8.59db
41% Popularity • 74% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 54% Positiveness
41% Popularity • 74% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 54% Positiveness
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Fernando Cabrera
La Casa
123 bpm • C Maj • 01:43 • -11.4db
9% Popularity • 87% Danceability • 57% Energy • 17% Liveness
0% Instrumentalness • 95% Positiveness
9% Popularity • 87% Danceability • 57% Energy • 17% Liveness
0% Instrumentalness • 95% Positiveness
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Julio y Agosto
El Baile
125 bpm • C Maj • 02:45 • -16.15db
22% Popularity • 61% Danceability • 13% Energy • 29% Liveness
0% Instrumentalness • 66% Positiveness
22% Popularity • 61% Danceability • 13% Energy • 29% Liveness
0% Instrumentalness • 66% Positiveness
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La Chicana
Imposible
123 bpm • G Maj • 02:36 • -7.63db
14% Popularity • 72% Danceability • 54% Energy • 4% Liveness
0% Instrumentalness • 84% Positiveness
14% Popularity • 72% Danceability • 54% Energy • 4% Liveness
0% Instrumentalness • 84% Positiveness
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Daniel Viglietti
Dale Tu Mano al Indio (Canción para Mi ...
122 bpm • C Maj • 01:58 • -13.6db
37% Popularity • 58% Danceability • 25% Energy • 9% Liveness
2% Instrumentalness • 51% Positiveness
37% Popularity • 58% Danceability • 25% Energy • 9% Liveness
2% Instrumentalness • 51% Positiveness
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La Vela Puerca
La Luna de Neuquén
126 bpm • G Maj • 04:20 • -17db
47% Popularity • 70% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
47% Popularity • 70% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Tute
Sabana Esperanzada
122 bpm • B min • 04:39 • -9.87db
10% Popularity • 61% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
10% Popularity • 61% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Fernando Cabrera
Te Abracé en la Noche
123 bpm • E Maj • 02:05 • -13db
34% Popularity • 49% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
34% Popularity • 49% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
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Florencia Núñez
Qué Planes Tienes para el Sábado
122 bpm • C Maj • 03:15 • -7.08db
18% Popularity • 69% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
18% Popularity • 69% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
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Hermano Hormiga
Mariana
122 bpm • G Maj • 04:03 • -22.88db
36% Popularity • 55% Danceability • 5% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
36% Popularity • 55% Danceability • 5% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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Orozco-Barrientos
Bajo los Sauces
122 bpm • E Maj • 03:44 • -17.69db
16% Popularity • 65% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
16% Popularity • 65% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Milena Salamanca
Pal Tiempo Del Carnaval
126 bpm • C# min • 02:06 • -9.28db
43% Popularity • 64% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
43% Popularity • 64% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Puente Celeste
La Noche Murmura
126 bpm • F min • 03:14 • -15.9db
21% Popularity • 65% Danceability • 20% Energy • 14% Liveness
3% Instrumentalness • 36% Positiveness
21% Popularity • 65% Danceability • 20% Energy • 14% Liveness
3% Instrumentalness • 36% Positiveness
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Fernando Cabrera
Al mismo tiempo
123 bpm • D Maj • 02:55 • -9.37db
17% Popularity • 61% Danceability • 30% Energy • 68% Liveness
0% Instrumentalness • 38% Positiveness
17% Popularity • 61% Danceability • 30% Energy • 68% Liveness
0% Instrumentalness • 38% Positiveness
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Franny Glass
Vientos del Sur
122 bpm • C Maj • 02:28 • -11db
18% Popularity • 60% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
18% Popularity • 60% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Papina de Palma
Folki
127 bpm • F Maj • 02:35 • -7db
36% Popularity • 58% Danceability • 58% Energy • 24% Liveness
0% Instrumentalness • 33% Positiveness
36% Popularity • 58% Danceability • 58% Energy • 24% Liveness
0% Instrumentalness • 33% Positiveness
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Jorge Fandermole
Marina
127 bpm • F Maj • 04:34 • -9.9db
25% Popularity • 71% Danceability • 38% Energy • 22% Liveness
0% Instrumentalness • 88% Positiveness
25% Popularity • 71% Danceability • 38% Energy • 22% Liveness
0% Instrumentalness • 88% Positiveness
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Mauricio Ubal
Una Canción a Montevideo
126 bpm • F# Maj • 05:22 • -11.13db
23% Popularity • 48% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
23% Popularity • 48% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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Florencia Núñez
Todo Indica Que CaÃ
121 bpm • A Maj • 03:31 • -5.54db
17% Popularity • 72% Danceability • 79% Energy • 17% Liveness
0% Instrumentalness • 83% Positiveness
