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Long Haul
Songs like
Long Haul
by
Ian Munsick
Based on a tempo of (+/- 10%) and a similar genre
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Luke Combs
Without You
142 bpm • F# Maj • 03:44 • -6.02db
59% Popularity • 52% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Kolby Cooper
2 Words
142 bpm • G Maj • 03:41 • -4.5db
49% Popularity • 50% Danceability • 86% Energy • 51% Liveness
0% Instrumentalness • 58% Positiveness
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Mike Ryan
Damn Good Goodbye
142 bpm • E Maj • 03:32 • -6.38db
56% Popularity • 56% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Colt Ford
Slow Ride
142 bpm • B min • 02:54 • -4.73db
59% Popularity • 67% Danceability • 77% Energy • 19% Liveness
0% Instrumentalness • 64% Positiveness
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Morgan Wallen
Me On Whiskey
142 bpm • B Maj • 03:30 • -5db
65% Popularity • 57% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Riley Green
Different 'Round Here
142 bpm • C# Maj • 03:03 • -6.47db
61% Popularity • 50% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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Luke Combs
Nothing Like You
142 bpm • F Maj • 03:16 • -8db
57% Popularity • 62% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Hayden Coffman
Better Off
142 bpm • C Maj • 03:18 • -4.91db
63% Popularity • 55% Danceability • 89% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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Lee Brice
Save The Roses
142 bpm • C Maj • 03:21 • -8.13db
61% Popularity • 52% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Dylan Marlowe
I'll Keep the Country
142 bpm • C# Maj • 03:31 • -5db
48% Popularity • 50% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Dustin Lynch
Ridin’ Roads
142 bpm • A Maj • 03:25 • -4.26db
62% Popularity • 55% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
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Riley Green
Hard To Leave
142 bpm • D Maj • 03:35 • -6db
58% Popularity • 55% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Ian Munsick
Long Haul
142 bpm • F# Maj • 03:51 • -7.85db
59% Popularity • 50% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Russell Dickerson
God Gave Me A Girl
142 bpm • G Maj • 03:07 • -5.05db
62% Popularity • 52% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Koe Wetzel
Fuss and Fight
141 bpm • D min • 04:00 • -5.59db
61% Popularity • 65% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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Florida Georgia Line
Always Gonna Love You
143 bpm • F# Maj • 02:57 • -4.89db
52% Popularity • 54% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Lee Brice
Rumor
141 bpm • A Maj • 03:18 • -6.86db
71% Popularity • 66% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Riley Green
Different 'Round Here
142 bpm • C# Maj • 02:56 • -6db
68% Popularity • 45% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
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Ian Munsick
Ranch Hand - Me and a Fiddle
142 bpm • F Maj • 03:26 • -6.44db
41% Popularity • 50% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Bailey Zimmerman
Religiously
141 bpm • C# Maj • 02:58 • -6.52db
80% Popularity • 57% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Megan Moroney
Fix You Too
141 bpm • A# Maj • 03:19 • -7.79db
65% Popularity • 32% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Jon Langston
Forever Girl
140 bpm • B Maj • 03:59 • -5.82db
52% Popularity • 58% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Michael Ray
Her World or Mine
144 bpm • E Maj • 03:28 • -7db
52% Popularity • 57% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Luke Combs
Houston, We Got a Problem
144 bpm • A Maj • 03:11 • -5.06db
69% Popularity • 52% Danceability • 76% Energy • 40% Liveness
0% Instrumentalness • 49% Positiveness
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Morgan Wallen
Not Good At Not
