Songs like L'Olimpiade, P. 145, Act II, Scene 5: E trovar non poss'io (Argene) by Giovanni Battista Pergolesi
Based on a tempo of (+/- 10%) and a similar genre
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Giovanni Battista Pergolesi
Stabat Mater in F Minor, P. 77: V. Quis ...
133 bpm • F# min • 02:57 • -23.05db
13% Popularity • 22% Danceability • 10% Energy • 13% Liveness
1% Instrumentalness • 4% Positiveness
13% Popularity • 22% Danceability • 10% Energy • 13% Liveness
1% Instrumentalness • 4% Positiveness
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Claudio Monteverdi
Monteverdi: L'Orfeo, favola in musica, S...
133 bpm • D# Maj • 01:39 • -15.08db
18% Popularity • 42% Danceability • 27% Energy • 12% Liveness
51% Instrumentalness • 15% Positiveness
18% Popularity • 42% Danceability • 27% Energy • 12% Liveness
51% Instrumentalness • 15% Positiveness
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Arcangelo Corelli
Concerto Grosso in D Major, Op. 6 No. 4:...
133 bpm • C# Maj • 02:54 • -18.11db
41% Popularity • 56% Danceability • 26% Energy • 18% Liveness
9% Instrumentalness • 71% Positiveness
41% Popularity • 56% Danceability • 26% Energy • 18% Liveness
9% Instrumentalness • 71% Positiveness
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Christophe Rousset
Artaserse: Se al labbro mio non credi - ...
133 bpm • E min • 05:00 • -32db
25% Popularity • 21% Danceability • 1% Energy • 14% Liveness
22% Instrumentalness • 20% Positiveness
25% Popularity • 21% Danceability • 1% Energy • 14% Liveness
22% Instrumentalness • 20% Positiveness
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Reynaldo Hahn
A Chloris
133 bpm • E Maj • 03:00 • -18.56db
30% Popularity • 35% Danceability • 8% Energy • 9% Liveness
1% Instrumentalness • 5% Positiveness
30% Popularity • 35% Danceability • 8% Energy • 9% Liveness
1% Instrumentalness • 5% Positiveness
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Johann David Heinichen
Concerto in F Major, Seibel 234: I. Viva...
133 bpm • E Maj • 02:32 • -22.89db
25% Popularity • 44% Danceability • 17% Energy • 35% Liveness
88% Instrumentalness • 63% Positiveness
25% Popularity • 44% Danceability • 17% Energy • 35% Liveness
88% Instrumentalness • 63% Positiveness
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Giovanni Battista Pergolesi
Stabat Mater in F Minor, P. 77: Sancta M...
133 bpm • A Maj • 05:26 • -16.22db
8% Popularity • 26% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
8% Popularity • 26% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Heinrich Ignaz Franz von Biber
Mystery (Rosary) Sonata No. 1, "The Annu...
134 bpm • C# min • 02:28 • -21.36db
28% Popularity • 34% Danceability • 8% Energy • 11% Liveness
39% Instrumentalness • 3% Positiveness
28% Popularity • 34% Danceability • 8% Energy • 11% Liveness
39% Instrumentalness • 3% Positiveness
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Giuseppe Valentini
Concerti grossi a quatro e sei strumenti...
132 bpm • C# min • 03:20 • -17db
30% Popularity • 34% Danceability • 29% Energy • 8% Liveness
85% Instrumentalness • 31% Positiveness
30% Popularity • 34% Danceability • 29% Energy • 8% Liveness
85% Instrumentalness • 31% Positiveness
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Nicola Porpora
Porpora: Arianna e Teseo: "Mira in cielo...
132 bpm • E Maj • 05:53 • -18.53db
13% Popularity • 43% Danceability • 17% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
13% Popularity • 43% Danceability • 17% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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Charles Avison
Concerto in D Minor; Op. 6 No. 5: I. Lar...
134 bpm • C# min • 03:01 • -15db
29% Popularity • 45% Danceability • 14% Energy • 8% Liveness
7% Instrumentalness • 16% Positiveness
29% Popularity • 45% Danceability • 14% Energy • 8% Liveness
7% Instrumentalness • 16% Positiveness
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Johann Joachim Quantz
Flute Concerto in D Minor, QV 5:81: II. ...
