Songs like Lloyd: Symphony No. 5 in B Flat: Rondo by George Lloyd
Based on a tempo of (+/- 10%) and a similar genre
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Béla Bartók
The Wooden Prince, Sz. 60 (Final Version...
111 bpm • F Maj • 02:33 • -19.66db
9% Popularity • 41% Danceability • 18% Energy • 20% Liveness
66% Instrumentalness • 14% Positiveness
9% Popularity • 41% Danceability • 18% Energy • 20% Liveness
66% Instrumentalness • 14% Positiveness
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Edward Elgar
Variations on an Original Theme, Op. 36 ...
111 bpm • G min • 01:29 • -31.31db
12% Popularity • 25% Danceability • 2% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
12% Popularity • 25% Danceability • 2% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
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John Adams
Girls of the Golden West: Lola Montez Do...
111 bpm • G Maj • 05:52 • -20.15db
20% Popularity • 42% Danceability • 17% Energy • 11% Liveness
80% Instrumentalness • 7% Positiveness
20% Popularity • 42% Danceability • 17% Energy • 11% Liveness
80% Instrumentalness • 7% Positiveness
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Giacomo Puccini
Tosca, SC 69, Act I: Largo religioso sos...
112 bpm • D# Maj • 04:50 • -18.65db
3% Popularity • 17% Danceability • 14% Energy • 17% Liveness
90% Instrumentalness • 4% Positiveness
3% Popularity • 17% Danceability • 14% Energy • 17% Liveness
90% Instrumentalness • 4% Positiveness
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Walter Kaufmann
Concerto for Piano and Orchestra No. 3: ...
110 bpm • F Maj • 06:10 • -18.03db
8% Popularity • 37% Danceability • 21% Energy • 15% Liveness
90% Instrumentalness • 15% Positiveness
8% Popularity • 37% Danceability • 21% Energy • 15% Liveness
90% Instrumentalness • 15% Positiveness
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Ernest John Moeran
Serenade in G Major (original version): ...
110 bpm • E min • 02:44 • -35.44db
11% Popularity • 21% Danceability • 1% Energy • 7% Liveness
74% Instrumentalness • 9% Positiveness
11% Popularity • 21% Danceability • 1% Energy • 7% Liveness
74% Instrumentalness • 9% Positiveness
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George Lloyd
Symphony No. 1 in A Major: II. Andante c...
110 bpm • F Maj • 05:05 • -27.15db
2% Popularity • 16% Danceability • 2% Energy • 28% Liveness
58% Instrumentalness • 3% Positiveness
2% Popularity • 16% Danceability • 2% Energy • 28% Liveness
58% Instrumentalness • 3% Positiveness
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Alejandro Llovet Abascal
Sounds of joy
110 bpm • C Maj • 02:15 • -18.48db
12% Popularity • 77% Danceability • 13% Energy • 12% Liveness
86% Instrumentalness • 56% Positiveness
12% Popularity • 77% Danceability • 13% Energy • 12% Liveness
86% Instrumentalness • 56% Positiveness
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Pyotr Ilyich Tchaikovsky
Le lac des cygnes, Op. 20 ; TH 12, Act. ...
112 bpm • A Maj • 01:14 • -16.33db
19% Popularity • 38% Danceability • 14% Energy • 26% Liveness
64% Instrumentalness • 17% Positiveness
19% Popularity • 38% Danceability • 14% Energy • 26% Liveness
64% Instrumentalness • 17% Positiveness
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Bournemouth Symphony Orchestra
Summer Night - Suite from 'The Duenna', ...
110 bpm • C Maj • 02:26 • -13.67db
1% Popularity • 27% Danceability • 26% Energy • 9% Liveness
92% Instrumentalness • 32% Positiveness
1% Popularity • 27% Danceability • 26% Energy • 9% Liveness
92% Instrumentalness • 32% Positiveness
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Asklepios
Como en las Grandes Citas
110 bpm • C Maj • 02:26 • -15.99db
13% Popularity • 34% Danceability • 35% Energy • 11% Liveness
92% Instrumentalness • 35% Positiveness
13% Popularity • 34% Danceability • 35% Energy • 11% Liveness
92% Instrumentalness • 35% Positiveness
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Zoltán Kodály
Háry János Suite (Version for Orchestr...