144 bpm • B Maj • 03:05 • -3.24db
61% Popularity • 56% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Tyler Rich
Better Than You’re Used To
144 bpm • A# Maj • 03:18 • -5db
48% Popularity • 59% Danceability • 82% Energy • 32% Liveness
0% Instrumentalness • 59% Positiveness
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HIXTAPE
He Went To Jared (HARDY Morgan Wallen)
140 bpm • A min • 03:33 • -5.11db
68% Popularity • 56% Danceability • 81% Energy • 20% Liveness
0% Instrumentalness • 68% Positiveness
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Cole Swindell
Never Say Never
140 bpm • C min • 02:56 • -4.03db
59% Popularity • 47% Danceability • 94% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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HARDY
REDNECKER
144 bpm • G Maj • 03:21 • -5.47db
66% Popularity • 54% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Dylan Scott
Can't Have Mine (Find You A Girl)
144 bpm • F Maj • 03:03 • -7db
69% Popularity • 66% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Bailey Zimmerman
Never Comin' Home
144 bpm • A# Maj • 03:14 • -6.85db
67% Popularity • 56% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Matt Stell
Prayed For You
140 bpm • A Maj • 03:30 • -5.86db
60% Popularity • 60% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Sean Stemaly
Back On A Backroad
144 bpm • A Maj • 03:04 • -3.14db
51% Popularity • 55% Danceability • 87% Energy • 37% Liveness
0% Instrumentalness • 73% Positiveness
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Chris Lane
I Don't Know About You
144 bpm • C# Maj • 03:27 • -5.73db
61% Popularity • 59% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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HARDY
BOYFRIEND
144 bpm • D Maj • 03:39 • -4.69db
50% Popularity • 55% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 73% Positiveness
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Kameron Marlowe
Giving You Up
144 bpm • G# Maj • 03:52 • -4db
59% Popularity • 55% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
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Scotty McCreery
Damn Strait
144 bpm • E Maj • 03:50 • -6.15db
56% Popularity • 52% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
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Jameson Rodgers
Good Dogs
140 bpm • E Maj • 03:18 • -6.93db
45% Popularity • 56% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Drew Parker
While You're Gone
140 bpm • C# Maj • 03:46 • -5.64db
47% Popularity • 62% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Conner Smith
Orange And White
140 bpm • E Maj • 03:29 • -3.24db
47% Popularity • 53% Danceability • 82% Energy • 30% Liveness
0% Instrumentalness • 55% Positiveness
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HARDY
red
140 bpm • B Maj • 03:25 • -4.56db
71% Popularity • 58% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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Kameron Marlowe
Steady Heart
144 bpm • F# Maj • 03:34 • -7db
55% Popularity • 52% Danceability • 48% Energy • 25% Liveness
0% Instrumentalness • 18% Positiveness
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Ella Langley
Country Boy's Dream Girl
140 bpm • G# Maj • 03:05 • -4.56db
62% Popularity • 59% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Jon Langston
Try Missing You
144 bpm • F# Maj • 03:26 • -5.92db
43% Popularity • 53% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Luke Combs
Cold As You
144 bpm • F# Maj • 03:06 • -4.96db
67% Popularity • 60% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Carly Pearce
Should’ve Known Better
144 bpm • C Maj • 03:01 • -6db
55% Popularity • 66% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
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HARDY
wait in the truck
140 bpm • F# Maj • 04:37 • -6.98db
69% Popularity • 53% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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HIXTAPE
My Kinda Livin’ (HARDY Hunter Phelps, ...
