Songs like Lonely One - Rudy Van Gelder Edition/Digitally Remastered 2009 by Horace Parlan
Based on a tempo of (+/- 10%) and a similar genre
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The Art Farmer Quartet
The Day After
61 bpm • D min • 02:23 • -27.46db
41% Popularity • 28% Danceability • 1% Energy • 10% Liveness
98% Instrumentalness • 28% Positiveness
41% Popularity • 28% Danceability • 1% Energy • 10% Liveness
98% Instrumentalness • 28% Positiveness
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Horace Parlan
Lonely One - Rudy Van Gelder Edition/Dig...
61 bpm • F min • 04:06 • -13.32db
6% Popularity • 35% Danceability • 23% Energy • 33% Liveness
56% Instrumentalness • 12% Positiveness
6% Popularity • 35% Danceability • 23% Energy • 33% Liveness
56% Instrumentalness • 12% Positiveness
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Nat Adderley
Gospelette
62 bpm • F Maj • 03:05 • -17.62db
26% Popularity • 48% Danceability • 17% Energy • 15% Liveness
85% Instrumentalness • 42% Positiveness
26% Popularity • 48% Danceability • 17% Energy • 15% Liveness
85% Instrumentalness • 42% Positiveness
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Freddie Redd Trio
Beautiful Adela
60 bpm • G Maj • 03:17 • -14.35db
33% Popularity • 70% Danceability • 17% Energy • 26% Liveness
91% Instrumentalness • 17% Positiveness
33% Popularity • 70% Danceability • 17% Energy • 26% Liveness
91% Instrumentalness • 17% Positiveness
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Kenny Drew
Angie
63 bpm • F Maj • 05:38 • -21.85db
25% Popularity • 49% Danceability • 9% Energy • 13% Liveness
90% Instrumentalness • 10% Positiveness
25% Popularity • 49% Danceability • 9% Energy • 13% Liveness
90% Instrumentalness • 10% Positiveness
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Sonny Red
Bluesville
63 bpm • D min • 05:50 • -14.98db
15% Popularity • 68% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
15% Popularity • 68% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Johnny Griffin
My Little Brown Book
60 bpm • D# Maj • 10:38 • -18.11db
2% Popularity • 45% Danceability • 5% Energy • 10% Liveness
84% Instrumentalness • 10% Positiveness
2% Popularity • 45% Danceability • 5% Energy • 10% Liveness
84% Instrumentalness • 10% Positiveness
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Horace Parlan
For Heavens Sake
61 bpm • G# Maj • 06:51 • -17.5db
4% Popularity • 39% Danceability • 22% Energy • 11% Liveness
89% Instrumentalness • 6% Positiveness
4% Popularity • 39% Danceability • 22% Energy • 11% Liveness
89% Instrumentalness • 6% Positiveness
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Ellis Marsalis
DO You Know What It Means To Miss New Or...
63 bpm • A min • 06:26 • -28.64db
41% Popularity • 45% Danceability • 6% Energy • 12% Liveness
91% Instrumentalness • 16% Positiveness
41% Popularity • 45% Danceability • 6% Energy • 12% Liveness
91% Instrumentalness • 16% Positiveness
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Freddie Redd
Blues-Blues-Blues - Digital Remaster/200...
