Songs like Long Distance Love by Ed Burleson
Based on a tempo of (+/- 10%) and a similar genre
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Zane Williams
Damned
142 bpm • E Maj • 03:19 • -6.39db
20% Popularity • 55% Danceability • 77% Energy • 25% Liveness
0% Instrumentalness • 76% Positiveness
20% Popularity • 55% Danceability • 77% Energy • 25% Liveness
0% Instrumentalness • 76% Positiveness
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Aaron McDonnell
Lucky Me
142 bpm • C# min • 03:20 • -7.19db
11% Popularity • 60% Danceability • 66% Energy • 20% Liveness
0% Instrumentalness • 56% Positiveness
11% Popularity • 60% Danceability • 66% Energy • 20% Liveness
0% Instrumentalness • 56% Positiveness
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Ed Burleson
Long Distance Love
142 bpm • A Maj • 03:25 • -6.55db
2% Popularity • 64% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
2% Popularity • 64% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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Jake Hooker
Green Snakes On The Ceiling
142 bpm • F Maj • 02:14 • -11db
23% Popularity • 73% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
23% Popularity • 73% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
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Weldon Henson
I Need Wine
141 bpm • F# min • 03:10 • -9.25db
10% Popularity • 67% Danceability • 76% Energy • 22% Liveness
0% Instrumentalness • 61% Positiveness
10% Popularity • 67% Danceability • 76% Energy • 22% Liveness
0% Instrumentalness • 61% Positiveness
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Owen Temple
Jaded Lover
141 bpm • D Maj • 03:47 • -6.89db
20% Popularity • 62% Danceability • 62% Energy • 20% Liveness
0% Instrumentalness • 83% Positiveness
20% Popularity • 62% Danceability • 62% Energy • 20% Liveness
0% Instrumentalness • 83% Positiveness
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The Broken Spokes
Where I Went Wrong
141 bpm • B Maj • 02:51 • -8db
30% Popularity • 67% Danceability • 79% Energy • 28% Liveness
0% Instrumentalness • 87% Positiveness
30% Popularity • 67% Danceability • 79% Energy • 28% Liveness
0% Instrumentalness • 87% Positiveness
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Jason Eady
AM Country Heaven
143 bpm • A Maj • 03:36 • -14.11db
27% Popularity • 50% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
27% Popularity • 50% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Ed Burleson
Wide Open Spaces
141 bpm • D Maj • 03:53 • -6.02db
5% Popularity • 52% Danceability • 54% Energy • 28% Liveness
0% Instrumentalness • 82% Positiveness
5% Popularity • 52% Danceability • 54% Energy • 28% Liveness
0% Instrumentalness • 82% Positiveness
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Eleven Hundred Springs
The Only Thing She Left Me Was the Blues
140 bpm • E Maj • 03:40 • -6.19db
31% Popularity • 68% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
31% Popularity • 68% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
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JP Harris
Two for the Road
144 bpm • C Maj • 02:54 • -8.26db
10% Popularity • 45% Danceability • 67% Energy • 34% Liveness
0% Instrumentalness • 81% Positiveness
10% Popularity • 45% Danceability • 67% Energy • 34% Liveness
0% Instrumentalness • 81% Positiveness
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Travis Tritt
Don't Put Us Down
144 bpm • D Maj • 02:51 • -3.95db
12% Popularity • 52% Danceability • 84% Energy • 43% Liveness
0% Instrumentalness • 82% Positiveness
12% Popularity • 52% Danceability • 84% Energy • 43% Liveness
0% Instrumentalness • 82% Positiveness
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John Baumann
Tejano Woman
140 bpm • F# Maj • 02:49 • -6.82db
4% Popularity • 64% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
4% Popularity • 64% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Weldon Henson
Honky Tonk Feels Right
140 bpm • D Maj • 03:40 • -8.4db
9% Popularity • 62% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
9% Popularity • 62% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Ed Burleson
The Can
144 bpm • G Maj • 02:41 • -7.28db
2% Popularity • 70% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
2% Popularity • 70% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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The Franklin County Trucking Company
Perryville, Missouri
144 bpm • G Maj • 04:01 • -3.65db
17% Popularity • 55% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 59% Positiveness
17% Popularity • 55% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 59% Positiveness
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Will Banister
Turn Back Time
140 bpm • E Maj • 02:26 • -7.33db