144 bpm • B Maj • 03:19 • -5.88db
57% Popularity • 57% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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Lainey Wilson
Heart Like A Truck
140 bpm • A Maj • 03:19 • -5.42db
74% Popularity • 59% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
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Morgan Wallen
Your Bartender
140 bpm • E Maj • 03:05 • -5.24db
65% Popularity • 56% Danceability • 77% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
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Muscadine Bloodline
Can't Tell You No
140 bpm • F# Maj • 03:11 • -7.79db
62% Popularity • 87% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
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Justin Moore
You, Me, And Whiskey
144 bpm • C min • 03:07 • -4.35db
65% Popularity • 56% Danceability • 88% Energy • 17% Liveness
0% Instrumentalness • 42% Positiveness
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Luke Combs
Used to You
140 bpm • F# Maj • 03:56 • -6.97db
60% Popularity • 58% Danceability • 59% Energy • 36% Liveness
0% Instrumentalness • 25% Positiveness
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Dylan Marlowe
Record High
140 bpm • C# Maj • 03:28 • -5.32db
56% Popularity • 53% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Lainey Wilson
Things A Man Oughta Know
140 bpm • D# Maj • 03:23 • -5.62db
72% Popularity • 66% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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The Cadillac Three
Take Me To The Bottom
140 bpm • A# Maj • 03:09 • -7db
55% Popularity • 62% Danceability • 55% Energy • 45% Liveness
0% Instrumentalness • 44% Positiveness
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Tyler Hubbard
35’s
140 bpm • A# Maj • 02:54 • -6db
53% Popularity • 53% Danceability • 79% Energy • 29% Liveness
0% Instrumentalness • 45% Positiveness
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Tyler Braden
Try Losing One
140 bpm • D Maj • 03:39 • -7.75db
50% Popularity • 46% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Sam Grow
The Blame
140 bpm • C# Maj • 03:10 • -6.57db
46% Popularity • 51% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
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Cole Swindell
Middle of a Memory
140 bpm • B Maj • 03:46 • -4.23db
60% Popularity • 53% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Lainey Wilson
Dirty Looks
140 bpm • D Maj • 03:14 • -5.05db
69% Popularity • 56% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Casey Donahew
Drove Me to the Whiskey
140 bpm • G Maj • 03:20 • -8.7db
53% Popularity • 48% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Riley Green
When She Comes Home Tonight
145 bpm • F# Maj • 04:10 • -7.32db
62% Popularity • 61% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 33% Positiveness
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Kolby Cooper
Boy From Anderson County
145 bpm • A Maj • 04:04 • -5.63db
40% Popularity • 52% Danceability • 69% Energy • 19% Liveness
0% Instrumentalness • 25% Positiveness
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Old Dominion
Can't Break Up Now
139 bpm • E Maj • 03:20 • -5.85db
56% Popularity • 46% Danceability • 57% Energy • 27% Liveness
0% Instrumentalness • 53% Positiveness
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Ian Munsick
More Than Me
146 bpm • A# Maj • 03:31 • -5.57db
53% Popularity • 50% Danceability • 74% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
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Lainey Wilson
Watermelon Moonshine
140 bpm • C# Maj • 03:28 • -6.71db
76% Popularity • 74% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
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Casey Donahew
Bad Guy
140 bpm • F Maj • 03:13 • -9.47db
48% Popularity • 67% Danceability • 35% Energy • 20% Liveness
0% Instrumentalness • 50% Positiveness
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Riley Green
Mississippi Or Me
146 bpm • F# Maj • 03:31 • -5.23db
62% Popularity • 41% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Sam Hunt
Breaking Up Was Easy In The 90's
146 bpm • A Maj • 03:35 • -5.4db
60% Popularity • 56% Danceability • 65% Energy • 34% Liveness
0% Instrumentalness • 38% Positiveness
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Jake Owen
Homemade
146 bpm • F# Maj • 03:12 • -2.7db
60% Popularity • 51% Danceability • 84% Energy • 20% Liveness
0% Instrumentalness • 57% Positiveness
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Luke Grimes
Hold On
146 bpm • D# Maj • 03:04 • -8.06db
52% Popularity • 61% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Jimmie Allen
down home
146 bpm • A Maj • 03:22 • -3.62db
