Songs like Long Hard Times To Come (Justified Main Title Theme) [feat. T.O.N.E-z] by Gangstagrass
Based on a tempo of (+/- 10%) and a similar genre
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![Long Hard Times To Come (Justified Main Title Theme) [feat. T.O.N.E-z] cover art](https://i.scdn.co/image/ab67616d00001e025d9592a0438b7d413e6d5d50)
Gangstagrass
Long Hard Times To Come (Justified Main ...
172 bpm • E Maj • 03:56 • -8.15db
44% Popularity • 64% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 95% Positiveness
44% Popularity • 64% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 95% Positiveness
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Chris Rodrigues
Satan Your Kingdom Must Come Down
172 bpm • A Maj • 04:57 • -4.04db
23% Popularity • 52% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
23% Popularity • 52% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
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Lincoln Durham
Reckoning Lament
172 bpm • C Maj • 03:10 • -8.46db
32% Popularity • 54% Danceability • 57% Energy • 20% Liveness
0% Instrumentalness • 87% Positiveness
32% Popularity • 54% Danceability • 57% Energy • 20% Liveness
0% Instrumentalness • 87% Positiveness
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Denis Leary
Asshole
173 bpm • D Maj • 04:26 • -10.65db
50% Popularity • 38% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 65% Positiveness
50% Popularity • 38% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 65% Positiveness
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Ty Stone
Real Thing
171 bpm • A Maj • 03:32 • -3.22db
20% Popularity • 33% Danceability • 93% Energy • 39% Liveness
0% Instrumentalness • 55% Positiveness
20% Popularity • 33% Danceability • 93% Energy • 39% Liveness
0% Instrumentalness • 55% Positiveness
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Brown Bird
Fingers To The Bone
174 bpm • E min • 03:11 • -10db
49% Popularity • 57% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
49% Popularity • 57% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
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7Horse
Let the 7Horse Run
174 bpm • G# Maj • 02:04 • -9.7db
42% Popularity • 58% Danceability • 54% Energy • 38% Liveness
0% Instrumentalness • 84% Positiveness
42% Popularity • 58% Danceability • 54% Energy • 38% Liveness
0% Instrumentalness • 84% Positiveness
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Gangstagrass
Trouble Everywhere I Go
174 bpm • D Maj • 03:22 • -6.57db
15% Popularity • 59% Danceability • 83% Energy • 26% Liveness
0% Instrumentalness • 47% Positiveness
15% Popularity • 59% Danceability • 83% Energy • 26% Liveness
0% Instrumentalness • 47% Positiveness
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The Record Company
Hard Day Coming Down
171 bpm • C Maj • 03:57 • -5db
36% Popularity • 43% Danceability • 58% Energy • 17% Liveness
0% Instrumentalness • 80% Positiveness
36% Popularity • 43% Danceability • 58% Energy • 17% Liveness
0% Instrumentalness • 80% Positiveness
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Big Head Todd and The Monsters
Boom Boom
174 bpm • A Maj • 03:36 • -8db
50% Popularity • 52% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
50% Popularity • 52% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
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Carter Falco
Damn It Feels Good to Be a Gangsta - Bon...
174 bpm • A min • 04:56 • -10.01db
9% Popularity • 73% Danceability • 39% Energy • 32% Liveness
6% Instrumentalness • 54% Positiveness
9% Popularity • 73% Danceability • 39% Energy • 32% Liveness
6% Instrumentalness • 54% Positiveness
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Steve Earle
The Galway Girl
170 bpm • D Maj • 03:05 • -5.1db
56% Popularity • 42% Danceability • 95% Energy • 50% Liveness
0% Instrumentalness • 85% Positiveness
56% Popularity • 42% Danceability • 95% Energy • 50% Liveness
0% Instrumentalness • 85% Positiveness
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7Horse
Blackjack Moon
174 bpm • C Maj • 02:33 • -4db
39% Popularity • 41% Danceability • 92% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
39% Popularity • 41% Danceability • 92% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
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The Soggy Bottom Boys
I Am A Man Of Constant Sorrow - With Ban...