134 bpm • D# Maj • 05:49 • -22.31db
40% Popularity • 24% Danceability • 4% Energy • 16% Liveness
22% Instrumentalness • 35% Positiveness
40% Popularity • 24% Danceability • 4% Energy • 16% Liveness
22% Instrumentalness • 35% Positiveness
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Giovanni Battista Pergolesi
Pergolesi: Salve Regina in F Minor: I. S...
133 bpm • G# min • 04:16 • -24db
10% Popularity • 16% Danceability • 5% Energy • 23% Liveness
16% Instrumentalness • 4% Positiveness
10% Popularity • 16% Danceability • 5% Energy • 23% Liveness
16% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Madrigal, Op. 35
134 bpm • D min • 03:23 • -32.18db
14% Popularity • 17% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
14% Popularity • 17% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
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Johann Sebastian Bach
St. John Passion, BWV 245: Part II: Chor...
132 bpm • B min • 07:55 • -23.27db
28% Popularity • 20% Danceability • 11% Energy • 16% Liveness
80% Instrumentalness • 8% Positiveness
28% Popularity • 20% Danceability • 11% Energy • 16% Liveness
80% Instrumentalness • 8% Positiveness
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Christophe Rousset
Artaserse: Ouverture
134 bpm • C# Maj • 06:02 • -24db
25% Popularity • 41% Danceability • 6% Energy • 8% Liveness
64% Instrumentalness • 42% Positiveness
25% Popularity • 41% Danceability • 6% Energy • 8% Liveness
64% Instrumentalness • 42% Positiveness
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Claudio Monteverdi
Monteverdi: Sì dolce è'l tormento, SV ...
134 bpm • G Maj • 03:48 • -22.14db
29% Popularity • 37% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
29% Popularity • 37% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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Jean-Philippe Rameau
Pieces de clavecin: Suite in E Minor: II...
132 bpm • D# min • 01:29 • -22db
44% Popularity • 24% Danceability • 20% Energy • 12% Liveness
4% Instrumentalness • 69% Positiveness
44% Popularity • 24% Danceability • 20% Energy • 12% Liveness
4% Instrumentalness • 69% Positiveness
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Giovanni Battista Pergolesi
La serva padrona, symphonia avanti l'ope...
132 bpm • C# Maj • 01:34 • -20.59db
22% Popularity • 49% Danceability • 18% Energy • 24% Liveness
18% Instrumentalness • 62% Positiveness
22% Popularity • 49% Danceability • 18% Energy • 24% Liveness
18% Instrumentalness • 62% Positiveness
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Marco Uccellini
Sonate, arie et correnti, Op. 3: No. 5, ...
135 bpm • C# Maj • 03:58 • -18.86db
13% Popularity • 40% Danceability • 17% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
13% Popularity • 40% Danceability • 17% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
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Dietrich Buxtehude
Membra Jesu Nostri, BuxWV 75, Ad pedes: ...
131 bpm • F min • 01:08 • -15db
28% Popularity • 27% Danceability • 24% Energy • 10% Liveness
1% Instrumentalness • 12% Positiveness
28% Popularity • 27% Danceability • 24% Energy • 10% Liveness
1% Instrumentalness • 12% Positiveness
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Alessandro Marcello
Oboe Concerto in D Minor: II. Adagio
131 bpm • D min • 04:14 • -25.18db
42% Popularity • 26% Danceability • 5% Energy • 8% Liveness
79% Instrumentalness • 6% Positiveness
42% Popularity • 26% Danceability • 5% Energy • 8% Liveness
79% Instrumentalness • 6% Positiveness
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Gabriel Fauré
Requiem, Op. 48: I. Introitus
131 bpm • D min • 01:44 • -27.11db
26% Popularity • 16% Danceability • 2% Energy • 10% Liveness
87% Instrumentalness • 3% Positiveness
26% Popularity • 16% Danceability • 2% Energy • 10% Liveness
87% Instrumentalness • 3% Positiveness
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Claudio Monteverdi
Vespro della Beata Vergine, SV 206: I. D...