63 bpm • D min • 05:57 • -8.56db
11% Popularity • 56% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
11% Popularity • 56% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
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Booker Little
Moonlight Becomes You
59 bpm • G# Maj • 05:40 • -14db
10% Popularity • 48% Danceability • 13% Energy • 11% Liveness
93% Instrumentalness • 51% Positiveness
10% Popularity • 48% Danceability • 13% Energy • 11% Liveness
93% Instrumentalness • 51% Positiveness
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Tony Fruscella
I'll Be Seeing You
63 bpm • A# Maj • 03:15 • -15db
16% Popularity • 66% Danceability • 13% Energy • 10% Liveness
84% Instrumentalness • 37% Positiveness
16% Popularity • 66% Danceability • 13% Energy • 10% Liveness
84% Instrumentalness • 37% Positiveness
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John Lewis
I Can't Get Started
64 bpm • C Maj • 03:36 • -16.33db
34% Popularity • 46% Danceability • 12% Energy • 31% Liveness
83% Instrumentalness • 29% Positiveness
34% Popularity • 46% Danceability • 12% Energy • 31% Liveness
83% Instrumentalness • 29% Positiveness
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Pete La Roca
Lazy Afternoon - Remastered 2004
58 bpm • F min • 05:32 • -15.51db
40% Popularity • 26% Danceability • 14% Energy • 10% Liveness
9% Instrumentalness • 16% Positiveness
40% Popularity • 26% Danceability • 14% Energy • 10% Liveness
9% Instrumentalness • 16% Positiveness
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Archie Shepp
Go down Moses
64 bpm • C min • 04:21 • -15.25db
9% Popularity • 40% Danceability • 3% Energy • 31% Liveness
89% Instrumentalness • 33% Positiveness
9% Popularity • 40% Danceability • 3% Energy • 31% Liveness
89% Instrumentalness • 33% Positiveness
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Wes Montgomery Trio
Satin Doll - Take 7
65 bpm • C Maj • 03:56 • -23db
42% Popularity • 50% Danceability • 12% Energy • 16% Liveness
8% Instrumentalness • 26% Positiveness
42% Popularity • 50% Danceability • 12% Energy • 16% Liveness
8% Instrumentalness • 26% Positiveness
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Miles Davis Quartet
You Don't Know What Love Is
65 bpm • D# Maj • 04:23 • -19.44db
24% Popularity • 54% Danceability • 11% Energy • 6% Liveness
0% Instrumentalness • 31% Positiveness
24% Popularity • 54% Danceability • 11% Energy • 6% Liveness
0% Instrumentalness • 31% Positiveness
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Joe Lovano
I'm All For You
66 bpm • C# Maj • 07:50 • -16.71db
31% Popularity • 61% Danceability • 11% Energy • 12% Liveness
10% Instrumentalness • 28% Positiveness
31% Popularity • 61% Danceability • 11% Energy • 12% Liveness
10% Instrumentalness • 28% Positiveness
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Dr. Lonnie Smith
Bright Eyes - Live
66 bpm • F min • 07:25 • -10db
30% Popularity • 41% Danceability • 46% Energy • 94% Liveness
53% Instrumentalness • 59% Positiveness
30% Popularity • 41% Danceability • 46% Energy • 94% Liveness
53% Instrumentalness • 59% Positiveness
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Roland Kirk Quartet
Black Diamond
66 bpm • C Maj • 05:20 • -19.48db
15% Popularity • 41% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
15% Popularity • 41% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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The Al Cohn - Zoot Sims Quintet
Improvisation For Unaccompanied Saxophon...
56 bpm • G# Maj • 02:24 • -11.2db
21% Popularity • 62% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
21% Popularity • 62% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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Archie Shepp
Nobody knows the troubles I've seen
66 bpm • G Maj • 04:43 • -19.15db
23% Popularity • 45% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 29% Positiveness
23% Popularity • 45% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 29% Positiveness
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Sonny Criss
We'll Be Together Again
67 bpm • C Maj • 02:59 • -14.1db
36% Popularity • 43% Danceability • 22% Energy • 8% Liveness
80% Instrumentalness • 36% Positiveness
36% Popularity • 43% Danceability • 22% Energy • 8% Liveness
80% Instrumentalness • 36% Positiveness
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Dizzy Reece
'Round About Midnight
55 bpm • A# min • 04:48 • -13.08db
33% Popularity • 42% Danceability • 18% Energy • 10% Liveness
29% Instrumentalness • 26% Positiveness
33% Popularity • 42% Danceability • 18% Energy • 10% Liveness
29% Instrumentalness • 26% Positiveness
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Elvin Jones
Dear John C.
