Songs like L'Olimpiade, P. 145, Act II, Scene 1: Ed ancor della pugna (Argene) by Giovanni Battista Pergolesi
Based on a tempo of (+/- 10%) and a similar genre
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Heinrich Ignaz Franz von Biber
L'Aria
86 bpm • D min • 01:51 • -26db
30% Popularity • 48% Danceability • 11% Energy • 11% Liveness
35% Instrumentalness • 45% Positiveness
30% Popularity • 48% Danceability • 11% Energy • 11% Liveness
35% Instrumentalness • 45% Positiveness
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Henry Purcell
Oedipus, Z.583: Music for a While
86 bpm • B min • 03:41 • -27.74db
3% Popularity • 23% Danceability • 3% Energy • 19% Liveness
0% Instrumentalness • 21% Positiveness
3% Popularity • 23% Danceability • 3% Energy • 19% Liveness
0% Instrumentalness • 21% Positiveness
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William Boyce
Symphony No. 1 in B-Flat Major, Op. 2, "...
86 bpm • A Maj • 02:55 • -23.37db
40% Popularity • 43% Danceability • 13% Energy • 25% Liveness
93% Instrumentalness • 69% Positiveness
40% Popularity • 43% Danceability • 13% Energy • 25% Liveness
93% Instrumentalness • 69% Positiveness
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Luigi Boccherini
Bocherini / Arr. Grützmacher: Cello Con...
86 bpm • G min • 06:54 • -23.72db
44% Popularity • 13% Danceability • 12% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
44% Popularity • 13% Danceability • 12% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
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George Frideric Handel
Ode for the Birthday of Queen Anne, HWV ...
86 bpm • C# Maj • 03:01 • -21db
16% Popularity • 14% Danceability • 13% Energy • 20% Liveness
12% Instrumentalness • 13% Positiveness
16% Popularity • 14% Danceability • 13% Energy • 20% Liveness
12% Instrumentalness • 13% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice, Wq. 30, Act II, Scene...
86 bpm • F# Maj • 06:21 • -24db
15% Popularity • 19% Danceability • 5% Energy • 12% Liveness
14% Instrumentalness • 4% Positiveness
15% Popularity • 19% Danceability • 5% Energy • 12% Liveness
14% Instrumentalness • 4% Positiveness
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Giovanni Legrenzi
Lumi, potete piangere
86 bpm • G min • 03:12 • -21.66db
20% Popularity • 25% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
20% Popularity • 25% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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Carl Philipp Emanuel Bach
Bach, CPE: Flute Concerto in A Minor, Wq...
87 bpm • A min • 08:17 • -21db
21% Popularity • 55% Danceability • 22% Energy • 6% Liveness
89% Instrumentalness • 57% Positiveness
21% Popularity • 55% Danceability • 22% Energy • 6% Liveness
89% Instrumentalness • 57% Positiveness
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Jean-Baptiste Lully
Gavotte - Arr. for Cello and Piano
85 bpm • D min • 02:50 • -27db
35% Popularity • 30% Danceability • 2% Energy • 9% Liveness
76% Instrumentalness • 34% Positiveness
35% Popularity • 30% Danceability • 2% Energy • 9% Liveness
76% Instrumentalness • 34% Positiveness
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Agostino Steffani
Stabat Mater: Eja Mater, fons amoris… ...
87 bpm • G min • 04:15 • -14.39db
14% Popularity • 26% Danceability • 27% Energy • 14% Liveness
1% Instrumentalness • 17% Positiveness
14% Popularity • 26% Danceability • 27% Energy • 14% Liveness
1% Instrumentalness • 17% Positiveness
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Johann Sebastian Bach
Mass in B Minor, BWV 232: Agnus Dei (Alt...
87 bpm • B min • 05:25 • -27.9db
24% Popularity • 11% Danceability • 2% Energy • 11% Liveness
10% Instrumentalness • 5% Positiveness
24% Popularity • 11% Danceability • 2% Energy • 11% Liveness
10% Instrumentalness • 5% Positiveness
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Giovanni Battista Pergolesi
Stabat Mater, P. 77: I. Stabat Mater dol...