15% Popularity • 68% Danceability • 73% Energy • 27% Liveness
5% Instrumentalness • 92% Positiveness
15% Popularity • 68% Danceability • 73% Energy • 27% Liveness
5% Instrumentalness • 92% Positiveness
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Brenn Hill
Jeremiah's Last Ride
144 bpm • D Maj • 03:10 • -6.57db
13% Popularity • 60% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
13% Popularity • 60% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Bastard Sons of Johnny Cash
Austin Night
140 bpm • E Maj • 03:36 • -7.72db
15% Popularity • 67% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
15% Popularity • 67% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Radney Foster
Willin' To Walk
144 bpm • G Maj • 02:38 • -11db
9% Popularity • 63% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
9% Popularity • 63% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
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Ed Burleson
Sorry for Nothin' but You (Live)
144 bpm • C Maj • 02:28 • -7.57db
1% Popularity • 50% Danceability • 68% Energy • 66% Liveness
0% Instrumentalness • 60% Positiveness
1% Popularity • 50% Danceability • 68% Energy • 66% Liveness
0% Instrumentalness • 60% Positiveness
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Mike and the Moonpies
Darlin' You're Crazy
140 bpm • D Maj • 03:31 • -5.03db
14% Popularity • 51% Danceability • 49% Energy • 38% Liveness
0% Instrumentalness • 36% Positiveness
14% Popularity • 51% Danceability • 49% Energy • 38% Liveness
0% Instrumentalness • 36% Positiveness
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Summer Dean
Hey Mister
140 bpm • E Maj • 03:09 • -6.11db
23% Popularity • 71% Danceability • 60% Energy • 28% Liveness
0% Instrumentalness • 73% Positiveness
23% Popularity • 71% Danceability • 60% Energy • 28% Liveness
0% Instrumentalness • 73% Positiveness
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Keith Whitley
Talk to Me Texas
144 bpm • E Maj • 03:32 • -15.78db
27% Popularity • 76% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
27% Popularity • 76% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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The Great Divide
Amarillo Windmill
140 bpm • C Maj • 03:13 • -3.37db
19% Popularity • 56% Danceability • 84% Energy • 35% Liveness
0% Instrumentalness • 52% Positiveness
19% Popularity • 56% Danceability • 84% Energy • 35% Liveness
0% Instrumentalness • 52% Positiveness
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Cooder Graw
Wicked Witch of the West
139 bpm • D min • 03:26 • -5.11db
7% Popularity • 76% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 97% Positiveness
7% Popularity • 76% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 97% Positiveness
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Ed Burleson
I Can Be Loneley by Myself (Live)
144 bpm • A Maj • 02:59 • -7.96db
1% Popularity • 55% Danceability • 73% Energy • 51% Liveness
0% Instrumentalness • 60% Positiveness
1% Popularity • 55% Danceability • 73% Energy • 51% Liveness
0% Instrumentalness • 60% Positiveness
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The Broken Spokes
Someday, Not Today
145 bpm • D Maj • 02:28 • -7.18db
29% Popularity • 57% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
29% Popularity • 57% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Whitey Morgan and the 78's
Memories Cost A Lot
145 bpm • A Maj • 03:51 • -8.69db
39% Popularity • 62% Danceability • 45% Energy • 6% Liveness
5% Instrumentalness • 62% Positiveness
39% Popularity • 62% Danceability • 45% Energy • 6% Liveness
5% Instrumentalness • 62% Positiveness
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Weldon Henson
Truckin' Home
145 bpm • A Maj • 03:51 • -5db
11% Popularity • 63% Danceability • 93% Energy • 65% Liveness
0% Instrumentalness • 61% Positiveness
11% Popularity • 63% Danceability • 93% Energy • 65% Liveness
0% Instrumentalness • 61% Positiveness
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Jody Nix
Twin Fiddles Turn Me On
139 bpm • A Maj • 03:01 • -5.71db
12% Popularity • 47% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
12% Popularity • 47% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Cooder Graw
Two More Tears In Texas
139 bpm • G Maj • 04:19 • -15.49db
14% Popularity • 74% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
14% Popularity • 74% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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Ed Burleson
Bitch and Moan (Live)
139 bpm • D Maj • 03:46 • -8.37db
3% Popularity • 53% Danceability • 56% Energy • 68% Liveness
0% Instrumentalness • 66% Positiveness
3% Popularity • 53% Danceability • 56% Energy • 68% Liveness
0% Instrumentalness • 66% Positiveness
