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Long Distance Love
Songs like
Long Distance Love
by
Little
Based on a tempo of (+/- 10%) and a similar genre
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Frazey Ford
Done
114 bpm • B min • 04:41 • -9db
56% Popularity • 78% Danceability • 40% Energy • 8% Liveness
1% Instrumentalness • 51% Positiveness
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Paul Simon
Hearts and Bones
114 bpm • E Maj • 05:39 • -19.06db
44% Popularity • 58% Danceability • 26% Energy • 11% Liveness
4% Instrumentalness • 48% Positiveness
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The California Honeydrops
When It Was Wrong
114 bpm • G# min • 04:32 • -6db
54% Popularity • 76% Danceability • 81% Energy • 23% Liveness
0% Instrumentalness • 90% Positiveness
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Tony Joe White
Tony Joe White - What Does It Take (To W...
114 bpm • E Maj • 03:43 • -10.75db
27% Popularity • 72% Danceability • 56% Energy • 15% Liveness
16% Instrumentalness • 70% Positiveness
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The Youngbloods
That's How Strong My Love Is
114 bpm • A Maj • 04:51 • -16db
23% Popularity • 66% Danceability • 18% Energy • 11% Liveness
1% Instrumentalness • 26% Positiveness
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John Martyn
He's Got All The Whiskey
114 bpm • E min • 03:21 • -15db
38% Popularity • 80% Danceability • 32% Energy • 9% Liveness
8% Instrumentalness • 79% Positiveness
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Little
Long Distance Love
114 bpm • G Maj • 02:43 • -12db
50% Popularity • 79% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Shinyribs
Brokedown Palace
114 bpm • F Maj • 06:24 • -9.11db
28% Popularity • 52% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Eagles
Train Leaves Here This Morning - 2013 Re...
115 bpm • E Maj • 04:10 • -16.01db
49% Popularity • 63% Danceability • 32% Energy • 25% Liveness
0% Instrumentalness • 55% Positiveness
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Tony Joe White
California on My Mind
114 bpm • A Maj • 03:44 • -20.02db
16% Popularity • 68% Danceability • 16% Energy • 14% Liveness
72% Instrumentalness • 42% Positiveness
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Norah Jones
Jesus, Etc.
115 bpm • A Maj • 03:43 • -11.67db
35% Popularity • 67% Danceability • 22% Energy • 87% Liveness
0% Instrumentalness • 57% Positiveness
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Billy Bragg
When The Roses Bloom Again
113 bpm • C Maj • 04:07 • -9db
54% Popularity • 60% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
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John Hiatt
Cry To Me
113 bpm • G Maj • 03:55 • -4.83db
43% Popularity • 65% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
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Crosby, Stills, Nash & Young
Helpless
115 bpm • D Maj • 03:37 • -13.61db
49% Popularity • 54% Danceability • 26% Energy • 13% Liveness
1% Instrumentalness • 37% Positiveness
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Neil Young
One of These Days
115 bpm • D Maj • 04:57 • -17.32db
46% Popularity • 63% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Rickie Lee Jones
Chuck E's in Love
113 bpm • A Maj • 03:29 • -10.79db
46% Popularity • 80% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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The Marcus King Band
This Ol' Cowboy
113 bpm • D Maj • 05:57 • -7db
43% Popularity • 50% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Nathaniel Rateliff & The Night Sweats
Babe I Know
113 bpm • A Maj • 03:04 • -8.81db
54% Popularity • 46% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Bruce Springsteen
The Fever - Studio Outtake - 1973
115 bpm • E min • 07:35 • -8.99db
34% Popularity • 50% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Jesse Winchester
Nothing But A Breeze
115 bpm • G Maj • 04:34 • -11.45db
25% Popularity • 77% Danceability • 48% Energy • 5% Liveness
0% Instrumentalness • 75% Positiveness
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The Monkees
Me & Magdalena
115 bpm • G Maj • 03:33 • -9.75db
54% Popularity • 74% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Tom Petty
Crawling Back To You
115 bpm • D min • 05:05 • -9.53db
45% Popularity • 62% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Little Feat
Roll Um Easy
115 bpm • E Maj • 02:31 • -16.46db
52% Popularity • 69% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Grateful Dead
Brokedown Palace - 2013 Remaster
116 bpm • F Maj • 04:09 • -14db
48% Popularity • 46% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Cowboy
Please Be With Me
116 bpm • D Maj • 03:42 • -18db
39% Popularity • 55% Danceability • 23% Energy • 14% Liveness
1% Instrumentalness • 33% Positiveness
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Ray Bonneville
Cool Cool Rain
112 bpm • D Maj • 03:46 • -13db
29% Popularity • 66% Danceability • 42% Energy • 11% Liveness