87 bpm • F min • 04:30 • -24.35db
6% Popularity • 17% Danceability • 9% Energy • 12% Liveness
3% Instrumentalness • 6% Positiveness
6% Popularity • 17% Danceability • 9% Energy • 12% Liveness
3% Instrumentalness • 6% Positiveness
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Arcangelo Corelli
Concerto Grosso In D Major, Op. 6, No. 1...
87 bpm • B min • 03:50 • -20.96db
40% Popularity • 16% Danceability • 10% Energy • 16% Liveness
56% Instrumentalness • 11% Positiveness
40% Popularity • 16% Danceability • 10% Energy • 16% Liveness
56% Instrumentalness • 11% Positiveness
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Henry Purcell
Oedipus: Music For A While, Z583
85 bpm • E min • 04:13 • -18db
26% Popularity • 21% Danceability • 10% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
26% Popularity • 21% Danceability • 10% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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Antonio Caldara
Stabat Mater: VI. Fac me tecum
84 bpm • A min • 01:01 • -19.28db
37% Popularity • 15% Danceability • 18% Energy • 11% Liveness
96% Instrumentalness • 8% Positiveness
37% Popularity • 15% Danceability • 18% Energy • 11% Liveness
96% Instrumentalness • 8% Positiveness
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Élisabeth Jacquet de La Guerre
Chamber Sonata No. 4 in G Minor: I. Grav...
84 bpm • C# min • 01:23 • -14db
42% Popularity • 22% Danceability • 16% Energy • 14% Liveness
98% Instrumentalness • 6% Positiveness
42% Popularity • 22% Danceability • 16% Energy • 14% Liveness
98% Instrumentalness • 6% Positiveness
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Claudio Monteverdi
Il ritorno d'Ulisse in patria: Sinfonia
88 bpm • D min • 02:15 • -16.21db
11% Popularity • 18% Danceability • 15% Energy • 47% Liveness
64% Instrumentalness • 8% Positiveness
11% Popularity • 18% Danceability • 15% Energy • 47% Liveness
64% Instrumentalness • 8% Positiveness
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Giovanni Battista Pergolesi
Salve Regina in C minor (1736): 2. Ad te...
85 bpm • E min • 04:15 • -19.89db
16% Popularity • 16% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 5% Positiveness
16% Popularity • 16% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 5% Positiveness
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Johann Sebastian Bach
Concerto for two violins BWV 1043 in D M...
84 bpm • E Maj • 07:20 • -19.47db
36% Popularity • 11% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
36% Popularity • 11% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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George Frideric Handel
Rinaldo, HWV 7b: Act II Scene 4: Aria: L...
84 bpm • E Maj • 06:03 • -26db
35% Popularity • 25% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
35% Popularity • 25% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Carl Maria von Weber
Der Freischütz, J. 277 / Act III: "Und ...
84 bpm • G# Maj • 05:57 • -23.47db
30% Popularity • 18% Danceability • 7% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
30% Popularity • 18% Danceability • 7% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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Marc-Antoine Charpentier
Te Deum, H. 146: II. "Te Deum laudamus"
83 bpm • C# Maj • 01:04 • -19.05db
29% Popularity • 36% Danceability • 13% Energy • 16% Liveness
52% Instrumentalness • 53% Positiveness
29% Popularity • 36% Danceability • 13% Energy • 16% Liveness
52% Instrumentalness • 53% Positiveness
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Claudio Monteverdi
Cantate Domino, SV 293
88 bpm • F Maj • 01:43 • -19db
37% Popularity • 14% Danceability • 17% Energy • 12% Liveness
87% Instrumentalness • 16% Positiveness
37% Popularity • 14% Danceability • 17% Energy • 12% Liveness
87% Instrumentalness • 16% Positiveness
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Giovanni Battista Pergolesi
Stabat Mater: 1. Stabat Mater
88 bpm • E min • 04:31 • -24.88db
35% Popularity • 17% Danceability • 3% Energy • 10% Liveness
1% Instrumentalness • 6% Positiveness
35% Popularity • 17% Danceability • 3% Energy • 10% Liveness
1% Instrumentalness • 6% Positiveness
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Marin Marais
Pièces de viole, Livre 3 - Suite No. 7 ...