53% Popularity • 58% Danceability • 82% Energy • 18% Liveness
0% Instrumentalness • 61% Positiveness
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Elvie Shane
My Boy
146 bpm • A Maj • 03:23 • -5.33db
59% Popularity • 68% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Travis Denning
David Ashley Parker From Powder Springs
138 bpm • F Maj • 03:30 • -5db
48% Popularity • 56% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Bailey Zimmerman
Chase Her
146 bpm • F Maj • 03:18 • -6.29db
60% Popularity • 51% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Dierks Bentley
Beers On Me
146 bpm • E Maj • 02:54 • -4.25db
69% Popularity • 59% Danceability • 85% Energy • 53% Liveness
0% Instrumentalness • 73% Positiveness
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Kelsea Ballerini
half of my hometown
138 bpm • A# Maj • 03:51 • -4.97db
64% Popularity • 57% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
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Redferrin
Jack and Diet Coke
138 bpm • E min • 03:13 • -6.46db
72% Popularity • 67% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Justin Moore
The Ones That Didn’t Make It Back Home
138 bpm • D# Maj • 03:11 • -4.87db
61% Popularity • 54% Danceability • 78% Energy • 22% Liveness
0% Instrumentalness • 47% Positiveness
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Luke Combs
Better Together
138 bpm • C Maj • 03:39 • -11.5db
76% Popularity • 55% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Bailey Zimmerman
Trainwreck
138 bpm • G Maj • 03:30 • -6db
56% Popularity • 51% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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Morgan Wallen
Silverado For Sale
138 bpm • C Maj • 03:44 • -5.93db
67% Popularity • 59% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Flatland Cavalry
Gettin' By
146 bpm • G Maj • 03:06 • -4.95db
58% Popularity • 49% Danceability • 67% Energy • 24% Liveness
0% Instrumentalness • 37% Positiveness
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Tyler Braden
Love Is a Dead End Road
138 bpm • E Maj • 03:15 • -6db
37% Popularity • 59% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Dalton Dover
Giving Up On That
138 bpm • D# Maj • 03:31 • -4.41db
50% Popularity • 46% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Larry Fleet
Where I Find God
138 bpm • B Maj • 04:09 • -6.2db
64% Popularity • 59% Danceability • 52% Energy • 10% Liveness
1% Instrumentalness • 18% Positiveness
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Bailey Zimmerman
Get to Gettin’ Gone
146 bpm • F# Maj • 03:02 • -6.78db
65% Popularity • 58% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Ian Munsick
Cowgirl Jo
138 bpm • G# Maj • 04:03 • -7db
39% Popularity • 60% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Carly Pearce
What He Didn't Do
138 bpm • A Maj • 03:11 • -5.93db
70% Popularity • 63% Danceability • 63% Energy • 29% Liveness
0% Instrumentalness • 56% Positiveness
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Megan Moroney
No Caller ID
146 bpm • E Maj • 03:28 • -6.09db
75% Popularity • 33% Danceability • 53% Energy • 19% Liveness
0% Instrumentalness • 11% Positiveness
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Koe Wetzel
So Low
137 bpm • C# min • 03:53 • -6.38db
54% Popularity • 51% Danceability • 56% Energy • 13% Liveness
6% Instrumentalness • 24% Positiveness
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Treaty Oak Revival
In Between
147 bpm • D# Maj • 03:40 • -3.56db
72% Popularity • 50% Danceability • 95% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Brantley Gilbert
The Worst Country Song Of All Time
147 bpm • G Maj • 03:19 • -5db
49% Popularity • 51% Danceability • 87% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
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Chase Rice
Key West & Colorado
137 bpm • D Maj • 03:26 • -4.77db
45% Popularity • 48% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Ian Munsick
Long Haul - Stripped
137 bpm • F# Maj • 04:02 • -6.4db
42% Popularity • 43% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Morgan Wallen
Somebody’s Problem
137 bpm • F Maj • 02:41 • -8db
72% Popularity • 66% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Thomas Rhett
Country Again
148 bpm • D Maj • 03:41 • -7db
55% Popularity • 47% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Jameson Rodgers
Cold Beer Calling My Name
148 bpm • G Maj • 03:30 • -4db
64% Popularity • 58% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
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Riley Green
Way Out Here
148 bpm • C Maj • 03:41 • -5.58db
62% Popularity • 48% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Long Haul