Songs like Lonely No More by Rob Thomas
Based on a tempo of (+/- 10%) and a similar genre
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Nickelback
How You Remind Me
172 bpm • A# Maj • 03:43 • -5.04db
85% Popularity • 45% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
85% Popularity • 45% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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TLC
Waterfalls
172 bpm • C# Maj • 04:39 • -7.35db
74% Popularity • 77% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
74% Popularity • 77% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Christina Aguilera
Candyman
173 bpm • G# min • 03:14 • -4.71db
66% Popularity • 69% Danceability • 79% Energy • 14% Liveness
1% Instrumentalness • 72% Positiveness
66% Popularity • 69% Danceability • 79% Energy • 14% Liveness
1% Instrumentalness • 72% Positiveness
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Rob Thomas
Lonely No More
172 bpm • A min • 03:46 • -3.15db
58% Popularity • 55% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
58% Popularity • 55% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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Blessid Union Of Souls
Light In Your Eyes
171 bpm • B Maj • 04:16 • -9.12db
31% Popularity • 47% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
31% Popularity • 47% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Hootie & The Blowfish
Hold My Hand
171 bpm • B Maj • 04:18 • -5.13db
61% Popularity • 22% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
61% Popularity • 22% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Avril Lavigne
My Happy Ending
170 bpm • D Maj • 04:02 • -2.41db
70% Popularity • 41% Danceability • 94% Energy • 37% Liveness
0% Instrumentalness • 74% Positiveness
70% Popularity • 41% Danceability • 94% Energy • 37% Liveness
0% Instrumentalness • 74% Positiveness
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The Script
For the First Time
174 bpm • A Maj • 04:12 • -4.77db
67% Popularity • 39% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
67% Popularity • 39% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Dido
White Flag
170 bpm • F Maj • 04:00 • -6.83db
73% Popularity • 51% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
73% Popularity • 51% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Rob Thomas
Something to Be
174 bpm • G min • 04:30 • -5.54db
34% Popularity • 56% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
34% Popularity • 56% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Sister Hazel
Champagne High
174 bpm • F Maj • 05:21 • -8db
36% Popularity • 30% Danceability • 55% Energy • 38% Liveness
0% Instrumentalness • 20% Positiveness
36% Popularity • 30% Danceability • 55% Energy • 38% Liveness
0% Instrumentalness • 20% Positiveness
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Anna Nalick
Breathe (2 AM)
170 bpm • D Maj • 04:39 • -7.72db
63% Popularity • 39% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
63% Popularity • 39% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Oasis
Wonderwall - Remastered
174 bpm • D Maj • 04:18 • -4.07db
79% Popularity • 38% Danceability • 90% Energy • 19% Liveness
0% Instrumentalness • 47% Positiveness
79% Popularity • 38% Danceability • 90% Energy • 19% Liveness
0% Instrumentalness • 47% Positiveness
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Christina Aguilera
Genie In a Bottle
176 bpm • C# Maj • 03:37 • -6.95db
78% Popularity • 63% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 91% Positiveness
78% Popularity • 63% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 91% Positiveness
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Santana
Why Don't You & I
168 bpm • A# Maj • 04:34 • -4.89db
51% Popularity • 50% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
51% Popularity • 50% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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Rob Thomas
Funny
170 bpm • G Maj • 03:07 • -4.86db
35% Popularity • 34% Danceability • 78% Energy • 30% Liveness
0% Instrumentalness • 66% Positiveness
35% Popularity • 34% Danceability • 78% Energy • 30% Liveness
0% Instrumentalness • 66% Positiveness
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Matchbox Twenty
Push
168 bpm • F# Maj • 03:58 • -7.9db
74% Popularity • 42% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
74% Popularity • 42% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Gavin DeGraw
Chariot
167 bpm • G Maj • 03:59 • -4.33db
46% Popularity • 38% Danceability • 83% Energy • 33% Liveness
0% Instrumentalness • 44% Positiveness
46% Popularity • 38% Danceability • 83% Energy • 33% Liveness
0% Instrumentalness • 44% Positiveness
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John Mayer
Say
168 bpm • A# Maj • 03:50 • -6.57db
61% Popularity • 48% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
61% Popularity • 48% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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Billie Myers
Kiss The Rain
178 bpm • A Maj • 04:30 • -7db
55% Popularity • 46% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
55% Popularity • 46% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
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Train
Calling All Angels
166 bpm • D# Maj • 04:02 • -5.37db
55% Popularity • 45% Danceability • 84% Energy • 28% Liveness
0% Instrumentalness • 53% Positiveness
55% Popularity • 45% Danceability • 84% Energy • 28% Liveness
0% Instrumentalness • 53% Positiveness
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Ricky Martin
Livin' la Vida Loca
178 bpm • C# min • 04:03 • -3.76db
75% Popularity • 42% Danceability • 95% Energy • 6% Liveness
0% Instrumentalness • 93% Positiveness
75% Popularity • 42% Danceability • 95% Energy • 6% Liveness
0% Instrumentalness • 93% Positiveness
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O.A.R.