131 bpm • D# Maj • 02:12 • -14db
26% Popularity • 22% Danceability • 17% Energy • 6% Liveness
39% Instrumentalness • 8% Positiveness
26% Popularity • 22% Danceability • 17% Energy • 6% Liveness
39% Instrumentalness • 8% Positiveness
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Giovanni Battista Pergolesi
Pergolesi: Stabat Mater: VII. Eia Mater
131 bpm • E min • 02:26 • -19.86db
27% Popularity • 33% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
27% Popularity • 33% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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Carl Philipp Emanuel Bach
Magnificat, Wq. 215: Magnificat, Wq. 215...
135 bpm • C# Maj • 02:53 • -18.05db
24% Popularity • 37% Danceability • 27% Energy • 10% Liveness
17% Instrumentalness • 59% Positiveness
24% Popularity • 37% Danceability • 27% Energy • 10% Liveness
17% Instrumentalness • 59% Positiveness
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Henry Purcell
Abdelazar Suite, Z. 570: VI. Air
131 bpm • G min • 01:08 • -19db
59% Popularity • 54% Danceability • 21% Energy • 24% Liveness
94% Instrumentalness • 72% Positiveness
59% Popularity • 54% Danceability • 21% Energy • 24% Liveness
94% Instrumentalness • 72% Positiveness
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Thomas Hengelbrock
Miserere in C minor: Misere I
131 bpm • B min • 02:27 • -16db
19% Popularity • 23% Danceability • 23% Energy • 10% Liveness
87% Instrumentalness • 12% Positiveness
19% Popularity • 23% Danceability • 23% Energy • 10% Liveness
87% Instrumentalness • 12% Positiveness
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Johann Heinrich Schmelzer
Ciaccona in A Major
135 bpm • G# Maj • 09:02 • -17db
14% Popularity • 25% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
14% Popularity • 25% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Giovanni Battista Sammartini
Recorder Concerto in F Major: I. Allegro
131 bpm • E Maj • 03:50 • -13db
19% Popularity • 37% Danceability • 23% Energy • 33% Liveness
50% Instrumentalness • 44% Positiveness
19% Popularity • 37% Danceability • 23% Energy • 33% Liveness
50% Instrumentalness • 44% Positiveness
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Cologne Chamber Orchestra
Overture (Suite) In D Major, TWV 55:D15:...
135 bpm • D Maj • 01:59 • -17.23db
45% Popularity • 63% Danceability • 34% Energy • 15% Liveness
92% Instrumentalness • 83% Positiveness
45% Popularity • 63% Danceability • 34% Energy • 15% Liveness
92% Instrumentalness • 83% Positiveness
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Claudio Monteverdi
Monteverdi: Madrigali, Libro VIII "Guerr...
136 bpm • A min • 03:13 • -19.77db
36% Popularity • 34% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
36% Popularity • 34% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Jean-Philippe Rameau
Les Boréades, RCT 31, Acte IV, Scène I...
130 bpm • C# Maj • 07:01 • -19db
35% Popularity • 16% Danceability • 14% Energy • 16% Liveness
19% Instrumentalness • 4% Positiveness
35% Popularity • 16% Danceability • 14% Energy • 16% Liveness
19% Instrumentalness • 4% Positiveness
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Giovanni Battista Pergolesi
Pergolesi: Laudate pueri Dominum: V. Sus...
130 bpm • B Maj • 02:15 • -13.72db
21% Popularity • 41% Danceability • 28% Energy • 37% Liveness
0% Instrumentalness • 61% Positiveness
21% Popularity • 41% Danceability • 28% Energy • 37% Liveness
0% Instrumentalness • 61% Positiveness
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Johannes Brahms
Ein deutsches Requiem, Op. 45: 4. Chor: ...
