Songs like Lonestar Paradise by Matt Kimbrow
Based on a tempo of (+/- 10%) and a similar genre
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Adam Hood
Trying to Write a Love Song
126 bpm • A min • 02:35 • -5.07db
25% Popularity • 56% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
25% Popularity • 56% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Micky & The Motorcars
Road to You
126 bpm • D Maj • 04:01 • -5.42db
22% Popularity • 61% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
22% Popularity • 61% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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Kevin Fowler
A Guy Like That
126 bpm • G Maj • 02:49 • -4.06db
7% Popularity • 68% Danceability • 87% Energy • 33% Liveness
0% Instrumentalness • 96% Positiveness
7% Popularity • 68% Danceability • 87% Energy • 33% Liveness
0% Instrumentalness • 96% Positiveness
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Tanner Fenoglio
This Town
126 bpm • A Maj • 04:10 • -5.67db
21% Popularity • 68% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
21% Popularity • 68% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Ryan Beaver
Rum & Roses
126 bpm • D Maj • 04:39 • -6.35db
19% Popularity • 46% Danceability • 51% Energy • 22% Liveness
0% Instrumentalness • 14% Positiveness
19% Popularity • 46% Danceability • 51% Energy • 22% Liveness
0% Instrumentalness • 14% Positiveness
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Brandon Rhyder
Haggard
126 bpm • A min • 03:30 • -5.41db
20% Popularity • 59% Danceability • 62% Energy • 30% Liveness
0% Instrumentalness • 79% Positiveness
20% Popularity • 59% Danceability • 62% Energy • 30% Liveness
0% Instrumentalness • 79% Positiveness
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Matt Kimbrow
Lonestar Paradise
126 bpm • C Maj • 04:14 • -5.17db
15% Popularity • 28% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
15% Popularity • 28% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
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Micky & The Motorcars
Rock Springs to Cheyenne
126 bpm • G Maj • 04:01 • -5.34db
25% Popularity • 49% Danceability • 80% Energy • 16% Liveness
0% Instrumentalness • 58% Positiveness
25% Popularity • 49% Danceability • 80% Energy • 16% Liveness
0% Instrumentalness • 58% Positiveness
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Kevin Fowler
Political Incorrectness
126 bpm • C Maj • 03:38 • -4.36db
20% Popularity • 65% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
20% Popularity • 65% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Mario Flores
One Boot in the Grave
127 bpm • A min • 02:53 • -5.81db
10% Popularity • 49% Danceability • 72% Energy • 37% Liveness
0% Instrumentalness • 32% Positiveness
10% Popularity • 49% Danceability • 72% Energy • 37% Liveness
0% Instrumentalness • 32% Positiveness
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Curtis Grimes
Heaven
125 bpm • G Maj • 04:13 • -6.35db
20% Popularity • 65% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 52% Positiveness
20% Popularity • 65% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 52% Positiveness
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Judson Cole Band
16 Days
125 bpm • C Maj • 03:54 • -7.07db
14% Popularity • 57% Danceability • 65% Energy • 18% Liveness
0% Instrumentalness • 41% Positiveness
14% Popularity • 57% Danceability • 65% Energy • 18% Liveness
0% Instrumentalness • 41% Positiveness
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Jason Boland & The Stragglers
Telephone Romeo
125 bpm • A Maj • 04:26 • -9.77db
30% Popularity • 69% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
30% Popularity • 69% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
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Jon Stork
Rodeo Blues
127 bpm • E Maj • 03:15 • -5.99db
21% Popularity • 70% Danceability • 80% Energy • 4% Liveness
0% Instrumentalness • 89% Positiveness
21% Popularity • 70% Danceability • 80% Energy • 4% Liveness
0% Instrumentalness • 89% Positiveness
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Matt Kimbrow
Lovin' so Blind
125 bpm • G Maj • 03:46 • -5.05db
4% Popularity • 47% Danceability • 80% Energy • 65% Liveness
0% Instrumentalness • 47% Positiveness
4% Popularity • 47% Danceability • 80% Energy • 65% Liveness
0% Instrumentalness • 47% Positiveness
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Zane Williams
Texas Like That
125 bpm • D Maj • 04:24 • -6.76db
25% Popularity • 60% Danceability • 42% Energy • 36% Liveness
0% Instrumentalness • 23% Positiveness
25% Popularity • 60% Danceability • 42% Energy • 36% Liveness
0% Instrumentalness • 23% Positiveness
