Songs like Lodoletta, Act III: Se Franz dicesse by Pietro Mascagni
Based on a tempo of (+/- 10%) and a similar genre
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Pietro Mascagni
Cavalleria rusticana: Intermezzo
94 bpm • F Maj • 03:36 • -22.07db
0% Popularity • 11% Danceability • 8% Energy • 25% Liveness
86% Instrumentalness • 4% Positiveness
0% Popularity • 11% Danceability • 8% Energy • 25% Liveness
86% Instrumentalness • 4% Positiveness
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Ottorino Respighi
Suite No. 3, P. 172: I. Italiana: Andant...
94 bpm • A# Maj • 02:46 • -27.36db
47% Popularity • 17% Danceability • 5% Energy • 35% Liveness
68% Instrumentalness • 18% Positiveness
47% Popularity • 17% Danceability • 5% Energy • 35% Liveness
68% Instrumentalness • 18% Positiveness
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César Franck
Violin Sonata in A major, FWV 8: IV. All...
94 bpm • A Maj • 06:04 • -18.62db
51% Popularity • 25% Danceability • 14% Energy • 5% Liveness
3% Instrumentalness • 18% Positiveness
51% Popularity • 25% Danceability • 14% Energy • 5% Liveness
3% Instrumentalness • 18% Positiveness
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Richard Wagner
Tristan und Isolde, Act III: Liebestod (...
94 bpm • B Maj • 07:26 • -16db
27% Popularity • 12% Danceability • 15% Energy • 13% Liveness
90% Instrumentalness • 3% Positiveness
27% Popularity • 12% Danceability • 15% Energy • 13% Liveness
90% Instrumentalness • 3% Positiveness
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Pyotr Ilyich Tchaikovsky
Romeo and Juliet, Fantasy Overture - TH....
94 bpm • F# Maj • 03:33 • -24.51db
20% Popularity • 17% Danceability • 7% Energy • 25% Liveness
92% Instrumentalness • 3% Positiveness
20% Popularity • 17% Danceability • 7% Energy • 25% Liveness
92% Instrumentalness • 3% Positiveness
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AntonÃn Dvořák
Symphony No. 9 in E Minor, Op. 95, B. 17...
94 bpm • C# Maj • 05:31 • -28db
24% Popularity • 11% Danceability • 2% Energy • 6% Liveness
68% Instrumentalness • 3% Positiveness
24% Popularity • 11% Danceability • 2% Energy • 6% Liveness
68% Instrumentalness • 3% Positiveness
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Pietro Mascagni
Cavalleria Rusticana: Voi lo sapete - 19...
94 bpm • E min • 04:24 • -13.42db
3% Popularity • 22% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
3% Popularity • 22% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Frederick Delius
3 Small Tone Poems: No. 3. Spring Mornin...
95 bpm • A Maj • 07:24 • -26db
29% Popularity • 12% Danceability • 3% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
29% Popularity • 12% Danceability • 3% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
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Academy of St. Martin in the Fields
Peer Gynt Suite No.2 op. 55 Solveig's So...
93 bpm • A min • 05:14 • -32db
33% Popularity • 11% Danceability • 2% Energy • 6% Liveness
88% Instrumentalness • 4% Positiveness
33% Popularity • 11% Danceability • 2% Energy • 6% Liveness
88% Instrumentalness • 4% Positiveness
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John Rutter
Suite: O, Waly Waly
95 bpm • G Maj • 03:53 • -32.5db
21% Popularity • 12% Danceability • 4% Energy • 9% Liveness
68% Instrumentalness • 8% Positiveness
21% Popularity • 12% Danceability • 4% Energy • 9% Liveness
68% Instrumentalness • 8% Positiveness
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Richard Strauss
Morgen! Op. 27, No. 4
93 bpm • G Maj • 03:41 • -21.93db
17% Popularity • 18% Danceability • 12% Energy • 27% Liveness
12% Instrumentalness • 4% Positiveness
17% Popularity • 18% Danceability • 12% Energy • 27% Liveness
12% Instrumentalness • 4% Positiveness
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Daniel Barenboim
Bach, JS : Well-Tempered Clavier Book 1 ...