67 bpm • A# min • 03:56 • -17db
26% Popularity • 33% Danceability • 35% Energy • 21% Liveness
0% Instrumentalness • 51% Positiveness
26% Popularity • 33% Danceability • 35% Energy • 21% Liveness
0% Instrumentalness • 51% Positiveness
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Fred Jackson
Southern Exposure
68 bpm • A# min • 06:57 • -13.38db
7% Popularity • 44% Danceability • 28% Energy • 11% Liveness
9% Instrumentalness • 16% Positiveness
7% Popularity • 44% Danceability • 28% Energy • 11% Liveness
9% Instrumentalness • 16% Positiveness
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Andrew Hill
Erato - 2006 Remaster
68 bpm • C min • 03:59 • -16db
23% Popularity • 33% Danceability • 20% Energy • 14% Liveness
93% Instrumentalness • 9% Positiveness
23% Popularity • 33% Danceability • 20% Energy • 14% Liveness
93% Instrumentalness • 9% Positiveness
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Archie Shepp
Goin' down slow
67 bpm • F Maj • 05:16 • -16.13db
4% Popularity • 47% Danceability • 8% Energy • 13% Liveness
62% Instrumentalness • 21% Positiveness
4% Popularity • 47% Danceability • 8% Energy • 13% Liveness
62% Instrumentalness • 21% Positiveness
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McCoy Tyner Trio
Goodbye
55 bpm • C Maj • 05:46 • -21db
30% Popularity • 42% Danceability • 13% Energy • 12% Liveness
81% Instrumentalness • 7% Positiveness
30% Popularity • 42% Danceability • 13% Energy • 12% Liveness
81% Instrumentalness • 7% Positiveness
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Big John Patton
Let 'Em Roll
68 bpm • C Maj • 06:48 • -11.02db
34% Popularity • 53% Danceability • 56% Energy • 8% Liveness
1% Instrumentalness • 72% Positiveness
34% Popularity • 53% Danceability • 56% Energy • 8% Liveness
1% Instrumentalness • 72% Positiveness
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Tina Brooks
Everything Happens To Me
69 bpm • C min • 06:10 • -14.89db
15% Popularity • 53% Danceability • 13% Energy • 11% Liveness
3% Instrumentalness • 39% Positiveness
15% Popularity • 53% Danceability • 13% Energy • 11% Liveness
3% Instrumentalness • 39% Positiveness
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Hampton Hawes Trio
Easy Living
69 bpm • F min • 04:49 • -23db
31% Popularity • 52% Danceability • 7% Energy • 11% Liveness
89% Instrumentalness • 16% Positiveness
31% Popularity • 52% Danceability • 7% Energy • 11% Liveness
89% Instrumentalness • 16% Positiveness
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Carmell Jones
Come Rain Or Come Shine
69 bpm • C Maj • 04:32 • -8.66db
9% Popularity • 60% Danceability • 26% Energy • 12% Liveness
89% Instrumentalness • 28% Positiveness
9% Popularity • 60% Danceability • 26% Energy • 12% Liveness
89% Instrumentalness • 28% Positiveness
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Archie Shepp
Swing low, sweet chariot
69 bpm • G Maj • 02:43 • -14.62db
14% Popularity • 66% Danceability • 5% Energy • 15% Liveness
92% Instrumentalness • 52% Positiveness
14% Popularity • 66% Danceability • 5% Energy • 15% Liveness
92% Instrumentalness • 52% Positiveness
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Louis Smith
After Hours
69 bpm • C Maj • 08:28 • -17.9db
1% Popularity • 42% Danceability • 16% Energy • 9% Liveness
77% Instrumentalness • 27% Positiveness
1% Popularity • 42% Danceability • 16% Energy • 9% Liveness
77% Instrumentalness • 27% Positiveness
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Miles Davis Quartet
Blue Haze
72 bpm • C min • 06:08 • -15.23db
31% Popularity • 60% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
31% Popularity • 60% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
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Sonny Clark Trio
I'll Remember April - Remastered 2001/Ru...