113 bpm • D min • 04:59 • -22.35db
11% Popularity • 35% Danceability • 7% Energy • 10% Liveness
94% Instrumentalness • 15% Positiveness
11% Popularity • 35% Danceability • 7% Energy • 10% Liveness
94% Instrumentalness • 15% Positiveness
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George Lloyd
Symphony No. 2: I. Con brio
110 bpm • C Maj • 08:16 • -24.39db
5% Popularity • 31% Danceability • 14% Energy • 6% Liveness
86% Instrumentalness • 12% Positiveness
5% Popularity • 31% Danceability • 14% Energy • 6% Liveness
86% Instrumentalness • 12% Positiveness
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Felix Mendelssohn
A Midsummer Night's Dream, Op. 61: No. 5...
109 bpm • D min • 03:43 • -25.52db
11% Popularity • 26% Danceability • 5% Energy • 8% Liveness
67% Instrumentalness • 13% Positiveness
11% Popularity • 26% Danceability • 5% Energy • 8% Liveness
67% Instrumentalness • 13% Positiveness
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Pyotr Ilyich Tchaikovsky
La Belle au bois dormant, Op. 66 ; TH 13...
113 bpm • A# Maj • 04:29 • -11.97db
16% Popularity • 28% Danceability • 30% Energy • 25% Liveness
89% Instrumentalness • 46% Positiveness
16% Popularity • 28% Danceability • 30% Energy • 25% Liveness
89% Instrumentalness • 46% Positiveness
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Engelbert Humperdinck
Hänsel und Gretel: Act III - Vorspiel
113 bpm • D# min • 02:01 • -22.02db
1% Popularity • 19% Danceability • 20% Energy • 43% Liveness
91% Instrumentalness • 5% Positiveness
1% Popularity • 19% Danceability • 20% Energy • 43% Liveness
91% Instrumentalness • 5% Positiveness
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Edward Elgar
Variations on an Original Theme Enigma, ...
114 bpm • G min • 01:53 • -27.01db
8% Popularity • 17% Danceability • 3% Energy • 18% Liveness
62% Instrumentalness • 3% Positiveness
8% Popularity • 17% Danceability • 3% Energy • 18% Liveness
62% Instrumentalness • 3% Positiveness
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Igor Stravinsky
Stravinsky: The Rite of Spring, Pt. 1 "A...
108 bpm • F Maj • 03:18 • -24.95db
13% Popularity • 42% Danceability • 14% Energy • 63% Liveness
88% Instrumentalness • 51% Positiveness
13% Popularity • 42% Danceability • 14% Energy • 63% Liveness
88% Instrumentalness • 51% Positiveness
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George Lloyd
Symphony No. 11: V. Finale. Con esultazi...
112 bpm • F Maj • 15:31 • -19.35db
2% Popularity • 22% Danceability • 19% Energy • 3% Liveness
89% Instrumentalness • 7% Positiveness
2% Popularity • 22% Danceability • 19% Energy • 3% Liveness
89% Instrumentalness • 7% Positiveness
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Benjamin Britten
Violin Concerto in D Minor, Op. 15: I. M...
108 bpm • G Maj • 09:59 • -24.37db
9% Popularity • 32% Danceability • 5% Energy • 9% Liveness
9% Instrumentalness • 6% Positiveness
9% Popularity • 32% Danceability • 5% Energy • 9% Liveness
9% Instrumentalness • 6% Positiveness
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Jean Sibelius
The Tempest: Suite No. 2, Op. 109: VII. ...
114 bpm • E min • 01:27 • -24db
18% Popularity • 42% Danceability • 23% Energy • 13% Liveness
84% Instrumentalness • 17% Positiveness
18% Popularity • 42% Danceability • 23% Energy • 13% Liveness
84% Instrumentalness • 17% Positiveness
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Lord Berners
The Triumph of Neptune: Harlequinade
108 bpm • A# Maj • 01:23 • -14.59db
7% Popularity • 61% Danceability • 66% Energy • 10% Liveness
96% Instrumentalness • 70% Positiveness
7% Popularity • 61% Danceability • 66% Energy • 10% Liveness
96% Instrumentalness • 70% Positiveness
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Sonja Grossner
Destiny (UK)
114 bpm • A min • 07:39 • -24.78db
8% Popularity • 29% Danceability • 13% Energy • 8% Liveness
88% Instrumentalness • 10% Positiveness
8% Popularity • 29% Danceability • 13% Energy • 8% Liveness
88% Instrumentalness • 10% Positiveness
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Igor Stravinsky
Scherzo à la russe, K. 070
114 bpm • G Maj • 04:06 • -17.5db
8% Popularity • 66% Danceability • 26% Energy • 7% Liveness
92% Instrumentalness • 45% Positiveness
8% Popularity • 66% Danceability • 26% Energy • 7% Liveness
92% Instrumentalness • 45% Positiveness
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Ralph Vaughan Williams
Concerto for Bass Tuba and Orchestra: I....