170 bpm • F Maj • 04:16 • -11.6db
53% Popularity • 51% Danceability • 49% Energy • 12% Liveness
1% Instrumentalness • 95% Positiveness
53% Popularity • 51% Danceability • 49% Energy • 12% Liveness
1% Instrumentalness • 95% Positiveness
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Gangstagrass
Up High Do or Die
174 bpm • A Maj • 03:27 • -5.51db
32% Popularity • 58% Danceability • 86% Energy • 26% Liveness
0% Instrumentalness • 63% Positiveness
32% Popularity • 58% Danceability • 86% Energy • 26% Liveness
0% Instrumentalness • 63% Positiveness
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Roger Alan Wade
Chicken Song
175 bpm • A Maj • 03:22 • -16.29db
20% Popularity • 57% Danceability • 29% Energy • 36% Liveness
0% Instrumentalness • 65% Positiveness
20% Popularity • 57% Danceability • 29% Energy • 36% Liveness
0% Instrumentalness • 65% Positiveness
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The Steeldrivers
Ghosts Of Mississippi
175 bpm • B min • 06:14 • -6.16db
55% Popularity • 32% Danceability • 72% Energy • 13% Liveness
2% Instrumentalness • 58% Positiveness
55% Popularity • 32% Danceability • 72% Energy • 13% Liveness
2% Instrumentalness • 58% Positiveness
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The Devil Makes Three
Bangor Mash
169 bpm • C min • 03:21 • -7.64db
39% Popularity • 74% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
39% Popularity • 74% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
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The Dead South
You Are My Sunshine
169 bpm • A min • 03:20 • -7.18db
51% Popularity • 38% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
51% Popularity • 38% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Grandpa's Cough Medicine
The Murder Chord
168 bpm • B min • 03:23 • -7.31db
38% Popularity • 63% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
38% Popularity • 63% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Gangstagrass
Steels Gonna Be the Death of Me
174 bpm • A Maj • 03:56 • -6.46db
12% Popularity • 59% Danceability • 74% Energy • 30% Liveness
0% Instrumentalness • 52% Positiveness
12% Popularity • 59% Danceability • 74% Energy • 30% Liveness
0% Instrumentalness • 52% Positiveness
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T.o.n.e-z
BOOM (Justified Season 5 Episode 1)
176 bpm • G# Maj • 02:54 • -6.3db
2% Popularity • 64% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
2% Popularity • 64% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
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Samuel L. Jackson
Black Snake Moan
176 bpm • G Maj • 04:04 • -18.5db
25% Popularity • 31% Danceability • 27% Energy • 16% Liveness
0% Instrumentalness • 21% Positiveness
25% Popularity • 31% Danceability • 27% Energy • 16% Liveness
0% Instrumentalness • 21% Positiveness
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The Native Howl
Harvester of Constant Sorrow
167 bpm • B min • 04:45 • -3db
32% Popularity • 41% Danceability • 94% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
32% Popularity • 41% Danceability • 94% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
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Tommy James
The Last Time
177 bpm • E Maj • 03:06 • -7.71db
0% Popularity • 56% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
0% Popularity • 56% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Kid Rock
Cowboy
167 bpm • C# Maj • 04:17 • -2.92db
65% Popularity • 61% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 87% Positiveness
65% Popularity • 61% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 87% Positiveness
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Gangstagrass
Put Your Hands up High
168 bpm • A Maj • 03:55 • -5.61db
17% Popularity • 61% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
17% Popularity • 61% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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T.o.n.e-z
Welcome (The Intro)
179 bpm • F# Maj • 02:37 • -3.55db
1% Popularity • 44% Danceability • 65% Energy • 23% Liveness
0% Instrumentalness • 64% Positiveness
1% Popularity • 44% Danceability • 65% Energy • 23% Liveness
0% Instrumentalness • 64% Positiveness
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Crooked Still
Ain't No Grave
180 bpm • F min • 03:21 • -10db
48% Popularity • 53% Danceability • 55% Energy • 10% Liveness
48% Instrumentalness • 85% Positiveness
48% Popularity • 53% Danceability • 55% Energy • 10% Liveness
48% Instrumentalness • 85% Positiveness
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Steve Earle
Satellite Radio
180 bpm • G Maj • 04:09 • -7.58db
35% Popularity • 51% Danceability • 82% Energy • 15% Liveness
1% Instrumentalness • 86% Positiveness
35% Popularity • 51% Danceability • 82% Energy • 15% Liveness
1% Instrumentalness • 86% Positiveness
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Parker Millsap
Hades Pleads
165 bpm • A Maj • 02:36 • -6.96db