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BR549
I'm Going Down
145 bpm • D Maj • 04:11 • -9.06db
10% Popularity • 50% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
10% Popularity • 50% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Johnny Bush
Green Snakes (On the Ceiling)
146 bpm • E Maj • 02:11 • -5.73db
27% Popularity • 51% Danceability • 63% Energy • 36% Liveness
0% Instrumentalness • 85% Positiveness
27% Popularity • 51% Danceability • 63% Energy • 36% Liveness
0% Instrumentalness • 85% Positiveness
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Paul Eason
One More Dance
146 bpm • A Maj • 04:01 • -6.59db
19% Popularity • 54% Danceability • 72% Energy • 16% Liveness
1% Instrumentalness • 76% Positiveness
19% Popularity • 54% Danceability • 72% Energy • 16% Liveness
1% Instrumentalness • 76% Positiveness
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Jody Nix
I Couldn't Leave You If I Tried
139 bpm • C Maj • 03:15 • -8.68db
12% Popularity • 57% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
12% Popularity • 57% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
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Dan Roberts
If They Only Knew A Cowboy
146 bpm • C Maj • 02:39 • -12.96db
15% Popularity • 73% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 87% Positiveness
15% Popularity • 73% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 87% Positiveness
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Ed Burleson
If You Wanna Go - Just Go
139 bpm • A Maj • 03:02 • -6.12db
5% Popularity • 63% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 93% Positiveness
5% Popularity • 63% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 93% Positiveness
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Whitey Morgan and the 78's
Back to Back
138 bpm • A Maj • 03:29 • -6.69db
24% Popularity • 62% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
24% Popularity • 62% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Jesse Daniel
If You Ain't Happy Now (You Never Will B...
146 bpm • E Maj • 03:34 • -7.28db
18% Popularity • 61% Danceability • 65% Energy • 30% Liveness
0% Instrumentalness • 81% Positiveness
18% Popularity • 61% Danceability • 65% Energy • 30% Liveness
0% Instrumentalness • 81% Positiveness
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Thom Shepherd
I Wasn't Gonna Drink Today
146 bpm • G Maj • 02:46 • -6.16db
21% Popularity • 57% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
21% Popularity • 57% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
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Chris Wall
I Feel Like Hank Williams Tonight
146 bpm • D Maj • 03:13 • -14db
7% Popularity • 55% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
7% Popularity • 55% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Jason James
We’re Gonna Honky Tonk Tonight
146 bpm • C Maj • 02:57 • -8.7db
23% Popularity • 65% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
23% Popularity • 65% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
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Ed Burleson
Clinging To You
145 bpm • E Maj • 03:18 • -7.71db
4% Popularity • 51% Danceability • 67% Energy • 9% Liveness
3% Instrumentalness • 75% Positiveness
4% Popularity • 51% Danceability • 67% Energy • 9% Liveness
3% Instrumentalness • 75% Positiveness
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Mark David Manders
Suicidal Pigeon
146 bpm • D Maj • 04:24 • -12.46db
10% Popularity • 69% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
10% Popularity • 69% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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Johnny Bush
Whiskey River
138 bpm • D Maj • 02:29 • -6.09db
22% Popularity • 48% Danceability • 57% Energy • 23% Liveness
0% Instrumentalness • 86% Positiveness
22% Popularity • 48% Danceability • 57% Energy • 23% Liveness
0% Instrumentalness • 86% Positiveness
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Max Stalling
I-35
147 bpm • C# Maj • 03:59 • -8.91db
28% Popularity • 62% Danceability • 55% Energy • 38% Liveness
0% Instrumentalness • 84% Positiveness
28% Popularity • 62% Danceability • 55% Energy • 38% Liveness
0% Instrumentalness • 84% Positiveness
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Jesse Daniel
Rollin' On
147 bpm • D# Maj • 04:09 • -6.06db
36% Popularity • 52% Danceability • 93% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
36% Popularity • 52% Danceability • 93% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Cooder Graw
Ain't Livin' Long Like This
147 bpm • D Maj • 04:30 • -4.1db
14% Popularity • 57% Danceability • 85% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