95 bpm • C Maj • 01:40 • -37db
55% Popularity • 18% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 25% Positiveness
55% Popularity • 18% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 25% Positiveness
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Pietro Mascagni
Cavalleria rusticana: Preludio
93 bpm • F Maj • 02:40 • -21.09db
17% Popularity • 11% Danceability • 10% Energy • 60% Liveness
80% Instrumentalness • 6% Positiveness
17% Popularity • 11% Danceability • 10% Energy • 60% Liveness
80% Instrumentalness • 6% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Clarinet Concerto in A Major, K....
93 bpm • D Maj • 06:39 • -23db
38% Popularity • 12% Danceability • 4% Energy • 10% Liveness
77% Instrumentalness • 7% Positiveness
38% Popularity • 12% Danceability • 4% Energy • 10% Liveness
77% Instrumentalness • 7% Positiveness
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William Walton
Touch Her Soft Lips and Part
93 bpm • B min • 03:58 • -23.2db
22% Popularity • 11% Danceability • 12% Energy • 18% Liveness
15% Instrumentalness • 7% Positiveness
22% Popularity • 11% Danceability • 12% Energy • 18% Liveness
15% Instrumentalness • 7% Positiveness
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Ottorino Respighi
Suite No. 3, P. 172: III. Siciliana: And...
93 bpm • C min • 03:58 • -23.41db
38% Popularity • 15% Danceability • 4% Energy • 5% Liveness
87% Instrumentalness • 13% Positiveness
38% Popularity • 15% Danceability • 4% Energy • 5% Liveness
87% Instrumentalness • 13% Positiveness
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Edward Elgar
Salut d'amour, Op. 12
95 bpm • E Maj • 02:54 • -22db
50% Popularity • 17% Danceability • 13% Energy • 13% Liveness
4% Instrumentalness • 5% Positiveness
50% Popularity • 17% Danceability • 13% Energy • 13% Liveness
4% Instrumentalness • 5% Positiveness
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Felix Mendelssohn
Mendelssohn: Song Without Words in D Maj...
93 bpm • D Maj • 05:30 • -24.91db
26% Popularity • 18% Danceability • 4% Energy • 13% Liveness
91% Instrumentalness • 4% Positiveness
26% Popularity • 18% Danceability • 4% Energy • 13% Liveness
91% Instrumentalness • 4% Positiveness
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Pietro Mascagni
Cavalleria rusticana: Intermezzo sinfoni...
95 bpm • F Maj • 03:27 • -20db
32% Popularity • 19% Danceability • 10% Energy • 14% Liveness
92% Instrumentalness • 4% Positiveness
32% Popularity • 19% Danceability • 10% Energy • 14% Liveness
92% Instrumentalness • 4% Positiveness
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Florence Beatrice Price
Violin Concerto No. 1 in D Major: II. An...
95 bpm • A# Maj • 05:57 • -21.56db
37% Popularity • 15% Danceability • 8% Energy • 16% Liveness
28% Instrumentalness • 4% Positiveness
37% Popularity • 15% Danceability • 8% Energy • 16% Liveness
28% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
String Quartet No. 1 in D Major, Op. 11,...
93 bpm • A# Maj • 09:26 • -23.58db
11% Popularity • 11% Danceability • 7% Energy • 13% Liveness
33% Instrumentalness • 4% Positiveness
11% Popularity • 11% Danceability • 7% Energy • 13% Liveness
33% Instrumentalness • 4% Positiveness
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AntonÃn Dvořák
Dvořák: Rusalka, Op. 114, B. 203, Act ...
96 bpm • F# Maj • 05:55 • -20db
24% Popularity • 23% Danceability • 8% Energy • 16% Liveness
1% Instrumentalness • 4% Positiveness
24% Popularity • 23% Danceability • 8% Energy • 16% Liveness
1% Instrumentalness • 4% Positiveness
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Johan Svendsen
2 Swedish Folk-Melodies, Op. 27: No. 1 A...
92 bpm • E min • 03:10 • -23.3db
30% Popularity • 12% Danceability • 8% Energy • 14% Liveness
90% Instrumentalness • 4% Positiveness
30% Popularity • 12% Danceability • 8% Energy • 14% Liveness
90% Instrumentalness • 4% Positiveness
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Gioachino Rossini
Il barbiere di Siviglia: Overture (Sinfo...
