Songs like London Olympics by Mock the Week
Based on a tempo of (+/- 10%) and a similar genre
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Arj Barker
Spoilers
76 bpm • C# Maj • 05:36 • -12.95db
22% Popularity • 51% Danceability • 63% Energy • 86% Liveness
0% Instrumentalness • 44% Positiveness
22% Popularity • 51% Danceability • 63% Energy • 86% Liveness
0% Instrumentalness • 44% Positiveness
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Jimmy Carr
One-Liners (Dentist) (Jfl 2007)
76 bpm • C# Maj • 03:05 • -19.31db
15% Popularity • 52% Danceability • 63% Energy • 48% Liveness
0% Instrumentalness • 34% Positiveness
15% Popularity • 52% Danceability • 63% Energy • 48% Liveness
0% Instrumentalness • 34% Positiveness
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Aaron Karo
We Can't Kill Married People
76 bpm • G min • 02:15 • -15db
18% Popularity • 49% Danceability • 75% Energy • 93% Liveness
0% Instrumentalness • 35% Positiveness
18% Popularity • 49% Danceability • 75% Energy • 93% Liveness
0% Instrumentalness • 35% Positiveness
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Jon Reep
North Carolina to LA
76 bpm • B min • 03:22 • -12.03db
19% Popularity • 56% Danceability • 80% Energy • 74% Liveness
0% Instrumentalness • 22% Positiveness
19% Popularity • 56% Danceability • 80% Energy • 74% Liveness
0% Instrumentalness • 22% Positiveness
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Michael McIntyre
Encore
76 bpm • C Maj • 07:09 • -23.22db
16% Popularity • 51% Danceability • 43% Energy • 78% Liveness
0% Instrumentalness • 29% Positiveness
16% Popularity • 51% Danceability • 43% Energy • 78% Liveness
0% Instrumentalness • 29% Positiveness
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Mock the Week
London Olympics
76 bpm • E min • 04:29 • -16.35db
14% Popularity • 62% Danceability • 62% Energy • 94% Liveness
0% Instrumentalness • 72% Positiveness
14% Popularity • 62% Danceability • 62% Energy • 94% Liveness
0% Instrumentalness • 72% Positiveness
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Rhod Gilbert
Llanbobl
75 bpm • B Maj • 05:26 • -10.65db
23% Popularity • 47% Danceability • 77% Energy • 46% Liveness
0% Instrumentalness • 55% Positiveness
23% Popularity • 47% Danceability • 77% Energy • 46% Liveness
0% Instrumentalness • 55% Positiveness
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Jason Manford
There's Always Now!
77 bpm • D Maj • 06:20 • -11.92db
10% Popularity • 37% Danceability • 94% Energy • 46% Liveness
0% Instrumentalness • 15% Positiveness
10% Popularity • 37% Danceability • 94% Energy • 46% Liveness
0% Instrumentalness • 15% Positiveness
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Katherine Ryan
Teenagers
75 bpm • F min • 04:52 • -30.07db
14% Popularity • 60% Danceability • 22% Energy • 94% Liveness
0% Instrumentalness • 28% Positiveness
14% Popularity • 60% Danceability • 22% Energy • 94% Liveness
0% Instrumentalness • 28% Positiveness
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Jon Reep
Snore Stories
76 bpm • B min • 04:30 • -13.18db
14% Popularity • 41% Danceability • 88% Energy • 72% Liveness
0% Instrumentalness • 8% Positiveness
14% Popularity • 41% Danceability • 88% Energy • 72% Liveness
0% Instrumentalness • 8% Positiveness
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Steve Soelberg
Bad Words
77 bpm • E min • 03:10 • -12.67db
18% Popularity • 40% Danceability • 84% Energy • 67% Liveness
0% Instrumentalness • 40% Positiveness
18% Popularity • 40% Danceability • 84% Energy • 67% Liveness
0% Instrumentalness • 40% Positiveness
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Andy Parsons
Hold Hands
77 bpm • F# Maj • 05:59 • -15.1db
9% Popularity • 52% Danceability • 42% Energy • 74% Liveness
0% Instrumentalness • 43% Positiveness
9% Popularity • 52% Danceability • 42% Energy • 74% Liveness
0% Instrumentalness • 43% Positiveness
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Danny Bhoy
Continental Breakfasts
77 bpm • G# Maj • 07:27 • -8.06db
18% Popularity • 40% Danceability • 97% Energy • 43% Liveness
0% Instrumentalness • 22% Positiveness
18% Popularity • 40% Danceability • 97% Energy • 43% Liveness
0% Instrumentalness • 22% Positiveness