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Tanner Fenoglio
Leaving Midland
127 bpm • G Maj • 03:33 • -6.59db
16% Popularity • 60% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
16% Popularity • 60% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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No Justice
Never Come Back
125 bpm • G Maj • 03:16 • -7.68db
22% Popularity • 64% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
22% Popularity • 64% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
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Casey Daniels Band
Hometown Badboy
128 bpm • C# Maj • 03:56 • -7db
24% Popularity • 63% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
24% Popularity • 63% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Mark McKinney
Stolen Cash
128 bpm • G Maj • 04:06 • -4.64db
21% Popularity • 63% Danceability • 78% Energy • 19% Liveness
0% Instrumentalness • 58% Positiveness
21% Popularity • 63% Danceability • 78% Energy • 19% Liveness
0% Instrumentalness • 58% Positiveness
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Roger Creager
I'm from the Beer Joint
128 bpm • D Maj • 03:26 • -4.76db
18% Popularity • 68% Danceability • 76% Energy • 20% Liveness
0% Instrumentalness • 81% Positiveness
18% Popularity • 68% Danceability • 76% Energy • 20% Liveness
0% Instrumentalness • 81% Positiveness
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Jason Cassidy
Blame It On Waylon
124 bpm • C# Maj • 03:01 • -3.92db
26% Popularity • 58% Danceability • 91% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
26% Popularity • 58% Danceability • 91% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
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Jason Boland & The Stragglers
See You When I See You
128 bpm • D Maj • 05:26 • -9.12db
16% Popularity • 64% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
16% Popularity • 64% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Mike Ryan
Putting off Telling Me Goodbye
124 bpm • C Maj • 03:14 • -5.49db
27% Popularity • 61% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 36% Positiveness
27% Popularity • 61% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 36% Positiveness
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Josh Ward
Beginning to End
128 bpm • G Maj • 04:03 • -4db
22% Popularity • 57% Danceability • 76% Energy • 33% Liveness
0% Instrumentalness • 47% Positiveness
22% Popularity • 57% Danceability • 76% Energy • 33% Liveness
0% Instrumentalness • 47% Positiveness
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Brandon Rhyder
Between Here And The Front Door
124 bpm • E Maj • 03:33 • -4db
23% Popularity • 67% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
23% Popularity • 67% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Dalton Domino
Dallas
128 bpm • D Maj • 03:38 • -6.68db
15% Popularity • 64% Danceability • 76% Energy • 21% Liveness
0% Instrumentalness • 59% Positiveness
15% Popularity • 64% Danceability • 76% Energy • 21% Liveness
0% Instrumentalness • 59% Positiveness
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Drew Fish Band
Flood
128 bpm • A Maj • 03:59 • -6db
17% Popularity • 50% Danceability • 67% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
17% Popularity • 50% Danceability • 67% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
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Matt Kimbrow
Time in the Slammer
128 bpm • G Maj • 04:24 • -8.69db
1% Popularity • 55% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
1% Popularity • 55% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Shotgun Rider
Here and Gone
124 bpm • C min • 03:05 • -5.55db
20% Popularity • 64% Danceability • 77% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
20% Popularity • 64% Danceability • 77% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
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Reckless Kelly
Real Cool Hand
124 bpm • A Maj • 03:56 • -6.82db
11% Popularity • 50% Danceability • 78% Energy • 9% Liveness
81% Instrumentalness • 38% Positiveness
11% Popularity • 50% Danceability • 78% Energy • 9% Liveness
81% Instrumentalness • 38% Positiveness
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Eric Church
Leave My Willie Alone
124 bpm • D min • 03:36 • -5.03db
29% Popularity • 68% Danceability • 86% Energy • 34% Liveness
0% Instrumentalness • 54% Positiveness
29% Popularity • 68% Danceability • 86% Energy • 34% Liveness
0% Instrumentalness • 54% Positiveness
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John Slaughter
Horseshoes and Hand Grenades
124 bpm • C# Maj • 04:02 • -5.1db
7% Popularity • 55% Danceability • 92% Energy • 33% Liveness