92 bpm • E Maj • 07:05 • -20.75db
51% Popularity • 32% Danceability • 14% Energy • 12% Liveness
76% Instrumentalness • 28% Positiveness
51% Popularity • 32% Danceability • 14% Energy • 12% Liveness
76% Instrumentalness • 28% Positiveness
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Pietro Mascagni
Cavalleria rusticana: Preludio
93 bpm • F Maj • 02:23 • -21db
10% Popularity • 13% Danceability • 12% Energy • 71% Liveness
91% Instrumentalness • 4% Positiveness
10% Popularity • 13% Danceability • 12% Energy • 71% Liveness
91% Instrumentalness • 4% Positiveness
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Georges Bizet
Carmen Suite No. 1 (Arr. E. Guiraud): II...
92 bpm • D# Maj • 02:48 • -33.21db
48% Popularity • 11% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
48% Popularity • 11% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Béla Bartók
Heavenly Romanticism
96 bpm • F Maj • 01:02 • -38db
48% Popularity • 22% Danceability • 0% Energy • 32% Liveness
99% Instrumentalness • 4% Positiveness
48% Popularity • 22% Danceability • 0% Energy • 32% Liveness
99% Instrumentalness • 4% Positiveness
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AntonÃn Dvořák
Dvořák: 7 Gipsy Melodies, Op. 55, B. 1...
92 bpm • D Maj • 02:26 • -16.91db
37% Popularity • 14% Danceability • 10% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
37% Popularity • 14% Danceability • 10% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
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Seattle Symphony Orchestra
Symphony No. 3 in F major, Op. 90: III. ...
92 bpm • C min • 06:48 • -26.93db
26% Popularity • 11% Danceability • 3% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
26% Popularity • 11% Danceability • 3% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
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Gerald Finzi
Introit, Op. 6
96 bpm • F Maj • 08:34 • -27.19db
22% Popularity • 12% Danceability • 6% Energy • 10% Liveness
64% Instrumentalness • 4% Positiveness
22% Popularity • 12% Danceability • 6% Energy • 10% Liveness
64% Instrumentalness • 4% Positiveness
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Pietro Mascagni
L'amico Fritz / Act 1: Son pochi fiori
96 bpm • D# Maj • 03:12 • -20.13db
15% Popularity • 28% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
15% Popularity • 28% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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Giacomo Puccini
Madama Butterfly / Act 1: Vogliatemi ben...
92 bpm • A# Maj • 07:53 • -15.17db
38% Popularity • 17% Danceability • 19% Energy • 32% Liveness
3% Instrumentalness • 4% Positiveness
38% Popularity • 17% Danceability • 19% Energy • 32% Liveness
3% Instrumentalness • 4% Positiveness
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George Frideric Handel
Messiah, HWV 56, Part I: Pastoral Sympho...
92 bpm • C Maj • 03:47 • -29db
50% Popularity • 11% Danceability • 3% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
50% Popularity • 11% Danceability • 3% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
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AntonÃn Dvořák
Songs My Mother Taught Me, Op. 55 No. 4
96 bpm • D Maj • 02:14 • -30.66db
42% Popularity • 16% Danceability • 1% Energy • 9% Liveness
72% Instrumentalness • 6% Positiveness
42% Popularity • 16% Danceability • 1% Energy • 9% Liveness
72% Instrumentalness • 6% Positiveness
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Umberto Giordano
Fedora: Amor ti vieta
96 bpm • C Maj • 01:46 • -13.68db
39% Popularity • 21% Danceability • 28% Energy • 12% Liveness
57% Instrumentalness • 12% Positiveness
39% Popularity • 21% Danceability • 28% Energy • 12% Liveness
57% Instrumentalness • 12% Positiveness
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Erich Wolfgang Korngold
Die tote Stadt: Tanzlied des Pierrot (Ar...
97 bpm • C# Maj • 04:19 • -16.78db
14% Popularity • 17% Danceability • 20% Energy • 11% Liveness
75% Instrumentalness • 4% Positiveness
14% Popularity • 17% Danceability • 20% Energy • 11% Liveness
75% Instrumentalness • 4% Positiveness
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Pietro Mascagni
Cavalleria rusticana: "Regina coeli laet...
92 bpm • G Maj • 06:42 • -22db
5% Popularity • 14% Danceability • 12% Energy • 10% Liveness
12% Instrumentalness • 4% Positiveness
5% Popularity • 14% Danceability • 12% Energy • 10% Liveness
12% Instrumentalness • 4% Positiveness
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Oskar Merikanto
Kesaillan idylli (Summer Night's Idyll),...