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Warren B. Hall
Hurtful Handshakes
75 bpm • F Maj • 01:27 • -15.27db
24% Popularity • 57% Danceability • 64% Energy • 78% Liveness
0% Instrumentalness • 58% Positiveness
24% Popularity • 57% Danceability • 64% Energy • 78% Liveness
0% Instrumentalness • 58% Positiveness
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Katherine Ryan
Beyoncé Can't Stop Dancing
77 bpm • F min • 09:32 • -27.83db
14% Popularity • 48% Danceability • 27% Energy • 82% Liveness
0% Instrumentalness • 30% Positiveness
14% Popularity • 48% Danceability • 27% Energy • 82% Liveness
0% Instrumentalness • 30% Positiveness
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Tommy Tiernan
Opening Lament
77 bpm • D Maj • 09:03 • -17.44db
9% Popularity • 48% Danceability • 38% Energy • 90% Liveness
0% Instrumentalness • 38% Positiveness
9% Popularity • 48% Danceability • 38% Energy • 90% Liveness
0% Instrumentalness • 38% Positiveness
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Arj Barker
Marriage Code
77 bpm • E Maj • 05:26 • -13.29db
22% Popularity • 53% Danceability • 51% Energy • 69% Liveness
0% Instrumentalness • 40% Positiveness
22% Popularity • 53% Danceability • 51% Energy • 69% Liveness
0% Instrumentalness • 40% Positiveness
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Andy Parsons
4MPH
77 bpm • D Maj • 03:32 • -12.67db
12% Popularity • 47% Danceability • 50% Energy • 37% Liveness
0% Instrumentalness • 52% Positiveness
12% Popularity • 47% Danceability • 50% Energy • 37% Liveness
0% Instrumentalness • 52% Positiveness
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Jon Reep
Burger King
77 bpm • E min • 02:58 • -13db
20% Popularity • 53% Danceability • 74% Energy • 83% Liveness
0% Instrumentalness • 18% Positiveness
20% Popularity • 53% Danceability • 74% Energy • 83% Liveness
0% Instrumentalness • 18% Positiveness
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Ed Byrne
Getting a Laugh
75 bpm • B min • 05:13 • -12.98db
13% Popularity • 56% Danceability • 82% Energy • 42% Liveness
0% Instrumentalness • 44% Positiveness
13% Popularity • 56% Danceability • 82% Energy • 42% Liveness
0% Instrumentalness • 44% Positiveness
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Jesse Joyce
Hospitals
77 bpm • A# Maj • 01:40 • -17db
21% Popularity • 63% Danceability • 45% Energy • 53% Liveness
0% Instrumentalness • 67% Positiveness
21% Popularity • 63% Danceability • 45% Energy • 53% Liveness
0% Instrumentalness • 67% Positiveness
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Paul Foot
Another Disturbance
74 bpm • C# Maj • 04:09 • -8.59db
10% Popularity • 48% Danceability • 92% Energy • 78% Liveness
0% Instrumentalness • 24% Positiveness
10% Popularity • 48% Danceability • 92% Energy • 78% Liveness
0% Instrumentalness • 24% Positiveness
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Omid Djalili
Blending With The Locals - Live
77 bpm • C# Maj • 08:41 • -12.31db
9% Popularity • 51% Danceability • 66% Energy • 21% Liveness
0% Instrumentalness • 12% Positiveness
9% Popularity • 51% Danceability • 66% Energy • 21% Liveness
0% Instrumentalness • 12% Positiveness
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Andy Parsons
Sex
77 bpm • C# Maj • 05:13 • -12.05db
11% Popularity • 48% Danceability • 54% Energy • 59% Liveness
0% Instrumentalness • 50% Positiveness
11% Popularity • 48% Danceability • 54% Energy • 59% Liveness
0% Instrumentalness • 50% Positiveness
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Sean Lock
Tribute
78 bpm • D Maj • 07:58 • -18.8db
22% Popularity • 45% Danceability • 77% Energy • 93% Liveness
0% Instrumentalness • 8% Positiveness
22% Popularity • 45% Danceability • 77% Energy • 93% Liveness
0% Instrumentalness • 8% Positiveness
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Jason Manford
Driving Tests
74 bpm • G Maj • 08:18 • -11.03db
9% Popularity • 38% Danceability • 96% Energy • 84% Liveness
0% Instrumentalness • 11% Positiveness
9% Popularity • 38% Danceability • 96% Energy • 84% Liveness
0% Instrumentalness • 11% Positiveness
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Jay Mohr
Keith Morrison The Dr. Seuss of Murder M...