115 bpm • A# min • 04:48 • -23db
11% Popularity • 42% Danceability • 12% Energy • 14% Liveness
88% Instrumentalness • 24% Positiveness
11% Popularity • 42% Danceability • 12% Energy • 14% Liveness
88% Instrumentalness • 24% Positiveness
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George Lloyd
Symphony No. 10 "November Journeys": I. ...
113 bpm • D# min • 08:13 • -19.76db
2% Popularity • 41% Danceability • 8% Energy • 10% Liveness
92% Instrumentalness • 15% Positiveness
2% Popularity • 41% Danceability • 8% Energy • 10% Liveness
92% Instrumentalness • 15% Positiveness
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Rodion Shchedrin
Shchedrin: Carmen Suite: IX. Torero (aft...
108 bpm • F Maj • 02:58 • -17.04db
9% Popularity • 52% Danceability • 35% Energy • 27% Liveness
92% Instrumentalness • 28% Positiveness
9% Popularity • 52% Danceability • 35% Energy • 27% Liveness
92% Instrumentalness • 28% Positiveness
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Erik Satie
Relâche, Pt. 1: No. 1, Ouverturette
115 bpm • D Maj • 01:05 • -23.09db
4% Popularity • 56% Danceability • 10% Energy • 8% Liveness
89% Instrumentalness • 34% Positiveness
4% Popularity • 56% Danceability • 10% Energy • 8% Liveness
89% Instrumentalness • 34% Positiveness
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Bohuslav Martinů
Concerto for Violin, Piano and Orchestra...
107 bpm • A# Maj • 08:26 • -21.26db
13% Popularity • 31% Danceability • 18% Energy • 12% Liveness
77% Instrumentalness • 22% Positiveness
13% Popularity • 31% Danceability • 18% Energy • 12% Liveness
77% Instrumentalness • 22% Positiveness
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Adelaide Symphony Orchestra
Soirées Musicales, Op. 9 (After Rossini...
115 bpm • A# Maj • 01:36 • -20.59db
21% Popularity • 61% Danceability • 27% Energy • 10% Liveness
79% Instrumentalness • 18% Positiveness
21% Popularity • 61% Danceability • 27% Energy • 10% Liveness
79% Instrumentalness • 18% Positiveness
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Kurt Weill
Lady in the Dark - Symphonic Nocturne (a...
107 bpm • C Maj • 01:58 • -18.44db
12% Popularity • 40% Danceability • 17% Energy • 26% Liveness
94% Instrumentalness • 8% Positiveness
12% Popularity • 40% Danceability • 17% Energy • 26% Liveness
94% Instrumentalness • 8% Positiveness
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George Lloyd
The Vigil of Venus (Pervigilium Veneris)...
115 bpm • F Maj • 07:36 • -18.87db
0% Popularity • 31% Danceability • 30% Energy • 21% Liveness
3% Instrumentalness • 25% Positiveness
0% Popularity • 31% Danceability • 30% Energy • 21% Liveness
3% Instrumentalness • 25% Positiveness
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Antal Gyorgy Csermak
Az intezett veszedelem vagy Hazy szerete...
115 bpm • D Maj • 01:12 • -22.46db
19% Popularity • 38% Danceability • 2% Energy • 10% Liveness
47% Instrumentalness • 4% Positiveness
19% Popularity • 38% Danceability • 2% Energy • 10% Liveness
47% Instrumentalness • 4% Positiveness
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Ralph Vaughan Williams
Violin Concerto in D Minor "Accademico":...
115 bpm • A min • 05:02 • -21.13db
13% Popularity • 37% Danceability • 17% Energy • 13% Liveness
51% Instrumentalness • 43% Positiveness
13% Popularity • 37% Danceability • 17% Energy • 13% Liveness
51% Instrumentalness • 43% Positiveness
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Camille Saint-Saëns
Symphony No. 3 in C Minor, Op. 78 "Organ...
115 bpm • G# Maj • 09:06 • -24.22db
10% Popularity • 22% Danceability • 10% Energy • 13% Liveness
89% Instrumentalness • 12% Positiveness
10% Popularity • 22% Danceability • 10% Energy • 13% Liveness
89% Instrumentalness • 12% Positiveness
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Paul Le Flem
7 Pieces enfantines (7 Children's Pieces...
115 bpm • A# Maj • 02:34 • -34.07db
21% Popularity • 20% Danceability • 1% Energy • 14% Liveness
62% Instrumentalness • 12% Positiveness
21% Popularity • 20% Danceability • 1% Energy • 14% Liveness
62% Instrumentalness • 12% Positiveness
► Preview
Bournemouth Symphony Orchestra
Concert Suite from the opera 'The Golden...