14% Popularity • 57% Danceability • 85% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
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Ed Burleson
No Tears
146 bpm • C Maj • 03:47 • -7.37db
3% Popularity • 60% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
3% Popularity • 60% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
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Jake Hooker
Drinkin' My Baby Out of My Mind
136 bpm • G Maj • 02:28 • -10.16db
17% Popularity • 72% Danceability • 44% Energy • 32% Liveness
0% Instrumentalness • 84% Positiveness
17% Popularity • 72% Danceability • 44% Energy • 32% Liveness
0% Instrumentalness • 84% Positiveness
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Johnny Bush
Ol' What's Her Name
136 bpm • A Maj • 03:21 • -4.6db
11% Popularity • 55% Danceability • 66% Energy • 27% Liveness
0% Instrumentalness • 67% Positiveness
11% Popularity • 55% Danceability • 66% Energy • 27% Liveness
0% Instrumentalness • 67% Positiveness
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Radney Foster
Texas In 1880
136 bpm • G Maj • 04:08 • -5.55db
35% Popularity • 48% Danceability • 81% Energy • 20% Liveness
0% Instrumentalness • 59% Positiveness
35% Popularity • 48% Danceability • 81% Energy • 20% Liveness
0% Instrumentalness • 59% Positiveness
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Chris Wall
Cowboy Nation
149 bpm • E Maj • 04:40 • -12.86db
11% Popularity • 58% Danceability • 55% Energy • 18% Liveness
0% Instrumentalness • 59% Positiveness
11% Popularity • 58% Danceability • 55% Energy • 18% Liveness
0% Instrumentalness • 59% Positiveness
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Wylie & The Wild West
Mmm...Montana
135 bpm • E Maj • 02:25 • -14.49db
20% Popularity • 79% Danceability • 25% Energy • 19% Liveness
0% Instrumentalness • 86% Positiveness
20% Popularity • 79% Danceability • 25% Energy • 19% Liveness
0% Instrumentalness • 86% Positiveness
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Ed Burleson
No Closing Time
138 bpm • G Maj • 03:03 • -6.79db
5% Popularity • 64% Danceability • 67% Energy • 16% Liveness
0% Instrumentalness • 81% Positiveness
5% Popularity • 64% Danceability • 67% Energy • 16% Liveness
0% Instrumentalness • 81% Positiveness
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Cooder Graw
Mexican Blues
135 bpm • G Maj • 03:44 • -5.92db
24% Popularity • 61% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
24% Popularity • 61% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
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Wayne Mills Band
The Last Honky Tonk
149 bpm • A Maj • 03:32 • -4db
20% Popularity • 59% Danceability • 78% Energy • 65% Liveness
0% Instrumentalness • 82% Positiveness
20% Popularity • 59% Danceability • 78% Energy • 65% Liveness
0% Instrumentalness • 82% Positiveness
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The Great Divide
Hang on Cowboy
150 bpm • E Maj • 02:49 • -6.84db
16% Popularity • 54% Danceability • 87% Energy • 65% Liveness
0% Instrumentalness • 78% Positiveness
16% Popularity • 54% Danceability • 87% Energy • 65% Liveness
0% Instrumentalness • 78% Positiveness
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Tommy Alverson
Una Más Cerveza
135 bpm • G Maj • 05:46 • -7.06db
40% Popularity • 70% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
40% Popularity • 70% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Tylor & the Train Robbers
Lost and Lonely Miles
150 bpm • E Maj • 03:43 • -6.43db
9% Popularity • 54% Danceability • 85% Energy • 21% Liveness
0% Instrumentalness • 88% Positiveness
9% Popularity • 54% Danceability • 85% Energy • 21% Liveness
0% Instrumentalness • 88% Positiveness
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Ed Burleson
Tell Me Why
138 bpm • G Maj • 03:14 • -7.34db
1% Popularity • 62% Danceability • 52% Energy • 20% Liveness
0% Instrumentalness • 56% Positiveness
1% Popularity • 62% Danceability • 52% Energy • 20% Liveness
0% Instrumentalness • 56% Positiveness
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Johnny Bush
Whiskey River
135 bpm • E Maj • 02:31 • -5.32db
22% Popularity • 55% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
22% Popularity • 55% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Alex Williams
Hellbent Hallelujah
150 bpm • G# Maj • 03:58 • -3.29db
23% Popularity • 57% Danceability • 96% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
23% Popularity • 57% Danceability • 96% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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The Great Divide
Pour Me a Vacation
135 bpm • D Maj • 02:55 • -4.01db
12% Popularity • 55% Danceability • 72% Energy • 27% Liveness
0% Instrumentalness • 80% Positiveness