74 bpm • C# Maj • 02:27 • -18.55db
20% Popularity • 55% Danceability • 50% Energy • 36% Liveness
0% Instrumentalness • 24% Positiveness
20% Popularity • 55% Danceability • 50% Energy • 36% Liveness
0% Instrumentalness • 24% Positiveness
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Frankie Boyle
TV Is a Bourgeois Fantasy
74 bpm • D# min • 08:55 • -13.28db
24% Popularity • 41% Danceability • 88% Energy • 87% Liveness
0% Instrumentalness • 20% Positiveness
24% Popularity • 41% Danceability • 88% Energy • 87% Liveness
0% Instrumentalness • 20% Positiveness
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Colin Quinn
We Almost Pulled It Off
78 bpm • G# min • 03:41 • -12.96db
11% Popularity • 70% Danceability • 39% Energy • 89% Liveness
0% Instrumentalness • 53% Positiveness
11% Popularity • 70% Danceability • 39% Energy • 89% Liveness
0% Instrumentalness • 53% Positiveness
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Jessi Campbell
Raccoons
78 bpm • F# Maj • 03:28 • -13.75db
17% Popularity • 42% Danceability • 71% Energy • 62% Liveness
0% Instrumentalness • 44% Positiveness
17% Popularity • 42% Danceability • 71% Energy • 62% Liveness
0% Instrumentalness • 44% Positiveness
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Warren B. Hall
Bald for Style
78 bpm • D min • 01:10 • -13.14db
24% Popularity • 52% Danceability • 81% Energy • 75% Liveness
0% Instrumentalness • 60% Positiveness
24% Popularity • 52% Danceability • 81% Energy • 75% Liveness
0% Instrumentalness • 60% Positiveness
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Micky Flanagan
Brain Surgery
78 bpm • E Maj • 06:22 • -16.23db
24% Popularity • 47% Danceability • 86% Energy • 91% Liveness
0% Instrumentalness • 10% Positiveness
24% Popularity • 47% Danceability • 86% Energy • 91% Liveness
0% Instrumentalness • 10% Positiveness
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Kenn Kington
Mixedup Words
74 bpm • E min • 03:28 • -15.99db
13% Popularity • 43% Danceability • 66% Energy • 65% Liveness
0% Instrumentalness • 14% Positiveness
13% Popularity • 43% Danceability • 66% Energy • 65% Liveness
0% Instrumentalness • 14% Positiveness
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Frankie Boyle
Get To Know Your Audience
74 bpm • E Maj • 08:40 • -14.43db
20% Popularity • 52% Danceability • 91% Energy • 56% Liveness
0% Instrumentalness • 8% Positiveness
20% Popularity • 52% Danceability • 91% Energy • 56% Liveness
0% Instrumentalness • 8% Positiveness
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Colin Quinn
Free Speech (1st Amendment)
79 bpm • A Maj • 04:10 • -12.72db
9% Popularity • 62% Danceability • 62% Energy • 24% Liveness
0% Instrumentalness • 55% Positiveness
9% Popularity • 62% Danceability • 62% Energy • 24% Liveness
0% Instrumentalness • 55% Positiveness
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Rhod Gilbert
A Proper Tattoo
79 bpm • C Maj • 05:26 • -15.73db
18% Popularity • 54% Danceability • 68% Energy • 43% Liveness
0% Instrumentalness • 50% Positiveness
18% Popularity • 54% Danceability • 68% Energy • 43% Liveness
0% Instrumentalness • 50% Positiveness
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John Bishop
Acting Part
73 bpm • E min • 04:03 • -23.25db
16% Popularity • 46% Danceability • 42% Energy • 95% Liveness
0% Instrumentalness • 34% Positiveness