0% Instrumentalness • 86% Positiveness
7% Popularity • 55% Danceability • 92% Energy • 33% Liveness
0% Instrumentalness • 86% Positiveness
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Josh Ward
Hard Whiskey
128 bpm • G Maj • 04:14 • -5db
36% Popularity • 54% Danceability • 68% Energy • 26% Liveness
0% Instrumentalness • 50% Positiveness
36% Popularity • 54% Danceability • 68% Energy • 26% Liveness
0% Instrumentalness • 50% Positiveness
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Brandon Rhyder
Freeze Frame Time
124 bpm • A# Maj • 07:36 • -9.02db
16% Popularity • 42% Danceability • 36% Energy • 83% Liveness
0% Instrumentalness • 28% Positiveness
16% Popularity • 42% Danceability • 36% Energy • 83% Liveness
0% Instrumentalness • 28% Positiveness
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Shotgun Rider
Time Don't Turn
128 bpm • B Maj • 03:02 • -5.72db
19% Popularity • 60% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
19% Popularity • 60% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Jake Ward
Take My Hand
124 bpm • G Maj • 03:22 • -6.12db
16% Popularity • 54% Danceability • 65% Energy • 19% Liveness
0% Instrumentalness • 38% Positiveness
16% Popularity • 54% Danceability • 65% Energy • 19% Liveness
0% Instrumentalness • 38% Positiveness
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Curtis Grimes
Everything Hank Did
124 bpm • A Maj • 03:26 • -5.61db
21% Popularity • 59% Danceability • 68% Energy • 31% Liveness
0% Instrumentalness • 51% Positiveness
21% Popularity • 59% Danceability • 68% Energy • 31% Liveness
0% Instrumentalness • 51% Positiveness
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Koe Wetzel
Between Two Bottles
129 bpm • A Maj • 04:02 • -5.53db
34% Popularity • 52% Danceability • 87% Energy • 35% Liveness
0% Instrumentalness • 72% Positiveness
34% Popularity • 52% Danceability • 87% Energy • 35% Liveness
0% Instrumentalness • 72% Positiveness
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Cory Morrow
Old With You
129 bpm • C Maj • 03:34 • -5.48db
22% Popularity • 60% Danceability • 85% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
22% Popularity • 60% Danceability • 85% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
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Micky & The Motorcars
Sister Lost Soul
123 bpm • A Maj • 04:13 • -4db
18% Popularity • 60% Danceability • 87% Energy • 18% Liveness
0% Instrumentalness • 57% Positiveness
18% Popularity • 60% Danceability • 87% Energy • 18% Liveness
0% Instrumentalness • 57% Positiveness
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Dalton Domino
7 Years
123 bpm • G Maj • 05:13 • -7.57db
10% Popularity • 65% Danceability • 56% Energy • 32% Liveness
0% Instrumentalness • 38% Positiveness
10% Popularity • 65% Danceability • 56% Energy • 32% Liveness
0% Instrumentalness • 38% Positiveness
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Corey Hunt and the Wise
Friends With Benefits
123 bpm • G# Maj • 02:38 • -8.15db
27% Popularity • 65% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
27% Popularity • 65% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
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Curtis Grimes
Keg Party
123 bpm • G# Maj • 03:19 • -4.02db
15% Popularity • 59% Danceability • 91% Energy • 94% Liveness
0% Instrumentalness • 81% Positiveness
15% Popularity • 59% Danceability • 91% Energy • 94% Liveness
0% Instrumentalness • 81% Positiveness
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Mike Ryan
57 Songs
123 bpm • A Maj • 03:39 • -6.38db
23% Popularity • 56% Danceability • 68% Energy • 28% Liveness
0% Instrumentalness • 68% Positiveness
23% Popularity • 56% Danceability • 68% Energy • 28% Liveness
0% Instrumentalness • 68% Positiveness
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Cory Morrow
Drink One More Round
129 bpm • C Maj • 04:01 • -5.94db
26% Popularity • 68% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 75% Positiveness
26% Popularity • 68% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 75% Positiveness
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Kody West
For The Last Time
130 bpm • G Maj • 03:14 • -3.37db
43% Popularity • 53% Danceability • 83% Energy • 37% Liveness
0% Instrumentalness • 47% Positiveness
43% Popularity • 53% Danceability • 83% Energy • 37% Liveness
0% Instrumentalness • 47% Positiveness
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No Justice
Shot in the Dark
130 bpm • E Maj • 03:15 • -5.39db
23% Popularity • 52% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
23% Popularity • 52% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
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Erick Willis
Please