17% Popularity • 72% Danceability • 79% Energy • 17% Liveness
0% Instrumentalness • 83% Positiveness
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Fernando Cabrera
Querido Amigo
126 bpm • G Maj • 02:36 • -7.27db
10% Popularity • 67% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
10% Popularity • 67% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
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Daniel Viglietti
El Chueco Maciel
127 bpm • C Maj • 02:38 • -16.58db
16% Popularity • 57% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
16% Popularity • 57% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Canario Luna
Volver
127 bpm • F min • 03:00 • -11.97db
11% Popularity • 54% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
11% Popularity • 54% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Gabo Ferro
Lo que te da terror
128 bpm • G# Maj • 04:17 • -11db
32% Popularity • 48% Danceability • 13% Energy • 15% Liveness
0% Instrumentalness • 14% Positiveness
32% Popularity • 48% Danceability • 13% Energy • 15% Liveness
0% Instrumentalness • 14% Positiveness
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Marcos O'Farrell
Tierra Hembra, Pampa Hermosa
128 bpm • D Maj • 04:09 • -18.46db
12% Popularity • 47% Danceability • 8% Energy • 11% Liveness
6% Instrumentalness • 12% Positiveness
12% Popularity • 47% Danceability • 8% Energy • 11% Liveness
6% Instrumentalness • 12% Positiveness
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La Tabaré
Perdón el Cuestionario
128 bpm • A min • 01:09 • -9.72db
29% Popularity • 78% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
29% Popularity • 78% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Fernando Cabrera
Iluminada
122 bpm • C Maj • 01:03 • -13.26db
15% Popularity • 58% Danceability • 40% Energy • 26% Liveness
0% Instrumentalness • 84% Positiveness
15% Popularity • 58% Danceability • 40% Energy • 26% Liveness
0% Instrumentalness • 84% Positiveness
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Palo Pandolfo
Turbias Golondrinas
120 bpm • D# min • 01:46 • -7.16db
18% Popularity • 56% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
18% Popularity • 56% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Alfredo Zitarrosa
Candombe del Olvido
128 bpm • D min • 06:56 • -14db
38% Popularity • 49% Danceability • 36% Energy • 45% Liveness
0% Instrumentalness • 35% Positiveness
38% Popularity • 49% Danceability • 36% Energy • 45% Liveness
0% Instrumentalness • 35% Positiveness
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Milena Salamanca
Otoño Crespuscular
120 bpm • C# min • 03:17 • -10db
28% Popularity • 85% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
28% Popularity • 85% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Edu Lombardo
Alquimia
120 bpm • G Maj • 01:53 • -7.78db
31% Popularity • 82% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
31% Popularity • 82% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Claudio Taddei
De Yorugua
120 bpm • E min • 03:37 • -13.46db
22% Popularity • 75% Danceability • 34% Energy • 17% Liveness
0% Instrumentalness • 80% Positiveness
22% Popularity • 75% Danceability • 34% Energy • 17% Liveness
0% Instrumentalness • 80% Positiveness
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Fernando Cabrera
Malas y Buenas
126 bpm • A Maj • 02:38 • -7.47db
12% Popularity • 58% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
12% Popularity • 58% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
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Diego Rossberg
Serás de Nuevo Tú
120 bpm • D Maj • 02:00 • -6.59db
23% Popularity • 73% Danceability • 62% Energy • 18% Liveness
0% Instrumentalness • 73% Positiveness
23% Popularity • 73% Danceability • 62% Energy • 18% Liveness
0% Instrumentalness • 73% Positiveness
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Me Darás Mil Hijos
Aire
120 bpm • C Maj • 05:06 • -7.05db
14% Popularity • 74% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
14% Popularity • 74% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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Presenta TrÃo
Milonga Triste
120 bpm • E min • 06:06 • -15.55db
1% Popularity • 49% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
1% Popularity • 49% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
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Edu Lombardo
Cuatro Petalos
120 bpm • D Maj • 02:12 • -6.75db
16% Popularity • 60% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
16% Popularity • 60% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Tabaré Cardozo
Zaguan
120 bpm • D Maj • 02:35 • -6.9db
17% Popularity • 55% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
17% Popularity • 55% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Fernando Cabrera
El Loco
126 bpm • C# min • 03:02 • -14.04db
14% Popularity • 66% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
14% Popularity • 66% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Tonolec
El Camalotal
120 bpm • F Maj • 04:18 • -9.01db
20% Popularity • 69% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