72 bpm • G Maj • 04:55 • -16.05db
18% Popularity • 38% Danceability • 19% Energy • 18% Liveness
92% Instrumentalness • 4% Positiveness
18% Popularity • 38% Danceability • 19% Energy • 18% Liveness
92% Instrumentalness • 4% Positiveness
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The Montgomery Brothers
Heartstrings - Instrumental
72 bpm • C Maj • 04:35 • -24.31db
21% Popularity • 58% Danceability • 7% Energy • 11% Liveness
84% Instrumentalness • 52% Positiveness
21% Popularity • 58% Danceability • 7% Energy • 11% Liveness
84% Instrumentalness • 52% Positiveness
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Billy Taylor
Can You Tell by Looking at Me
73 bpm • G min • 04:24 • -16.26db
24% Popularity • 36% Danceability • 24% Energy • 8% Liveness
92% Instrumentalness • 32% Positiveness
24% Popularity • 36% Danceability • 24% Energy • 8% Liveness
92% Instrumentalness • 32% Positiveness
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Ornette Coleman
The Blessing
73 bpm • E min • 04:46 • -15.89db
26% Popularity • 58% Danceability • 25% Energy • 26% Liveness
0% Instrumentalness • 43% Positiveness
26% Popularity • 58% Danceability • 25% Energy • 26% Liveness
0% Instrumentalness • 43% Positiveness
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Archie Shepp
My Lord what a morning
74 bpm • F Maj • 04:40 • -18.87db
7% Popularity • 35% Danceability • 3% Energy • 9% Liveness
82% Instrumentalness • 24% Positiveness
7% Popularity • 35% Danceability • 3% Energy • 9% Liveness
82% Instrumentalness • 24% Positiveness
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Big John Patton
Along Came John
74 bpm • F Maj • 06:03 • -10db
18% Popularity • 66% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
18% Popularity • 66% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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Freddie Redd
Melanie - Digital Remaster/2007
74 bpm • D min • 05:03 • -8.82db
20% Popularity • 56% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
20% Popularity • 56% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Art Blakey Quartet
Blues Back
74 bpm • C min • 05:19 • -12.31db
32% Popularity • 52% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
32% Popularity • 52% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Kenny Drew
I Could Write a Book
74 bpm • F min • 04:43 • -16.27db
28% Popularity • 66% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
28% Popularity • 66% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Sonny Criss
Summertime
75 bpm • C Maj • 04:01 • -8.06db
30% Popularity • 59% Danceability • 43% Energy • 45% Liveness
64% Instrumentalness • 53% Positiveness
30% Popularity • 59% Danceability • 43% Energy • 45% Liveness
64% Instrumentalness • 53% Positiveness
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Barry Harris Trio
Embraceable You
75 bpm • F Maj • 03:56 • -13.28db
41% Popularity • 38% Danceability • 24% Energy • 11% Liveness
86% Instrumentalness • 16% Positiveness
41% Popularity • 38% Danceability • 24% Energy • 11% Liveness
86% Instrumentalness • 16% Positiveness
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Horace Parlan
On Green Dolphin Street - Remastered
75 bpm • G# Maj • 05:30 • -13.04db
6% Popularity • 58% Danceability • 35% Energy • 18% Liveness
24% Instrumentalness • 41% Positiveness
6% Popularity • 58% Danceability • 35% Energy • 18% Liveness
24% Instrumentalness • 41% Positiveness
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Elmo Hope Trio
Happy Hour
76 bpm • A# min • 02:52 • -14.62db
36% Popularity • 57% Danceability • 27% Energy • 11% Liveness
27% Instrumentalness • 75% Positiveness
36% Popularity • 57% Danceability • 27% Energy • 11% Liveness
27% Instrumentalness • 75% Positiveness
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Roy Haynes Quartet
Moon Ray
76 bpm • A min • 06:41 • -12db
18% Popularity • 52% Danceability • 42% Energy • 21% Liveness
14% Instrumentalness • 38% Positiveness
18% Popularity • 52% Danceability • 42% Energy • 21% Liveness
14% Instrumentalness • 38% Positiveness
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Kenny Drew
Undercurrent - Rudy Van Gelder Edition/2...