Peace
178 bpm • A Maj • 03:35 • -5.97db
52% Popularity • 45% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
52% Popularity • 45% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Lucy Woodward
What's Good for Me
180 bpm • F min • 03:58 • -4.38db
28% Popularity • 54% Danceability • 92% Energy • 31% Liveness
0% Instrumentalness • 60% Positiveness
28% Popularity • 54% Danceability • 92% Energy • 31% Liveness
0% Instrumentalness • 60% Positiveness
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John Mayer
Waiting On the World to Change
177 bpm • D Maj • 03:21 • -5.82db
74% Popularity • 58% Danceability • 76% Energy • 25% Liveness
0% Instrumentalness • 66% Positiveness
74% Popularity • 58% Danceability • 76% Energy • 25% Liveness
0% Instrumentalness • 66% Positiveness
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Britney Spears
I Love Rock 'N' Roll
180 bpm • A Maj • 03:06 • -1.64db
57% Popularity • 71% Danceability • 73% Energy • 56% Liveness
10% Instrumentalness • 57% Positiveness
57% Popularity • 71% Danceability • 73% Energy • 56% Liveness
10% Instrumentalness • 57% Positiveness
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Willa Ford
I Wanna Be Bad
180 bpm • A min • 03:03 • -3.47db
49% Popularity • 65% Danceability • 82% Energy • 22% Liveness
0% Instrumentalness • 82% Positiveness
49% Popularity • 65% Danceability • 82% Energy • 22% Liveness
0% Instrumentalness • 82% Positiveness
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Nelly Furtado
Turn Off The Light
180 bpm • D Maj • 04:36 • -6.22db
59% Popularity • 59% Danceability • 69% Energy • 42% Liveness
0% Instrumentalness • 65% Positiveness
59% Popularity • 59% Danceability • 69% Energy • 42% Liveness
0% Instrumentalness • 65% Positiveness
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Nickelback
Savin' Me - 2020 Remaster
164 bpm • D# Maj • 03:39 • -4.09db
67% Popularity • 44% Danceability • 80% Energy • 40% Liveness
0% Instrumentalness • 56% Positiveness
67% Popularity • 44% Danceability • 80% Energy • 40% Liveness
0% Instrumentalness • 56% Positiveness
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Vertical Horizon
Echo
182 bpm • F# Maj • 04:06 • -3.84db
33% Popularity • 39% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
33% Popularity • 39% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Sister Hazel
Change Your Mind
182 bpm • C Maj • 04:19 • -5db
42% Popularity • 43% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
42% Popularity • 43% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Robyn
Show Me Love - Radio Version
182 bpm • F# min • 03:49 • -4.07db
56% Popularity • 55% Danceability • 64% Energy • 21% Liveness
0% Instrumentalness • 70% Positiveness
56% Popularity • 55% Danceability • 64% Energy • 21% Liveness
0% Instrumentalness • 70% Positiveness
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Jimmy Eat World
The Middle
162 bpm • D Maj • 02:45 • -5.43db
83% Popularity • 64% Danceability • 85% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
83% Popularity • 64% Danceability • 85% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
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Fall Out Boy
Sugar, We're Goin Down
162 bpm • G Maj • 03:49 • -4.78db
78% Popularity • 49% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
78% Popularity • 49% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Nickelback
Someday
163 bpm • B min • 03:27 • -5.66db
72% Popularity • 46% Danceability • 86% Energy • 23% Liveness
0% Instrumentalness • 60% Positiveness
72% Popularity • 46% Danceability • 86% Energy • 23% Liveness
0% Instrumentalness • 60% Positiveness
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Tonic
You Wanted More
183 bpm • D Maj • 03:51 • -5db
47% Popularity • 37% Danceability • 96% Energy • 52% Liveness
0% Instrumentalness • 63% Positiveness
47% Popularity • 37% Danceability • 96% Energy • 52% Liveness
0% Instrumentalness • 63% Positiveness
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Destiny's Child
Survivor
161 bpm • G# Maj • 04:14 • -2.07db
66% Popularity • 52% Danceability • 90% Energy • 78% Liveness
0% Instrumentalness • 66% Positiveness
66% Popularity • 52% Danceability • 90% Energy • 78% Liveness
0% Instrumentalness • 66% Positiveness
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The Fray