89 bpm • F# Maj • 02:27 • -26db
37% Popularity • 16% Danceability • 6% Energy • 25% Liveness
47% Instrumentalness • 14% Positiveness
37% Popularity • 16% Danceability • 6% Energy • 25% Liveness
47% Instrumentalness • 14% Positiveness
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Dietrich Buxtehude
Sonata in G Major, BuxWV 271: I. Allegro
83 bpm • F# Maj • 02:23 • -16db
21% Popularity • 38% Danceability • 31% Energy • 17% Liveness
25% Instrumentalness • 70% Positiveness
21% Popularity • 38% Danceability • 31% Energy • 17% Liveness
25% Instrumentalness • 70% Positiveness
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Luigi Cherubini
Requiem No. 1 in C Minor: Introitus et K...
83 bpm • C min • 07:14 • -31db
26% Popularity • 8% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
26% Popularity • 8% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
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Henry Purcell
Dido and Aeneas / Act 3: "Thy Hand Belin...
83 bpm • F# min • 04:06 • -28.04db
39% Popularity • 14% Danceability • 2% Energy • 21% Liveness
0% Instrumentalness • 4% Positiveness
39% Popularity • 14% Danceability • 2% Energy • 21% Liveness
0% Instrumentalness • 4% Positiveness
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Claudio Monteverdi
L'Orfeo, Prologo: Ritornello - Dal mio p...
89 bpm • D min • 06:31 • -24db
25% Popularity • 20% Danceability • 6% Energy • 18% Liveness
0% Instrumentalness • 9% Positiveness
25% Popularity • 20% Danceability • 6% Energy • 18% Liveness
0% Instrumentalness • 9% Positiveness
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Giovanni Battista Pergolesi
Stabat Mater in F Minor, P. 77: Quando c...
89 bpm • A min • 04:39 • -16.94db
9% Popularity • 23% Danceability • 17% Energy • 11% Liveness
2% Instrumentalness • 4% Positiveness
9% Popularity • 23% Danceability • 17% Energy • 11% Liveness
2% Instrumentalness • 4% Positiveness
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George Frideric Handel
Handel: Aminta e Fillide, HWV 83: "Per a...
83 bpm • A Maj • 05:17 • -16.47db
9% Popularity • 35% Danceability • 23% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
9% Popularity • 35% Danceability • 23% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
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Georg Philipp Telemann
Overture in D Minor, TWV 55:2: Rondeau
83 bpm • D min • 01:05 • -19db
45% Popularity • 70% Danceability • 9% Energy • 12% Liveness
22% Instrumentalness • 72% Positiveness
45% Popularity • 70% Danceability • 9% Energy • 12% Liveness
22% Instrumentalness • 72% Positiveness
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Arcangelo Corelli
Violin Sonata in B-Flat Major, Op. 5 No....
83 bpm • G# Maj • 01:21 • -13.02db
56% Popularity • 51% Danceability • 30% Energy • 16% Liveness
64% Instrumentalness • 67% Positiveness
56% Popularity • 51% Danceability • 30% Energy • 16% Liveness
64% Instrumentalness • 67% Positiveness
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Christoph Willibald Gluck
Gluck: Orfeo ed Euridice, Wq. 30, Act 1:...
89 bpm • B min • 02:46 • -17db
11% Popularity • 21% Danceability • 16% Energy • 13% Liveness
2% Instrumentalness • 4% Positiveness
11% Popularity • 21% Danceability • 16% Energy • 13% Liveness
2% Instrumentalness • 4% Positiveness
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Alessandro Scarlatti
Il Sedecia, Rè di Gerusalemme: "Caldo S...
82 bpm • A# min • 05:25 • -20.73db
17% Popularity • 18% Danceability • 5% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
17% Popularity • 18% Danceability • 5% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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Giovanni Battista Pergolesi
Stabat Mater, P. 77: 1. Stabat Mater dol...
85 bpm • F min • 03:53 • -24db
17% Popularity • 14% Danceability • 5% Energy • 12% Liveness
3% Instrumentalness • 5% Positiveness
17% Popularity • 14% Danceability • 5% Energy • 12% Liveness
3% Instrumentalness • 5% Positiveness
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Agostino Steffani
Stabat Mater: Cuius animam gementem…. ...