16% Popularity • 46% Danceability • 42% Energy • 95% Liveness
0% Instrumentalness • 34% Positiveness
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Louie Anderson
Tenth of Eleven Child
79 bpm • E min • 02:29 • -8.83db
18% Popularity • 50% Danceability • 97% Energy • 61% Liveness
0% Instrumentalness • 4% Positiveness
18% Popularity • 50% Danceability • 97% Energy • 61% Liveness
0% Instrumentalness • 4% Positiveness
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Dara O Briain
Silliest Thing On Holiday
73 bpm • F# Maj • 05:33 • -15.51db
12% Popularity • 55% Danceability • 69% Energy • 95% Liveness
0% Instrumentalness • 33% Positiveness
12% Popularity • 55% Danceability • 69% Energy • 95% Liveness
0% Instrumentalness • 33% Positiveness
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Tim Vine
Time to Sing a Melody
73 bpm • A Maj • 07:00 • -11.53db
11% Popularity • 46% Danceability • 94% Energy • 49% Liveness
0% Instrumentalness • 12% Positiveness
11% Popularity • 46% Danceability • 94% Energy • 49% Liveness
0% Instrumentalness • 12% Positiveness
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Katherine Ryan
Thirsty Thursday
79 bpm • G# Maj • 06:21 • -27.4db
15% Popularity • 53% Danceability • 28% Energy • 94% Liveness
0% Instrumentalness • 44% Positiveness
15% Popularity • 53% Danceability • 28% Energy • 94% Liveness
0% Instrumentalness • 44% Positiveness
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Ross Noble
Drug Dealer
79 bpm • E Maj • 02:23 • -13.06db
11% Popularity • 54% Danceability • 72% Energy • 72% Liveness
0% Instrumentalness • 50% Positiveness
11% Popularity • 54% Danceability • 72% Energy • 72% Liveness
0% Instrumentalness • 50% Positiveness
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Jo Brand
Hollywood
73 bpm • F# min • 02:23 • -17.36db
14% Popularity • 49% Danceability • 58% Energy • 54% Liveness
0% Instrumentalness • 42% Positiveness
14% Popularity • 49% Danceability • 58% Energy • 54% Liveness
0% Instrumentalness • 42% Positiveness
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Rhod Gilbert
Knutsford Services
79 bpm • A# min • 07:34 • -9.69db
19% Popularity • 46% Danceability • 88% Energy • 80% Liveness
0% Instrumentalness • 55% Positiveness
19% Popularity • 46% Danceability • 88% Energy • 80% Liveness
0% Instrumentalness • 55% Positiveness
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Ed Byrne
New Zealand
80 bpm • G Maj • 05:00 • -15.82db
11% Popularity • 49% Danceability • 66% Energy • 30% Liveness
0% Instrumentalness • 60% Positiveness
11% Popularity • 49% Danceability • 66% Energy • 30% Liveness
0% Instrumentalness • 60% Positiveness
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Mock the Week
Unlikely Lines From Harry Potter
73 bpm • C Maj • 03:45 • -20.16db
15% Popularity • 43% Danceability • 72% Energy • 98% Liveness
0% Instrumentalness • 13% Positiveness
15% Popularity • 43% Danceability • 72% Energy • 98% Liveness
0% Instrumentalness • 13% Positiveness
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Andy Parsons
Imperial Measures
73 bpm • G# Maj • 03:09 • -17.38db
12% Popularity • 66% Danceability • 33% Energy • 72% Liveness
0% Instrumentalness • 55% Positiveness
12% Popularity • 66% Danceability • 33% Energy • 72% Liveness
0% Instrumentalness • 55% Positiveness
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Louis C.K.