130 bpm • D# Maj • 05:34 • -25db
29% Popularity • 16% Danceability • 6% Energy • 9% Liveness
79% Instrumentalness • 9% Positiveness
29% Popularity • 16% Danceability • 6% Energy • 9% Liveness
79% Instrumentalness • 9% Positiveness
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Tomaso Albinoni
L'Eraclea: Dopo i nembi e le procelle
137 bpm • D min • 05:04 • -20.84db
26% Popularity • 45% Danceability • 14% Energy • 20% Liveness
1% Instrumentalness • 40% Positiveness
26% Popularity • 45% Danceability • 14% Energy • 20% Liveness
1% Instrumentalness • 40% Positiveness
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Henry Purcell
12 Sonatas of III parts Z790-801: Sonata...
137 bpm • F# min • 07:03 • -22.09db
11% Popularity • 23% Danceability • 7% Energy • 12% Liveness
4% Instrumentalness • 7% Positiveness
11% Popularity • 23% Danceability • 7% Energy • 12% Liveness
4% Instrumentalness • 7% Positiveness
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Franz Schubert
Mass No. 2 in G Major, D. 167: Kyrie
129 bpm • G Maj • 03:01 • -24.31db
15% Popularity • 24% Danceability • 7% Energy • 16% Liveness
64% Instrumentalness • 8% Positiveness
15% Popularity • 24% Danceability • 7% Energy • 16% Liveness
64% Instrumentalness • 8% Positiveness
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Jean-Philippe Rameau
Zaïs, Ouverture
137 bpm • C Maj • 05:31 • -14.8db
17% Popularity • 41% Danceability • 42% Energy • 8% Liveness
48% Instrumentalness • 12% Positiveness
17% Popularity • 41% Danceability • 42% Energy • 8% Liveness
48% Instrumentalness • 12% Positiveness
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Giovanni Battista Pergolesi
Pergolesi: Stabat Mater in F Minor, P. 7...
137 bpm • F min • 02:16 • -14db
11% Popularity • 35% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
11% Popularity • 35% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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Johann Sebastian Bach
Bach, JS: Matthäus-Passion, BWV 244, Pt...
129 bpm • D# min • 06:40 • -19.08db
34% Popularity • 23% Danceability • 17% Energy • 15% Liveness
57% Instrumentalness • 18% Positiveness
34% Popularity • 23% Danceability • 17% Energy • 15% Liveness
57% Instrumentalness • 18% Positiveness
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Alfred Deller
If Music Be The Food Of Love
129 bpm • D min • 02:38 • -22.62db
25% Popularity • 35% Danceability • 6% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
25% Popularity • 35% Danceability • 6% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
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Francesco Geminiani
Concerto grosso, Op. 3 (revised), No. 6 ...
129 bpm • D# min • 02:29 • -20.16db
31% Popularity • 38% Danceability • 10% Energy • 10% Liveness
14% Instrumentalness • 37% Positiveness
31% Popularity • 38% Danceability • 10% Energy • 10% Liveness
14% Instrumentalness • 37% Positiveness
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Claudio Monteverdi
Madrigali amorosi: No. 9, Canzonetta by ...
129 bpm • A min • 02:43 • -28db
33% Popularity • 30% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 7% Positiveness
33% Popularity • 30% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 7% Positiveness
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Georg Philipp Telemann
Ouverture "La Bizarre", en Sol Majeur: O...
128 bpm • F# Maj • 01:10 • -19.54db
20% Popularity • 44% Danceability • 26% Energy • 18% Liveness
79% Instrumentalness • 86% Positiveness
20% Popularity • 44% Danceability • 26% Energy • 18% Liveness
79% Instrumentalness • 86% Positiveness
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Giovanni Battista Pergolesi
Stabat Mater in F Minor, P. 77: Fac ut p...
136 bpm • A Maj • 03:20 • -20.22db
7% Popularity • 29% Danceability • 8% Energy • 9% Liveness
2% Instrumentalness • 7% Positiveness
7% Popularity • 29% Danceability • 8% Energy • 9% Liveness
2% Instrumentalness • 7% Positiveness
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Johann Sebastian Bach
Brandenburg Concerto No. 4 in G Major, B...
128 bpm • D min • 03:39 • -27.89db
41% Popularity • 18% Danceability • 3% Energy • 15% Liveness
0% Instrumentalness • 7% Positiveness
41% Popularity • 18% Danceability • 3% Energy • 15% Liveness
0% Instrumentalness • 7% Positiveness
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Arcangelo Corelli
Flute Sonata in E Minor, Op. 5, No. 8: I...
128 bpm • D min • 01:52 • -19db
39% Popularity • 59% Danceability • 18% Energy • 15% Liveness
98% Instrumentalness • 82% Positiveness
39% Popularity • 59% Danceability • 18% Energy • 15% Liveness
98% Instrumentalness • 82% Positiveness
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Antonio Caldara
Maddalena ai piedi di Cristo: No. 47 Ari...