1% Instrumentalness • 52% Positiveness
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Little
Brickyard Blues (Play Something Sweet)
116 bpm • G Maj • 03:01 • -11.94db
36% Popularity • 75% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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Tom Petty
Time To Move On
113 bpm • D Maj • 03:15 • -9db
56% Popularity • 61% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Phil Cook
Miles Away
112 bpm • C# Maj • 04:01 • -13db
42% Popularity • 63% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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George Harrison
If Not for You (2014 Remaster)
116 bpm • G Maj • 03:30 • -7.01db
61% Popularity • 61% Danceability • 75% Energy • 10% Liveness
1% Instrumentalness • 85% Positiveness
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The Youngbloods
Sunlight
116 bpm • C Maj • 03:07 • -20db
36% Popularity • 63% Danceability • 20% Energy • 16% Liveness
3% Instrumentalness • 75% Positiveness
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Tom Petty and the Heartbreakers
Angel Dream (No. 4)
112 bpm • E Maj • 02:27 • -10db
46% Popularity • 62% Danceability • 78% Energy • 62% Liveness
0% Instrumentalness • 66% Positiveness
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Little
All That You Dream
112 bpm • A Maj • 03:33 • -7db
41% Popularity • 63% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
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The Derek Trucks Band
Back Where I Started
117 bpm • C Maj • 04:20 • -9.63db
38% Popularity • 62% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Patty Griffin
Don't Mind
117 bpm • C# min • 03:47 • -11.52db
31% Popularity • 75% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 76% Positiveness
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Nick Lowe
She's Got Soul
117 bpm • E Maj • 02:23 • -9.13db
38% Popularity • 73% Danceability • 49% Energy • 11% Liveness
2% Instrumentalness • 62% Positiveness
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Jimmie Spheeris
Let It Flow
117 bpm • C Maj • 03:19 • -19.06db
16% Popularity • 62% Danceability • 31% Energy • 11% Liveness
14% Instrumentalness • 67% Positiveness
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Chuck Prophet
I Bow Down and Pray to Every Woman I See
117 bpm • D Maj • 03:33 • -5.29db
30% Popularity • 70% Danceability • 60% Energy • 10% Liveness
17% Instrumentalness • 19% Positiveness
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Cowboy
All My Friends
117 bpm • G Maj • 04:52 • -17.48db
15% Popularity • 53% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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John Hiatt
All The Lilacs In Ohio
111 bpm • G Maj • 03:29 • -10.41db
40% Popularity • 50% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 71% Positiveness
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The Derek Trucks Band
Sweet Inspiration
111 bpm • A Maj • 04:38 • -6.3db
43% Popularity • 63% Danceability • 75% Energy • 4% Liveness
0% Instrumentalness • 44% Positiveness
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Walter Becker
Down in the Bottom
117 bpm • F min • 04:16 • -10.02db
29% Popularity • 87% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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Pops Staples
Friendship
117 bpm • A Maj • 04:06 • -14.84db
38% Popularity • 91% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Tom Waits
Ol' 55
111 bpm • F# Maj • 03:56 • -11db
51% Popularity • 49% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
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Graham Parker & The Rumour
Watch The Moon Come Down
117 bpm • G Maj • 04:49 • -12.64db
27% Popularity • 71% Danceability • 38% Energy • 7% Liveness
1% Instrumentalness • 32% Positiveness
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Ray Bonneville
Tomorrow's Yesterday
117 bpm • B min • 03:19 • -13db
32% Popularity • 78% Danceability • 40% Energy • 14% Liveness
3% Instrumentalness • 70% Positiveness
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Bettye LaVette
Things Have Changed
111 bpm • B min • 06:56 • -4.62db
36% Popularity • 72% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Neil Young
Only Love Can Break Your Heart
111 bpm • D Maj • 03:08 • -12.2db
58% Popularity • 73% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Billy Bragg
Gentle on My Mind
118 bpm • E Maj • 03:39 • -8db
42% Popularity • 58% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Rickie Lee Jones
Night Train
110 bpm • E Maj • 03:18 • -17.13db
30% Popularity • 56% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Robbie Robertson
Once Were Brothers
110 bpm • F# Maj • 04:24 • -9db
29% Popularity • 71% Danceability • 44% Energy • 14% Liveness
7% Instrumentalness • 40% Positiveness
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Chris Whitley
Spanish Harlem Incident
110 bpm • B Maj • 02:38 • -16.75db