Abortion
72 bpm • G min • 02:52 • -16.74db
39% Popularity • 44% Danceability • 93% Energy • 95% Liveness
0% Instrumentalness • 16% Positiveness
39% Popularity • 44% Danceability • 93% Energy • 95% Liveness
0% Instrumentalness • 16% Positiveness
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Frankie Boyle
The Baying Mob
80 bpm • C# Maj • 09:31 • -13.81db
25% Popularity • 40% Danceability • 90% Energy • 66% Liveness
0% Instrumentalness • 9% Positiveness
25% Popularity • 40% Danceability • 90% Energy • 66% Liveness
0% Instrumentalness • 9% Positiveness
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Dara O Briain
The Summer Floods
72 bpm • C# Maj • 02:29 • -19.28db
18% Popularity • 54% Danceability • 63% Energy • 98% Liveness
0% Instrumentalness • 47% Positiveness
18% Popularity • 54% Danceability • 63% Energy • 98% Liveness
0% Instrumentalness • 47% Positiveness
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Ed Byrne
Celebrity Dick
80 bpm • C Maj • 07:16 • -12.9db
11% Popularity • 48% Danceability • 87% Energy • 84% Liveness
0% Instrumentalness • 31% Positiveness
11% Popularity • 48% Danceability • 87% Energy • 84% Liveness
0% Instrumentalness • 31% Positiveness
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Mock the Week
Every 12 Seconds
80 bpm • C# Maj • 02:25 • -19.17db
21% Popularity • 47% Danceability • 70% Energy • 96% Liveness
0% Instrumentalness • 46% Positiveness
21% Popularity • 47% Danceability • 70% Energy • 96% Liveness
0% Instrumentalness • 46% Positiveness
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Robert Mac
National Zoo
80 bpm • D Maj • 01:44 • -13db
17% Popularity • 46% Danceability • 75% Energy • 92% Liveness
0% Instrumentalness • 31% Positiveness
17% Popularity • 46% Danceability • 75% Energy • 92% Liveness
0% Instrumentalness • 31% Positiveness
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Danny Bhoy
Growing Up
72 bpm • D Maj • 04:56 • -28.76db
9% Popularity • 54% Danceability • 28% Energy • 71% Liveness
0% Instrumentalness • 39% Positiveness
9% Popularity • 54% Danceability • 28% Energy • 71% Liveness
0% Instrumentalness • 39% Positiveness
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Eddie Pepitone
Stand-Up Tragedy
81 bpm • C# Maj • 03:14 • -12.75db
12% Popularity • 57% Danceability • 64% Energy • 85% Liveness
0% Instrumentalness • 23% Positiveness
12% Popularity • 57% Danceability • 64% Energy • 85% Liveness
0% Instrumentalness • 23% Positiveness
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Tom Rhodes
Trump Angers Planet
72 bpm • A# Maj • 01:17 • -10.93db
25% Popularity • 65% Danceability • 51% Energy • 78% Liveness
0% Instrumentalness • 81% Positiveness
25% Popularity • 65% Danceability • 51% Energy • 78% Liveness
0% Instrumentalness • 81% Positiveness
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Ed Byrne
Inappropriate Clothing
80 bpm • B Maj • 09:27 • -13.21db
11% Popularity • 50% Danceability • 90% Energy • 74% Liveness
0% Instrumentalness • 28% Positiveness
11% Popularity • 50% Danceability • 90% Energy • 74% Liveness
0% Instrumentalness • 28% Positiveness
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Michael McIntyre
Velvet
81 bpm • G# Maj • 07:56 • -22.77db
16% Popularity • 55% Danceability • 48% Energy • 79% Liveness
0% Instrumentalness • 25% Positiveness
16% Popularity • 55% Danceability • 48% Energy • 79% Liveness
0% Instrumentalness • 25% Positiveness
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Mock the Week
More Trails & Stuff
80 bpm • F Maj • 03:51 • -19.11db
10% Popularity • 53% Danceability • 56% Energy • 87% Liveness
0% Instrumentalness • 36% Positiveness
10% Popularity • 53% Danceability • 56% Energy • 87% Liveness
0% Instrumentalness • 36% Positiveness
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Tommy Tiernan
We Went Skiing...