90 bpm • D min • 02:01 • -15db
22% Popularity • 20% Danceability • 28% Energy • 14% Liveness
3% Instrumentalness • 7% Positiveness
22% Popularity • 20% Danceability • 28% Energy • 14% Liveness
3% Instrumentalness • 7% Positiveness
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Claudio Monteverdi
L'Orfeo, Atto secondo: V. Tu se’ morta
82 bpm • D min • 02:27 • -23.21db
24% Popularity • 23% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
24% Popularity • 23% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Derek Lee Ragin
Salve Regina in C Minor - Transp. in A-F...
82 bpm • C# min • 03:48 • -22.01db
29% Popularity • 14% Danceability • 5% Energy • 31% Liveness
1% Instrumentalness • 4% Positiveness
29% Popularity • 14% Danceability • 5% Energy • 31% Liveness
1% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Vesperae solennes de confessore, K. 339:...
82 bpm • F Maj • 04:16 • -25.91db
51% Popularity • 11% Danceability • 4% Energy • 11% Liveness
11% Instrumentalness • 4% Positiveness
51% Popularity • 11% Danceability • 4% Energy • 11% Liveness
11% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
Matthäuspassion, BWV 244: Erbarme dich
90 bpm • F# Maj • 06:31 • -23.89db
6% Popularity • 16% Danceability • 7% Energy • 31% Liveness
0% Instrumentalness • 6% Positiveness
6% Popularity • 16% Danceability • 7% Energy • 31% Liveness
0% Instrumentalness • 6% Positiveness
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Giovanni Battista Pergolesi
Stabat Mater: Quis est homo, qui non fle...
87 bpm • C min • 02:43 • -22.01db
5% Popularity • 32% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
5% Popularity • 32% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
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Henry Purcell
Amphitryon, Z. 572, "The 2 Sosias": VIII...
82 bpm • C# min • 01:18 • -22db
45% Popularity • 56% Danceability • 9% Energy • 7% Liveness
92% Instrumentalness • 74% Positiveness
45% Popularity • 56% Danceability • 9% Energy • 7% Liveness
92% Instrumentalness • 74% Positiveness
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George Frideric Handel
Dixit Dominus, HWV 232: 8. De torrente i...
82 bpm • B min • 03:35 • -23.37db
13% Popularity • 11% Danceability • 9% Energy • 17% Liveness
1% Instrumentalness • 4% Positiveness
13% Popularity • 11% Danceability • 9% Energy • 17% Liveness
1% Instrumentalness • 4% Positiveness
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Georg Philipp Telemann
Concerto for Recorder, Transverse Flute,...
82 bpm • D min • 02:29 • -14.92db
40% Popularity • 60% Danceability • 32% Energy • 15% Liveness
88% Instrumentalness • 75% Positiveness
40% Popularity • 60% Danceability • 32% Energy • 15% Liveness
88% Instrumentalness • 75% Positiveness
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Christoph Willibald Gluck
Gluck: Orfeo ed Euridice, Wq. 30, Act 2:...
91 bpm • F# min • 01:04 • -22db
34% Popularity • 40% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
34% Popularity • 40% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Johann Sebastian Bach
Matthäus-Passion, BWV 244: Erbarme dich...
82 bpm • A# min • 07:20 • -21db
41% Popularity • 12% Danceability • 13% Energy • 13% Liveness
61% Instrumentalness • 11% Positiveness
41% Popularity • 12% Danceability • 13% Energy • 13% Liveness
61% Instrumentalness • 11% Positiveness
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Giovanni Battista Pergolesi
Stabat Mater: Quando corpus morietur
84 bpm • A# min • 04:34 • -21.11db
7% Popularity • 21% Danceability • 10% Energy • 7% Liveness
2% Instrumentalness • 4% Positiveness
7% Popularity • 21% Danceability • 10% Energy • 7% Liveness
2% Instrumentalness • 4% Positiveness
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Francesco Cavalli
Cavalli: Il Xerse, Act 1: "Ombra mai fu"...
91 bpm • F Maj • 03:19 • -18db
18% Popularity • 32% Danceability • 7% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
18% Popularity • 32% Danceability • 7% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
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George Frideric Handel
Handel: Giulio Cesare in Egitto, HWV 17,...