97 bpm • F Maj • 01:18 • -34db
41% Popularity • 17% Danceability • 1% Energy • 10% Liveness
84% Instrumentalness • 6% Positiveness
41% Popularity • 17% Danceability • 1% Energy • 10% Liveness
84% Instrumentalness • 6% Positiveness
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Gustav Mahler
Symphony No. 5: IV. Adagietto. Sehr lang...
91 bpm • F Maj • 09:00 • -29db
37% Popularity • 17% Danceability • 2% Energy • 9% Liveness
73% Instrumentalness • 3% Positiveness
37% Popularity • 17% Danceability • 2% Energy • 9% Liveness
73% Instrumentalness • 3% Positiveness
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AntonÃn Dvořák
8 Slavonic Dances, Op. 72, B. 147: 2. Du...
97 bpm • C Maj • 05:41 • -15db
30% Popularity • 16% Danceability • 19% Energy • 10% Liveness
70% Instrumentalness • 12% Positiveness
30% Popularity • 16% Danceability • 19% Energy • 10% Liveness
70% Instrumentalness • 12% Positiveness
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George Frideric Handel
Rinaldo, HWV 7a, Act II, Scene 4: Lascia...
97 bpm • B Maj • 05:00 • -26.68db
46% Popularity • 13% Danceability • 2% Energy • 8% Liveness
37% Instrumentalness • 6% Positiveness
46% Popularity • 13% Danceability • 2% Energy • 8% Liveness
37% Instrumentalness • 6% Positiveness
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Léo Delibes
Le roi s'amuse: Pavane
91 bpm • A# Maj • 01:28 • -34db
63% Popularity • 20% Danceability • 1% Energy • 15% Liveness
94% Instrumentalness • 24% Positiveness
63% Popularity • 20% Danceability • 1% Energy • 15% Liveness
94% Instrumentalness • 24% Positiveness
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Pietro Mascagni
Mascagni: Cavalleria rusticana: "Inneggi...
92 bpm • G Maj • 04:23 • -11.62db
1% Popularity • 18% Danceability • 39% Energy • 14% Liveness
42% Instrumentalness • 12% Positiveness
1% Popularity • 18% Danceability • 39% Energy • 14% Liveness
42% Instrumentalness • 12% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Piano Concerto No. 21 in C Major...
97 bpm • F Maj • 05:20 • -22.68db
34% Popularity • 24% Danceability • 8% Energy • 10% Liveness
93% Instrumentalness • 8% Positiveness
34% Popularity • 24% Danceability • 8% Energy • 10% Liveness
93% Instrumentalness • 8% Positiveness
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Max Bruch
Violin Concerto No. 1 in G Minor, Op. 26...
91 bpm • G Maj • 07:43 • -21.41db
45% Popularity • 36% Danceability • 7% Energy • 5% Liveness
35% Instrumentalness • 26% Positiveness
45% Popularity • 36% Danceability • 7% Energy • 5% Liveness
35% Instrumentalness • 26% Positiveness
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Maurice Ravel
Pavane pour une infante défunte, M. 19 ...
91 bpm • G Maj • 07:09 • -35.82db
42% Popularity • 10% Danceability • 0% Energy • 5% Liveness
82% Instrumentalness • 4% Positiveness
42% Popularity • 10% Danceability • 0% Energy • 5% Liveness
82% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Saint-Saëns: Le carnaval des animaux, R...
91 bpm • G Maj • 03:25 • -28db
43% Popularity • 10% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
43% Popularity • 10% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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Ralph Vaughan Williams
6 Studies in English Folksong (Version f...
90 bpm • D# Maj • 01:23 • -29db
51% Popularity • 35% Danceability • 2% Energy • 11% Liveness
81% Instrumentalness • 13% Positiveness
51% Popularity • 35% Danceability • 2% Energy • 11% Liveness
81% Instrumentalness • 13% Positiveness
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Pietro Mascagni
Cavalleria rusticana: Prelude: O Lola, b...
96 bpm • F Maj • 07:58 • -23.07db
6% Popularity • 14% Danceability • 6% Energy • 12% Liveness
6% Instrumentalness • 4% Positiveness
6% Popularity • 14% Danceability • 6% Energy • 12% Liveness
6% Instrumentalness • 4% Positiveness
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Erik Satie
Gymnopédie No. 3
90 bpm • G Maj • 03:47 • -19.09db
18% Popularity • 11% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
18% Popularity • 11% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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Edward Elgar
Variations on an Original Theme, Op. 36 ...