128 bpm • B min • 04:31 • -20.98db
17% Popularity • 29% Danceability • 4% Energy • 15% Liveness
0% Instrumentalness • 5% Positiveness
17% Popularity • 29% Danceability • 4% Energy • 15% Liveness
0% Instrumentalness • 5% Positiveness
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Luigi Cherubini
Requiem No. 1 in C Minor: Agnus Dei
128 bpm • C Maj • 07:24 • -26db
23% Popularity • 17% Danceability • 1% Energy • 6% Liveness
70% Instrumentalness • 4% Positiveness
23% Popularity • 17% Danceability • 1% Energy • 6% Liveness
70% Instrumentalness • 4% Positiveness
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Claudio Monteverdi
Monteverdi: L'Orfeo, SV 318, Act 2: "Vi ...
139 bpm • F# Maj • 01:58 • -14.32db
11% Popularity • 50% Danceability • 25% Energy • 26% Liveness
0% Instrumentalness • 80% Positiveness
11% Popularity • 50% Danceability • 25% Energy • 26% Liveness
0% Instrumentalness • 80% Positiveness
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Giovanni Battista Pergolesi
Pergolesi: Stabat Mater: IX. Sancta Mate...
136 bpm • D Maj • 05:00 • -18.39db
27% Popularity • 25% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
27% Popularity • 25% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Jean-Baptiste Lully
Phaeton, Prologue - Le retour de l'Âge ...
128 bpm • A# Maj • 03:22 • -12.11db
25% Popularity • 40% Danceability • 34% Energy • 34% Liveness
1% Instrumentalness • 37% Positiveness
25% Popularity • 40% Danceability • 34% Energy • 34% Liveness
1% Instrumentalness • 37% Positiveness
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Anton Bruckner
Kronstorfer Messe in D Minor, WAB 146: I...
127 bpm • F Maj • 01:35 • -29.29db
34% Popularity • 17% Danceability • 2% Energy • 10% Liveness
22% Instrumentalness • 4% Positiveness
34% Popularity • 17% Danceability • 2% Energy • 10% Liveness
22% Instrumentalness • 4% Positiveness
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Antonio Caldara
Stabat Mater: II. Cujus animam gementem
139 bpm • B min • 01:53 • -23.79db
24% Popularity • 19% Danceability • 4% Energy • 12% Liveness
12% Instrumentalness • 4% Positiveness
24% Popularity • 19% Danceability • 4% Energy • 12% Liveness
12% Instrumentalness • 4% Positiveness
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Niccolò Jommelli
La Betulia liberata: Aria "Prigionier ch...
139 bpm • C# Maj • 07:51 • -22.44db
13% Popularity • 30% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
13% Popularity • 30% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
► Preview
Antonio Sartorio
Sartorio: L'Orfeo: Sinfonia
127 bpm • F# Maj • 01:31 • -18.39db
17% Popularity • 38% Danceability • 29% Energy • 13% Liveness
12% Instrumentalness • 49% Positiveness
17% Popularity • 38% Danceability • 29% Energy • 13% Liveness
12% Instrumentalness • 49% Positiveness
► Preview
Claudio Monteverdi
Monteverdi: Madrigals, Book 8: Ballo, SV...
127 bpm • A min • 03:06 • -18.62db
21% Popularity • 37% Danceability • 13% Energy • 11% Liveness
9% Instrumentalness • 36% Positiveness
21% Popularity • 37% Danceability • 13% Energy • 11% Liveness
9% Instrumentalness • 36% Positiveness
► Preview
Marc-Antoine Charpentier
Charpentier: Sans frayeur dans ce bois, ...
139 bpm • F# Maj • 02:56 • -21db
16% Popularity • 33% Danceability • 9% Energy • 10% Liveness
4% Instrumentalness • 35% Positiveness
16% Popularity • 33% Danceability • 9% Energy • 10% Liveness
4% Instrumentalness • 35% Positiveness
► Preview
Giovanni Battista Pergolesi
Stabat Mater in F Minor, P. 77: Quis est...
130 bpm • F# Maj • 02:39 • -16.65db
9% Popularity • 28% Danceability • 16% Energy • 17% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 28% Danceability • 16% Energy • 17% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Johann Sebastian Bach
Magnificat in D Major, BWV 243: II. Et e...