115 bpm • C# Maj • 04:37 • -31.36db
0% Popularity • 17% Danceability • 1% Energy • 17% Liveness
88% Instrumentalness • 3% Positiveness
0% Popularity • 17% Danceability • 1% Energy • 17% Liveness
88% Instrumentalness • 3% Positiveness
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Colwell Snodbury
Torches Aloft
116 bpm • F Maj • 02:57 • -18db
16% Popularity • 21% Danceability • 21% Energy • 10% Liveness
91% Instrumentalness • 11% Positiveness
16% Popularity • 21% Danceability • 21% Energy • 10% Liveness
91% Instrumentalness • 11% Positiveness
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George Lloyd
A Litany for soprano, baritone, chorus &...
107 bpm • G# Maj • 06:03 • -28.28db
7% Popularity • 16% Danceability • 6% Energy • 13% Liveness
10% Instrumentalness • 4% Positiveness
7% Popularity • 16% Danceability • 6% Energy • 13% Liveness
10% Instrumentalness • 4% Positiveness
► Preview
Arnold Rosner
Variations on a Theme by Frank Martin, O...
106 bpm • A min • 04:52 • -22.73db
8% Popularity • 16% Danceability • 7% Energy • 8% Liveness
80% Instrumentalness • 3% Positiveness
8% Popularity • 16% Danceability • 7% Energy • 8% Liveness
80% Instrumentalness • 3% Positiveness
► Preview
Benjamin Britten
Violin Concerto, Op. 15: I. Moderato con...
106 bpm • G min • 10:05 • -23.47db
12% Popularity • 28% Danceability • 13% Energy • 8% Liveness
31% Instrumentalness • 8% Positiveness
12% Popularity • 28% Danceability • 13% Energy • 8% Liveness
31% Instrumentalness • 8% Positiveness
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Carl Nielsen
Symphony No. 3, Op. 27, FS 60 "Sinfonia ...
106 bpm • C Maj • 10:48 • -19.86db
9% Popularity • 29% Danceability • 12% Energy • 23% Liveness
83% Instrumentalness • 21% Positiveness
9% Popularity • 29% Danceability • 12% Energy • 23% Liveness
83% Instrumentalness • 21% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
Tchaikovsky: Swan Lake Suite, Op. 20a: V...
116 bpm • B Maj • 07:41 • -14.69db
8% Popularity • 25% Danceability • 30% Energy • 34% Liveness
92% Instrumentalness • 5% Positiveness
8% Popularity • 25% Danceability • 30% Energy • 34% Liveness
92% Instrumentalness • 5% Positiveness
► Preview
Kurt Weill
Lady in the Dark - Symphonic Nocturne (a...
106 bpm • D min • 01:47 • -13.82db
15% Popularity • 42% Danceability • 43% Energy • 57% Liveness
92% Instrumentalness • 34% Positiveness
15% Popularity • 42% Danceability • 43% Energy • 57% Liveness
92% Instrumentalness • 34% Positiveness
► Preview
George Lloyd
Symphony No. 10 "November Journeys": IV....
106 bpm • F Maj • 06:34 • -17.6db
1% Popularity • 40% Danceability • 21% Energy • 11% Liveness
88% Instrumentalness • 7% Positiveness
1% Popularity • 40% Danceability • 21% Energy • 11% Liveness
88% Instrumentalness • 7% Positiveness
► Preview
David Measham
Sorochinsky Fair: Gopak
116 bpm • G Maj • 01:53 • -15.93db
8% Popularity • 59% Danceability • 21% Energy • 7% Liveness
84% Instrumentalness • 48% Positiveness
8% Popularity • 59% Danceability • 21% Energy • 7% Liveness
84% Instrumentalness • 48% Positiveness
► Preview
Igor Stravinsky
Petrushka, K12 (1947 Version): IVe. Danc...
116 bpm • A Maj • 02:02 • -14.22db
16% Popularity • 57% Danceability • 35% Energy • 11% Liveness
83% Instrumentalness • 37% Positiveness
16% Popularity • 57% Danceability • 35% Energy • 11% Liveness
83% Instrumentalness • 37% Positiveness
► Preview
Sergei Prokofiev
Symphony No. 1 in D, Op. 25 "Classical S...
105 bpm • A Maj • 04:13 • -30.36db
15% Popularity • 32% Danceability • 2% Energy • 11% Liveness
17% Instrumentalness • 4% Positiveness
15% Popularity • 32% Danceability • 2% Energy • 11% Liveness
17% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
Swan Lake Suite, Op. 20a, TH 219, Act II...