20% Popularity • 69% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Quinteto Negro La Boca
La Crudita
128 bpm • F# min • 02:59 • -5.64db
11% Popularity • 56% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
11% Popularity • 56% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
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Claudio Taddei
Yo Te Quiero Decir
120 bpm • A Maj • 04:19 • -7.99db
20% Popularity • 52% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
20% Popularity • 52% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Cuarteto Ricacosa
A Quema Uña
120 bpm • A Maj • 02:36 • -7.88db
15% Popularity • 60% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
15% Popularity • 60% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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La Triple Nelson
Para Abrazarte
128 bpm • C# min • 05:16 • -6.71db
33% Popularity • 39% Danceability • 60% Energy • 65% Liveness
0% Instrumentalness • 35% Positiveness
33% Popularity • 39% Danceability • 60% Energy • 65% Liveness
0% Instrumentalness • 35% Positiveness
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Fernando Cabrera
Agua
127 bpm • A min • 03:42 • -10.69db
16% Popularity • 77% Danceability • 51% Energy • 11% Liveness
2% Instrumentalness • 46% Positiveness
16% Popularity • 77% Danceability • 51% Energy • 11% Liveness
2% Instrumentalness • 46% Positiveness
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Florencia Núñez
Contigo y en el Palmar
120 bpm • C# min • 04:21 • -8.36db
21% Popularity • 68% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
21% Popularity • 68% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
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Gustavo Pena - El PrÃncipe
Pensamiento de caracol
119 bpm • G Maj • 02:32 • -11db
44% Popularity • 66% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
44% Popularity • 66% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Daniel Viglietti
Allende / Por Todo Chile
119 bpm • D Maj • 04:26 • -18.61db
18% Popularity • 56% Danceability • 19% Energy • 25% Liveness
0% Instrumentalness • 59% Positiveness
18% Popularity • 56% Danceability • 19% Energy • 25% Liveness
0% Instrumentalness • 59% Positiveness
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Baldio
Estás Acabado, Joe
130 bpm • C# Maj • 03:36 • -8.29db
2% Popularity • 71% Danceability • 51% Energy • 33% Liveness
0% Instrumentalness • 24% Positiveness
2% Popularity • 71% Danceability • 51% Energy • 33% Liveness
0% Instrumentalness • 24% Positiveness
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Tabaré Cardozo
Botija Maula
119 bpm • A Maj • 03:42 • -6.88db
25% Popularity • 56% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
25% Popularity • 56% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Fernando Cabrera
Bandera Amarilla
128 bpm • E min • 04:56 • -7db
8% Popularity • 62% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
8% Popularity • 62% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Suna Rocha
Y Aparece Tu Piel
118 bpm • G Maj • 05:33 • -8db
15% Popularity • 59% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
15% Popularity • 59% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Milena Salamanca
El Surco
118 bpm • B min • 04:00 • -11db
26% Popularity • 60% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
26% Popularity • 60% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Cayo la Cabra
Al Sur del Atardecer
130 bpm • D Maj • 03:03 • -8.5db
40% Popularity • 77% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
40% Popularity • 77% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
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Palo Pandolfo
El Alma Partida
130 bpm • D Maj • 03:14 • -7.6db
17% Popularity • 74% Danceability • 48% Energy • 30% Liveness
6% Instrumentalness • 25% Positiveness
17% Popularity • 74% Danceability • 48% Energy • 30% Liveness
6% Instrumentalness • 25% Positiveness
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Milongas Extremas
La Tibieza
130 bpm • C Maj • 03:12 • -16.7db
29% Popularity • 73% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
29% Popularity • 73% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
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Fernando Cabrera
Sobrevivirás
120 bpm • A min • 02:29 • -10.14db
7% Popularity • 54% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
7% Popularity • 54% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Toto Yulelé
Lo Que AprendÃ
130 bpm • A Maj • 02:21 • -14.52db
18% Popularity • 80% Danceability • 37% Energy • 23% Liveness
1% Instrumentalness • 79% Positiveness
18% Popularity • 80% Danceability • 37% Energy • 23% Liveness
1% Instrumentalness • 79% Positiveness
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Raúl Carnota
Solo Luz
118 bpm • G Maj • 03:35 • -16.41db
22% Popularity • 58% Danceability • 11% Energy • 64% Liveness
1% Instrumentalness • 16% Positiveness
22% Popularity • 58% Danceability • 11% Energy • 64% Liveness
1% Instrumentalness • 16% Positiveness
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MartÃn Buscaglia
Candombe de la Parra
118 bpm • B min • 04:05 • -8.15db