26% Popularity • 77% Danceability • 21% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
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John Martyn
Don't Want To Know
110 bpm • D min • 03:01 • -13db
41% Popularity • 64% Danceability • 29% Energy • 11% Liveness
15% Instrumentalness • 52% Positiveness
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Elton John
Come Down In Time
118 bpm • E min • 03:25 • -13.96db
38% Popularity • 53% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Bobby Charles
I Must Be in a Good Place Now
110 bpm • F Maj • 04:07 • -16db
38% Popularity • 59% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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Paul Simon
Slip Slidin' Away (Demo)
118 bpm • G# Maj • 05:29 • -19db
38% Popularity • 47% Danceability • 22% Energy • 29% Liveness
4% Instrumentalness • 49% Positiveness
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The Beach Boys
Sail On, Sailor - Remastered 2000
110 bpm • A min • 03:22 • -10.76db
49% Popularity • 63% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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Justin Townes Earle
One More Night In Brooklyn
118 bpm • A Maj • 03:04 • -10.55db
51% Popularity • 76% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Dr. John
Cold Cold Cold
110 bpm • G# Maj • 02:37 • -12.55db
42% Popularity • 80% Danceability • 50% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
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Faces
If I'm on the Late Side
110 bpm • E Maj • 02:39 • -11db
39% Popularity • 75% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Crosby, Stills, Nash & Young
Carry On
119 bpm • C# Maj • 04:25 • -12db
57% Popularity • 46% Danceability • 50% Energy • 27% Liveness
0% Instrumentalness • 53% Positiveness
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Dave Mason
Look At You Look At Me
119 bpm • D min • 07:39 • -10.02db
30% Popularity • 54% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Gram Parsons
She - 2002 Remaster
109 bpm • A# Maj • 05:01 • -12.42db
40% Popularity • 44% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Traffic
Light Up Or Leave Me Alone
109 bpm • A Maj • 04:48 • -12.03db
45% Popularity • 54% Danceability • 60% Energy • 9% Liveness
2% Instrumentalness • 76% Positiveness
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Tom Petty
Square One
109 bpm • F# Maj • 03:24 • -11db
46% Popularity • 77% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Neil Young
Unknown Legend
109 bpm • G Maj • 04:32 • -13.21db
51% Popularity • 66% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Steely Dan
Don't Take Me Alive
119 bpm • G min • 04:16 • -10db
53% Popularity • 62% Danceability • 54% Energy • 34% Liveness
0% Instrumentalness • 62% Positiveness
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Buffalo Springfield
On the Way Home
119 bpm • F Maj • 02:30 • -12db
50% Popularity • 66% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 90% Positiveness
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Little
Sailin' Shoes
109 bpm • C Maj • 02:51 • -10db
38% Popularity • 74% Danceability • 39% Energy • 21% Liveness
1% Instrumentalness • 42% Positiveness
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Roger McGuinn
Easy Does It
109 bpm • E Maj • 02:40 • -12.95db
15% Popularity • 30% Danceability • 18% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
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Little
Front Page News
120 bpm • B Maj • 04:44 • -10.45db
3% Popularity • 72% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
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Bobby Charles
Long Face
108 bpm • C# Maj • 03:38 • -12db
29% Popularity • 72% Danceability • 38% Energy • 8% Liveness
1% Instrumentalness • 90% Positiveness
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Hiss Golden Messenger
Sanctuary
120 bpm • F Maj • 04:26 • -13db
52% Popularity • 73% Danceability • 45% Energy • 9% Liveness
2% Instrumentalness • 89% Positiveness
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Bruce Cockburn
Last Night Of The World
120 bpm • C Maj • 04:51 • -10db
35% Popularity • 72% Danceability • 58% Energy • 10% Liveness
12% Instrumentalness • 18% Positiveness
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Dave Rawlings Machine
Ruby
120 bpm • A Maj • 04:54 • -10db
24% Popularity • 47% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
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David Olney
She's Not There
120 bpm • A min • 03:26 • -9db
17% Popularity • 69% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Joan Armatrading
Into the Blues
120 bpm • A min • 04:23 • -6.44db
28% Popularity • 78% Danceability • 56% Energy • 5% Liveness
1% Instrumentalness • 51% Positiveness
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Little
Lonesome Whistle
120 bpm • C Maj • 03:14 • -8.11db
15% Popularity • 69% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Nick Lowe
What's So Funny 'Bout Peace, Love and Un...