76 bpm • D min • 07:18 • -8db
18% Popularity • 48% Danceability • 75% Energy • 18% Liveness
0% Instrumentalness • 67% Positiveness
18% Popularity • 48% Danceability • 75% Energy • 18% Liveness
0% Instrumentalness • 67% Positiveness
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Paul Bley
My Heart
76 bpm • D min • 02:37 • -11.29db
28% Popularity • 47% Danceability • 39% Energy • 10% Liveness
86% Instrumentalness • 38% Positiveness
28% Popularity • 47% Danceability • 39% Energy • 10% Liveness
86% Instrumentalness • 38% Positiveness
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James Moody
Yesterdays
76 bpm • D min • 04:01 • -14.84db
13% Popularity • 43% Danceability • 22% Energy • 32% Liveness
85% Instrumentalness • 28% Positiveness
13% Popularity • 43% Danceability • 22% Energy • 32% Liveness
85% Instrumentalness • 28% Positiveness
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Horace Parlan
A Tune For Richard
76 bpm • F min • 06:11 • -8.58db
4% Popularity • 39% Danceability • 61% Energy • 5% Liveness
1% Instrumentalness • 73% Positiveness
4% Popularity • 39% Danceability • 61% Energy • 5% Liveness
1% Instrumentalness • 73% Positiveness
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Sonny Criss
Sunrise Sunset - Remastered 2008/Rudy Va...
76 bpm • G min • 02:49 • -10.8db
34% Popularity • 53% Danceability • 26% Energy • 11% Liveness
73% Instrumentalness • 53% Positiveness
34% Popularity • 53% Danceability • 26% Energy • 11% Liveness
73% Instrumentalness • 53% Positiveness
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Stanley Turrentine & The Three Sounds
Blue Hour - Remastered/2000
77 bpm • G min • 05:18 • -14.23db
11% Popularity • 67% Danceability • 20% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
11% Popularity • 67% Danceability • 20% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
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Paul Gonsalves
Dukes Place
77 bpm • C Maj • 05:28 • -10.22db
25% Popularity • 65% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
25% Popularity • 65% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Bud Powell Trio
Somebody Loves Me - 1990 Remaster
77 bpm • D min • 02:55 • -20db
42% Popularity • 55% Danceability • 16% Energy • 11% Liveness
85% Instrumentalness • 56% Positiveness
42% Popularity • 55% Danceability • 16% Energy • 11% Liveness
85% Instrumentalness • 56% Positiveness
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Oscar Pettiford
Rhumblues
77 bpm • A# Maj • 04:27 • -17db
15% Popularity • 60% Danceability • 17% Energy • 12% Liveness
88% Instrumentalness • 72% Positiveness
15% Popularity • 60% Danceability • 17% Energy • 12% Liveness
88% Instrumentalness • 72% Positiveness
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Art Taylor
High Seas - Remastered 2006 / Rudy Van G...