90 bpm • A# Maj • 04:00 • -19.85db
33% Popularity • 16% Danceability • 9% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
33% Popularity • 16% Danceability • 9% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
Andante Cantabile
90 bpm • A# Maj • 07:42 • -34.44db
24% Popularity • 10% Danceability • 1% Energy • 10% Liveness
66% Instrumentalness • 4% Positiveness
24% Popularity • 10% Danceability • 1% Energy • 10% Liveness
66% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Le Carnaval des Animaux, R. 125: Le Cygn...
90 bpm • G Maj • 03:10 • -32.49db
31% Popularity • 11% Danceability • 1% Energy • 7% Liveness
82% Instrumentalness • 4% Positiveness
31% Popularity • 11% Danceability • 1% Energy • 7% Liveness
82% Instrumentalness • 4% Positiveness
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Tomaso Albinoni
Albinoni: Adagio in G Minor
90 bpm • C min • 05:53 • -20.28db
36% Popularity • 14% Danceability • 10% Energy • 11% Liveness
78% Instrumentalness • 4% Positiveness
36% Popularity • 14% Danceability • 10% Energy • 11% Liveness
78% Instrumentalness • 4% Positiveness
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Pietro Mascagni
Ave MarÃa (De Piero Mascagni)
96 bpm • F Maj • 03:35 • -11.23db
4% Popularity • 19% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 11% Positiveness
4% Popularity • 19% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 11% Positiveness
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Academy of St. Martin in the Fields
Rupert Bear
90 bpm • A# Maj • 01:27 • -18db
45% Popularity • 21% Danceability • 19% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
45% Popularity • 21% Danceability • 19% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Concerto for Flute and Harp, K. ...
99 bpm • F Maj • 08:30 • -20.33db
30% Popularity • 26% Danceability • 9% Energy • 11% Liveness
93% Instrumentalness • 14% Positiveness
30% Popularity • 26% Danceability • 9% Energy • 11% Liveness
93% Instrumentalness • 14% Positiveness
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Alexander Borodin
String Quartet No. 2 in D Major: III. No...
89 bpm • A Maj • 08:26 • -22.88db
25% Popularity • 15% Danceability • 9% Energy • 7% Liveness
84% Instrumentalness • 7% Positiveness
25% Popularity • 15% Danceability • 9% Energy • 7% Liveness
84% Instrumentalness • 7% Positiveness
► Preview
Giacomo Puccini
Puccini: Gianni Schicchi, Act 1: "O mio ...
89 bpm • G# Maj • 02:01 • -14db
46% Popularity • 29% Danceability • 17% Energy • 10% Liveness
88% Instrumentalness • 12% Positiveness
46% Popularity • 29% Danceability • 17% Energy • 10% Liveness
88% Instrumentalness • 12% Positiveness
► Preview
Alexander Glazunov
Rhapsodie Orientale, Op. 29: 1. Andante
89 bpm • C# Maj • 04:32 • -31db
41% Popularity • 10% Danceability • 2% Energy • 8% Liveness
65% Instrumentalness • 4% Positiveness
41% Popularity • 10% Danceability • 2% Energy • 8% Liveness
65% Instrumentalness • 4% Positiveness
► Preview
Pietro Mascagni
Rosa
92 bpm • D Maj • 02:41 • -12.57db
0% Popularity • 39% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
0% Popularity • 39% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
► Preview
Augusta Holmès
Ludus pro Patria, La Nuit et l'Amour: La...
99 bpm • D# Maj • 05:49 • -25db
11% Popularity • 14% Danceability • 4% Energy • 14% Liveness
79% Instrumentalness • 4% Positiveness
11% Popularity • 14% Danceability • 4% Energy • 14% Liveness
79% Instrumentalness • 4% Positiveness
► Preview
Edvard Grieg
Grieg: The Last Spring, Op. 34, No. 2
89 bpm • G Maj • 05:47 • -25db
20% Popularity • 12% Danceability • 4% Energy • 17% Liveness
84% Instrumentalness • 3% Positiveness
20% Popularity • 12% Danceability • 4% Energy • 17% Liveness
84% Instrumentalness • 3% Positiveness
► Preview
AntonÃn Dvořák
Dvorák: Rusalka, Op. 114, B. 203, Act I...