122 bpm • G Maj • 03:29 • -8db
24% Popularity • 56% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
24% Popularity • 56% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Brandon Jenkins
My Feet Don't Touch the Ground
130 bpm • G Maj • 04:00 • -6db
30% Popularity • 68% Danceability • 47% Energy • 34% Liveness
0% Instrumentalness • 26% Positiveness
30% Popularity • 68% Danceability • 47% Energy • 34% Liveness
0% Instrumentalness • 26% Positiveness
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Micky & The Motorcars
Carolina Morning
130 bpm • G Maj • 04:21 • -5.05db
17% Popularity • 46% Danceability • 84% Energy • 24% Liveness
2% Instrumentalness • 68% Positiveness
17% Popularity • 46% Danceability • 84% Energy • 24% Liveness
2% Instrumentalness • 68% Positiveness
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Jon Pardi
Fightin' The Fool
130 bpm • E min • 03:52 • -4.59db
38% Popularity • 61% Danceability • 83% Energy • 34% Liveness
0% Instrumentalness • 69% Positiveness
38% Popularity • 61% Danceability • 83% Energy • 34% Liveness
0% Instrumentalness • 69% Positiveness
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Kody West
Fatal Love
130 bpm • E Maj • 04:26 • -7.78db
24% Popularity • 49% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
24% Popularity • 49% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Matt Kimbrow
Abilene
122 bpm • B Maj • 03:45 • -7.33db
12% Popularity • 38% Danceability • 40% Energy • 24% Liveness
0% Instrumentalness • 27% Positiveness
12% Popularity • 38% Danceability • 40% Energy • 24% Liveness
0% Instrumentalness • 27% Positiveness
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Shotgun Rider
Me and a Memory
130 bpm • G# min • 03:32 • -5.48db
26% Popularity • 50% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
26% Popularity • 50% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Logan Mize
Ride In The Middle
130 bpm • G Maj • 04:04 • -4db
17% Popularity • 60% Danceability • 88% Energy • 21% Liveness
0% Instrumentalness • 44% Positiveness
17% Popularity • 60% Danceability • 88% Energy • 21% Liveness
0% Instrumentalness • 44% Positiveness
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Adam Hood
Way Too Long
130 bpm • D Maj • 03:43 • -8db
30% Popularity • 53% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
30% Popularity • 53% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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The Damn Quails
Midnight Swagger
130 bpm • G Maj • 03:12 • -5db
38% Popularity • 59% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
38% Popularity • 59% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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Kyle Park
Half Empty Shotgun
122 bpm • G Maj • 03:09 • -7.34db
26% Popularity • 58% Danceability • 67% Energy • 27% Liveness
0% Instrumentalness • 48% Positiveness
26% Popularity • 58% Danceability • 67% Energy • 27% Liveness
0% Instrumentalness • 48% Positiveness
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Matt Kimbrow
Lonely Lane
122 bpm • E Maj • 03:45 • -5.31db
1% Popularity • 47% Danceability • 70% Energy • 27% Liveness
0% Instrumentalness • 49% Positiveness
1% Popularity • 47% Danceability • 70% Energy • 27% Liveness
0% Instrumentalness • 49% Positiveness
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Cody Bryan Band
Wreck Me
130 bpm • G Maj • 03:18 • -6.17db
13% Popularity • 60% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
13% Popularity • 60% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
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Cameran Nelson
The Little That We're Livin On
122 bpm • F# Maj • 02:54 • -4.08db
18% Popularity • 62% Danceability • 85% Energy • 14% Liveness
0% Instrumentalness • 85% Positiveness
18% Popularity • 62% Danceability • 85% Energy • 14% Liveness
0% Instrumentalness • 85% Positiveness
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John David Kent
Runaway
122 bpm • D Maj • 03:51 • -3.13db
11% Popularity • 70% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
11% Popularity • 70% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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Cory Morrow
Lonesome
130 bpm • E min • 03:09 • -2.73db
41% Popularity • 53% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
41% Popularity • 53% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Adam Hood
I'll Sing About Mine
122 bpm • A Maj • 04:34 • -3.24db
17% Popularity • 53% Danceability • 93% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
17% Popularity • 53% Danceability • 93% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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Jesse Raub Jr.