106 bpm • E min • 02:47 • -21.88db
2% Popularity • 20% Danceability • 8% Energy • 10% Liveness
93% Instrumentalness • 6% Positiveness
2% Popularity • 20% Danceability • 8% Energy • 10% Liveness
93% Instrumentalness • 6% Positiveness
► Preview
Rodion Shchedrin
Shchedrin: Carmen Suite: VII. Second Int...
116 bpm • E Maj • 02:22 • -26.03db
20% Popularity • 18% Danceability • 6% Energy • 14% Liveness
93% Instrumentalness • 21% Positiveness
20% Popularity • 18% Danceability • 6% Energy • 14% Liveness
93% Instrumentalness • 21% Positiveness
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Aileen
Earth Wind and Fire
105 bpm • C# Maj • 03:05 • -19.92db
17% Popularity • 64% Danceability • 12% Energy • 20% Liveness
89% Instrumentalness • 83% Positiveness
17% Popularity • 64% Danceability • 12% Energy • 20% Liveness
89% Instrumentalness • 83% Positiveness
► Preview
Guillaume Houzé
Wedding
105 bpm • A min • 01:42 • -17.04db
18% Popularity • 15% Danceability • 18% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
18% Popularity • 15% Danceability • 18% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
► Preview
Dorothy Howell
Divertissements: I. Three Divertissement...
118 bpm • F Maj • 03:45 • -24.13db
14% Popularity • 37% Danceability • 5% Energy • 10% Liveness
75% Instrumentalness • 7% Positiveness
14% Popularity • 37% Danceability • 5% Energy • 10% Liveness
75% Instrumentalness • 7% Positiveness
► Preview
Bournemouth Symphony Orchestra
Summer Night - Suite from 'The Duenna', ...
117 bpm • C Maj • 04:50 • -29.77db
2% Popularity • 19% Danceability • 5% Energy • 11% Liveness
95% Instrumentalness • 8% Positiveness
2% Popularity • 19% Danceability • 5% Energy • 11% Liveness
95% Instrumentalness • 8% Positiveness
► Preview
George Lloyd
Symphony No. 10 "November Journeys": II....
104 bpm • C Maj • 06:57 • -28.88db
1% Popularity • 15% Danceability • 1% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
1% Popularity • 15% Danceability • 1% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
► Preview
Anton Bruckner
Symphony No. 9 in D Minor, WAB 109 : II....
104 bpm • D min • 09:49 • -20.09db
22% Popularity • 33% Danceability • 12% Energy • 11% Liveness
52% Instrumentalness • 7% Positiveness
22% Popularity • 33% Danceability • 12% Energy • 11% Liveness
52% Instrumentalness • 7% Positiveness
► Preview
RTÉ National Symphony Orchestra
Dr. Merryheart: IX. The Dance Of Merryhe...
104 bpm • C Maj • 01:46 • -19.35db
16% Popularity • 27% Danceability • 29% Energy • 10% Liveness
78% Instrumentalness • 47% Positiveness
16% Popularity • 27% Danceability • 29% Energy • 10% Liveness
78% Instrumentalness • 47% Positiveness
► Preview
Charles Koechlin
The Seven Stars' Symphony, Op. 132: II. ...
119 bpm • A min • 02:17 • -24.68db
11% Popularity • 26% Danceability • 9% Energy • 13% Liveness
78% Instrumentalness • 11% Positiveness
11% Popularity • 26% Danceability • 9% Energy • 13% Liveness
78% Instrumentalness • 11% Positiveness
► Preview
KNOXVILLETRACKZ
SBC
119 bpm • F# Maj • 01:04 • -49.16db
20% Popularity • 25% Danceability • 0% Energy • 11% Liveness
95% Instrumentalness • 15% Positiveness
20% Popularity • 25% Danceability • 0% Energy • 11% Liveness
95% Instrumentalness • 15% Positiveness
► Preview
Marcel Barsotti
Auf zur Kattlervilla
119 bpm • A# Maj • 01:55 • -22.96db
16% Popularity • 28% Danceability • 9% Energy • 8% Liveness
95% Instrumentalness • 10% Positiveness
16% Popularity • 28% Danceability • 9% Energy • 8% Liveness
95% Instrumentalness • 10% Positiveness
► Preview
George Lloyd
Symphony No. 6: I. Allegro
118 bpm • C Maj • 08:09 • -25.86db
2% Popularity • 30% Danceability • 8% Energy • 12% Liveness
90% Instrumentalness • 5% Positiveness
2% Popularity • 30% Danceability • 8% Energy • 12% Liveness
90% Instrumentalness • 5% Positiveness
► Preview
Matthew Slater
Variation 3: I. Andante Lunara
119 bpm • G Maj • 03:45 • -13.06db
11% Popularity • 20% Danceability • 42% Energy • 7% Liveness
93% Instrumentalness • 23% Positiveness
11% Popularity • 20% Danceability • 42% Energy • 7% Liveness
93% Instrumentalness • 23% Positiveness
► Preview
Nikolai Rimsky-Korsakov
Pictures at an Exhibition: Tuileries
120 bpm • C# min • 01:01 • -23.9db
10% Popularity • 33% Danceability • 5% Energy • 10% Liveness
35% Instrumentalness • 13% Positiveness
10% Popularity • 33% Danceability • 5% Energy • 10% Liveness
35% Instrumentalness • 13% Positiveness
► Preview
Per Egland
Sånger å de Osjungnas Vägnar: I. Öpp...