Never Say Never
160 bpm • G# Maj • 04:16 • -5.77db
68% Popularity • 23% Danceability • 49% Energy • 18% Liveness
0% Instrumentalness • 26% Positiveness
68% Popularity • 23% Danceability • 49% Energy • 18% Liveness
0% Instrumentalness • 26% Positiveness
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O.A.R.
Heaven
160 bpm • C# min • 03:31 • -4.29db
37% Popularity • 41% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
37% Popularity • 41% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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fun.
We Are Young
184 bpm • A# Maj • 04:10 • -5.58db
78% Popularity • 38% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
78% Popularity • 38% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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Melanie C
Never Be The Same Again
160 bpm • D# Maj • 04:54 • -5.15db
57% Popularity • 69% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
57% Popularity • 69% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Sheryl Crow
The First Cut Is The Deepest
160 bpm • D Maj • 03:47 • -4.54db
50% Popularity • 50% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
50% Popularity • 50% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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Céline Dion
That's the Way It Is
186 bpm • E Maj • 04:02 • -5.53db
63% Popularity • 53% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
63% Popularity • 53% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Vanessa Carlton
Ordinary Day
185 bpm • C Maj • 03:58 • -3.34db
48% Popularity • 37% Danceability • 67% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
48% Popularity • 37% Danceability • 67% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
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Everclear
Wonderful
187 bpm • G Maj • 04:40 • -6db
56% Popularity • 51% Danceability • 82% Energy • 35% Liveness
0% Instrumentalness • 73% Positiveness
56% Popularity • 51% Danceability • 82% Energy • 35% Liveness
0% Instrumentalness • 73% Positiveness
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Faith Hill
This Kiss
187 bpm • B Maj • 03:14 • -5.56db
68% Popularity • 40% Danceability • 80% Energy • 18% Liveness
0% Instrumentalness • 71% Positiveness
68% Popularity • 40% Danceability • 80% Energy • 18% Liveness
0% Instrumentalness • 71% Positiveness
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Five For Fighting
World
158 bpm • F Maj • 03:52 • -6db
33% Popularity • 48% Danceability • 58% Energy • 20% Liveness
0% Instrumentalness • 24% Positiveness
33% Popularity • 48% Danceability • 58% Energy • 20% Liveness
0% Instrumentalness • 24% Positiveness
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Daughtry
Start of Something Good
158 bpm • G# Maj • 04:24 • -4.31db
51% Popularity • 42% Danceability • 68% Energy • 22% Liveness
0% Instrumentalness • 42% Positiveness
51% Popularity • 42% Danceability • 68% Energy • 22% Liveness
0% Instrumentalness • 42% Positiveness
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Duncan Sheik
Barely Breathing
188 bpm • C Maj • 04:14 • -6.98db
59% Popularity • 48% Danceability • 81% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
59% Popularity • 48% Danceability • 81% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
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Rob Thomas
Ever the Same
188 bpm • C# min • 04:16 • -5db
54% Popularity • 44% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
54% Popularity • 44% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Christina Aguilera
Fighter
189 bpm • E min • 04:05 • -1.36db
67% Popularity • 44% Danceability • 92% Energy • 55% Liveness
0% Instrumentalness • 45% Positiveness
67% Popularity • 44% Danceability • 92% Energy • 55% Liveness
0% Instrumentalness • 45% Positiveness
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The Script
Nothing
157 bpm • D Maj • 04:31 • -4.96db
59% Popularity • 47% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
59% Popularity • 47% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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The Goo Goo Dolls
Iris
156 bpm • B min • 04:49 • -8.07db
87% Popularity • 32% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