127 bpm • C# Maj • 02:31 • -25.63db
23% Popularity • 32% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
23% Popularity • 32% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
► Preview
William Christie
Purcell : King Arthur : Overture to Act ...
140 bpm • C min • 01:53 • -23db
34% Popularity • 45% Danceability • 15% Energy • 59% Liveness
18% Instrumentalness • 67% Positiveness
34% Popularity • 45% Danceability • 15% Energy • 59% Liveness
18% Instrumentalness • 67% Positiveness
► Preview
Jean-Baptiste Lully
Intermedes de Xerxes: Bourre pour les Ba...
140 bpm • F# Maj • 01:04 • -24db
48% Popularity • 52% Danceability • 12% Energy • 11% Liveness
85% Instrumentalness • 34% Positiveness
48% Popularity • 52% Danceability • 12% Energy • 11% Liveness
85% Instrumentalness • 34% Positiveness
► Preview
Antonio Caldara
Stabat Mater: I. Stabat Mater dolorosa
126 bpm • C# Maj • 01:38 • -21.97db
38% Popularity • 18% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
38% Popularity • 18% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Domenico Cimarosa
Concerto in C Minor: I. Introduzione - L...
126 bpm • C min • 03:10 • -19db
19% Popularity • 24% Danceability • 8% Energy • 24% Liveness
90% Instrumentalness • 16% Positiveness
19% Popularity • 24% Danceability • 8% Energy • 24% Liveness
90% Instrumentalness • 16% Positiveness
► Preview
Giovanni Battista Pergolesi
Stabat Mater en fa mineur pour soprano, ...
129 bpm • A# min • 05:11 • -18.55db
11% Popularity • 22% Danceability • 7% Energy • 12% Liveness
83% Instrumentalness • 4% Positiveness
11% Popularity • 22% Danceability • 7% Energy • 12% Liveness
83% Instrumentalness • 4% Positiveness
► Preview
Christophe Rousset
Rinaldo, HWV 7a: Ouverture
126 bpm • C# min • 03:54 • -25db
26% Popularity • 48% Danceability • 11% Energy • 11% Liveness
45% Instrumentalness • 54% Positiveness
26% Popularity • 48% Danceability • 11% Energy • 11% Liveness
45% Instrumentalness • 54% Positiveness
► Preview
Georg Philipp Telemann
Tafelmusik - Banquet Music In 3 Parts / ...
126 bpm • G# Maj • 08:18 • -18.97db
37% Popularity • 50% Danceability • 20% Energy • 19% Liveness
0% Instrumentalness • 62% Positiveness
37% Popularity • 50% Danceability • 20% Energy • 19% Liveness
0% Instrumentalness • 62% Positiveness
► Preview
Tafelmusik Baroque Orchestra
Antonio Vivaldi: Concerto For 2 Violins ...
141 bpm • G# min • 03:19 • -21.85db
32% Popularity • 40% Danceability • 18% Energy • 14% Liveness
20% Instrumentalness • 42% Positiveness
32% Popularity • 40% Danceability • 18% Energy • 14% Liveness
20% Instrumentalness • 42% Positiveness
► Preview
Giovanni Battista Sammartini
Symphony in F Major, J-C 36: III. Allegr...
126 bpm • E Maj • 01:37 • -18.06db
48% Popularity • 60% Danceability • 27% Energy • 15% Liveness
36% Instrumentalness • 76% Positiveness
48% Popularity • 60% Danceability • 27% Energy • 15% Liveness
36% Instrumentalness • 76% Positiveness
► Preview
Wolfgang Amadeus Mozart
Exsultate, jubilate, K.165: 1. Exsultate...
125 bpm • F Maj • 04:21 • -14db
18% Popularity • 40% Danceability • 20% Energy • 34% Liveness
5% Instrumentalness • 33% Positiveness
18% Popularity • 40% Danceability • 20% Energy • 34% Liveness
5% Instrumentalness • 33% Positiveness
► Preview
Giovanni Battista Pergolesi
Stabat Mater, P. 77: IX. Sancta Mater
129 bpm • D Maj • 05:30 • -20.25db
11% Popularity • 25% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
11% Popularity • 25% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Christophe Rousset
Polifemo: Alto giove (Air d'Acio) - Inst...