120 bpm • C Maj • 01:36 • -15.88db
32% Popularity • 35% Danceability • 23% Energy • 26% Liveness
89% Instrumentalness • 6% Positiveness
32% Popularity • 35% Danceability • 23% Energy • 26% Liveness
89% Instrumentalness • 6% Positiveness
► Preview
Christian Lindberg
The Bragger
121 bpm • A Maj • 01:37 • -18.38db
14% Popularity • 56% Danceability • 49% Energy • 21% Liveness
82% Instrumentalness • 45% Positiveness
14% Popularity • 56% Danceability • 49% Energy • 21% Liveness
82% Instrumentalness • 45% Positiveness
► Preview
Giuseppe Verdi
Verdi: Il trovatore, Act 2: Coro di zing...
121 bpm • G Maj • 06:37 • -19.79db
10% Popularity • 41% Danceability • 13% Energy • 7% Liveness
18% Instrumentalness • 23% Positiveness
10% Popularity • 41% Danceability • 13% Energy • 7% Liveness
18% Instrumentalness • 23% Positiveness
► Preview
George Lloyd
Requiem for counter-tenor, choir & organ...
104 bpm • F# min • 03:42 • -30.81db
0% Popularity • 15% Danceability • 4% Energy • 18% Liveness
8% Instrumentalness • 3% Positiveness
0% Popularity • 15% Danceability • 4% Energy • 18% Liveness
8% Instrumentalness • 3% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
Serenade for Strings in C Major, Op. 48,...
102 bpm • G Maj • 03:36 • -31.22db
5% Popularity • 21% Danceability • 5% Energy • 47% Liveness
83% Instrumentalness • 21% Positiveness
5% Popularity • 21% Danceability • 5% Energy • 47% Liveness
83% Instrumentalness • 21% Positiveness
► Preview
Jean Sibelius
Rakastava, Op. 14: II. The Path of His B...
102 bpm • F min • 02:15 • -37.29db
13% Popularity • 25% Danceability • 3% Energy • 8% Liveness
97% Instrumentalness • 44% Positiveness
13% Popularity • 25% Danceability • 3% Energy • 8% Liveness
97% Instrumentalness • 44% Positiveness
► Preview
Gustav Holst
St. Paul's Suite, Op. 29, No. 2: II. Ost...
121 bpm • C Maj • 01:46 • -28.9db
18% Popularity • 34% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 23% Positiveness
18% Popularity • 34% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 23% Positiveness
► Preview
Erik Satie
Mercure: V. Entrée et danse de Mercure
121 bpm • C Maj • 01:07 • -20.41db
7% Popularity • 50% Danceability • 11% Energy • 16% Liveness
89% Instrumentalness • 69% Positiveness
7% Popularity • 50% Danceability • 11% Energy • 16% Liveness
89% Instrumentalness • 69% Positiveness
► Preview
Felix Mendelssohn
Symphony No. 2, Op. 52, "Lobgesang": I. ...