12% Popularity • 55% Danceability • 72% Energy • 27% Liveness
0% Instrumentalness • 80% Positiveness
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Ray Scott
Everybody Ends up Ugly
135 bpm • G Maj • 02:56 • -4.03db
18% Popularity • 56% Danceability • 88% Energy • 38% Liveness
0% Instrumentalness • 88% Positiveness
18% Popularity • 56% Danceability • 88% Energy • 38% Liveness
0% Instrumentalness • 88% Positiveness
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Cooder Graw
Shifting Gears
134 bpm • B Maj • 04:12 • -5.99db
30% Popularity • 71% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
30% Popularity • 71% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
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Ed Burleson
No One Has to Tell You
137 bpm • E Maj • 02:46 • -6.95db
1% Popularity • 71% Danceability • 75% Energy • 38% Liveness
0% Instrumentalness • 87% Positiveness
1% Popularity • 71% Danceability • 75% Energy • 38% Liveness
0% Instrumentalness • 87% Positiveness
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Eric Strickland & the B Sides
Honky Tonk Till I Die
150 bpm • E Maj • 03:01 • -5db
12% Popularity • 61% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 93% Positiveness
12% Popularity • 61% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 93% Positiveness
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Bruce Robison
The Good Life
150 bpm • E Maj • 02:49 • -4.99db
20% Popularity • 55% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
20% Popularity • 55% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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Dallas Wayne
Crank the Hank
150 bpm • D Maj • 02:55 • -5.06db
12% Popularity • 55% Danceability • 80% Energy • 31% Liveness
0% Instrumentalness • 81% Positiveness
12% Popularity • 55% Danceability • 80% Energy • 31% Liveness
0% Instrumentalness • 81% Positiveness
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Jason Eady
Tomorrow Morning
134 bpm • A Maj • 02:59 • -16.39db
7% Popularity • 66% Danceability • 24% Energy • 10% Liveness
2% Instrumentalness • 44% Positiveness
7% Popularity • 66% Danceability • 24% Energy • 10% Liveness
2% Instrumentalness • 44% Positiveness
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John Baumann
Bible Belt
134 bpm • G Maj • 04:00 • -7.99db
29% Popularity • 65% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
29% Popularity • 65% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
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Ed Burleson
Loneliness
137 bpm • C Maj • 03:56 • -7.56db
1% Popularity • 51% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
1% Popularity • 51% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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The Broken Spokes
All I Hear You Say
134 bpm • E Maj • 03:21 • -7.22db
19% Popularity • 60% Danceability • 61% Energy • 18% Liveness
0% Instrumentalness • 74% Positiveness
19% Popularity • 60% Danceability • 61% Energy • 18% Liveness
0% Instrumentalness • 74% Positiveness
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Tommy Alverson
Hill Country Here I Come
151 bpm • G Maj • 04:53 • -7db
14% Popularity • 52% Danceability • 87% Energy • 7% Liveness
0% Instrumentalness • 93% Positiveness
14% Popularity • 52% Danceability • 87% Energy • 7% Liveness
0% Instrumentalness • 93% Positiveness
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Eleven Hundred Springs
Is Anybody Goin' to San Antone
134 bpm • A Maj • 02:52 • -3.59db
25% Popularity • 64% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
25% Popularity • 64% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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Jamie Richards
Red River Runaround
134 bpm • G# Maj • 02:55 • -5db
12% Popularity • 67% Danceability • 74% Energy • 28% Liveness
0% Instrumentalness • 71% Positiveness
12% Popularity • 67% Danceability • 74% Energy • 28% Liveness
0% Instrumentalness • 71% Positiveness
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The Great Divide
Rather Have Nothin'
133 bpm • G Maj • 03:40 • -6.68db
24% Popularity • 70% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
24% Popularity • 70% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
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Ed Burleson
A-11 (Live)
137 bpm • E Maj • 03:22 • -9.7db
1% Popularity • 50% Danceability • 54% Energy • 61% Liveness
0% Instrumentalness • 73% Positiveness
1% Popularity • 50% Danceability • 54% Energy • 61% Liveness
0% Instrumentalness • 73% Positiveness
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Jake Hooker
Tom's Place
134 bpm • G Maj • 02:35 • -11.38db
16% Popularity • 68% Danceability • 40% Energy • 18% Liveness
0% Instrumentalness • 90% Positiveness
