Songs like Long Live Rock & Roll by Daughtry
Based on a tempo of (+/- 10%) and a similar genre
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Hot Chelle Rae
Forever Unstoppable
114 bpm • A Maj • 04:02 • -5.77db
26% Popularity • 67% Danceability • 74% Energy • 41% Liveness
0% Instrumentalness • 67% Positiveness
26% Popularity • 67% Danceability • 74% Energy • 41% Liveness
0% Instrumentalness • 67% Positiveness
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Nashville Cast
Telescope
114 bpm • C Maj • 03:19 • -4.09db
32% Popularity • 64% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
32% Popularity • 64% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Andrew Allen
What You Wanted
114 bpm • C Maj • 02:53 • -4.26db
31% Popularity • 73% Danceability • 90% Energy • 22% Liveness
0% Instrumentalness • 79% Positiveness
31% Popularity • 73% Danceability • 90% Energy • 22% Liveness
0% Instrumentalness • 79% Positiveness
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Daughtry
Long Live Rock & Roll
114 bpm • A# Maj • 03:36 • -5.67db
44% Popularity • 67% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
44% Popularity • 67% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
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Something in the Night
We Don't Have to Be Ordinary
114 bpm • A# Maj • 03:32 • -8db
27% Popularity • 61% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
27% Popularity • 61% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
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Five For Fighting
Road To You
115 bpm • C Maj • 02:51 • -6db
34% Popularity • 65% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
34% Popularity • 65% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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Scott Stapp
Dying To Live
115 bpm • A Maj • 04:06 • -4.89db
36% Popularity • 59% Danceability • 75% Energy • 18% Liveness
0% Instrumentalness • 42% Positiveness
36% Popularity • 59% Danceability • 75% Energy • 18% Liveness
0% Instrumentalness • 42% Positiveness
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Gloriana
Can't Shake You
113 bpm • A Maj • 04:26 • -6.61db
39% Popularity • 65% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
39% Popularity • 65% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Patent Pending
Brighter
115 bpm • C Maj • 03:46 • -6db
36% Popularity • 73% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
36% Popularity • 73% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
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Daughtry
18 Years
113 bpm • C Maj • 04:51 • -6.21db
35% Popularity • 59% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
35% Popularity • 59% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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Rixton
Speakerphone
115 bpm • B Maj • 03:28 • -6.09db
46% Popularity • 73% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
46% Popularity • 73% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Brad Paisley
Without a Fight
113 bpm • C Maj • 03:54 • -6db
40% Popularity • 58% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
40% Popularity • 58% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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The Fray
Love Don't Die
115 bpm • B min • 03:03 • -4.49db
55% Popularity • 63% Danceability • 80% Energy • 20% Liveness
0% Instrumentalness • 28% Positiveness
55% Popularity • 63% Danceability • 80% Energy • 20% Liveness
0% Instrumentalness • 28% Positiveness
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Lady A
Lie With Me
112 bpm • A# Maj • 03:21 • -6.34db
29% Popularity • 66% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
29% Popularity • 66% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
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Corey Gray
Where We're Going
112 bpm • C# min • 03:53 • -8.14db
20% Popularity • 52% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
20% Popularity • 52% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
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My Darkest Days
Like Nobody Else
116 bpm • G# min • 03:41 • -4db
45% Popularity • 51% Danceability • 90% Energy • 30% Liveness
0% Instrumentalness • 57% Positiveness
45% Popularity • 51% Danceability • 90% Energy • 30% Liveness
0% Instrumentalness • 57% Positiveness
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Andy Grammer
Sinner
112 bpm • B min • 03:40 • -5.73db
30% Popularity • 64% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
30% Popularity • 64% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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eleventyseven
And I'm a Mormon
112 bpm • F# Maj • 03:03 • -4.03db
17% Popularity • 66% Danceability • 94% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
17% Popularity • 66% Danceability • 94% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
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The Fray
Over My Head (Cable Car)
116 bpm • G# Maj • 03:56 • -4.16db
73% Popularity • 59% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 71% Positiveness
73% Popularity • 59% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 71% Positiveness
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Olivia Lane
Steal Me Away
112 bpm • E Maj • 03:03 • -4.35db
24% Popularity • 62% Danceability • 88% Energy • 36% Liveness
0% Instrumentalness • 63% Positiveness
24% Popularity • 62% Danceability • 88% Energy • 36% Liveness
0% Instrumentalness • 63% Positiveness
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Lady A
Our Kind Of Love
112 bpm • E Maj • 04:09 • -3.46db
41% Popularity • 63% Danceability • 93% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
41% Popularity • 63% Danceability • 93% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
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Matchbox Twenty
Sleeping at the Wheel
112 bpm • B Maj • 03:48 • -9.62db
32% Popularity • 64% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
32% Popularity • 64% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Black Stone Cherry
Like I Roll
117 bpm • A Maj • 03:31 • -2.8db
43% Popularity • 54% Danceability • 94% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
43% Popularity • 54% Danceability • 94% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
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Capital Lights
Mile Away
118 bpm • F Maj • 03:43 • -7db
29% Popularity • 78% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
29% Popularity • 78% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
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Tyrone Wells
Remain
118 bpm • A Maj • 03:05 • -3.13db
14% Popularity • 54% Danceability • 76% Energy • 34% Liveness
0% Instrumentalness • 28% Positiveness
14% Popularity • 54% Danceability • 76% Energy • 34% Liveness
0% Instrumentalness • 28% Positiveness
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Ronan Keating
Fires
118 bpm • F Maj • 03:50 • -3.29db
23% Popularity • 58% Danceability • 94% Energy • 31% Liveness
0% Instrumentalness • 19% Positiveness
23% Popularity • 58% Danceability • 94% Energy • 31% Liveness
0% Instrumentalness • 19% Positiveness
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Outasight
I'll Drink to That
110 bpm • A Maj • 03:12 • -3db
21% Popularity • 48% Danceability • 94% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
21% Popularity • 48% Danceability • 94% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
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Matchbox Twenty
She's so Mean
118 bpm • C Maj • 03:52 • -3.73db
60% Popularity • 67% Danceability • 88% Energy • 28% Liveness
0% Instrumentalness • 68% Positiveness
60% Popularity • 67% Danceability • 88% Energy • 28% Liveness
0% Instrumentalness • 68% Positiveness
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Hot Chelle Rae
Downtown Girl
118 bpm • G Maj • 02:56 • -5.6db
40% Popularity • 68% Danceability • 73% Energy • 25% Liveness
0% Instrumentalness • 78% Positiveness
40% Popularity • 68% Danceability • 73% Energy • 25% Liveness
0% Instrumentalness • 78% Positiveness
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eleventyseven
All the Doubt in Town
110 bpm • F# Maj • 03:56 • -6db
31% Popularity • 64% Danceability • 90% Energy • 34% Liveness
0% Instrumentalness • 67% Positiveness
31% Popularity • 64% Danceability • 90% Energy • 34% Liveness
0% Instrumentalness • 67% Positiveness
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Zac Brown Band
From Now On
110 bpm • D# Maj • 04:20 • -3.87db
53% Popularity • 54% Danceability • 81% Energy • 36% Liveness
0% Instrumentalness • 26% Positiveness
53% Popularity • 54% Danceability • 81% Energy • 36% Liveness
0% Instrumentalness • 26% Positiveness
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Matt Nathanson
Run
110 bpm • B Maj • 04:09 • -6db
43% Popularity • 62% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
43% Popularity • 62% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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Good Charlotte
Like It's Her Birthday
110 bpm • B Maj • 03:30 • -3db
48% Popularity • 59% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
48% Popularity • 59% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
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Five For Fighting
The Riddle
119 bpm • A# Maj • 03:47 • -5.8db
49% Popularity • 59% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
49% Popularity • 59% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
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Joshua Micah
We're in Heaven
120 bpm • D Maj • 04:06 • -7db
20% Popularity • 45% Danceability • 34% Energy • 18% Liveness
0% Instrumentalness • 32% Positiveness
20% Popularity • 45% Danceability • 34% Energy • 18% Liveness
0% Instrumentalness • 32% Positiveness
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Matthew Puckett
Everything I Want
120 bpm • C Maj • 03:11 • -8db
17% Popularity • 67% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
17% Popularity • 67% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
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We As Human
We Fall Apart
120 bpm • C Maj • 03:50 • -7.22db
39% Popularity • 48% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
39% Popularity • 48% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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Alex & Sierra
Scarecrow
120 bpm • B Maj • 03:26 • -5db
39% Popularity • 66% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
39% Popularity • 66% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Lucy Hale
Red Dress
120 bpm • D# Maj • 04:38 • -4db
31% Popularity • 57% Danceability • 86% Energy • 21% Liveness
0% Instrumentalness • 62% Positiveness
31% Popularity • 57% Danceability • 86% Energy • 21% Liveness
0% Instrumentalness • 62% Positiveness
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Matt Wertz
Last Good Girl
120 bpm • F# Maj • 03:35 • -4.96db
12% Popularity • 67% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
12% Popularity • 67% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Morgan Evans
Young Again
120 bpm • F# Maj • 02:55 • -5.41db
48% Popularity • 61% Danceability • 83% Energy • 18% Liveness
0% Instrumentalness • 75% Positiveness
48% Popularity • 61% Danceability • 83% Energy • 18% Liveness
0% Instrumentalness • 75% Positiveness
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Tyrone Wells
Sink Or Swim
120 bpm • D Maj • 02:58 • -3.52db
38% Popularity • 61% Danceability • 81% Energy • 18% Liveness
0% Instrumentalness • 39% Positiveness
38% Popularity • 61% Danceability • 81% Energy • 18% Liveness
0% Instrumentalness • 39% Positiveness
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Jamestown Story
Barefoot and Bruised
120 bpm • F# Maj • 04:39 • -6.65db
27% Popularity • 53% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
27% Popularity • 53% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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The Script
Paint the Town Green
120 bpm • D Maj • 03:31 • -4.92db
52% Popularity • 65% Danceability • 82% Energy • 18% Liveness
0% Instrumentalness • 74% Positiveness
52% Popularity • 65% Danceability • 82% Energy • 18% Liveness
0% Instrumentalness • 74% Positiveness
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eleventyseven
Nobody's Business
120 bpm • F# Maj • 02:26 • -6.95db
20% Popularity • 62% Danceability • 90% Energy • 53% Liveness
0% Instrumentalness • 85% Positiveness
20% Popularity • 62% Danceability • 90% Energy • 53% Liveness
0% Instrumentalness • 85% Positiveness
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Zac Brown Band
Tomorrow Never Comes
120 bpm • F Maj • 03:58 • -6db
49% Popularity • 63% Danceability • 79% Energy • 27% Liveness
0% Instrumentalness • 57% Positiveness
49% Popularity • 63% Danceability • 79% Energy • 27% Liveness
0% Instrumentalness • 57% Positiveness
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Marianas Trench
POP 101
120 bpm • B min • 04:07 • -6db
44% Popularity • 76% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
44% Popularity • 76% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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Brothers3
The Lucky Ones
120 bpm • C Maj • 03:28 • -5db
20% Popularity • 66% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
20% Popularity • 66% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
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My Favorite Highway
Bigger Than Love
120 bpm • D Maj • 03:49 • -5db
27% Popularity • 60% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
27% Popularity • 60% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Eric Hutchinson
Tell The World
120 bpm • E Maj • 02:41 • -5.9db
49% Popularity • 67% Danceability • 85% Energy • 29% Liveness
0% Instrumentalness • 71% Positiveness
49% Popularity • 67% Danceability • 85% Energy • 29% Liveness
0% Instrumentalness • 71% Positiveness
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OneRepublic
Love Runs Out
120 bpm • G Maj • 03:44 • -3.79db
65% Popularity • 72% Danceability • 93% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
65% Popularity • 72% Danceability • 93% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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The RockAteers
Love and War
120 bpm • A# Maj • 03:42 • -3.92db
11% Popularity • 56% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
11% Popularity • 56% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Marianas Trench
Haven't Had Enough
120 bpm • D Maj • 03:28 • -5.04db
52% Popularity • 79% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
52% Popularity • 79% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
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New Hollow
She Ain't You
120 bpm • E Maj • 03:30 • -5db
37% Popularity • 64% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
37% Popularity • 64% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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Faber Drive
I'll Be There
108 bpm • C# Maj • 03:28 • -4.33db
26% Popularity • 66% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
26% Popularity • 66% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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Beach Avenue
Coming Your Way
108 bpm • D Maj • 03:03 • -6.4db
29% Popularity • 66% Danceability • 62% Energy • 56% Liveness
0% Instrumentalness • 42% Positiveness
29% Popularity • 66% Danceability • 62% Energy • 56% Liveness
0% Instrumentalness • 42% Positiveness
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Tufts Beelzebubs
Hey Juliet
108 bpm • C# Maj • 02:35 • -6db
35% Popularity • 69% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
35% Popularity • 69% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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Daughtry
Utopia
108 bpm • C min • 04:09 • -4.43db
33% Popularity • 64% Danceability • 79% Energy • 5% Liveness
0% Instrumentalness • 75% Positiveness
33% Popularity • 64% Danceability • 79% Energy • 5% Liveness
0% Instrumentalness • 75% Positiveness
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Colbie Caillat
Never Gonna Let You Down
108 bpm • C Maj • 04:08 • -6.14db
42% Popularity • 65% Danceability • 73% Energy • 19% Liveness
0% Instrumentalness • 40% Positiveness
42% Popularity • 65% Danceability • 73% Energy • 19% Liveness
0% Instrumentalness • 40% Positiveness
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fun.
Some Nights
108 bpm • C Maj • 04:37 • -7.05db
69% Popularity • 67% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
69% Popularity • 67% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Thriving Ivory
Some Kind Of Home
121 bpm • A# Maj • 03:57 • -4db
29% Popularity • 43% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
29% Popularity • 43% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Five For Fighting
100 Years
121 bpm • G Maj • 04:04 • -7.46db
65% Popularity • 64% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 28% Positiveness
65% Popularity • 64% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 28% Positiveness
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Marianas Trench
Who Do You Love
107 bpm • D Maj • 03:52 • -7.51db
52% Popularity • 68% Danceability • 71% Energy • 22% Liveness
0% Instrumentalness • 56% Positiveness
52% Popularity • 68% Danceability • 71% Energy • 22% Liveness
0% Instrumentalness • 56% Positiveness
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Hunter Parrish
Sitting At Home
107 bpm • C# Maj • 02:51 • -4db
20% Popularity • 57% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
20% Popularity • 57% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Lifehouse
Between The Raindrops
107 bpm • F# Maj • 04:45 • -6.67db
53% Popularity • 52% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 24% Positiveness
53% Popularity • 52% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 24% Positiveness
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Shania Twain
Party For Two - Pop Version With Intro
122 bpm • B Maj • 03:32 • -3.96db
32% Popularity • 71% Danceability • 86% Energy • 30% Liveness
0% Instrumentalness • 92% Positiveness
32% Popularity • 71% Danceability • 86% Energy • 30% Liveness
0% Instrumentalness • 92% Positiveness
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Taylor Henderson
Brighter Days
122 bpm • D Maj • 03:17 • -4.03db
18% Popularity • 60% Danceability • 74% Energy • 22% Liveness
0% Instrumentalness • 70% Positiveness
18% Popularity • 60% Danceability • 74% Energy • 22% Liveness
0% Instrumentalness • 70% Positiveness
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Steven Tyler
(It) Feels So Good
122 bpm • F# min • 03:31 • -3.39db
28% Popularity • 74% Danceability • 95% Energy • 22% Liveness
0% Instrumentalness • 90% Positiveness
28% Popularity • 74% Danceability • 95% Energy • 22% Liveness
0% Instrumentalness • 90% Positiveness
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Matchbox Twenty
Put Your Hands Up
122 bpm • D Maj • 02:53 • -4.7db
35% Popularity • 64% Danceability • 80% Energy • 3% Liveness
0% Instrumentalness • 86% Positiveness
35% Popularity • 64% Danceability • 80% Energy • 3% Liveness
0% Instrumentalness • 86% Positiveness
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Thriving Ivory
Run
122 bpm • B Maj • 04:22 • -3.16db
20% Popularity • 45% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
20% Popularity • 45% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Green River Ordinance
Heart of Me
122 bpm • A Maj • 03:29 • -5db
22% Popularity • 52% Danceability • 78% Energy • 35% Liveness
0% Instrumentalness • 59% Positiveness
22% Popularity • 52% Danceability • 78% Energy • 35% Liveness
0% Instrumentalness • 59% Positiveness
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Andy Grammer
Honey, I'm Good. (Duet w/ Eli Young Band...
122 bpm • A Maj • 03:19 • -5.32db
43% Popularity • 69% Danceability • 92% Energy • 34% Liveness
0% Instrumentalness • 70% Positiveness
43% Popularity • 69% Danceability • 92% Energy • 34% Liveness
0% Instrumentalness • 70% Positiveness
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Daughtry
Spaceship
106 bpm • D Maj • 03:51 • -4.9db
34% Popularity • 53% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
34% Popularity • 53% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Bryan Adams
Get Off My Back
122 bpm • C# Maj • 02:48 • -6.46db
54% Popularity • 66% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
54% Popularity • 66% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
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MKTO
American Dream
123 bpm • C Maj • 03:45 • -5db
58% Popularity • 55% Danceability • 77% Energy • 23% Liveness
0% Instrumentalness • 50% Positiveness
58% Popularity • 55% Danceability • 77% Energy • 23% Liveness
0% Instrumentalness • 50% Positiveness
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The Royal
Headfirst
123 bpm • A Maj • 03:30 • -3db
33% Popularity • 61% Danceability • 83% Energy • 5% Liveness
0% Instrumentalness • 71% Positiveness
33% Popularity • 61% Danceability • 83% Energy • 5% Liveness
0% Instrumentalness • 71% Positiveness
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Phillip Phillips
Searchlight
123 bpm • B min • 04:12 • -5db
39% Popularity • 49% Danceability • 92% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
39% Popularity • 49% Danceability • 92% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
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Ulf Nilsson
Where Do I Go
123 bpm • A# min • 04:29 • -7.38db
14% Popularity • 60% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
14% Popularity • 60% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Daughtry
Waiting for Superman
106 bpm • C Maj • 04:26 • -5.71db
59% Popularity • 56% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
59% Popularity • 56% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
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Steven Tyler
Love Is Your Name
105 bpm • E Maj • 03:30 • -6db
38% Popularity • 49% Danceability • 83% Energy • 28% Liveness
0% Instrumentalness • 34% Positiveness
38% Popularity • 49% Danceability • 83% Energy • 28% Liveness
0% Instrumentalness • 34% Positiveness
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Marianas Trench
Stutter
105 bpm • F# min • 03:21 • -3.73db
56% Popularity • 74% Danceability • 93% Energy • 5% Liveness
0% Instrumentalness • 54% Positiveness
56% Popularity • 74% Danceability • 93% Energy • 5% Liveness
0% Instrumentalness • 54% Positiveness
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BOYS LIKE GIRLS
Red Cup Hands Up Long Brown Hair
105 bpm • B Maj • 02:54 • -5.13db
26% Popularity • 65% Danceability • 91% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
26% Popularity • 65% Danceability • 91% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
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Faber Drive
G-Get Up and Dance!
124 bpm • B min • 03:09 • -6.74db
35% Popularity • 63% Danceability • 87% Energy • 60% Liveness
0% Instrumentalness • 45% Positiveness
35% Popularity • 63% Danceability • 87% Energy • 60% Liveness
0% Instrumentalness • 45% Positiveness
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Taylor Henderson
Light Up the Dark
124 bpm • C# min • 03:59 • -4.2db
21% Popularity • 55% Danceability • 93% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
21% Popularity • 55% Danceability • 93% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
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Daughtry
Baptized
123 bpm • F# min • 03:10 • -6.44db
44% Popularity • 61% Danceability • 86% Energy • 86% Liveness
0% Instrumentalness • 64% Positiveness
44% Popularity • 61% Danceability • 86% Energy • 86% Liveness
0% Instrumentalness • 64% Positiveness
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Christina Grimmie
Must Be Love
124 bpm • D Maj • 02:52 • -4.26db
33% Popularity • 66% Danceability • 93% Energy • 18% Liveness
1% Instrumentalness • 66% Positiveness
33% Popularity • 66% Danceability • 93% Energy • 18% Liveness
1% Instrumentalness • 66% Positiveness
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Marianas Trench
Here's To The Zeros
105 bpm • F# Maj • 03:50 • -5.73db
44% Popularity • 78% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
44% Popularity • 78% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
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P!nk
Today's The Day
124 bpm • C min • 03:44 • -4.67db
48% Popularity • 50% Danceability • 92% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
48% Popularity • 50% Danceability • 92% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
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Greek Fire
If This Is the End (The Sound of Belief)
124 bpm • F# Maj • 05:01 • -5.96db
12% Popularity • 33% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 44% Positiveness
12% Popularity • 33% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 44% Positiveness
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Mikey Wax
You Lift Me Up
124 bpm • D# min • 03:46 • -4db
42% Popularity • 52% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
42% Popularity • 52% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Fuel
Leave the Memories Alone
124 bpm • D Maj • 03:57 • -4.67db
33% Popularity • 29% Danceability • 91% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
33% Popularity • 29% Danceability • 91% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
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Thriving Ivory
On Your Side
125 bpm • E Maj • 03:53 • -3.88db
27% Popularity • 50% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
27% Popularity • 50% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Todd Carey
Nintendo
125 bpm • C Maj • 02:58 • -3.29db
39% Popularity • 72% Danceability • 93% Energy • 16% Liveness
0% Instrumentalness • 69% Positiveness
39% Popularity • 72% Danceability • 93% Energy • 16% Liveness
0% Instrumentalness • 69% Positiveness
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Stage Dolls
Into the Fire
125 bpm • C Maj • 02:58 • -3.99db
11% Popularity • 64% Danceability • 81% Energy • 30% Liveness
0% Instrumentalness • 59% Positiveness
11% Popularity • 64% Danceability • 81% Energy • 30% Liveness
0% Instrumentalness • 59% Positiveness
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Phillip Phillips
Get Up Get Down
104 bpm • D Maj • 03:16 • -4.38db
36% Popularity • 67% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
36% Popularity • 67% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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Daughtry
Cinderella
104 bpm • B Maj • 03:13 • -5.97db
34% Popularity • 78% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
34% Popularity • 78% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
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Alan Doyle
Take Us Home
104 bpm • A# Maj • 03:25 • -6db
34% Popularity • 58% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
34% Popularity • 58% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Sam Hunt
House Party
104 bpm • G# Maj • 03:10 • -5.25db
69% Popularity • 75% Danceability • 86% Energy • 3% Liveness
0% Instrumentalness • 86% Positiveness
69% Popularity • 75% Danceability • 86% Energy • 3% Liveness
0% Instrumentalness • 86% Positiveness