81 bpm • C# min • 02:44 • -10.58db
12% Popularity • 47% Danceability • 83% Energy • 67% Liveness
0% Instrumentalness • 42% Positiveness
12% Popularity • 47% Danceability • 83% Energy • 67% Liveness
0% Instrumentalness • 42% Positiveness
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Dry Bar Comedy
TV Movies
81 bpm • C Maj • 01:11 • -12.82db
33% Popularity • 47% Danceability • 88% Energy • 98% Liveness
0% Instrumentalness • 42% Positiveness
33% Popularity • 47% Danceability • 88% Energy • 98% Liveness
0% Instrumentalness • 42% Positiveness
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Danny Bhoy
The Thistle
81 bpm • D# min • 07:31 • -8.34db
18% Popularity • 39% Danceability • 96% Energy • 32% Liveness
0% Instrumentalness • 29% Positiveness
18% Popularity • 39% Danceability • 96% Energy • 32% Liveness
0% Instrumentalness • 29% Positiveness
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Paul Foot
In the Beginning
71 bpm • C# Maj • 07:24 • -7.45db
10% Popularity • 40% Danceability • 93% Energy • 96% Liveness
0% Instrumentalness • 43% Positiveness
10% Popularity • 40% Danceability • 93% Energy • 96% Liveness
0% Instrumentalness • 43% Positiveness
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Jessi Campbell
CVS
81 bpm • C min • 01:43 • -14.93db
21% Popularity • 41% Danceability • 73% Energy • 64% Liveness
0% Instrumentalness • 40% Positiveness
21% Popularity • 41% Danceability • 73% Energy • 64% Liveness
0% Instrumentalness • 40% Positiveness
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Mock the Week
Unlikely Small Ads
72 bpm • C Maj • 03:48 • -18.4db
13% Popularity • 58% Danceability • 79% Energy • 77% Liveness
0% Instrumentalness • 8% Positiveness
13% Popularity • 58% Danceability • 79% Energy • 77% Liveness
0% Instrumentalness • 8% Positiveness
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Tommy Tiernan
I Love Europe
81 bpm • D Maj • 03:31 • -11.35db
15% Popularity • 61% Danceability • 65% Energy • 63% Liveness
0% Instrumentalness • 56% Positiveness
15% Popularity • 61% Danceability • 65% Energy • 63% Liveness
0% Instrumentalness • 56% Positiveness
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Jason Manford
Teachers
81 bpm • E min • 09:57 • -10.32db
8% Popularity • 47% Danceability • 94% Energy • 96% Liveness
0% Instrumentalness • 21% Positiveness
8% Popularity • 47% Danceability • 94% Energy • 96% Liveness
0% Instrumentalness • 21% Positiveness
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Leland Klassen
Marriage
81 bpm • D Maj • 02:58 • -13.97db
18% Popularity • 44% Danceability • 76% Energy • 58% Liveness
0% Instrumentalness • 52% Positiveness
18% Popularity • 44% Danceability • 76% Energy • 58% Liveness
0% Instrumentalness • 52% Positiveness
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Jon Reep
Phone Prank
81 bpm • B Maj • 01:01 • -12.9db
25% Popularity • 49% Danceability • 80% Energy • 85% Liveness
0% Instrumentalness • 55% Positiveness
25% Popularity • 49% Danceability • 80% Energy • 85% Liveness
0% Instrumentalness • 55% Positiveness
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Jessi Campbell
Morons
81 bpm • C# Maj • 03:51 • -14.1db
17% Popularity • 49% Danceability • 62% Energy • 57% Liveness
0% Instrumentalness • 50% Positiveness
17% Popularity • 49% Danceability • 62% Energy • 57% Liveness
0% Instrumentalness • 50% Positiveness
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Rhod Gilbert
Battenberg Love Rival
81 bpm • A min • 07:45 • -13.47db
16% Popularity • 57% Danceability • 83% Energy • 93% Liveness
0% Instrumentalness • 41% Positiveness
16% Popularity • 57% Danceability • 83% Energy • 93% Liveness
0% Instrumentalness • 41% Positiveness
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Dara O Briain
Frying Pan
71 bpm • D Maj • 10:38 • -16.94db
10% Popularity • 53% Danceability • 56% Energy • 65% Liveness
0% Instrumentalness • 34% Positiveness
10% Popularity • 53% Danceability • 56% Energy • 65% Liveness
0% Instrumentalness • 34% Positiveness
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Jason Manford