16% Popularity • 68% Danceability • 40% Energy • 18% Liveness
0% Instrumentalness • 90% Positiveness
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Jason Eady
The Other Side of Abilene
133 bpm • E Maj • 03:15 • -7.25db
14% Popularity • 62% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
14% Popularity • 62% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Jesse Daniel
Simple Things
133 bpm • B Maj • 02:57 • -8.25db
23% Popularity • 68% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
23% Popularity • 68% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
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Mike McClure
Horseshoe
152 bpm • G Maj • 03:15 • -5.05db
24% Popularity • 46% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
24% Popularity • 46% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Radney Foster
Walkin' Talkin' Woman
132 bpm • E Maj • 02:38 • -8.07db
8% Popularity • 67% Danceability • 59% Energy • 20% Liveness
0% Instrumentalness • 89% Positiveness
8% Popularity • 67% Danceability • 59% Energy • 20% Liveness
0% Instrumentalness • 89% Positiveness
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Ed Burleson
The Way Your Treatin' Me (Live)
132 bpm • D Maj • 03:17 • -7.34db
1% Popularity • 56% Danceability • 82% Energy • 81% Liveness
5% Instrumentalness • 83% Positiveness
1% Popularity • 56% Danceability • 82% Energy • 81% Liveness
5% Instrumentalness • 83% Positiveness
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Eleven Hundred Springs
If I Was a Candle
132 bpm • E Maj • 02:47 • -10.27db
19% Popularity • 62% Danceability • 65% Energy • 24% Liveness
0% Instrumentalness • 96% Positiveness
19% Popularity • 62% Danceability • 65% Energy • 24% Liveness
0% Instrumentalness • 96% Positiveness
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The Broken Spokes
Moved Into A Bottle
132 bpm • D Maj • 02:51 • -7.33db
25% Popularity • 68% Danceability • 51% Energy • 30% Liveness
0% Instrumentalness • 73% Positiveness
25% Popularity • 68% Danceability • 51% Energy • 30% Liveness
0% Instrumentalness • 73% Positiveness
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Tejas Brothers
Don't Be So Mean
132 bpm • G Maj • 03:17 • -5db
19% Popularity • 75% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
19% Popularity • 75% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
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Tyller Gummersall
Doggone Cowboy
132 bpm • E Maj • 03:55 • -10.11db
10% Popularity • 65% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
10% Popularity • 65% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Doug Meier
Could Not, Would Not, Shouldn't Be
153 bpm • E Maj • 03:01 • -9.57db
15% Popularity • 59% Danceability • 87% Energy • 19% Liveness
0% Instrumentalness • 86% Positiveness
15% Popularity • 59% Danceability • 87% Energy • 19% Liveness
0% Instrumentalness • 86% Positiveness
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Ed Burleson
Might Seem Like A Loser
153 bpm • D Maj • 02:35 • -9.52db
1% Popularity • 58% Danceability • 45% Energy • 21% Liveness
0% Instrumentalness • 58% Positiveness
1% Popularity • 58% Danceability • 45% Energy • 21% Liveness
0% Instrumentalness • 58% Positiveness
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Elijah Ocean
I Left My One Spot (Back at the 5 Spot)
153 bpm • G Maj • 03:00 • -5.96db
17% Popularity • 56% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 92% Positiveness
17% Popularity • 56% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 92% Positiveness
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Jarrod Birmingham
Rodeo Bum
153 bpm • D Maj • 03:49 • -7.37db
3% Popularity • 48% Danceability • 60% Energy • 27% Liveness
0% Instrumentalness • 58% Positiveness
3% Popularity • 48% Danceability • 60% Energy • 27% Liveness
0% Instrumentalness • 58% Positiveness
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Gethen Jenkins
Cajon Pass
131 bpm • G Maj • 02:52 • -6.33db
16% Popularity • 64% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
16% Popularity • 64% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
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Sunny Sweeney
Nothing Wrong with Texas
154 bpm • A# Maj • 03:19 • -8db
25% Popularity • 52% Danceability • 51% Energy • 32% Liveness
0% Instrumentalness • 41% Positiveness
25% Popularity • 52% Danceability • 51% Energy • 32% Liveness
0% Instrumentalness • 41% Positiveness
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Stoney LaRue
Falling and Flying
131 bpm • B Maj • 03:09 • -4db
14% Popularity • 62% Danceability • 89% Energy • 31% Liveness
0% Instrumentalness • 95% Positiveness
14% Popularity • 62% Danceability • 89% Energy • 31% Liveness
0% Instrumentalness • 95% Positiveness