47% Popularity • 57% Danceability • 63% Energy • 40% Liveness
0% Instrumentalness • 71% Positiveness
47% Popularity • 57% Danceability • 63% Energy • 40% Liveness
0% Instrumentalness • 71% Positiveness
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The Cleverlys
Loser
164 bpm • D Maj • 04:19 • -5.23db
34% Popularity • 54% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
34% Popularity • 54% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Mojo Nixon
Tie My Pecker to My Leg
164 bpm • E Maj • 03:20 • -8.57db
32% Popularity • 61% Danceability • 85% Energy • 17% Liveness
0% Instrumentalness • 95% Positiveness
32% Popularity • 61% Danceability • 85% Energy • 17% Liveness
0% Instrumentalness • 95% Positiveness
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T.o.n.e-z
The Parallel
164 bpm • F Maj • 03:25 • -3.5db
0% Popularity • 58% Danceability • 92% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
0% Popularity • 58% Danceability • 92% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
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Seasick Steve
You Can't Teach An Old Dog New Tricks
182 bpm • E min • 03:34 • -6.69db
44% Popularity • 31% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
44% Popularity • 31% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
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Hugo
99 Problems
163 bpm • A Maj • 02:17 • -7.76db
61% Popularity • 53% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 59% Positiveness
61% Popularity • 53% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 59% Positiveness
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Steve Earle
Copperhead Road
163 bpm • G Maj • 04:29 • -15.49db
68% Popularity • 37% Danceability • 59% Energy • 5% Liveness
0% Instrumentalness • 71% Positiveness
68% Popularity • 37% Danceability • 59% Energy • 5% Liveness
0% Instrumentalness • 71% Positiveness
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The Cleverlys
Cash Crop
164 bpm • G Maj • 03:45 • -6.95db
19% Popularity • 71% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
19% Popularity • 71% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
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Ben Miller Band
I Got Another One
162 bpm • C# min • 03:30 • -6.37db
21% Popularity • 42% Danceability • 94% Energy • 13% Liveness
14% Instrumentalness • 36% Positiveness
21% Popularity • 42% Danceability • 94% Energy • 13% Liveness
14% Instrumentalness • 36% Positiveness
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Frank Mackey and the Keltic Cowboys
Kiss My Irish Ass
183 bpm • E Maj • 04:07 • -2.37db
24% Popularity • 28% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
24% Popularity • 28% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
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Toby Keith
Weed With Willie - Live
182 bpm • G Maj • 04:03 • -9.88db
51% Popularity • 31% Danceability • 54% Energy • 98% Liveness
0% Instrumentalness • 41% Positiveness
51% Popularity • 31% Danceability • 54% Energy • 98% Liveness
0% Instrumentalness • 41% Positiveness
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Slaid Cleaves
Breakfast In Hell
162 bpm • B min • 05:51 • -11.13db
39% Popularity • 54% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
39% Popularity • 54% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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The Native Howl
Thunderhead
161 bpm • G Maj • 04:23 • -7db
36% Popularity • 40% Danceability • 89% Energy • 21% Liveness
0% Instrumentalness • 77% Positiveness
36% Popularity • 40% Danceability • 89% Energy • 21% Liveness
0% Instrumentalness • 77% Positiveness
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Old Crow Medicine Show
Cocaine Habit
161 bpm • A Maj • 02:42 • -5db
41% Popularity • 65% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
41% Popularity • 65% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
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Corb Lund
Hard On Equipment (Tool For The Job)
160 bpm • B min • 03:14 • -8.79db
37% Popularity • 76% Danceability • 66% Energy • 3% Liveness
0% Instrumentalness • 82% Positiveness
37% Popularity • 76% Danceability • 66% Energy • 3% Liveness
0% Instrumentalness • 82% Positiveness
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Wild the Coyote
Runnin'
160 bpm • D Maj • 03:27 • -8.2db
23% Popularity • 60% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
23% Popularity • 60% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Scott H. Biram
Still Drunk, Still Crazy, Still Blue
185 bpm • G Maj • 02:56 • -9.65db
39% Popularity • 36% Danceability • 51% Energy • 10% Liveness
37% Instrumentalness • 44% Positiveness
39% Popularity • 36% Danceability • 51% Energy • 10% Liveness
37% Instrumentalness • 44% Positiveness
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Jake Buckley
Tavern Down Below
186 bpm • C# min • 03:51 • -13.36db
19% Popularity • 48% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