89 bpm • F# Maj • 05:44 • -24.24db
22% Popularity • 22% Danceability • 7% Energy • 8% Liveness
78% Instrumentalness • 5% Positiveness
22% Popularity • 22% Danceability • 7% Energy • 8% Liveness
78% Instrumentalness • 5% Positiveness
► Preview
Wolfgang Amadeus Mozart
Clarinet Concerto in A Major, K. 622: II...
99 bpm • D Maj • 06:51 • -23.37db
36% Popularity • 16% Danceability • 2% Energy • 9% Liveness
67% Instrumentalness • 7% Positiveness
36% Popularity • 16% Danceability • 2% Energy • 9% Liveness
67% Instrumentalness • 7% Positiveness
► Preview
George Frideric Handel
Handel: Serse, HWV 40, Act 1, Scene 1: A...
89 bpm • E Maj • 03:23 • -20.19db
36% Popularity • 13% Danceability • 12% Energy • 16% Liveness
2% Instrumentalness • 4% Positiveness
36% Popularity • 13% Danceability • 12% Energy • 16% Liveness
2% Instrumentalness • 4% Positiveness
► Preview
Pietro Mascagni
Cavalleria rusticana: "Mamma, quel vino ...
92 bpm • G# Maj • 06:03 • -13.74db
10% Popularity • 21% Danceability • 30% Energy • 33% Liveness
0% Instrumentalness • 11% Positiveness
10% Popularity • 21% Danceability • 30% Energy • 33% Liveness
0% Instrumentalness • 11% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
Serenade in C Major, Op. 48: III. Elegie
89 bpm • D Maj • 09:05 • -21.19db
40% Popularity • 11% Danceability • 7% Energy • 22% Liveness
53% Instrumentalness • 4% Positiveness
40% Popularity • 11% Danceability • 7% Energy • 22% Liveness
53% Instrumentalness • 4% Positiveness
► Preview
Domenico Monleone
Intermezzo (Cavalleria Rusticana)
89 bpm • F Maj • 03:26 • -8db
47% Popularity • 19% Danceability • 36% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
47% Popularity • 19% Danceability • 36% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Johannes Brahms
Waltz in A flat major, Op.39 No. 15
89 bpm • A Maj • 01:47 • -20db
50% Popularity • 22% Danceability • 8% Energy • 12% Liveness
91% Instrumentalness • 10% Positiveness
50% Popularity • 22% Danceability • 8% Energy • 12% Liveness
91% Instrumentalness • 10% Positiveness
► Preview
Wolfgang Amadeus Mozart
Mozart: Vesperae solennes de confessore,...
89 bpm • F Maj • 05:04 • -27.49db
7% Popularity • 20% Danceability • 7% Energy • 12% Liveness
3% Instrumentalness • 4% Positiveness
7% Popularity • 20% Danceability • 7% Energy • 12% Liveness
3% Instrumentalness • 4% Positiveness
► Preview
Gerald Finzi
Love's Labour's Lost, Op. 28: 1. Soliloq...
99 bpm • C min • 01:43 • -25.6db
32% Popularity • 14% Danceability • 8% Energy • 10% Liveness
94% Instrumentalness • 5% Positiveness
32% Popularity • 14% Danceability • 8% Energy • 10% Liveness
94% Instrumentalness • 5% Positiveness
► Preview
Pietro Mascagni
Cavalleria rusticana: "Viva il vino spum...
91 bpm • G Maj • 02:23 • -11.46db
26% Popularity • 36% Danceability • 35% Energy • 63% Liveness
0% Instrumentalness • 62% Positiveness
26% Popularity • 36% Danceability • 35% Energy • 63% Liveness
0% Instrumentalness • 62% Positiveness
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Léo Delibes
Coppelia: Act I - Valse
89 bpm • D# Maj • 02:21 • -26.69db
54% Popularity • 20% Danceability • 3% Energy • 9% Liveness
87% Instrumentalness • 19% Positiveness
54% Popularity • 20% Danceability • 3% Energy • 9% Liveness
87% Instrumentalness • 19% Positiveness
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Pyotr Ilyich Tchaikovsky
String Quartet No. 1 in D Major, Op. 11:...