141 bpm • D# min • 04:28 • -25db
35% Popularity • 14% Danceability • 4% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
35% Popularity • 14% Danceability • 4% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
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Arcangelo Corelli
Sonata in C Major, No. 3: IV. Allegro
125 bpm • B Maj • 01:02 • -15.61db
56% Popularity • 47% Danceability • 35% Energy • 27% Liveness
27% Instrumentalness • 90% Positiveness
56% Popularity • 47% Danceability • 35% Energy • 27% Liveness
27% Instrumentalness • 90% Positiveness
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Claudio Monteverdi
L'incoronazione di Poppea, SV 308 / Act ...
125 bpm • G Maj • 04:11 • -31db
20% Popularity • 29% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
20% Popularity • 29% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
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Johannes Brahms
Ein deutsches Requiem (A German Requiem)...
124 bpm • D# Maj • 05:11 • -20.94db
25% Popularity • 21% Danceability • 11% Energy • 11% Liveness
45% Instrumentalness • 7% Positiveness
25% Popularity • 21% Danceability • 11% Energy • 11% Liveness
45% Instrumentalness • 7% Positiveness
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Cologne Chamber Orchestra
Brandenburg Concerto No. 2 In F Major, B...
124 bpm • D min • 03:12 • -22db
47% Popularity • 24% Danceability • 6% Energy • 21% Liveness
1% Instrumentalness • 13% Positiveness
47% Popularity • 24% Danceability • 6% Energy • 21% Liveness
1% Instrumentalness • 13% Positiveness
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Giovanni Battista Pergolesi
Pergolesi: Stabat Mater: X. Fac ut porte...
128 bpm • A Maj • 03:40 • -21.42db
25% Popularity • 31% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
25% Popularity • 31% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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Rinaldo Alessandrini
Déraisonnable beauté: Chaconne
124 bpm • B Maj • 02:47 • -25.87db
24% Popularity • 33% Danceability • 12% Energy • 11% Liveness
54% Instrumentalness • 54% Positiveness
24% Popularity • 33% Danceability • 12% Energy • 11% Liveness
54% Instrumentalness • 54% Positiveness
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Jean-Marie Leclair
Concerto 5 in A Minor, Op. 7: I. Vivace
124 bpm • C# min • 05:31 • -17db
31% Popularity • 44% Danceability • 21% Energy • 34% Liveness
1% Instrumentalness • 52% Positiveness
31% Popularity • 44% Danceability • 21% Energy • 34% Liveness
1% Instrumentalness • 52% Positiveness
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Johann David Heinichen
Concerto in G Minor - Oboe, Strings & B....
124 bpm • F# min • 04:32 • -18.62db
22% Popularity • 57% Danceability • 26% Energy • 18% Liveness
95% Instrumentalness • 75% Positiveness
22% Popularity • 57% Danceability • 26% Energy • 18% Liveness
95% Instrumentalness • 75% Positiveness
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Marc-Antoine Charpentier
Te Deum, H. 146: V. "Tu devicto mortis a...
124 bpm • C# Maj • 01:52 • -17.21db
19% Popularity • 41% Danceability • 28% Energy • 8% Liveness
92% Instrumentalness • 28% Positiveness
19% Popularity • 41% Danceability • 28% Energy • 8% Liveness
92% Instrumentalness • 28% Positiveness
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Johann Joachim Quantz
Flute Concerto in A Minor, QV 5:238: I. ...
143 bpm • G min • 08:10 • -19db
29% Popularity • 36% Danceability • 15% Energy • 10% Liveness
7% Instrumentalness • 38% Positiveness
29% Popularity • 36% Danceability • 15% Energy • 10% Liveness
7% Instrumentalness • 38% Positiveness
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Giovanni Battista Pergolesi
Stabat Mater, P. 77: XII. Quando corpus ...
138 bpm • F min • 05:00 • -21.64db
2% Popularity • 18% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
2% Popularity • 18% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Jean-Baptiste Lully
Les plaisirs: Sarabande
144 bpm • F# min • 02:11 • -34db
40% Popularity • 14% Danceability • 1% Energy • 8% Liveness
2% Instrumentalness • 8% Positiveness
40% Popularity • 14% Danceability • 1% Energy • 8% Liveness
2% Instrumentalness • 8% Positiveness
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Antonio Caldara
Stabat Mater: VII. Juxta crucem
124 bpm • A Maj • 01:05 • -21db
29% Popularity • 24% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
29% Popularity • 24% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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Charles Avison
Concerto Grosso No. 5 in D Minor (after ...