87% Popularity • 32% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Dream
He Loves You Not
156 bpm • G# Maj • 03:46 • -5.85db
50% Popularity • 72% Danceability • 93% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
50% Popularity • 72% Danceability • 93% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Gin Blossoms
Follow You Down - Edit
156 bpm • E min • 03:47 • -8.74db
57% Popularity • 49% Danceability • 88% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
57% Popularity • 49% Danceability • 88% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
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Creed
Higher
156 bpm • D Maj • 05:16 • -6.25db
76% Popularity • 46% Danceability • 83% Energy • 21% Liveness
0% Instrumentalness • 43% Positiveness
76% Popularity • 46% Danceability • 83% Energy • 21% Liveness
0% Instrumentalness • 43% Positiveness
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David Cook
The Time of My Life
155 bpm • G# Maj • 03:36 • -6.38db
50% Popularity • 41% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
50% Popularity • 41% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Neon Trees
Everybody Talks
155 bpm • G# Maj • 02:57 • -3.91db
79% Popularity • 47% Danceability • 92% Energy • 31% Liveness
0% Instrumentalness • 72% Positiveness
79% Popularity • 47% Danceability • 92% Energy • 31% Liveness
0% Instrumentalness • 72% Positiveness
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Fall Out Boy
Thnks fr th Mmrs
155 bpm • A# min • 03:23 • -5.06db
79% Popularity • 46% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
79% Popularity • 46% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Gavin DeGraw
I Don't Want to Be
154 bpm • C min • 03:39 • -3.93db
56% Popularity • 44% Danceability • 89% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
56% Popularity • 44% Danceability • 89% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
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Gin Blossoms
Follow You Down
156 bpm • E min • 04:30 • -7.05db
54% Popularity • 46% Danceability • 92% Energy • 3% Liveness
0% Instrumentalness • 68% Positiveness
54% Popularity • 46% Danceability • 92% Energy • 3% Liveness
0% Instrumentalness • 68% Positiveness
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Kings of Leon
Sex on Fire
153 bpm • A Maj • 03:23 • -5.65db
84% Popularity • 54% Danceability • 90% Energy • 14% Liveness
1% Instrumentalness • 37% Positiveness
84% Popularity • 54% Danceability • 90% Energy • 14% Liveness
1% Instrumentalness • 37% Positiveness
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Rob Thomas
Fallin' to Pieces
192 bpm • A Maj • 04:11 • -5.44db
24% Popularity • 51% Danceability • 82% Energy • 37% Liveness
0% Instrumentalness • 59% Positiveness
24% Popularity • 51% Danceability • 82% Energy • 37% Liveness
0% Instrumentalness • 59% Positiveness
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The Fray
You Found Me
152 bpm • G# min • 04:01 • -5.41db
74% Popularity • 34% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
74% Popularity • 34% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
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Avril Lavigne
I'm with You
152 bpm • A Maj • 03:43 • -7.46db
73% Popularity • 46% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
73% Popularity • 46% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Thriving Ivory
Angels On The Moon
151 bpm • A# Maj • 04:12 • -3.27db
50% Popularity • 44% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
50% Popularity • 44% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Gin Blossoms
Hey Jealousy
153 bpm • F# min • 03:56 • -8.41db
62% Popularity • 47% Danceability • 80% Energy • 30% Liveness
0% Instrumentalness • 50% Positiveness
62% Popularity • 47% Danceability • 80% Energy • 30% Liveness
0% Instrumentalness • 50% Positiveness
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Uncle Kracker
Drift Away
152 bpm • B Maj • 04:15 • -5.08db
66% Popularity • 58% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
66% Popularity • 58% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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Rob Thomas
Real World '09
153 bpm • A Maj • 02:45 • -5.66db
32% Popularity • 51% Danceability • 93% Energy • 14% Liveness