Yesterday's Pants
81 bpm • A Maj • 07:09 • -10.9db
8% Popularity • 46% Danceability • 95% Energy • 79% Liveness
0% Instrumentalness • 12% Positiveness
8% Popularity • 46% Danceability • 95% Energy • 79% Liveness
0% Instrumentalness • 12% Positiveness
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Danny Bhoy
An Introduction
81 bpm • F# Maj • 05:37 • -7.82db
19% Popularity • 40% Danceability • 97% Energy • 95% Liveness
0% Instrumentalness • 32% Positiveness
19% Popularity • 40% Danceability • 97% Energy • 95% Liveness
0% Instrumentalness • 32% Positiveness
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Jesse Joyce
The Marathon
81 bpm • D# min • 01:03 • -16db
22% Popularity • 59% Danceability • 43% Energy • 70% Liveness
0% Instrumentalness • 78% Positiveness
22% Popularity • 59% Danceability • 43% Energy • 70% Liveness
0% Instrumentalness • 78% Positiveness
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Rowan Atkinson
A Small Re-write
82 bpm • G Maj • 05:57 • -15.08db
9% Popularity • 60% Danceability • 75% Energy • 96% Liveness
0% Instrumentalness • 18% Positiveness
9% Popularity • 60% Danceability • 75% Energy • 96% Liveness
0% Instrumentalness • 18% Positiveness
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Rhod Gilbert
Escape to Afghanistan
81 bpm • C# Maj • 09:00 • -9.21db
18% Popularity • 51% Danceability • 83% Energy • 87% Liveness
0% Instrumentalness • 57% Positiveness
18% Popularity • 51% Danceability • 83% Energy • 87% Liveness
0% Instrumentalness • 57% Positiveness
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Jon Reep
Hello Chicago
71 bpm • D Maj • 01:00 • -8.77db
29% Popularity • 40% Danceability • 69% Energy • 89% Liveness
0% Instrumentalness • 42% Positiveness
29% Popularity • 40% Danceability • 69% Energy • 89% Liveness
0% Instrumentalness • 42% Positiveness
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Arj Barker
Out of Control Children
82 bpm • G Maj • 01:43 • -12.36db
27% Popularity • 53% Danceability • 76% Energy • 68% Liveness
0% Instrumentalness • 49% Positiveness
27% Popularity • 53% Danceability • 76% Energy • 68% Liveness
0% Instrumentalness • 49% Positiveness
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Jon Richardson
London - Live
82 bpm • F# Maj • 06:46 • -21.5db
14% Popularity • 49% Danceability • 59% Energy • 95% Liveness
0% Instrumentalness • 29% Positiveness
14% Popularity • 49% Danceability • 59% Energy • 95% Liveness
0% Instrumentalness • 29% Positiveness
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Jesse Joyce
Frequent Flyer
82 bpm • F Maj • 02:14 • -18db
19% Popularity • 53% Danceability • 43% Energy • 86% Liveness
0% Instrumentalness • 55% Positiveness
19% Popularity • 53% Danceability • 43% Energy • 86% Liveness
0% Instrumentalness • 55% Positiveness
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Michael McIntyre
Race of Plane
82 bpm • B min • 08:14 • -22.22db
17% Popularity • 48% Danceability • 56% Energy • 91% Liveness
0% Instrumentalness • 22% Positiveness
17% Popularity • 48% Danceability • 56% Energy • 91% Liveness
0% Instrumentalness • 22% Positiveness
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Andy Parsons
Bus Whisperer
82 bpm • D Maj • 02:02 • -14.82db
19% Popularity • 53% Danceability • 38% Energy • 74% Liveness
0% Instrumentalness • 57% Positiveness
19% Popularity • 53% Danceability • 38% Energy • 74% Liveness
0% Instrumentalness • 57% Positiveness
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Rhod Gilbert
The Breakdown
82 bpm • A# min • 07:00 • -10.21db
19% Popularity • 46% Danceability • 88% Energy • 69% Liveness
0% Instrumentalness • 40% Positiveness
19% Popularity • 46% Danceability • 88% Energy • 69% Liveness
0% Instrumentalness • 40% Positiveness
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Colin Quinn
Race Today
82 bpm • F# min • 02:03 • -11.99db
15% Popularity • 57% Danceability • 60% Energy • 90% Liveness
0% Instrumentalness • 75% Positiveness
15% Popularity • 57% Danceability • 60% Energy • 90% Liveness
0% Instrumentalness • 75% Positiveness
