Songs like Lohengrin, Act II Scene 2: Entweihte Gotter, helft jetzt meiner Rache! (Ortrud, Elsa) by Richard Wagner

173 bpm • E Maj • 09:30 • -14.34db

1% Popularity • 15% Danceability • 33% Energy • 7% Liveness
27% Instrumentalness • 4% Positiveness

171 bpm • E Maj • 07:46 • -24.15db

37% Popularity • 29% Danceability • 8% Energy • 8% Liveness
44% Instrumentalness • 27% Positiveness

177 bpm • C min • 01:39 • -27db

44% Popularity • 25% Danceability • 4% Energy • 15% Liveness
7% Instrumentalness • 8% Positiveness

169 bpm • D Maj • 02:58 • -18.35db

24% Popularity • 19% Danceability • 3% Energy • 12% Liveness
83% Instrumentalness • 11% Positiveness

168 bpm • A# min • 02:47 • -17.47db

38% Popularity • 18% Danceability • 11% Energy • 10% Liveness
8% Instrumentalness • 4% Positiveness

178 bpm • A Maj • 07:26 • -22db

25% Popularity • 21% Danceability • 8% Energy • 35% Liveness
85% Instrumentalness • 16% Positiveness

172 bpm • G Maj • 10:45 • -10.89db

0% Popularity • 29% Danceability • 30% Energy • 25% Liveness
0% Instrumentalness • 19% Positiveness

171 bpm • E Maj • 09:53 • -23.2db

18% Popularity • 29% Danceability • 9% Energy • 39% Liveness
10% Instrumentalness • 21% Positiveness

168 bpm • E min • 03:38 • -17.19db

31% Popularity • 21% Danceability • 18% Energy • 17% Liveness
0% Instrumentalness • 4% Positiveness

178 bpm • G min • 01:21 • -27.44db

46% Popularity • 8% Danceability • 6% Energy • 13% Liveness
86% Instrumentalness • 4% Positiveness

182 bpm • G# Maj • 02:45 • -29.26db

13% Popularity • 32% Danceability • 4% Energy • 12% Liveness
17% Instrumentalness • 25% Positiveness

163 bpm • D Maj • 02:17 • -12.04db

11% Popularity • 20% Danceability • 27% Energy • 9% Liveness
3% Instrumentalness • 13% Positiveness

172 bpm • E min • 03:41 • -13.09db

23% Popularity • 23% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness

182 bpm • A Maj • 01:13 • -20db

43% Popularity • 28% Danceability • 44% Energy • 8% Liveness
88% Instrumentalness • 52% Positiveness

156 bpm • C Maj • 05:47 • -31.87db

28% Popularity • 45% Danceability • 5% Energy • 9% Liveness
90% Instrumentalness • 54% Positiveness

181 bpm • G Maj • 03:40 • -17db

22% Popularity • 19% Danceability • 15% Energy • 11% Liveness
94% Instrumentalness • 25% Positiveness

155 bpm • A# Maj • 07:01 • -25db

32% Popularity • 39% Danceability • 5% Energy • 11% Liveness
90% Instrumentalness • 29% Positiveness

154 bpm • C Maj • 07:44 • -19db

24% Popularity • 34% Danceability • 13% Energy • 8% Liveness
11% Instrumentalness • 37% Positiveness

172 bpm • G# Maj • 04:16 • -21.22db

2% Popularity • 23% Danceability • 9% Energy • 66% Liveness
0% Instrumentalness • 4% Positiveness

154 bpm • E min • 05:16 • -24db

26% Popularity • 27% Danceability • 14% Energy • 52% Liveness
85% Instrumentalness • 30% Positiveness

153 bpm • D Maj • 03:06 • -15.46db

35% Popularity • 40% Danceability • 17% Energy • 34% Liveness
87% Instrumentalness • 36% Positiveness

152 bpm • B Maj • 01:03 • -18.33db

51% Popularity • 12% Danceability • 13% Energy • 18% Liveness
94% Instrumentalness • 4% Positiveness

149 bpm • A Maj • 04:35 • -18.83db

20% Popularity • 31% Danceability • 17% Energy • 54% Liveness
0% Instrumentalness • 6% Positiveness

151 bpm • A Maj • 11:52 • -19.19db

22% Popularity • 34% Danceability • 13% Energy • 27% Liveness
74% Instrumentalness • 18% Positiveness

148 bpm • A# Maj • 07:11 • -17.76db

43% Popularity • 35% Danceability • 21% Energy • 8% Liveness
92% Instrumentalness • 33% Positiveness

172 bpm • D min • 06:34 • -18db

0% Popularity • 17% Danceability • 18% Energy • 12% Liveness
2% Instrumentalness • 5% Positiveness

149 bpm • G# Maj • 09:53 • -24.78db

27% Popularity • 12% Danceability • 6% Energy • 15% Liveness
87% Instrumentalness • 6% Positiveness

203 bpm • G Maj • 04:50 • -13.71db

25% Popularity • 34% Danceability • 28% Energy • 6% Liveness
94% Instrumentalness • 42% Positiveness

172 bpm • A Maj • 05:44 • -26.82db

6% Popularity • 15% Danceability • 3% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness

175 bpm • C Maj • 05:32 • -17.05db

5% Popularity • 27% Danceability • 31% Energy • 71% Liveness
0% Instrumentalness • 8% Positiveness

176 bpm • G Maj • 06:58 • -22db

6% Popularity • 20% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness

170 bpm • D# Maj • 06:44 • -18.81db

11% Popularity • 16% Danceability • 14% Energy • 10% Liveness
1% Instrumentalness • 5% Positiveness

170 bpm • G min • 06:09 • -30.89db

13% Popularity • 13% Danceability • 2% Energy • 11% Liveness
1% Instrumentalness • 3% Positiveness

176 bpm • A# Maj • 07:15 • -16db

14% Popularity • 28% Danceability • 23% Energy • 23% Liveness
0% Instrumentalness • 26% Positiveness

169 bpm • A Maj • 04:39 • -22.97db

21% Popularity • 18% Danceability • 3% Energy • 7% Liveness
1% Instrumentalness • 3% Positiveness

177 bpm • G Maj • 01:06 • -11.14db

12% Popularity • 18% Danceability • 51% Energy • 50% Liveness
86% Instrumentalness • 20% Positiveness

169 bpm • F Maj • 07:02 • -25.9db

15% Popularity • 23% Danceability • 6% Energy • 36% Liveness
0% Instrumentalness • 5% Positiveness

169 bpm • C Maj • 03:35 • -12.52db

2% Popularity • 9% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness

168 bpm • F# Maj • 07:33 • -18.71db

10% Popularity • 17% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 3% Positiveness

168 bpm • F Maj • 04:50 • -18.65db

3% Popularity • 30% Danceability • 17% Energy • 55% Liveness
0% Instrumentalness • 18% Positiveness

164 bpm • A Maj • 08:51 • -18.83db

1% Popularity • 21% Danceability • 13% Energy • 27% Liveness
0% Instrumentalness • 12% Positiveness

158 bpm • D# Maj • 02:47 • -17db

12% Popularity • 20% Danceability • 17% Energy • 6% Liveness
94% Instrumentalness • 4% Positiveness

148 bpm • C Maj • 07:59 • -21db

18% Popularity • 40% Danceability • 20% Energy • 8% Liveness
28% Instrumentalness • 36% Positiveness

148 bpm • C Maj • 04:58 • -15.22db

28% Popularity • 39% Danceability • 29% Energy • 7% Liveness
10% Instrumentalness • 39% Positiveness