77 bpm • B Maj • 06:44 • -9.66db
9% Popularity • 52% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
9% Popularity • 52% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
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Sonny Criss
Willow Weep For Me
77 bpm • G Maj • 03:50 • -11.02db
36% Popularity • 59% Danceability • 22% Energy • 11% Liveness
88% Instrumentalness • 40% Positiveness
36% Popularity • 59% Danceability • 22% Energy • 11% Liveness
88% Instrumentalness • 40% Positiveness
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Miles Davis Quartet
Miles Ahead
78 bpm • G min • 04:29 • -14.85db
26% Popularity • 51% Danceability • 30% Energy • 31% Liveness
4% Instrumentalness • 70% Positiveness
26% Popularity • 51% Danceability • 30% Energy • 31% Liveness
4% Instrumentalness • 70% Positiveness
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Stanley Turrentine & The Three Sounds
Blues In The Closet - Remastered/2000
78 bpm • A# Maj • 05:01 • -15db
14% Popularity • 70% Danceability • 18% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
14% Popularity • 70% Danceability • 18% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
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Nat Adderley
Work Song
78 bpm • D# Maj • 04:12 • -18db
39% Popularity • 67% Danceability • 23% Energy • 12% Liveness
35% Instrumentalness • 52% Positiveness
39% Popularity • 67% Danceability • 23% Energy • 12% Liveness
35% Instrumentalness • 52% Positiveness
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Curtis Fuller
Quantrale
78 bpm • A# min • 06:09 • -10db
14% Popularity • 69% Danceability • 52% Energy • 14% Liveness
40% Instrumentalness • 72% Positiveness
14% Popularity • 69% Danceability • 52% Energy • 14% Liveness
40% Instrumentalness • 72% Positiveness
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Cliff Jordan
Laconia
79 bpm • A# Maj • 07:06 • -13.78db
13% Popularity • 55% Danceability • 26% Energy • 7% Liveness
2% Instrumentalness • 52% Positiveness
13% Popularity • 55% Danceability • 26% Energy • 7% Liveness
2% Instrumentalness • 52% Positiveness
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Cannonball Adderley Sextet
Come Sunday
79 bpm • F# Maj • 07:01 • -21db
8% Popularity • 43% Danceability • 7% Energy • 82% Liveness
34% Instrumentalness • 12% Positiveness
8% Popularity • 43% Danceability • 7% Energy • 82% Liveness
34% Instrumentalness • 12% Positiveness
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Peter Almqvist
I Am Old Fashioned (Guitar Solo Intro)
79 bpm • F Maj • 01:55 • -25.24db
0% Popularity • 51% Danceability • 6% Energy • 11% Liveness
75% Instrumentalness • 6% Positiveness
0% Popularity • 51% Danceability • 6% Energy • 11% Liveness
75% Instrumentalness • 6% Positiveness
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Coleman Hawkins Quartet
Don't Sit Under The Apple Tree
80 bpm • F Maj • 04:29 • -12.4db
35% Popularity • 59% Danceability • 34% Energy • 14% Liveness
18% Instrumentalness • 62% Positiveness
35% Popularity • 59% Danceability • 34% Energy • 14% Liveness
18% Instrumentalness • 62% Positiveness
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Lennie Tristano
Ghost of a Chance
81 bpm • C Maj • 06:05 • -24.63db
36% Popularity • 51% Danceability • 4% Energy • 69% Liveness
79% Instrumentalness • 30% Positiveness
36% Popularity • 51% Danceability • 4% Energy • 69% Liveness
79% Instrumentalness • 30% Positiveness
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Curtis Fuller
Newdles
81 bpm • D min • 07:37 • -10.05db
9% Popularity • 55% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 52% Positiveness
9% Popularity • 55% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 52% Positiveness
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Horace Parlan
C-Jam Blues
81 bpm • C Maj • 05:13 • -10.17db
8% Popularity • 61% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