108 bpm • G Maj • 04:03 • -15.32db
38% Popularity • 63% Danceability • 26% Energy • 73% Liveness
0% Instrumentalness • 36% Positiveness
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Nathaniel Rateliff & The Night Sweats
Still Out There Running
108 bpm • E Maj • 04:53 • -11.57db
50% Popularity • 73% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
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Little
Texas Rose Cafe
120 bpm • A Maj • 03:42 • -12.08db
23% Popularity • 46% Danceability • 49% Energy • 12% Liveness
1% Instrumentalness • 64% Positiveness
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Mudcrutch
Crystal River
108 bpm • G Maj • 09:28 • -8.66db
30% Popularity • 42% Danceability • 49% Energy • 18% Liveness
17% Instrumentalness • 22% Positiveness
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John Hiatt
Terms of My Surrender
108 bpm • B Maj • 03:29 • -12.09db
33% Popularity • 52% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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The Stills-Young Band
Fontainebleau
120 bpm • C Maj • 03:59 • -10.03db
22% Popularity • 48% Danceability • 55% Energy • 14% Liveness
9% Instrumentalness • 14% Positiveness
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Anders Osborne
Buddha and the Blues
108 bpm • E Maj • 03:07 • -8.3db
20% Popularity • 71% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Richard Thompson
1952 Vincent Black Lightning
121 bpm • A# Maj • 04:43 • -19.55db
51% Popularity • 49% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Traffic
The Low Spark Of High-Heeled Boys
108 bpm • A min • 11:41 • -12.84db
46% Popularity • 53% Danceability • 46% Energy • 5% Liveness
0% Instrumentalness • 61% Positiveness
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Ted Hawkins
Biloxi
107 bpm • F# Maj • 04:41 • -11.82db
28% Popularity • 62% Danceability • 30% Energy • 11% Liveness
1% Instrumentalness • 69% Positiveness
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John Hiatt
Learning How To Love You
108 bpm • E Maj • 04:08 • -15.35db
20% Popularity • 49% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Paul Simon
Slip Slidin' Away
121 bpm • G# Maj • 04:45 • -12.45db
56% Popularity • 64% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Little
All That You Dream - Outtake
107 bpm • A Maj • 03:33 • -12.04db
9% Popularity • 69% Danceability • 49% Energy • 10% Liveness
8% Instrumentalness • 43% Positiveness
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Dr. John
Such a Night
121 bpm • F Maj • 02:57 • -16.94db
50% Popularity • 83% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
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David Gray
Money (That's What I Want)
121 bpm • F Maj • 03:54 • -6db
42% Popularity • 66% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Hot Tuna
Water Song
107 bpm • G Maj • 05:16 • -18db
36% Popularity • 48% Danceability • 41% Energy • 36% Liveness
91% Instrumentalness • 61% Positiveness
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Hiss Golden Messenger
Highland Grace
122 bpm • D# Maj • 05:58 • -9.93db
43% Popularity • 68% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Neil Young
From Hank to Hendrix
107 bpm • C Maj • 05:17 • -14.35db
48% Popularity • 61% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Buffalo Springfield
Bluebird
122 bpm • G Maj • 04:35 • -10.85db
42% Popularity • 48% Danceability • 53% Energy • 19% Liveness
0% Instrumentalness • 36% Positiveness
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Chuck Prophet
Just to See Your Smile
122 bpm • A Maj • 04:23 • -6.69db
23% Popularity • 64% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Little
Somebody's Leavin'
122 bpm • G# Maj • 05:08 • -18.85db
19% Popularity • 55% Danceability • 21% Energy • 6% Liveness
0% Instrumentalness • 8% Positiveness
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Otis Clay
Trying To Live My Life Without You
106 bpm • D# Maj • 02:53 • -7.02db
14% Popularity • 84% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 97% Positiveness
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Long Distance Love