82 bpm • E min • 07:45 • -24.72db
14% Popularity • 19% Danceability • 6% Energy • 8% Liveness
2% Instrumentalness • 4% Positiveness
14% Popularity • 19% Danceability • 6% Energy • 8% Liveness
2% Instrumentalness • 4% Positiveness
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Arcangelo Corelli
Concerto Grosso In D Major, Op. 6, No. 1...
81 bpm • A Maj • 01:08 • -19db
62% Popularity • 20% Danceability • 9% Energy • 12% Liveness
96% Instrumentalness • 19% Positiveness
62% Popularity • 20% Danceability • 9% Energy • 12% Liveness
96% Instrumentalness • 19% Positiveness
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Wilhelm Kempff
Orfeo ed Euridice, Act II Scene 2: Balle...
81 bpm • F Maj • 04:45 • -33.57db
37% Popularity • 29% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
37% Popularity • 29% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
St. Matthew Passion, BWV 244: No. 3, Cho...
81 bpm • B min • 01:28 • -28db
31% Popularity • 10% Danceability • 12% Energy • 18% Liveness
96% Instrumentalness • 6% Positiveness
31% Popularity • 10% Danceability • 12% Energy • 18% Liveness
96% Instrumentalness • 6% Positiveness
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Giovanni Battista Pergolesi
Pergolesi: Laudate pueri Dominum: IV. Qu...
81 bpm • F# Maj • 02:08 • -18.4db
22% Popularity • 28% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
22% Popularity • 28% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Cologne Chamber Orchestra
Concerto For 4 Harpsichords In A Minor, ...
81 bpm • G Maj • 02:03 • -20db
49% Popularity • 31% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
49% Popularity • 31% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
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George Frideric Handel
Rinaldo, HWV 7b: Act I Scene 7: Aria: Ca...
92 bpm • D# min • 10:30 • -25db
28% Popularity • 18% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
28% Popularity • 18% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Alessandro Scarlatti
Sinfonia to Il Giardino di Amore: II. La...
80 bpm • B min • 00:59 • -36.49db
43% Popularity • 14% Danceability • 0% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
43% Popularity • 14% Danceability • 0% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
► Preview
Antonio Caldara
Il trionfo dell'innocenza: "Vanne pentit...
80 bpm • A Maj • 08:45 • -24db
18% Popularity • 22% Danceability • 5% Energy • 13% Liveness
3% Instrumentalness • 7% Positiveness
18% Popularity • 22% Danceability • 5% Energy • 13% Liveness
3% Instrumentalness • 7% Positiveness
► Preview
Johann Sebastian Bach
Matthäus-Passion, BWV 244 / Erster Teil...
81 bpm • D# min • 06:59 • -19db
31% Popularity • 21% Danceability • 14% Energy • 7% Liveness
55% Instrumentalness • 17% Positiveness
31% Popularity • 21% Danceability • 14% Energy • 7% Liveness
55% Instrumentalness • 17% Positiveness
► Preview
Giovanni Battista Pergolesi
I. Stabat mater dolorosa
84 bpm • E min • 04:38 • -24.86db
7% Popularity • 14% Danceability • 4% Energy • 11% Liveness
3% Instrumentalness • 4% Positiveness
7% Popularity • 14% Danceability • 4% Energy • 11% Liveness
3% Instrumentalness • 4% Positiveness
► Preview
Francesco Cavalli
Delizie contente
92 bpm • F min • 03:02 • -24db
19% Popularity • 36% Danceability • 5% Energy • 9% Liveness
3% Instrumentalness • 27% Positiveness
19% Popularity • 36% Danceability • 5% Energy • 9% Liveness
3% Instrumentalness • 27% Positiveness
► Preview
Marc-Antoine Charpentier
A la venue de noël
92 bpm • C# min • 01:00 • -22.24db
29% Popularity • 46% Danceability • 17% Energy • 4% Liveness
54% Instrumentalness • 78% Positiveness
29% Popularity • 46% Danceability • 17% Energy • 4% Liveness
54% Instrumentalness • 78% Positiveness
► Preview
Francesco Nicola Fago
Fago: Il Faraone sommerso: "Alla gente a...