89 bpm • A# Maj • 06:35 • -31.66db
35% Popularity • 16% Danceability • 1% Energy • 11% Liveness
12% Instrumentalness • 4% Positiveness
35% Popularity • 16% Danceability • 1% Energy • 11% Liveness
12% Instrumentalness • 4% Positiveness
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Ralph Vaughan Williams
Fantasia on Greensleeves
89 bpm • C min • 04:15 • -26.89db
41% Popularity • 13% Danceability • 7% Energy • 40% Liveness
88% Instrumentalness • 12% Positiveness
41% Popularity • 13% Danceability • 7% Energy • 40% Liveness
88% Instrumentalness • 12% Positiveness
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Johann Sebastian Bach
Suite No. 3 in D Major, BWV 1068: II. Ai...
89 bpm • D Maj • 03:35 • -22db
38% Popularity • 10% Danceability • 14% Energy • 11% Liveness
86% Instrumentalness • 7% Positiveness
38% Popularity • 10% Danceability • 14% Energy • 11% Liveness
86% Instrumentalness • 7% Positiveness
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Samuel Barber
Barber: String Quartet in B Major, Op. 1...
89 bpm • A# min • 07:00 • -29db
2% Popularity • 10% Danceability • 2% Energy • 32% Liveness
96% Instrumentalness • 3% Positiveness
2% Popularity • 10% Danceability • 2% Energy • 32% Liveness
96% Instrumentalness • 3% Positiveness
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Pietro Mascagni
Cavalleria rusticana: Intermezzo sinfoni...
98 bpm • F Maj • 03:05 • -27.01db
9% Popularity • 13% Danceability • 3% Energy • 9% Liveness
85% Instrumentalness • 4% Positiveness
9% Popularity • 13% Danceability • 3% Energy • 9% Liveness
85% Instrumentalness • 4% Positiveness
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Léo Delibes
Le roi s'amuse: Passepied
88 bpm • A Maj • 01:41 • -31db
53% Popularity • 50% Danceability • 6% Energy • 8% Liveness
85% Instrumentalness • 32% Positiveness
53% Popularity • 50% Danceability • 6% Energy • 8% Liveness
85% Instrumentalness • 32% Positiveness
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Pablo Casals
El cant dels ocells (Song of the Birds) ...
89 bpm • A min • 03:49 • -33db
56% Popularity • 16% Danceability • 3% Energy • 11% Liveness
23% Instrumentalness • 3% Positiveness
56% Popularity • 16% Danceability • 3% Energy • 11% Liveness
23% Instrumentalness • 3% Positiveness
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Sergei Rachmaninoff
Rhapsody on a Theme of Paganini, Op. 43:...
88 bpm • C# Maj • 02:54 • -23.84db
55% Popularity • 20% Danceability • 5% Energy • 10% Liveness
91% Instrumentalness • 5% Positiveness
55% Popularity • 20% Danceability • 5% Energy • 10% Liveness
91% Instrumentalness • 5% Positiveness
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Florence Beatrice Price
Dances in the Canebrakes (Arr. W.G. Stil...
88 bpm • E Maj • 02:35 • -20db
38% Popularity • 39% Danceability • 8% Energy • 9% Liveness
89% Instrumentalness • 30% Positiveness
38% Popularity • 39% Danceability • 8% Energy • 9% Liveness
89% Instrumentalness • 30% Positiveness
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AntonÃn Dvořák
Gypsy Melodies, Op. 55, B. 104: IV. Song...
100 bpm • C min • 03:16 • -19.13db
25% Popularity • 23% Danceability • 12% Energy • 29% Liveness
90% Instrumentalness • 4% Positiveness
25% Popularity • 23% Danceability • 12% Energy • 29% Liveness
90% Instrumentalness • 4% Positiveness
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Pietro Mascagni
Mascagni: L'amico Fritz: "Son pochi fior...
90 bpm • D# Maj • 03:11 • -26.19db
5% Popularity • 24% Danceability • 5% Energy • 13% Liveness
0% Instrumentalness • 5% Positiveness
5% Popularity • 24% Danceability • 5% Energy • 13% Liveness
0% Instrumentalness • 5% Positiveness
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Ludwig van Beethoven
Klavierkonzert Nr. 5 Es-Dur, Op. 73: II....
88 bpm • B Maj • 08:10 • -28.8db
31% Popularity • 26% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
31% Popularity • 26% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
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JoaquÃn Rodrigo
FantasÃa para un Gentilhombre: IIa. Esp...