19% Popularity • 48% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Rebel Son
Drunk as a Skunk
160 bpm • A Maj • 03:53 • -10db
42% Popularity • 61% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 86% Positiveness
42% Popularity • 61% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 86% Positiveness
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The Native Howl
Into The Darkness
158 bpm • D Maj • 03:04 • -6.39db
20% Popularity • 42% Danceability • 93% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
20% Popularity • 42% Danceability • 93% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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Roger Alan Wade
All Likkered Up
159 bpm • A Maj • 03:41 • -16db
23% Popularity • 54% Danceability • 51% Energy • 34% Liveness
0% Instrumentalness • 85% Positiveness
23% Popularity • 54% Danceability • 51% Energy • 34% Liveness
0% Instrumentalness • 85% Positiveness
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Old Crow Medicine Show
Alabama HighTest
158 bpm • D Maj • 02:25 • -4.82db
47% Popularity • 52% Danceability • 84% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
47% Popularity • 52% Danceability • 84% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
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Corb Lund
Roughest Neck Around
157 bpm • D Maj • 03:12 • -10.67db
38% Popularity • 68% Danceability • 66% Energy • 22% Liveness
0% Instrumentalness • 84% Positiveness
38% Popularity • 68% Danceability • 66% Energy • 22% Liveness
0% Instrumentalness • 84% Positiveness
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Brother Dege
The Girl Who Wept Stones
157 bpm • D min • 03:16 • -5db
36% Popularity • 56% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
36% Popularity • 56% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
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7Horse
Low Fuel Drug Run
157 bpm • G Maj • 03:36 • -2.99db
38% Popularity • 38% Danceability • 97% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
38% Popularity • 38% Danceability • 97% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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The Native Howl
Follow Me - Plugged
157 bpm • G Maj • 03:22 • -6.66db
22% Popularity • 43% Danceability • 85% Energy • 20% Liveness
0% Instrumentalness • 62% Positiveness
22% Popularity • 43% Danceability • 85% Energy • 20% Liveness
0% Instrumentalness • 62% Positiveness
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Donnie Dumphy
Broke in Half
156 bpm • G Maj • 03:15 • -2.76db
16% Popularity • 74% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
16% Popularity • 74% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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Hugo
Old Tyme Religion
156 bpm • B min • 02:49 • -6.91db
25% Popularity • 53% Danceability • 74% Energy • 35% Liveness
0% Instrumentalness • 36% Positiveness
25% Popularity • 53% Danceability • 74% Energy • 35% Liveness
0% Instrumentalness • 36% Positiveness
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Jomo and the Possum Posse
Episode 2 (Orphans, Cougars & What Not)
156 bpm • D Maj • 02:00 • -11db
20% Popularity • 51% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 91% Positiveness
20% Popularity • 51% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 91% Positiveness
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Roger Alan Wade
Party In My Pants
190 bpm • G Maj • 01:55 • -5.2db
29% Popularity • 38% Danceability • 86% Energy • 17% Liveness
0% Instrumentalness • 61% Positiveness
29% Popularity • 38% Danceability • 86% Energy • 17% Liveness
0% Instrumentalness • 61% Positiveness
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The Darrell Brothers
Mountain Twerker
155 bpm • A Maj • 02:33 • -4db
19% Popularity • 65% Danceability • 89% Energy • 30% Liveness
0% Instrumentalness • 90% Positiveness
19% Popularity • 65% Danceability • 89% Energy • 30% Liveness
0% Instrumentalness • 90% Positiveness
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The Native Howl
Hurricane
156 bpm • D Maj • 06:21 • -6.36db
20% Popularity • 41% Danceability • 90% Energy • 9% Liveness
1% Instrumentalness • 53% Positiveness
20% Popularity • 41% Danceability • 90% Energy • 9% Liveness
1% Instrumentalness • 53% Positiveness
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Redlight King
Old Man
154 bpm • F Maj • 03:01 • -3db
52% Popularity • 56% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
52% Popularity • 56% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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Blues Saraceno
Bad Man
154 bpm • D min • 03:26 • -5.13db
43% Popularity • 42% Danceability • 97% Energy • 19% Liveness
16% Instrumentalness • 26% Positiveness
43% Popularity • 42% Danceability • 97% Energy • 19% Liveness
16% Instrumentalness • 26% Positiveness
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Jomo and the Possum Posse
Episode 3: Finale, Pt. 1 (Origins, Villa...