92 bpm • E Maj • 04:45 • -21db
30% Popularity • 22% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
30% Popularity • 22% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
► Preview
Jordi Savall
Première Suite: Prélude
80 bpm • F Maj • 04:26 • -24.84db
38% Popularity • 20% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
38% Popularity • 20% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Johann Sebastian Bach
Mass in B Minor, BWV 232: Aria. Agnus De...
81 bpm • B min • 05:00 • -26db
39% Popularity • 14% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
39% Popularity • 14% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
► Preview
Giovanni Battista Pergolesi
Stabat Mater: 3. O quam tristis
80 bpm • F# min • 02:17 • -22.33db
24% Popularity • 21% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
24% Popularity • 21% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
George Frideric Handel
12 Concerti grossi, Op. 6 - Concerto gro...
80 bpm • E Maj • 01:01 • -25.66db
36% Popularity • 15% Danceability • 3% Energy • 11% Liveness
71% Instrumentalness • 32% Positiveness
36% Popularity • 15% Danceability • 3% Energy • 11% Liveness
71% Instrumentalness • 32% Positiveness
► Preview
Alessandro Scarlatti
Son tutta duolo
92 bpm • G min • 02:56 • -26.33db
24% Popularity • 28% Danceability • 4% Energy • 11% Liveness
16% Instrumentalness • 7% Positiveness
24% Popularity • 28% Danceability • 4% Energy • 11% Liveness
16% Instrumentalness • 7% Positiveness
► Preview
Jean-Philippe Rameau
Rameau: Castor et Pollux: "Tristes appr�...
93 bpm • D Maj • 05:05 • -24db
13% Popularity • 17% Danceability • 4% Energy • 10% Liveness
5% Instrumentalness • 4% Positiveness
13% Popularity • 17% Danceability • 4% Energy • 10% Liveness
5% Instrumentalness • 4% Positiveness
► Preview
Christoph Willibald Gluck
Orfeo ed Euridice: Act I, Scene 1, Coro:...
80 bpm • F min • 02:23 • -21db
25% Popularity • 10% Danceability • 13% Energy • 22% Liveness
64% Instrumentalness • 3% Positiveness
25% Popularity • 10% Danceability • 13% Energy • 22% Liveness
64% Instrumentalness • 3% Positiveness
► Preview
Johann Sebastian Bach
Brandenburg Concerto No. 1 in F Major, B...
81 bpm • C min • 03:09 • -27db
37% Popularity • 8% Danceability • 7% Energy • 64% Liveness
84% Instrumentalness • 8% Positiveness
37% Popularity • 8% Danceability • 7% Energy • 64% Liveness
84% Instrumentalness • 8% Positiveness
► Preview
Giovanni Battista Pergolesi
Stabat Mater: 1. Stabat Mater
80 bpm • E min • 04:12 • -22.46db
32% Popularity • 12% Danceability • 9% Energy • 11% Liveness
3% Instrumentalness • 4% Positiveness
32% Popularity • 12% Danceability • 9% Energy • 11% Liveness
3% Instrumentalness • 4% Positiveness
► Preview
Marc-Antoine Charpentier
Offerte non encore exécutée, H.522
79 bpm • B Maj • 03:17 • -15.78db
17% Popularity • 21% Danceability • 18% Energy • 12% Liveness
65% Instrumentalness • 35% Positiveness
17% Popularity • 21% Danceability • 18% Energy • 12% Liveness
65% Instrumentalness • 35% Positiveness
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Tomaso Albinoni
Oboe Concerto in C Major, Op. 9, No. 5: ...
79 bpm • A min • 01:58 • -19db
48% Popularity • 9% Danceability • 14% Energy • 6% Liveness
90% Instrumentalness • 9% Positiveness
48% Popularity • 9% Danceability • 14% Energy • 6% Liveness
90% Instrumentalness • 9% Positiveness
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Alessandro Marcello
Concerto Per Oboe, Archi E Continuo In R...
79 bpm • C# min • 03:11 • -25.63db
24% Popularity • 42% Danceability • 4% Energy • 7% Liveness
44% Instrumentalness • 32% Positiveness
24% Popularity • 42% Danceability • 4% Energy • 7% Liveness
44% Instrumentalness • 32% Positiveness
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George Frideric Handel
Dixit Dominus, HWV 232: Dixit Dominus
93 bpm • F# min • 06:10 • -16.55db
21% Popularity • 45% Danceability • 25% Energy • 32% Liveness
0% Instrumentalness • 31% Positiveness
21% Popularity • 45% Danceability • 25% Energy • 32% Liveness
0% Instrumentalness • 31% Positiveness
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Johann Sebastian Bach
St. Matthew Passion, BWV 244, Part I: No...