101 bpm • G min • 06:24 • -31.07db
15% Popularity • 15% Danceability • 3% Energy • 14% Liveness
93% Instrumentalness • 8% Positiveness
15% Popularity • 15% Danceability • 3% Energy • 14% Liveness
93% Instrumentalness • 8% Positiveness
► Preview
Maya Badian
Sinfonietta: III. Allegro
122 bpm • F min • 02:53 • -18db
13% Popularity • 47% Danceability • 33% Energy • 8% Liveness
74% Instrumentalness • 14% Positiveness
13% Popularity • 47% Danceability • 33% Energy • 8% Liveness
74% Instrumentalness • 14% Positiveness
► Preview
Bev Saunders
Jess Danger
101 bpm • A# min • 01:16 • -34.16db
11% Popularity • 43% Danceability • 3% Energy • 17% Liveness
96% Instrumentalness • 30% Positiveness
11% Popularity • 43% Danceability • 3% Energy • 17% Liveness
96% Instrumentalness • 30% Positiveness
► Preview
George Lloyd
Symphony No. 6: III. Vivace
122 bpm • C Maj • 07:54 • -22.11db
2% Popularity • 34% Danceability • 17% Energy • 9% Liveness
78% Instrumentalness • 24% Positiveness
2% Popularity • 34% Danceability • 17% Energy • 9% Liveness
78% Instrumentalness • 24% Positiveness
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Pavel Bořkovec
Piano Concerto No. 2: III. Vivace
100 bpm • A# Maj • 06:40 • -17db
12% Popularity • 40% Danceability • 28% Energy • 9% Liveness
89% Instrumentalness • 10% Positiveness
12% Popularity • 40% Danceability • 28% Energy • 9% Liveness
89% Instrumentalness • 10% Positiveness
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Erik Satie
Gnossienne No. 3 (Orch. Corp)
102 bpm • A min • 02:20 • -41.1db
8% Popularity • 30% Danceability • 0% Energy • 6% Liveness
20% Instrumentalness • 4% Positiveness
8% Popularity • 30% Danceability • 0% Energy • 6% Liveness
20% Instrumentalness • 4% Positiveness
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Edward Elgar
Variations on an Original Theme Enigma, ...
100 bpm • C Maj • 01:19 • -25.27db
15% Popularity • 20% Danceability • 3% Energy • 8% Liveness
1% Instrumentalness • 16% Positiveness
15% Popularity • 20% Danceability • 3% Energy • 8% Liveness
1% Instrumentalness • 16% Positiveness
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Maurice Ravel
Ravel: Miroirs, M. 43: IV. Alborada del ...
123 bpm • D Maj • 08:12 • -20.57db
2% Popularity • 31% Danceability • 6% Energy • 8% Liveness
41% Instrumentalness • 9% Positiveness
2% Popularity • 31% Danceability • 6% Energy • 8% Liveness
41% Instrumentalness • 9% Positiveness
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AntonÃn Dvořák
String Quartet No. 5, Op. 9: II. Andante...
122 bpm • G# Maj • 08:07 • -23.11db
11% Popularity • 19% Danceability • 8% Energy • 9% Liveness
87% Instrumentalness • 6% Positiveness
11% Popularity • 19% Danceability • 8% Energy • 9% Liveness
87% Instrumentalness • 6% Positiveness
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Olivier Calmel
Wood Music - Concerto pour quintette à ...
100 bpm • F# Maj • 06:40 • -15.69db
1% Popularity • 46% Danceability • 29% Energy • 24% Liveness
90% Instrumentalness • 15% Positiveness
1% Popularity • 46% Danceability • 29% Energy • 24% Liveness
90% Instrumentalness • 15% Positiveness
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Franz Schmidt
Notre Dame, Op. 2: Intermezzo. Sehr zur�...
123 bpm • C# Maj • 03:38 • -24.31db
8% Popularity • 17% Danceability • 10% Energy • 18% Liveness
94% Instrumentalness • 4% Positiveness
8% Popularity • 17% Danceability • 10% Energy • 18% Liveness
94% Instrumentalness • 4% Positiveness
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Alexander Glazunov
The Seasons, Op. 67, Pt. 3 "L’été": ...
100 bpm • G# Maj • 01:08 • -33.66db
18% Popularity • 21% Danceability • 1% Energy • 14% Liveness
14% Instrumentalness • 52% Positiveness
18% Popularity • 21% Danceability • 1% Energy • 14% Liveness
14% Instrumentalness • 52% Positiveness
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George Lloyd
A Symphonic Mass for Chorus & Orchestra:...
123 bpm • D# min • 07:52 • -20.39db
14% Popularity • 19% Danceability • 19% Energy • 13% Liveness
83% Instrumentalness • 5% Positiveness
14% Popularity • 19% Danceability • 19% Energy • 13% Liveness
83% Instrumentalness • 5% Positiveness
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KNOXVILLETRACKZ
SBP
100 bpm • F# Maj • 01:04 • -45.36db
20% Popularity • 13% Danceability • 0% Energy • 14% Liveness
100% Instrumentalness • 7% Positiveness
20% Popularity • 13% Danceability • 0% Energy • 14% Liveness
100% Instrumentalness • 7% Positiveness
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Christian Lindberg
Hamnöy 1976 I
99 bpm • G# Maj • 01:02 • -10.97db
16% Popularity • 78% Danceability • 59% Energy • 27% Liveness
94% Instrumentalness • 98% Positiveness
16% Popularity • 78% Danceability • 59% Energy • 27% Liveness
94% Instrumentalness • 98% Positiveness
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Friedrich Burgmüller
25 Études faciles et progressives, Op. ...