8% Popularity • 61% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Eddie "Lockjaw" Davis
You Stepped Out Of A Dream
82 bpm • G# Maj • 03:04 • -9.82db
28% Popularity • 63% Danceability • 29% Energy • 13% Liveness
74% Instrumentalness • 63% Positiveness
28% Popularity • 63% Danceability • 29% Energy • 13% Liveness
74% Instrumentalness • 63% Positiveness
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Curtis Fuller Quintet
Love, Your Spell Is Everywhere
83 bpm • F min • 07:09 • -22.02db
27% Popularity • 58% Danceability • 14% Energy • 10% Liveness
53% Instrumentalness • 51% Positiveness
27% Popularity • 58% Danceability • 14% Energy • 10% Liveness
53% Instrumentalness • 51% Positiveness
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Elvin Jones
Summertime
83 bpm • A Maj • 11:34 • -21.32db
12% Popularity • 41% Danceability • 12% Energy • 9% Liveness
76% Instrumentalness • 27% Positiveness
12% Popularity • 41% Danceability • 12% Energy • 9% Liveness
76% Instrumentalness • 27% Positiveness
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The Gene Harris Quartet
Ahmad's Blues
83 bpm • D# Maj • 05:11 • -20.68db
17% Popularity • 44% Danceability • 14% Energy • 16% Liveness
91% Instrumentalness • 25% Positiveness
17% Popularity • 44% Danceability • 14% Energy • 16% Liveness
91% Instrumentalness • 25% Positiveness
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Jaki Byard
Hazy Eve
83 bpm • B Maj • 04:33 • -21db
11% Popularity • 34% Danceability • 11% Energy • 11% Liveness
88% Instrumentalness • 7% Positiveness
11% Popularity • 34% Danceability • 11% Energy • 11% Liveness
88% Instrumentalness • 7% Positiveness
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Horace Parlan
Love And Peace
83 bpm • G# Maj • 07:14 • -17.74db
1% Popularity • 40% Danceability • 15% Energy • 10% Liveness
90% Instrumentalness • 7% Positiveness
1% Popularity • 40% Danceability • 15% Energy • 10% Liveness
90% Instrumentalness • 7% Positiveness
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James Moody
With Malice Towards None
84 bpm • B min • 03:17 • -16.67db
12% Popularity • 34% Danceability • 16% Energy • 17% Liveness
71% Instrumentalness • 17% Positiveness
12% Popularity • 34% Danceability • 16% Energy • 17% Liveness
71% Instrumentalness • 17% Positiveness
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McCoy Tyner Trio
Reaching Fourth
84 bpm • E Maj • 04:22 • -13.22db
37% Popularity • 40% Danceability • 52% Energy • 32% Liveness
3% Instrumentalness • 73% Positiveness
37% Popularity • 40% Danceability • 52% Energy • 32% Liveness
3% Instrumentalness • 73% Positiveness
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Johnny Griffin
It's All Right With Me - Remastered 2006...
84 bpm • D min • 05:00 • -6.91db
39% Popularity • 42% Danceability • 74% Energy • 19% Liveness
4% Instrumentalness • 59% Positiveness
39% Popularity • 42% Danceability • 74% Energy • 19% Liveness
4% Instrumentalness • 59% Positiveness
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Randy Brecker
Morning Song
84 bpm • D Maj • 04:09 • -15.9db
41% Popularity • 50% Danceability • 23% Energy • 18% Liveness
80% Instrumentalness • 54% Positiveness
41% Popularity • 50% Danceability • 23% Energy • 18% Liveness
80% Instrumentalness • 54% Positiveness
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Barry Harris Trio
Sro
84 bpm • G min • 03:52 • -14.88db
33% Popularity • 62% Danceability • 33% Energy • 9% Liveness
91% Instrumentalness • 60% Positiveness
33% Popularity • 62% Danceability • 33% Energy • 9% Liveness
91% Instrumentalness • 60% Positiveness
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The John Wright Trio
La Salle St. After Hours
85 bpm • F min • 05:19 • -16.76db
12% Popularity • 58% Danceability • 25% Energy • 9% Liveness
23% Instrumentalness • 37% Positiveness
12% Popularity • 58% Danceability • 25% Energy • 9% Liveness
23% Instrumentalness • 37% Positiveness
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Elvin Jones
G.G.