80 bpm • D# min • 08:31 • -12.51db
40% Popularity • 11% Danceability • 29% Energy • 12% Liveness
6% Instrumentalness • 12% Positiveness
40% Popularity • 11% Danceability • 29% Energy • 12% Liveness
6% Instrumentalness • 12% Positiveness
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Giovanni Battista Pergolesi
Stabat Mater: 5. Quis est homo
80 bpm • B min • 02:54 • -20.18db
21% Popularity • 19% Danceability • 7% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
21% Popularity • 19% Danceability • 7% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
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The Choir of Magdalen College, Oxford
I will exalt Thee
93 bpm • A min • 03:31 • -25.61db
21% Popularity • 23% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
21% Popularity • 23% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Heinrich Ignaz Franz von Biber
Harmonia Artificioso Ariosa, Partia V in...
94 bpm • F# min • 04:20 • -21.45db
27% Popularity • 33% Danceability • 12% Energy • 11% Liveness
30% Instrumentalness • 19% Positiveness
27% Popularity • 33% Danceability • 12% Energy • 11% Liveness
30% Instrumentalness • 19% Positiveness
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Alessandro Marcello
Concerto Per Oboe, Archi E Continuo In R...
79 bpm • C# min • 03:14 • -29db
35% Popularity • 14% Danceability • 1% Energy • 7% Liveness
83% Instrumentalness • 12% Positiveness
35% Popularity • 14% Danceability • 1% Energy • 7% Liveness
83% Instrumentalness • 12% Positiveness
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George Frideric Handel
Organ Concertos, Op. 4, Concerto No. 6 i...
79 bpm • A Maj • 07:14 • -36db
33% Popularity • 33% Danceability • 2% Energy • 19% Liveness
70% Instrumentalness • 48% Positiveness
33% Popularity • 33% Danceability • 2% Energy • 19% Liveness
70% Instrumentalness • 48% Positiveness
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William Christie
Purcell : King Arthur : Act 2 "Shepherd,...
94 bpm • F min • 01:54 • -27db
28% Popularity • 56% Danceability • 6% Energy • 64% Liveness
0% Instrumentalness • 64% Positiveness
28% Popularity • 56% Danceability • 6% Energy • 64% Liveness
0% Instrumentalness • 64% Positiveness
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Giovanni Battista Pergolesi
Pergolesi: Laudate pueri Dominum: II. A ...
84 bpm • A Maj • 03:25 • -16.79db
22% Popularity • 22% Danceability • 13% Energy • 16% Liveness
0% Instrumentalness • 16% Positiveness
22% Popularity • 22% Danceability • 13% Energy • 16% Liveness
0% Instrumentalness • 16% Positiveness
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Dietrich Buxtehude
Membra Jesu Nostri, BuxWV 75, Ad genua: ...
94 bpm • F min • 01:15 • -25.85db
30% Popularity • 38% Danceability • 2% Energy • 10% Liveness
74% Instrumentalness • 11% Positiveness
30% Popularity • 38% Danceability • 2% Energy • 10% Liveness
74% Instrumentalness • 11% Positiveness
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Tomaso Albinoni
Sonata a 5 in G Minor, Op. 2, No. 6: III...
94 bpm • G min • 01:09 • -23.91db
48% Popularity • 24% Danceability • 4% Energy • 15% Liveness
2% Instrumentalness • 21% Positiveness
48% Popularity • 24% Danceability • 4% Energy • 15% Liveness
2% Instrumentalness • 21% Positiveness
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Alessandro Marcello
Oboe Concerto in D minor: 2. Adagio
79 bpm • D min • 04:23 • -19.56db
28% Popularity • 12% Danceability • 9% Energy • 12% Liveness
84% Instrumentalness • 7% Positiveness
28% Popularity • 12% Danceability • 9% Energy • 12% Liveness
84% Instrumentalness • 7% Positiveness
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Johann Sebastian Bach
Matthäus-Passion, BWV 244 / Zweiter Tei...