99 bpm • D min • 02:10 • -26.47db
12% Popularity • 21% Danceability • 5% Energy • 16% Liveness
86% Instrumentalness • 16% Positiveness
12% Popularity • 21% Danceability • 5% Energy • 16% Liveness
86% Instrumentalness • 16% Positiveness
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Stanisław Moniuszko
Verbum nobile: Overture
125 bpm • G Maj • 05:14 • -20.58db
2% Popularity • 37% Danceability • 11% Energy • 22% Liveness
91% Instrumentalness • 46% Positiveness
2% Popularity • 37% Danceability • 11% Energy • 22% Liveness
91% Instrumentalness • 46% Positiveness
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Rudolf Moser
Suite, Op. 56: IV. Rondo. Presto
99 bpm • G min • 03:31 • -21.27db
16% Popularity • 26% Danceability • 12% Energy • 12% Liveness
91% Instrumentalness • 32% Positiveness
16% Popularity • 26% Danceability • 12% Energy • 12% Liveness
91% Instrumentalness • 32% Positiveness
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Mieczysław Weinberg
The Passenger, Op. 97: Vorspiel
125 bpm • F# min • 02:46 • -23.06db
9% Popularity • 38% Danceability • 18% Energy • 11% Liveness
88% Instrumentalness • 22% Positiveness
9% Popularity • 38% Danceability • 18% Energy • 11% Liveness
88% Instrumentalness • 22% Positiveness
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Robert Schumann
Symphony No. 4 in D Minor, Op. 120 "Clar...
98 bpm • A min • 03:57 • -26.68db
17% Popularity • 15% Danceability • 4% Energy • 9% Liveness
83% Instrumentalness • 7% Positiveness
17% Popularity • 15% Danceability • 4% Energy • 9% Liveness
83% Instrumentalness • 7% Positiveness
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George Lloyd
Charade "Scenes from the '60s": IV. Flyi...
125 bpm • F min • 05:24 • -22.25db
1% Popularity • 28% Danceability • 19% Energy • 13% Liveness
88% Instrumentalness • 11% Positiveness
1% Popularity • 28% Danceability • 19% Energy • 13% Liveness
88% Instrumentalness • 11% Positiveness
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Igor Stravinsky
Petrushka, K012 (1947 Version), Pt. 1, "...
126 bpm • D min • 07:51 • -21.11db
9% Popularity • 39% Danceability • 13% Energy • 64% Liveness
29% Instrumentalness • 7% Positiveness
9% Popularity • 39% Danceability • 13% Energy • 64% Liveness
29% Instrumentalness • 7% Positiveness
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Edvard Grieg
Symphonic Dances, Op. 64: III. Allegro g...
98 bpm • A Maj • 05:24 • -22.21db
11% Popularity • 32% Danceability • 8% Energy • 22% Liveness
85% Instrumentalness • 21% Positiveness
11% Popularity • 32% Danceability • 8% Energy • 22% Liveness
85% Instrumentalness • 21% Positiveness
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Johannes Brahms
Six Canonic Studies, Op. 56: No. 1, Con ...
126 bpm • C Maj • 03:04 • -32.3db
17% Popularity • 17% Danceability • 1% Energy • 9% Liveness
74% Instrumentalness • 7% Positiveness
17% Popularity • 17% Danceability • 1% Energy • 9% Liveness
74% Instrumentalness • 7% Positiveness
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Maurice Ravel
Valses nobles et sentimentales, M.61 - f...
98 bpm • G Maj • 01:38 • -31db
2% Popularity • 23% Danceability • 2% Energy • 11% Liveness
68% Instrumentalness • 9% Positiveness
2% Popularity • 23% Danceability • 2% Energy • 11% Liveness
68% Instrumentalness • 9% Positiveness
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Casualidades Del Destino
A Un Mundo
97 bpm • A min • 02:20 • -22db
16% Popularity • 22% Danceability • 11% Energy • 10% Liveness
91% Instrumentalness • 15% Positiveness
16% Popularity • 22% Danceability • 11% Energy • 10% Liveness
91% Instrumentalness • 15% Positiveness
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George Lloyd
Charade "Scenes from the '60s": VI. Part...
97 bpm • C Maj • 07:48 • -19.28db
1% Popularity • 25% Danceability • 12% Energy • 10% Liveness
93% Instrumentalness • 8% Positiveness
1% Popularity • 25% Danceability • 12% Energy • 10% Liveness
93% Instrumentalness • 8% Positiveness