155 bpm • D Maj • 02:00 • -11.28db
17% Popularity • 46% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
17% Popularity • 46% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
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Roger Alan Wade
Fryin' Bacon Neddid
155 bpm • E Maj • 02:36 • -13db
25% Popularity • 50% Danceability • 24% Energy • 59% Liveness
0% Instrumentalness • 69% Positiveness
25% Popularity • 50% Danceability • 24% Energy • 59% Liveness
0% Instrumentalness • 69% Positiveness
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The Dead South
In Hell I'll Be in Good Company
155 bpm • G min • 04:05 • -9.08db
66% Popularity • 77% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
66% Popularity • 77% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Gangstagrass
Pour a Sip
154 bpm • G Maj • 03:30 • -8.07db
12% Popularity • 57% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
12% Popularity • 57% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
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Ben Miller Band
Big Boy
154 bpm • D Maj • 03:03 • -8.53db
30% Popularity • 50% Danceability • 71% Energy • 20% Liveness
2% Instrumentalness • 49% Positiveness
30% Popularity • 50% Danceability • 71% Energy • 20% Liveness
2% Instrumentalness • 49% Positiveness
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Steve ´n´ Seagulls
Thunderstruck
152 bpm • A Maj • 03:46 • -5.92db
46% Popularity • 46% Danceability • 80% Energy • 14% Liveness
2% Instrumentalness • 66% Positiveness
46% Popularity • 46% Danceability • 80% Energy • 14% Liveness
2% Instrumentalness • 66% Positiveness
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The Silent Comedy
Bartholomew
152 bpm • A# Maj • 03:07 • -6.01db
48% Popularity • 42% Danceability • 89% Energy • 26% Liveness
0% Instrumentalness • 59% Positiveness
48% Popularity • 42% Danceability • 89% Energy • 26% Liveness
0% Instrumentalness • 59% Positiveness
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Roger Alan Wade
Gone Back to Whorin'
152 bpm • G Maj • 02:49 • -15db
30% Popularity • 43% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
30% Popularity • 43% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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Captain Tractor
The Last Saskatchewan Pirate
152 bpm • C Maj • 04:09 • -6.81db
40% Popularity • 58% Danceability • 87% Energy • 6% Liveness
0% Instrumentalness • 87% Positiveness
40% Popularity • 58% Danceability • 87% Energy • 6% Liveness
0% Instrumentalness • 87% Positiveness
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Gangstagrass
Speak a Lil Louder
152 bpm • C Maj • 04:24 • -8.25db
12% Popularity • 60% Danceability • 69% Energy • 58% Liveness
0% Instrumentalness • 72% Positiveness
12% Popularity • 60% Danceability • 69% Energy • 58% Liveness
0% Instrumentalness • 72% Positiveness
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The Pine Box Boys
Will You Remember Me?