94 bpm • A# min • 06:43 • -30.54db
29% Popularity • 14% Danceability • 2% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
29% Popularity • 14% Danceability • 2% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
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Heinrich Ignaz Franz von Biber
Mystery (Rosary) Sonata No. 2, "The Visi...
78 bpm • G# Maj • 01:34 • -20db
41% Popularity • 30% Danceability • 2% Energy • 11% Liveness
96% Instrumentalness • 33% Positiveness
41% Popularity • 30% Danceability • 2% Energy • 11% Liveness
96% Instrumentalness • 33% Positiveness
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Giovanni Battista Pergolesi
Pergolesi: Stabat Mater: I. Stabat mater...
84 bpm • D# min • 04:46 • -18.67db
23% Popularity • 10% Danceability • 9% Energy • 11% Liveness
29% Instrumentalness • 4% Positiveness
23% Popularity • 10% Danceability • 9% Energy • 11% Liveness
29% Instrumentalness • 4% Positiveness
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Domenico Scarlatti
Sonata in D Minor, K. 9
94 bpm • D min • 04:14 • -32.37db
41% Popularity • 40% Danceability • 2% Energy • 6% Liveness
92% Instrumentalness • 32% Positiveness
41% Popularity • 40% Danceability • 2% Energy • 6% Liveness
92% Instrumentalness • 32% Positiveness
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Jean-Marie Leclair
Violin Concerto in D Major, Op. 7, No. 2...
95 bpm • C# Maj • 06:55 • -23.5db
17% Popularity • 37% Danceability • 12% Energy • 10% Liveness
66% Instrumentalness • 32% Positiveness
17% Popularity • 37% Danceability • 12% Energy • 10% Liveness
66% Instrumentalness • 32% Positiveness
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Giuseppe Tartini
Violin Concerto in E Major, D. 50: I. Al...
78 bpm • E Maj • 06:11 • -15.96db
28% Popularity • 49% Danceability • 13% Energy • 17% Liveness
35% Instrumentalness • 53% Positiveness
28% Popularity • 49% Danceability • 13% Energy • 17% Liveness
35% Instrumentalness • 53% Positiveness
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Johann Sebastian Bach
An Wasserflüssen Babylon, BWV 653b
78 bpm • F# Maj • 03:11 • -27.08db
36% Popularity • 7% Danceability • 2% Energy • 11% Liveness
94% Instrumentalness • 19% Positiveness
36% Popularity • 7% Danceability • 2% Energy • 11% Liveness
94% Instrumentalness • 19% Positiveness
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Jean-Baptiste Lully
La naissance de Vénus, LWV 27, Pt. 2: G...
78 bpm • D min • 01:18 • -23.57db
49% Popularity • 60% Danceability • 3% Energy • 11% Liveness
91% Instrumentalness • 44% Positiveness
49% Popularity • 60% Danceability • 3% Energy • 11% Liveness
91% Instrumentalness • 44% Positiveness
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Giovanni Battista Pergolesi
Stabat Mater in F Minor, P. 77: VIII. Fa...
83 bpm • F# min • 01:52 • -19db
11% Popularity • 34% Danceability • 24% Energy • 33% Liveness
0% Instrumentalness • 46% Positiveness
11% Popularity • 34% Danceability • 24% Energy • 33% Liveness
0% Instrumentalness • 46% Positiveness
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Arcangelo Corelli
Concerto Grosso In D Major, Op. 6, No. 1...
78 bpm • D Maj • 01:32 • -17db
54% Popularity • 23% Danceability • 14% Energy • 31% Liveness
0% Instrumentalness • 7% Positiveness
54% Popularity • 23% Danceability • 14% Energy • 31% Liveness
0% Instrumentalness • 7% Positiveness
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Claudio Monteverdi
Lamento della ninfa, SV 163: Amor, amor
95 bpm • A min • 04:24 • -19.28db
33% Popularity • 23% Danceability • 11% Energy • 7% Liveness
0% Instrumentalness • 14% Positiveness
33% Popularity • 23% Danceability • 11% Energy • 7% Liveness
0% Instrumentalness • 14% Positiveness