22% Popularity • 75% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 93% Positiveness
22% Popularity • 75% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 93% Positiveness
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Ana Prada
PodrÃa Ser
118 bpm • E Maj • 03:26 • -8.51db
28% Popularity • 79% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
28% Popularity • 79% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Jorge Lazaroff
Baile de Más Caras
117 bpm • F# min • 03:46 • -16.29db
12% Popularity • 65% Danceability • 29% Energy • 26% Liveness
0% Instrumentalness • 24% Positiveness
12% Popularity • 65% Danceability • 29% Energy • 26% Liveness
0% Instrumentalness • 24% Positiveness
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Fernando Cabrera
De las Contradicciones
131 bpm • F Maj • 01:56 • -9.05db
14% Popularity • 59% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
14% Popularity • 59% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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El Alemán
Te Abracé en la Noche
131 bpm • F# Maj • 02:16 • -9.39db
22% Popularity • 57% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
22% Popularity • 57% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Eduardo Mateo
Canción para Renacer
117 bpm • A Maj • 03:59 • -21.44db
14% Popularity • 70% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
14% Popularity • 70% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Papina de Palma
No es joda
131 bpm • D Maj • 01:06 • -8.71db
43% Popularity • 66% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
43% Popularity • 66% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Juanpaio Toch
La Vida Linda Te Llama
131 bpm • G Maj • 04:12 • -13.46db
18% Popularity • 62% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
18% Popularity • 62% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Hermano Hormiga
Duerme
117 bpm • D Maj • 02:37 • -24.19db
39% Popularity • 70% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
39% Popularity • 70% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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La Chicana
La Guitarra en la Grupa
117 bpm • C Maj • 04:05 • -9.07db
9% Popularity • 51% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
9% Popularity • 51% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Gabo Ferro
Cuando el futuro se fue
132 bpm • C Maj • 02:51 • -10.4db
23% Popularity • 59% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
23% Popularity • 59% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Eduardo Mateo
Meritos y Merecimientos - En Vivo
117 bpm • B min • 03:39 • -10.99db
7% Popularity • 45% Danceability • 44% Energy • 86% Liveness
9% Instrumentalness • 36% Positiveness
7% Popularity • 45% Danceability • 44% Energy • 86% Liveness
9% Instrumentalness • 36% Positiveness
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Papina de Palma
432
132 bpm • D Maj • 02:55 • -11db
36% Popularity • 58% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
36% Popularity • 58% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
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Gustavo Pena - El PrÃncipe
Para ver las estrellas
132 bpm • C# min • 03:31 • -6.77db
33% Popularity • 67% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
33% Popularity • 67% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Rubén Olivera
Consejos del Alfarero - Desde el RÃo
132 bpm • D Maj • 03:21 • -10.86db
8% Popularity • 69% Danceability • 27% Energy • 11% Liveness
1% Instrumentalness • 49% Positiveness
8% Popularity • 69% Danceability • 27% Energy • 11% Liveness
1% Instrumentalness • 49% Positiveness
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MarÃa Pien
Lunes por la Madrugada
132 bpm • C min • 02:52 • -11.23db
25% Popularity • 62% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
25% Popularity • 62% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
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Gabo Ferro
El beso urgente
132 bpm • A min • 02:39 • -8.45db
27% Popularity • 79% Danceability • 40% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
27% Popularity • 79% Danceability • 40% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
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Fernando Cabrera
Dulzura distante
116 bpm • D Maj • 02:50 • -10.31db
16% Popularity • 59% Danceability • 27% Energy • 69% Liveness
0% Instrumentalness • 48% Positiveness
16% Popularity • 59% Danceability • 27% Energy • 69% Liveness
0% Instrumentalness • 48% Positiveness
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La Triple Nelson
XIII
116 bpm • D# Maj • 04:32 • -10.72db
23% Popularity • 64% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
23% Popularity • 64% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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Bolsa de naylon en la rama de un árbol
Siempre que viene mañana
116 bpm • C Maj • 03:15 • -8.67db
5% Popularity • 50% Danceability • 75% Energy • 16% Liveness
0% Instrumentalness • 75% Positiveness
5% Popularity • 50% Danceability • 75% Energy • 16% Liveness
0% Instrumentalness • 75% Positiveness