85 bpm • E min • 05:46 • -14.87db
26% Popularity • 39% Danceability • 28% Energy • 12% Liveness
93% Instrumentalness • 12% Positiveness
26% Popularity • 39% Danceability • 28% Energy • 12% Liveness
93% Instrumentalness • 12% Positiveness
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Archie Shepp
Steal away to Jesus
85 bpm • F Maj • 06:14 • -17.27db
10% Popularity • 37% Danceability • 1% Energy • 16% Liveness
67% Instrumentalness • 19% Positiveness
10% Popularity • 37% Danceability • 1% Energy • 16% Liveness
67% Instrumentalness • 19% Positiveness
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Andrew Hill
Mira
85 bpm • D min • 06:20 • -11db
14% Popularity • 54% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
14% Popularity • 54% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
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Horace Parlan
Oh So Blue - Alternate Take / Remastered
86 bpm • A# min • 07:40 • -13.41db
0% Popularity • 49% Danceability • 10% Energy • 32% Liveness
2% Instrumentalness • 31% Positiveness
0% Popularity • 49% Danceability • 10% Energy • 32% Liveness
2% Instrumentalness • 31% Positiveness
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Stanley Turrentine & The Three Sounds
There Is No Greater Love - Remastered/20...
86 bpm • F min • 08:27 • -15.59db
15% Popularity • 67% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
15% Popularity • 67% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Clifford Jordan
Bo-Fill - Rudy Van Gelder 24Bit Masterin...
88 bpm • A# Maj • 05:56 • -11db
39% Popularity • 54% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
39% Popularity • 54% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
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Charles Mingus
Flowers for a Lady
88 bpm • A Maj • 06:46 • -16.63db
12% Popularity • 56% Danceability • 42% Energy • 24% Liveness
19% Instrumentalness • 67% Positiveness
12% Popularity • 56% Danceability • 42% Energy • 24% Liveness
19% Instrumentalness • 67% Positiveness
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Kenny Drew
Lo Flame
89 bpm • F# Maj • 03:36 • -15.75db
37% Popularity • 62% Danceability • 25% Energy • 11% Liveness
88% Instrumentalness • 56% Positiveness
37% Popularity • 62% Danceability • 25% Energy • 11% Liveness
88% Instrumentalness • 56% Positiveness
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Louis Smith
South Side - Digitally Remastered
89 bpm • C Maj • 08:38 • -6.87db
15% Popularity • 46% Danceability • 62% Energy • 35% Liveness
8% Instrumentalness • 72% Positiveness
15% Popularity • 46% Danceability • 62% Energy • 35% Liveness
8% Instrumentalness • 72% Positiveness
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Horace Parlan
My foolish heart
87 bpm • G min • 04:57 • -22.6db
29% Popularity • 41% Danceability • 12% Energy • 10% Liveness
88% Instrumentalness • 11% Positiveness
29% Popularity • 41% Danceability • 12% Energy • 10% Liveness
88% Instrumentalness • 11% Positiveness
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Stanley Turrentine & The Three Sounds
Alone Together - Remastered/2000
88 bpm • G# Maj • 04:43 • -16.79db
10% Popularity • 58% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
10% Popularity • 58% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Bud Shank
Just In Time
89 bpm • C min • 03:45 • -12.34db
38% Popularity • 60% Danceability • 29% Energy • 9% Liveness
86% Instrumentalness • 55% Positiveness
38% Popularity • 60% Danceability • 29% Energy • 9% Liveness
86% Instrumentalness • 55% Positiveness
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Herb Ellis
Tin Roof Blues
90 bpm • A# Maj • 02:59 • -17.49db
9% Popularity • 62% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
9% Popularity • 62% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Tina Brooks
Star Eyes
89 bpm • F min • 08:15 • -11db
35% Popularity • 53% Danceability • 34% Energy • 18% Liveness
0% Instrumentalness • 72% Positiveness
35% Popularity • 53% Danceability • 34% Energy • 18% Liveness
0% Instrumentalness • 72% Positiveness