88 bpm • A min • 05:04 • -23.4db
39% Popularity • 33% Danceability • 5% Energy • 12% Liveness
91% Instrumentalness • 21% Positiveness
39% Popularity • 33% Danceability • 5% Energy • 12% Liveness
91% Instrumentalness • 21% Positiveness
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Slovak Philharmonic
Romance No. 2 In F Major, Op. 50
88 bpm • F Maj • 09:50 • -23db
37% Popularity • 18% Danceability • 6% Energy • 30% Liveness
28% Instrumentalness • 8% Positiveness
37% Popularity • 18% Danceability • 6% Energy • 30% Liveness
28% Instrumentalness • 8% Positiveness
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Florence Beatrice Price
Symphony No. 3 in C Minor: II. Andante m...
88 bpm • G# Maj • 09:32 • -24.98db
42% Popularity • 10% Danceability • 3% Energy • 7% Liveness
85% Instrumentalness • 4% Positiveness
42% Popularity • 10% Danceability • 3% Energy • 7% Liveness
85% Instrumentalness • 4% Positiveness
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George Frideric Handel
Serse (Xerxes), Hwv 40 (arr. for oboe an...
88 bpm • F Maj • 03:47 • -19.59db
37% Popularity • 10% Danceability • 13% Energy • 11% Liveness
81% Instrumentalness • 4% Positiveness
37% Popularity • 10% Danceability • 13% Energy • 11% Liveness
81% Instrumentalness • 4% Positiveness
► Preview
Pietro Mascagni
Cavalleria Rusticana: Intermezzo - Instr...
90 bpm • F Maj • 03:12 • -20.09db
17% Popularity • 13% Danceability • 16% Energy • 14% Liveness
85% Instrumentalness • 4% Positiveness
17% Popularity • 13% Danceability • 16% Energy • 14% Liveness
85% Instrumentalness • 4% Positiveness
► Preview
Nikolai Rimsky-Korsakov
Scheherazade: The Sea & Sinbad's Ship
87 bpm • A min • 03:37 • -20.67db
39% Popularity • 14% Danceability • 12% Energy • 28% Liveness
62% Instrumentalness • 3% Positiveness
39% Popularity • 14% Danceability • 12% Energy • 28% Liveness
62% Instrumentalness • 3% Positiveness
► Preview
Richard Wagner
Wagner: Albumblatt, WWV 94
87 bpm • A Maj • 04:48 • -13db
33% Popularity • 19% Danceability • 24% Energy • 6% Liveness
2% Instrumentalness • 6% Positiveness
33% Popularity • 19% Danceability • 24% Energy • 6% Liveness
2% Instrumentalness • 6% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
Tchaikovsky: Serenade for Strings in C, ...
101 bpm • G Maj • 03:34 • -17db
39% Popularity • 24% Danceability • 22% Energy • 18% Liveness
59% Instrumentalness • 30% Positiveness
39% Popularity • 24% Danceability • 22% Energy • 18% Liveness
59% Instrumentalness • 30% Positiveness
► Preview
RTE Concert Orchestra
49th Parallel Suite: Prelude
87 bpm • G Maj • 02:15 • -20db
37% Popularity • 9% Danceability • 14% Energy • 9% Liveness
91% Instrumentalness • 6% Positiveness
37% Popularity • 9% Danceability • 14% Energy • 9% Liveness
91% Instrumentalness • 6% Positiveness
► Preview
Johannes Brahms
Symphony No. 3 in F Major, Op. 90: III. ...
101 bpm • C min • 06:31 • -27.73db
41% Popularity • 14% Danceability • 3% Energy • 28% Liveness
84% Instrumentalness • 5% Positiveness
41% Popularity • 14% Danceability • 3% Energy • 28% Liveness
84% Instrumentalness • 5% Positiveness
► Preview
Pietro Mascagni
Cavalleria rusticana: "Voi lo sapete, o ...
89 bpm • E Maj • 06:32 • -16db
12% Popularity • 18% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
12% Popularity • 18% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Christoph Willibald Gluck
Orfeo ed Euridice, Wq. 30 / Act II: Danc...
87 bpm • B min • 03:07 • -22db
34% Popularity • 16% Danceability • 9% Energy • 9% Liveness
92% Instrumentalness • 7% Positiveness
34% Popularity • 16% Danceability • 9% Energy • 9% Liveness
92% Instrumentalness • 7% Positiveness