Mistakes
122 bpm • E Maj • 04:12 • -5.29db
14% Popularity • 66% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
14% Popularity • 66% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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Cody Bryan Band
Corpus Christi Heartbreaker
122 bpm • E Maj • 03:48 • -7.27db
9% Popularity • 60% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
9% Popularity • 60% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Mike Ryan
The Cold One
122 bpm • G Maj • 03:27 • -6db
34% Popularity • 53% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
34% Popularity • 53% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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John David Kent
Back To The Country
122 bpm • D Maj • 03:27 • -3.65db
14% Popularity • 70% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
14% Popularity • 70% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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Cory Morrow
Beat of Your Heart
122 bpm • D Maj • 03:47 • -8db
28% Popularity • 74% Danceability • 58% Energy • 14% Liveness
1% Instrumentalness • 52% Positiveness
28% Popularity • 74% Danceability • 58% Energy • 14% Liveness
1% Instrumentalness • 52% Positiveness
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Matt Kimbrow
Gospel Sound
130 bpm • G Maj • 04:10 • -7.33db
1% Popularity • 55% Danceability • 39% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
1% Popularity • 55% Danceability • 39% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
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Jason Boland & The Stragglers
Proud Souls
130 bpm • A Maj • 05:18 • -6.25db
26% Popularity • 41% Danceability • 55% Energy • 94% Liveness
0% Instrumentalness • 27% Positiveness
26% Popularity • 41% Danceability • 55% Energy • 94% Liveness
0% Instrumentalness • 27% Positiveness
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Kyle Park
Somebody’s Trying To Steal My Heart
131 bpm • G Maj • 03:15 • -5.81db
30% Popularity • 57% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
30% Popularity • 57% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
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Reckless Kelly
I Stayed up All Night Again
122 bpm • D Maj • 03:56 • -6.82db
17% Popularity • 49% Danceability • 52% Energy • 27% Liveness
0% Instrumentalness • 23% Positiveness
17% Popularity • 49% Danceability • 52% Energy • 27% Liveness
0% Instrumentalness • 23% Positiveness
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Josh Grider
Crazy Like You
131 bpm • D Maj • 03:44 • -7db
18% Popularity • 55% Danceability • 48% Energy • 94% Liveness
0% Instrumentalness • 45% Positiveness
18% Popularity • 55% Danceability • 48% Energy • 94% Liveness
0% Instrumentalness • 45% Positiveness
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The Kyle Bennett Band
Adios
131 bpm • G# Maj • 03:34 • -5db
16% Popularity • 61% Danceability • 87% Energy • 15% Liveness
0% Instrumentalness • 76% Positiveness
16% Popularity • 61% Danceability • 87% Energy • 15% Liveness
0% Instrumentalness • 76% Positiveness
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Dalton Domino
July
131 bpm • G Maj • 03:24 • -5.44db
23% Popularity • 59% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 79% Positiveness
23% Popularity • 59% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 79% Positiveness
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Rob Baird
Could Have Been My Baby
121 bpm • C Maj • 03:39 • -5db
28% Popularity • 59% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
28% Popularity • 59% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
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Corey Hunt and the Wise
I'm Doing Fine
121 bpm • D# Maj • 03:27 • -8.21db
18% Popularity • 64% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
18% Popularity • 64% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Cottonwood Crows
Back to You
121 bpm • F# min • 03:52 • -7.03db
23% Popularity • 63% Danceability • 80% Energy • 21% Liveness
0% Instrumentalness • 46% Positiveness
23% Popularity • 63% Danceability • 80% Energy • 21% Liveness
0% Instrumentalness • 46% Positiveness
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Chris Knight
Cry Lonely
132 bpm • E min • 04:14 • -6.69db
25% Popularity • 59% Danceability • 61% Energy • 33% Liveness
0% Instrumentalness • 36% Positiveness
25% Popularity • 59% Danceability • 61% Energy • 33% Liveness
0% Instrumentalness • 36% Positiveness
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Micky & The Motorcars
Tonight We Ride
121 bpm • A Maj • 03:43 • -4db