0% Instrumentalness • 86% Positiveness
32% Popularity • 51% Danceability • 93% Energy • 14% Liveness
0% Instrumentalness • 86% Positiveness
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Daughtry
Crawling Back To You
151 bpm • C min • 03:45 • -3db
51% Popularity • 43% Danceability • 91% Energy • 17% Liveness
0% Instrumentalness • 16% Positiveness
51% Popularity • 43% Danceability • 91% Energy • 17% Liveness
0% Instrumentalness • 16% Positiveness
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Jason Mraz
I'm Yours
151 bpm • B Maj • 04:02 • -9.33db
81% Popularity • 70% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
81% Popularity • 70% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Del Amitri
Roll To Me
150 bpm • F# Maj • 02:12 • -5.89db
60% Popularity • 57% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
60% Popularity • 57% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
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Nick Lachey
What's Left Of Me
150 bpm • G Maj • 04:04 • -6db
45% Popularity • 42% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
45% Popularity • 42% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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blink-182
All The Small Things
149 bpm • C Maj • 02:47 • -4.92db
83% Popularity • 43% Danceability • 90% Energy • 61% Liveness
0% Instrumentalness • 68% Positiveness
83% Popularity • 43% Danceability • 90% Energy • 61% Liveness
0% Instrumentalness • 68% Positiveness
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Rob Thomas
Feel so Bad
152 bpm • A Maj • 02:45 • -5.35db
23% Popularity • 48% Danceability • 91% Energy • 32% Liveness
0% Instrumentalness • 83% Positiveness
23% Popularity • 48% Danceability • 91% Energy • 32% Liveness
0% Instrumentalness • 83% Positiveness
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Avril Lavigne
Sk8er Boi
150 bpm • C Maj • 03:24 • -4.42db
78% Popularity • 49% Danceability • 90% Energy • 36% Liveness
0% Instrumentalness • 48% Positiveness
78% Popularity • 49% Danceability • 90% Energy • 36% Liveness
0% Instrumentalness • 48% Positiveness
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The Killers
Mr. Brightside
148 bpm • C# Maj • 03:42 • -5.23db
86% Popularity • 35% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
86% Popularity • 35% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Nickelback
I'd Come for You
148 bpm • D Maj • 04:22 • -5.49db
58% Popularity • 49% Danceability • 75% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
58% Popularity • 49% Danceability • 75% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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David Cook
Fade Into Me
148 bpm • C# Maj • 04:06 • -5.7db
31% Popularity • 35% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
31% Popularity • 35% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Stacie Orrico
Stuck
201 bpm • E min • 03:41 • -3.63db
54% Popularity • 38% Danceability • 90% Energy • 33% Liveness
0% Instrumentalness • 60% Positiveness
54% Popularity • 38% Danceability • 90% Energy • 33% Liveness
0% Instrumentalness • 60% Positiveness
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Chad Kroeger
Hero
147 bpm • E Maj • 03:20 • -4.54db
66% Popularity • 43% Danceability • 84% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
66% Popularity • 43% Danceability • 84% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
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Eric Hutchinson
Rock & Roll
201 bpm • A# Maj • 04:00 • -5.04db
53% Popularity • 46% Danceability • 77% Energy • 73% Liveness
0% Instrumentalness • 90% Positiveness
53% Popularity • 46% Danceability • 77% Energy • 73% Liveness
0% Instrumentalness • 90% Positiveness
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Augustana
Boston
147 bpm • C Maj • 04:05 • -5.07db
59% Popularity • 40% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
59% Popularity • 40% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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Delta Goodrem
Lost Without You
146 bpm • G Maj • 04:08 • -6.68db
51% Popularity • 58% Danceability • 75% Energy • 19% Liveness
0% Instrumentalness • 51% Positiveness
51% Popularity • 58% Danceability • 75% Energy • 19% Liveness
0% Instrumentalness • 51% Positiveness