123 bpm • C# min • 02:47 • -20db
20% Popularity • 33% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
20% Popularity • 33% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Claudio Monteverdi
L'incoronazione di Poppea: "Pur ti miro"
123 bpm • F# Maj • 04:36 • -20db
19% Popularity • 28% Danceability • 8% Energy • 7% Liveness
1% Instrumentalness • 9% Positiveness
19% Popularity • 28% Danceability • 8% Energy • 7% Liveness
1% Instrumentalness • 9% Positiveness
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Wolfgang Amadeus Mozart
Ave verum corpus in D Major, K. 618
123 bpm • D Maj • 02:47 • -21db
31% Popularity • 17% Danceability • 8% Energy • 7% Liveness
37% Instrumentalness • 3% Positiveness
31% Popularity • 17% Danceability • 8% Energy • 7% Liveness
37% Instrumentalness • 3% Positiveness
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Giovanni Battista Pergolesi
Pergolesi: Confitebor: I. Confitebor tib...
138 bpm • B Maj • 02:05 • -14.31db
21% Popularity • 23% Danceability • 30% Energy • 45% Liveness
0% Instrumentalness • 50% Positiveness
21% Popularity • 23% Danceability • 30% Energy • 45% Liveness
0% Instrumentalness • 50% Positiveness
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Georg Philipp Telemann
Viola Concerto in G Major, TWV 51:G9: I....
144 bpm • G Maj • 03:44 • -21.35db
45% Popularity • 20% Danceability • 10% Energy • 40% Liveness
73% Instrumentalness • 11% Positiveness
45% Popularity • 20% Danceability • 10% Energy • 40% Liveness
73% Instrumentalness • 11% Positiveness
► Preview
François Couperin
Couperin, F: Second Livre de pièces de ...
145 bpm • A Maj • 03:19 • -29db
24% Popularity • 22% Danceability • 12% Energy • 10% Liveness
97% Instrumentalness • 47% Positiveness
24% Popularity • 22% Danceability • 12% Energy • 10% Liveness
97% Instrumentalness • 47% Positiveness
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Tomaso Albinoni
Oboe Concerto in D Minor, Op. 9, No. 2: ...
145 bpm • D min • 04:33 • -17db
35% Popularity • 41% Danceability • 16% Energy • 12% Liveness
82% Instrumentalness • 43% Positiveness
35% Popularity • 41% Danceability • 16% Energy • 12% Liveness
82% Instrumentalness • 43% Positiveness
► Preview
Claudio Monteverdi
L'incoronazione di Poppea, SV 308 / Act ...
145 bpm • G Maj • 05:14 • -24.21db
12% Popularity • 25% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 9% Positiveness
12% Popularity • 25% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 9% Positiveness
► Preview
Francesco Cavalli
Musiche sacre: No. 23, Canzon à 3
122 bpm • G# min • 05:31 • -18.68db
39% Popularity • 27% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
39% Popularity • 27% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Giovanni Battista Pergolesi
Pergolesi: Stabat Mater: I. Stabat mater...
138 bpm • E min • 04:29 • -22.33db
43% Popularity • 17% Danceability • 4% Energy • 11% Liveness
2% Instrumentalness • 4% Positiveness
43% Popularity • 17% Danceability • 4% Energy • 11% Liveness
2% Instrumentalness • 4% Positiveness
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Jean-Baptiste Lully
Atys, LWV 53, Prologue: Ouverture
122 bpm • F# min • 01:49 • -20db
18% Popularity • 35% Danceability • 12% Energy • 20% Liveness
23% Instrumentalness • 30% Positiveness
18% Popularity • 35% Danceability • 12% Energy • 20% Liveness
23% Instrumentalness • 30% Positiveness
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Cologne Chamber Orchestra
Overture (Suite) In G Minor, TWV 55: G4:...
146 bpm • G min • 01:31 • -15db
54% Popularity • 51% Danceability • 42% Energy • 27% Liveness
91% Instrumentalness • 97% Positiveness
54% Popularity • 51% Danceability • 42% Energy • 27% Liveness
91% Instrumentalness • 97% Positiveness