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Dara O Briain
Gordon Brown Headliner
82 bpm • B min • 03:02 • -19.51db
15% Popularity • 46% Danceability • 52% Energy • 98% Liveness
0% Instrumentalness • 67% Positiveness
15% Popularity • 46% Danceability • 52% Energy • 98% Liveness
0% Instrumentalness • 67% Positiveness
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Jesse Joyce
Tiny Towns
82 bpm • G# min • 00:51 • -14.74db
16% Popularity • 57% Danceability • 54% Energy • 79% Liveness
0% Instrumentalness • 75% Positiveness
16% Popularity • 57% Danceability • 54% Energy • 79% Liveness
0% Instrumentalness • 75% Positiveness
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Stewart Francis
So Much Nudity - Live
82 bpm • C Maj • 06:36 • -21.93db
8% Popularity • 40% Danceability • 65% Energy • 61% Liveness
0% Instrumentalness • 10% Positiveness
8% Popularity • 40% Danceability • 65% Energy • 61% Liveness
0% Instrumentalness • 10% Positiveness
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John Bishop
What To Wear
82 bpm • F Maj • 07:12 • -22.24db
14% Popularity • 53% Danceability • 45% Energy • 97% Liveness
0% Instrumentalness • 29% Positiveness
14% Popularity • 53% Danceability • 45% Energy • 97% Liveness
0% Instrumentalness • 29% Positiveness
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Arj Barker
Getting Married
82 bpm • F# Maj • 03:22 • -13.42db
26% Popularity • 52% Danceability • 57% Energy • 37% Liveness
0% Instrumentalness • 51% Positiveness
26% Popularity • 52% Danceability • 57% Energy • 37% Liveness
0% Instrumentalness • 51% Positiveness
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Jason Manford
Crime
70 bpm • C Maj • 07:44 • -10.9db
10% Popularity • 33% Danceability • 98% Energy • 79% Liveness
0% Instrumentalness • 7% Positiveness
10% Popularity • 33% Danceability • 98% Energy • 79% Liveness
0% Instrumentalness • 7% Positiveness
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Eddie Izzard
Noah & God's Bad Plan
82 bpm • E min • 05:46 • -11.8db
8% Popularity • 51% Danceability • 64% Energy • 72% Liveness
0% Instrumentalness • 53% Positiveness
8% Popularity • 51% Danceability • 64% Energy • 72% Liveness
0% Instrumentalness • 53% Positiveness
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Jesse Joyce
Big Brother
82 bpm • A# Maj • 01:04 • -14.8db
19% Popularity • 64% Danceability • 57% Energy • 47% Liveness
0% Instrumentalness • 50% Positiveness
19% Popularity • 64% Danceability • 57% Energy • 47% Liveness
0% Instrumentalness • 50% Positiveness
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Jon Reep
Kicked Out
82 bpm • D Maj • 08:04 • -11.5db
10% Popularity • 62% Danceability • 69% Energy • 92% Liveness
0% Instrumentalness • 31% Positiveness
10% Popularity • 62% Danceability • 69% Energy • 92% Liveness
0% Instrumentalness • 31% Positiveness
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Ed Byrne
Kids
83 bpm • B min • 06:55 • -16.06db
11% Popularity • 52% Danceability • 71% Energy • 83% Liveness
0% Instrumentalness • 40% Positiveness
11% Popularity • 52% Danceability • 71% Energy • 83% Liveness
0% Instrumentalness • 40% Positiveness
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Dara O Briain
Tour de France
70 bpm • D Maj • 02:55 • -19.58db
14% Popularity • 60% Danceability • 44% Energy • 97% Liveness
0% Instrumentalness • 73% Positiveness
14% Popularity • 60% Danceability • 44% Energy • 97% Liveness
0% Instrumentalness • 73% Positiveness
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Louie Anderson
Amazon Prime
83 bpm • C min • 02:20 • -11db
19% Popularity • 36% Danceability • 96% Energy • 90% Liveness
0% Instrumentalness • 4% Positiveness
19% Popularity • 36% Danceability • 96% Energy • 90% Liveness
0% Instrumentalness • 4% Positiveness
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Dov Davidoff
Horse Man
83 bpm • F Maj • 01:11 • -10db
25% Popularity • 59% Danceability • 74% Energy • 67% Liveness
0% Instrumentalness • 48% Positiveness
25% Popularity • 59% Danceability • 74% Energy • 67% Liveness
0% Instrumentalness • 48% Positiveness