151 bpm • G Maj • 03:30 • -12.32db
37% Popularity • 45% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
37% Popularity • 45% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
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Ben Miller Band
You Don’t Know
150 bpm • G Maj • 03:32 • -6.91db
28% Popularity • 46% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
28% Popularity • 46% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
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Swoop
Summer in tha City
150 bpm • B min • 04:17 • -7.4db
0% Popularity • 70% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
0% Popularity • 70% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Donnie Dumphy
Loan Wolf
150 bpm • D Maj • 04:04 • -3.43db
21% Popularity • 69% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
21% Popularity • 69% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
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The Dead South
The Dead South
149 bpm • D Maj • 02:40 • -10.78db
48% Popularity • 66% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
48% Popularity • 66% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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Gangstagrass
What I Am
150 bpm • B min • 04:07 • -3.16db
22% Popularity • 71% Danceability • 94% Energy • 46% Liveness
0% Instrumentalness • 90% Positiveness
22% Popularity • 71% Danceability • 94% Energy • 46% Liveness
0% Instrumentalness • 90% Positiveness
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Crackle Kapone
Time
150 bpm • G Maj • 02:53 • -6.21db
0% Popularity • 76% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
0% Popularity • 76% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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John R. Butler
The Hand of the Almighty
200 bpm • G Maj • 02:07 • -13.13db
29% Popularity • 56% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
29% Popularity • 56% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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The Stanfields
The Road to Guysborough
199 bpm • G Maj • 03:25 • -3.24db
31% Popularity • 27% Danceability • 96% Energy • 32% Liveness
0% Instrumentalness • 94% Positiveness
31% Popularity • 27% Danceability • 96% Energy • 32% Liveness
0% Instrumentalness • 94% Positiveness
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Old Crow Medicine Show
Dixieland Delight (Alabama Cover)
148 bpm • G Maj • 04:54 • -5.64db
38% Popularity • 40% Danceability • 70% Energy • 24% Liveness
0% Instrumentalness • 64% Positiveness
38% Popularity • 40% Danceability • 70% Energy • 24% Liveness
0% Instrumentalness • 64% Positiveness
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The Cleverlys
I Gotta Feelin'
147 bpm • G Maj • 03:19 • -5.6db
23% Popularity • 52% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
23% Popularity • 52% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
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Roger Alan Wade
Drunk, Pissed, and Coked Up
147 bpm • E Maj • 01:30 • -9db
36% Popularity • 55% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
36% Popularity • 55% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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Dave Alvin
You'll Never Leave Harlan Alive
147 bpm • G min • 05:51 • -16.23db
20% Popularity • 44% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
20% Popularity • 44% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Ben Miller Band
The Cuckoo
147 bpm • A# min • 03:11 • -5.71db
24% Popularity • 47% Danceability • 93% Energy • 66% Liveness
32% Instrumentalness • 67% Positiveness
24% Popularity • 47% Danceability • 93% Energy • 66% Liveness
32% Instrumentalness • 67% Positiveness
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Corb Lund
(Gonna) Shine Up My Boots
202 bpm • C Maj • 02:13 • -11.43db
24% Popularity • 45% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
24% Popularity • 45% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Goodnight, Texas
Submarines
147 bpm • A Maj • 02:44 • -11.74db
42% Popularity • 57% Danceability • 29% Energy • 6% Liveness
0% Instrumentalness • 58% Positiveness
42% Popularity • 57% Danceability • 29% Energy • 6% Liveness
0% Instrumentalness • 58% Positiveness
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Donnie Dumphy
Cry Tunes (Cold Beer)
202 bpm • C Maj • 03:39 • -3.88db
22% Popularity • 64% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 60% Positiveness
22% Popularity • 64% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 60% Positiveness
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Roger Alan Wade
Sioux Named Boy
201 bpm • F# Maj • 02:43 • -5.48db
25% Popularity • 38% Danceability • 62% Energy • 75% Liveness
0% Instrumentalness • 91% Positiveness
25% Popularity • 38% Danceability • 62% Energy • 75% Liveness
0% Instrumentalness • 91% Positiveness
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The Devil Makes Three
Never Learn
204 bpm • A min • 04:58 • -7.37db
37% Popularity • 62% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 91% Positiveness
37% Popularity • 62% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 91% Positiveness