31% Popularity • 62% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
31% Popularity • 62% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
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Zane Williams
Jayton and Jill
132 bpm • E Maj • 03:34 • -8.38db
34% Popularity • 53% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
34% Popularity • 53% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Mark McKinney
Lonely Bones
132 bpm • D Maj • 03:51 • -5.53db
22% Popularity • 60% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
22% Popularity • 60% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Seven Miles South
Okay With That
132 bpm • G Maj • 03:27 • -5.99db
27% Popularity • 53% Danceability • 68% Energy • 21% Liveness
0% Instrumentalness • 30% Positiveness
27% Popularity • 53% Danceability • 68% Energy • 21% Liveness
0% Instrumentalness • 30% Positiveness
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The Kyle Bennett Band
What's It Like
132 bpm • G Maj • 04:15 • -7.59db
11% Popularity • 56% Danceability • 46% Energy • 31% Liveness
0% Instrumentalness • 18% Positiveness
11% Popularity • 56% Danceability • 46% Energy • 31% Liveness
0% Instrumentalness • 18% Positiveness
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Cody Bryan Band
Small Town Noise
132 bpm • C Maj • 03:34 • -5.44db
22% Popularity • 59% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
22% Popularity • 59% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Josh Thompson
Daddy Had a Beer
132 bpm • G Maj • 02:43 • -4.46db
34% Popularity • 47% Danceability • 70% Energy • 36% Liveness
0% Instrumentalness • 42% Positiveness
34% Popularity • 47% Danceability • 70% Energy • 36% Liveness
0% Instrumentalness • 42% Positiveness
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Curtis Grimes
A Girl Like You
132 bpm • G Maj • 04:01 • -5.26db
23% Popularity • 63% Danceability • 82% Energy • 29% Liveness
0% Instrumentalness • 82% Positiveness
23% Popularity • 63% Danceability • 82% Energy • 29% Liveness
0% Instrumentalness • 82% Positiveness
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Matt Kimbrow
Livin' the Good Life
120 bpm • G# Maj • 02:47 • -5.13db
14% Popularity • 60% Danceability • 77% Energy • 27% Liveness
0% Instrumentalness • 74% Positiveness
14% Popularity • 60% Danceability • 77% Energy • 27% Liveness
0% Instrumentalness • 74% Positiveness
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Clay Thrash
My Heart
120 bpm • A Maj • 03:50 • -5.26db
12% Popularity • 62% Danceability • 66% Energy • 26% Liveness
0% Instrumentalness • 55% Positiveness
12% Popularity • 62% Danceability • 66% Energy • 26% Liveness
0% Instrumentalness • 55% Positiveness
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Shotgun Rider
It Won't Matter Anyway
120 bpm • G# Maj • 03:19 • -6db
34% Popularity • 63% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
34% Popularity • 63% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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Micky & The Motorcars
Long Enough to Leave
120 bpm • A# Maj • 04:26 • -8.1db
17% Popularity • 58% Danceability • 80% Energy • 15% Liveness
0% Instrumentalness • 47% Positiveness
17% Popularity • 58% Danceability • 80% Energy • 15% Liveness
0% Instrumentalness • 47% Positiveness
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Six Market Blvd.
Ready to Throw
120 bpm • D Maj • 03:26 • -6.09db
18% Popularity • 67% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
18% Popularity • 67% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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Brandon Rhyder
You Burn Me
120 bpm • D Maj • 04:22 • -9.02db
13% Popularity • 60% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
13% Popularity • 60% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Cameran Nelson
Reckless In Texas
120 bpm • F# Maj • 03:00 • -3.75db
9% Popularity • 64% Danceability • 84% Energy • 37% Liveness
0% Instrumentalness • 39% Positiveness
9% Popularity • 64% Danceability • 84% Energy • 37% Liveness
0% Instrumentalness • 39% Positiveness
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Bleu Edmondson
No Room for Mercy
120 bpm • E Maj • 03:46 • -5.95db
20% Popularity • 74% Danceability • 70% Energy • 9% Liveness
3% Instrumentalness • 45% Positiveness
20% Popularity • 74% Danceability • 70% Energy • 9% Liveness
3% Instrumentalness • 45% Positiveness
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Mario Flores
Crazy Enough for Me
120 bpm • G# Maj • 03:40 • -4.9db
8% Popularity • 58% Danceability • 78% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
8% Popularity • 58% Danceability • 78% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness