Songs like Long Long Way by Damien Rice
Based on a tempo of (+/- 10%) and a similar genre
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Damien Rice
Long Long Way
124 bpm • C Maj • 06:21 • -9.88db
29% Popularity • 28% Danceability • 28% Energy • 12% Liveness
8% Instrumentalness • 8% Positiveness
29% Popularity • 28% Danceability • 28% Energy • 12% Liveness
8% Instrumentalness • 8% Positiveness
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Ben Hammersley
Pantomime
124 bpm • D Maj • 03:59 • -12.63db
27% Popularity • 57% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
27% Popularity • 57% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Scott Matthews
Ballerina Lake
125 bpm • F Maj • 04:35 • -19.19db
14% Popularity • 50% Danceability • 18% Energy • 10% Liveness
21% Instrumentalness • 16% Positiveness
14% Popularity • 50% Danceability • 18% Energy • 10% Liveness
21% Instrumentalness • 16% Positiveness
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Quiet Arrows
You Are My Planet
125 bpm • C Maj • 03:01 • -11.08db
24% Popularity • 60% Danceability • 29% Energy • 9% Liveness
88% Instrumentalness • 22% Positiveness
24% Popularity • 60% Danceability • 29% Energy • 9% Liveness
88% Instrumentalness • 22% Positiveness
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Alexi Murdoch
Through The Dark
123 bpm • G Maj • 05:30 • -19db
41% Popularity • 57% Danceability • 13% Energy • 11% Liveness
92% Instrumentalness • 19% Positiveness
41% Popularity • 57% Danceability • 13% Energy • 11% Liveness
92% Instrumentalness • 19% Positiveness
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Hayden Calnin
Coward
124 bpm • C Maj • 04:12 • -9db
32% Popularity • 41% Danceability • 47% Energy • 13% Liveness
25% Instrumentalness • 22% Positiveness
32% Popularity • 41% Danceability • 47% Energy • 13% Liveness
25% Instrumentalness • 22% Positiveness
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Chris Garneau
Black & Blue
123 bpm • C Maj • 05:32 • -9.69db
20% Popularity • 50% Danceability • 21% Energy • 16% Liveness
0% Instrumentalness • 12% Positiveness
20% Popularity • 50% Danceability • 21% Energy • 16% Liveness
0% Instrumentalness • 12% Positiveness
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Aidan Hawken
Unravelled
125 bpm • D Maj • 03:12 • -15.42db
11% Popularity • 27% Danceability • 9% Energy • 12% Liveness
85% Instrumentalness • 12% Positiveness
11% Popularity • 27% Danceability • 9% Energy • 12% Liveness
85% Instrumentalness • 12% Positiveness
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Trent Dabbs
I'm Not OK
123 bpm • D Maj • 04:00 • -9.07db
29% Popularity • 62% Danceability • 32% Energy • 9% Liveness
7% Instrumentalness • 24% Positiveness
29% Popularity • 62% Danceability • 32% Energy • 9% Liveness
7% Instrumentalness • 24% Positiveness
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Patrick Watson
Words In The Fire
125 bpm • G Maj • 03:53 • -12.02db
2% Popularity • 54% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
2% Popularity • 54% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Alexi Murdoch
Orange Sky
125 bpm • D Maj • 06:19 • -20.54db
59% Popularity • 68% Danceability • 15% Energy • 10% Liveness
5% Instrumentalness • 12% Positiveness
59% Popularity • 68% Danceability • 15% Energy • 10% Liveness
5% Instrumentalness • 12% Positiveness
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Houses
Beginnings
125 bpm • C Maj • 05:07 • -10.25db
27% Popularity • 54% Danceability • 44% Energy • 12% Liveness
3% Instrumentalness • 4% Positiveness
27% Popularity • 54% Danceability • 44% Energy • 12% Liveness
3% Instrumentalness • 4% Positiveness
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Kevin Daniel
Guarded
125 bpm • E Maj • 04:25 • -9.47db
27% Popularity • 52% Danceability • 28% Energy • 12% Liveness
1% Instrumentalness • 13% Positiveness
27% Popularity • 52% Danceability • 28% Energy • 12% Liveness
1% Instrumentalness • 13% Positiveness
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Elizabeth & the Catapult
Do Not Hang Your Head
123 bpm • F Maj • 04:57 • -13db
10% Popularity • 24% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
10% Popularity • 24% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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Liz Lawrence
When I Was Younger
123 bpm • B Maj • 03:24 • -9.36db
37% Popularity • 61% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
37% Popularity • 61% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Iron & Wine
Time After Time
125 bpm • C# Maj • 02:50 • -13.3db
65% Popularity • 63% Danceability • 25% Energy • 11% Liveness
6% Instrumentalness • 64% Positiveness
65% Popularity • 63% Danceability • 25% Energy • 11% Liveness
6% Instrumentalness • 64% Positiveness
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Mikky Ekko
Time
122 bpm • F# Maj • 04:14 • -12db
39% Popularity • 48% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
39% Popularity • 48% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Family of the Year
Hey Ma
122 bpm • F Maj • 03:38 • -6db
20% Popularity • 42% Danceability • 35% Energy • 11% Liveness
1% Instrumentalness • 9% Positiveness
20% Popularity • 42% Danceability • 35% Energy • 11% Liveness
1% Instrumentalness • 9% Positiveness
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The Wealthy West
The Highest Tide
122 bpm • A Maj • 04:32 • -11.67db
24% Popularity • 46% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
24% Popularity • 46% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Glen Hansard
Philander
122 bpm • A min • 03:51 • -13.59db
2% Popularity • 47% Danceability • 18% Energy • 14% Liveness
15% Instrumentalness • 12% Positiveness
2% Popularity • 47% Danceability • 18% Energy • 14% Liveness
15% Instrumentalness • 12% Positiveness
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Damien Rice
Look At Me
122 bpm • A# Maj • 04:12 • -20.75db
30% Popularity • 52% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
30% Popularity • 52% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Trent Dabbs
The Way We Look at Horses
126 bpm • D min • 04:38 • -13.69db
18% Popularity • 28% Danceability • 47% Energy • 8% Liveness
92% Instrumentalness • 18% Positiveness
18% Popularity • 28% Danceability • 47% Energy • 8% Liveness
92% Instrumentalness • 18% Positiveness
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Wolf Larsen
Jedi
126 bpm • D# Maj • 04:43 • -12.92db
18% Popularity • 49% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
18% Popularity • 49% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Ingrid Michaelson
Keep Breathing
126 bpm • G Maj • 03:25 • -12db
51% Popularity • 52% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
51% Popularity • 52% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Sanders Bohlke
The Weight Of Us
126 bpm • D# Maj • 05:35 • -12db
42% Popularity • 46% Danceability • 57% Energy • 7% Liveness
1% Instrumentalness • 26% Positiveness
42% Popularity • 46% Danceability • 57% Energy • 7% Liveness
1% Instrumentalness • 26% Positiveness
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Matthew Perryman Jones
Looking For You Again
126 bpm • C# Maj • 04:23 • -10.71db
30% Popularity • 48% Danceability • 51% Energy • 9% Liveness
47% Instrumentalness • 10% Positiveness
30% Popularity • 48% Danceability • 51% Energy • 9% Liveness
47% Instrumentalness • 10% Positiveness
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Ray LaMontagne
Within You
122 bpm • D Maj • 05:43 • -9.78db
32% Popularity • 49% Danceability • 43% Energy • 10% Liveness
6% Instrumentalness • 37% Positiveness
32% Popularity • 49% Danceability • 43% Energy • 10% Liveness
6% Instrumentalness • 37% Positiveness
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Joy Williams
Until the Levee
126 bpm • D Maj • 02:40 • -10db
30% Popularity • 45% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
30% Popularity • 45% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Ciaran Lavery
This Conversation
126 bpm • A# Maj • 03:26 • -22.55db
20% Popularity • 44% Danceability • 5% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
20% Popularity • 44% Danceability • 5% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
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Paper Aeroplanes
Ribbons
122 bpm • F min • 03:43 • -15.41db
14% Popularity • 45% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
14% Popularity • 45% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Gem Club
I Heard the Party
122 bpm • A min • 04:13 • -14.51db
16% Popularity • 29% Danceability • 10% Energy • 11% Liveness
15% Instrumentalness • 5% Positiveness
16% Popularity • 29% Danceability • 10% Energy • 11% Liveness
15% Instrumentalness • 5% Positiveness
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CLOVES
Frail Love
126 bpm • A Maj • 03:25 • -6db
35% Popularity • 51% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
35% Popularity • 51% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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The Frames
Rise
122 bpm • E min • 03:26 • -11.14db
6% Popularity • 36% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
6% Popularity • 36% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Perfume Genius
Normal Song
127 bpm • D# Maj • 03:13 • -17db
39% Popularity • 55% Danceability • 13% Energy • 13% Liveness
39% Instrumentalness • 19% Positiveness
39% Popularity • 55% Danceability • 13% Energy • 13% Liveness
39% Instrumentalness • 19% Positiveness
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Tom Rosenthal
Take Care
127 bpm • F Maj • 01:54 • -11.1db
38% Popularity • 33% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
38% Popularity • 33% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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Ray LaMontagne
A Falling Through
121 bpm • C Maj • 04:25 • -13.74db
33% Popularity • 63% Danceability • 25% Energy • 9% Liveness
2% Instrumentalness • 26% Positiveness
33% Popularity • 63% Danceability • 25% Energy • 9% Liveness
2% Instrumentalness • 26% Positiveness
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Erin McCarley
I'll Never Go Away
121 bpm • C# Maj • 03:45 • -13.99db
25% Popularity • 41% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
25% Popularity • 41% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Matthew And The Atlas
Can't You See - Acoustic Version
127 bpm • A Maj • 04:48 • -17.63db
36% Popularity • 56% Danceability • 16% Energy • 7% Liveness
5% Instrumentalness • 17% Positiveness
36% Popularity • 56% Danceability • 16% Energy • 7% Liveness
5% Instrumentalness • 17% Positiveness
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Glen Hansard
Song Of Good Hope
127 bpm • G Maj • 03:48 • -18.47db
6% Popularity • 47% Danceability • 4% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
6% Popularity • 47% Danceability • 4% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
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Fauntella Crow
Lost Here
128 bpm • C Maj • 04:49 • -11.9db
17% Popularity • 30% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
17% Popularity • 30% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
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Damien Rice
Moody Mooday
128 bpm • F Maj • 03:50 • -10.52db
27% Popularity • 47% Danceability • 46% Energy • 11% Liveness
54% Instrumentalness • 12% Positiveness
27% Popularity • 47% Danceability • 46% Energy • 11% Liveness
54% Instrumentalness • 12% Positiveness
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Daniel Gidlund
Untold
120 bpm • D# Maj • 04:10 • -10.49db
18% Popularity • 41% Danceability • 38% Energy • 12% Liveness
17% Instrumentalness • 27% Positiveness
18% Popularity • 41% Danceability • 38% Energy • 12% Liveness
17% Instrumentalness • 27% Positiveness
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Erin McCarley
Into the Fire
128 bpm • D# min • 03:29 • -12.14db
41% Popularity • 30% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
41% Popularity • 30% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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S. Carey
Alpenglow
128 bpm • F min • 04:22 • -11.59db
27% Popularity • 30% Danceability • 33% Energy • 10% Liveness
49% Instrumentalness • 20% Positiveness
27% Popularity • 30% Danceability • 33% Energy • 10% Liveness
49% Instrumentalness • 20% Positiveness
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Gem Club
Braid
128 bpm • A# Maj • 05:19 • -11.34db
27% Popularity • 50% Danceability • 29% Energy • 10% Liveness
10% Instrumentalness • 11% Positiveness
27% Popularity • 50% Danceability • 29% Energy • 10% Liveness
10% Instrumentalness • 11% Positiveness
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Axel Flóvent
Nightlife
120 bpm • G# Maj • 05:12 • -15.06db
30% Popularity • 39% Danceability • 12% Energy • 10% Liveness
8% Instrumentalness • 7% Positiveness
30% Popularity • 39% Danceability • 12% Energy • 10% Liveness
8% Instrumentalness • 7% Positiveness
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Lykke Li
Sleeping Alone
128 bpm • A min • 02:59 • -8.14db
35% Popularity • 38% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
35% Popularity • 38% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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Andrew Belle
In My Veins - Erin Mccarley
128 bpm • C Maj • 05:18 • -7.84db
60% Popularity • 55% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
60% Popularity • 55% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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CAIRO
Addict
128 bpm • F# min • 05:06 • -11.68db
19% Popularity • 54% Danceability • 44% Energy • 9% Liveness
5% Instrumentalness • 18% Positiveness
19% Popularity • 54% Danceability • 44% Energy • 9% Liveness
5% Instrumentalness • 18% Positiveness
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I Will, I Swear
Mess
128 bpm • G# Maj • 03:08 • -9.77db
8% Popularity • 68% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
8% Popularity • 68% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Bruno Merz
Emmeline
128 bpm • E Maj • 04:10 • -19db
26% Popularity • 62% Danceability • 12% Energy • 8% Liveness
1% Instrumentalness • 12% Positiveness
26% Popularity • 62% Danceability • 12% Energy • 8% Liveness
1% Instrumentalness • 12% Positiveness
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Dave Thomas Junior
Lost At Sea
120 bpm • A# Maj • 05:11 • -10.3db
21% Popularity • 50% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
21% Popularity • 50% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
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Early Winters
Count Me In
120 bpm • A# Maj • 04:01 • -13.18db
39% Popularity • 62% Danceability • 18% Energy • 9% Liveness
1% Instrumentalness • 16% Positiveness
39% Popularity • 62% Danceability • 18% Energy • 9% Liveness
1% Instrumentalness • 16% Positiveness
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Dry the River
History Book - Acoustic
120 bpm • D Maj • 04:07 • -11.27db
17% Popularity • 41% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
17% Popularity • 41% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
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Cary Brothers
Disappear
120 bpm • E Maj • 04:47 • -8.96db
13% Popularity • 57% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
13% Popularity • 57% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Matthew Perryman Jones
Cold Answer
120 bpm • C# min • 04:36 • -10.16db
16% Popularity • 54% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
16% Popularity • 54% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Aquilo
I Gave It All
120 bpm • F# Maj • 03:52 • -11db
38% Popularity • 47% Danceability • 42% Energy • 38% Liveness
0% Instrumentalness • 12% Positiveness
38% Popularity • 47% Danceability • 42% Energy • 38% Liveness
0% Instrumentalness • 12% Positiveness
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Axel Flóvent
Beach
128 bpm • D Maj • 04:48 • -13db
38% Popularity • 52% Danceability • 17% Energy • 14% Liveness
0% Instrumentalness • 11% Positiveness
38% Popularity • 52% Danceability • 17% Energy • 14% Liveness
0% Instrumentalness • 11% Positiveness
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Great Lake Swimmers
Moving Pictures Silent Films
128 bpm • G Maj • 05:31 • -14db
29% Popularity • 38% Danceability • 24% Energy • 40% Liveness
5% Instrumentalness • 17% Positiveness
29% Popularity • 38% Danceability • 24% Energy • 40% Liveness
5% Instrumentalness • 17% Positiveness
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Morgan Taylor Reid
Where Do I Even Start?
120 bpm • F# min • 04:02 • -10db
35% Popularity • 57% Danceability • 40% Energy • 10% Liveness
8% Instrumentalness • 11% Positiveness
35% Popularity • 57% Danceability • 40% Energy • 10% Liveness
8% Instrumentalness • 11% Positiveness
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Zola Jesus
Skin
120 bpm • G# Maj • 04:21 • -17db
40% Popularity • 35% Danceability • 13% Energy • 9% Liveness
5% Instrumentalness • 8% Positiveness
40% Popularity • 35% Danceability • 13% Energy • 9% Liveness
5% Instrumentalness • 8% Positiveness
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Dry the River
The Chambers & The Valves - Acoustic
120 bpm • B Maj • 03:37 • -9.87db
13% Popularity • 38% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
13% Popularity • 38% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Isobel Anderson
Waiting for You
120 bpm • D Maj • 03:06 • -11db
34% Popularity • 34% Danceability • 32% Energy • 18% Liveness
0% Instrumentalness • 14% Positiveness
34% Popularity • 34% Danceability • 32% Energy • 18% Liveness
0% Instrumentalness • 14% Positiveness
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The Rescues
My Heart With You
120 bpm • C# Maj • 04:24 • -15.98db
32% Popularity • 40% Danceability • 5% Energy • 14% Liveness
0% Instrumentalness • 9% Positiveness
32% Popularity • 40% Danceability • 5% Energy • 14% Liveness
0% Instrumentalness • 9% Positiveness
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Damien Rice
Cold Water
120 bpm • C Maj • 04:59 • -16.37db
42% Popularity • 30% Danceability • 17% Energy • 9% Liveness
15% Instrumentalness • 9% Positiveness
42% Popularity • 30% Danceability • 17% Energy • 9% Liveness
15% Instrumentalness • 9% Positiveness
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Daniel Martin Moore
By Dream
119 bpm • G Maj • 02:29 • -19.62db
10% Popularity • 56% Danceability • 8% Energy • 12% Liveness
36% Instrumentalness • 25% Positiveness
10% Popularity • 56% Danceability • 8% Energy • 12% Liveness
36% Instrumentalness • 25% Positiveness
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Iko
Find a Place
119 bpm • A Maj • 05:22 • -11.49db
24% Popularity • 40% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
24% Popularity • 40% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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Novo Amor
Welcome to the Jungle
129 bpm • D# Maj • 03:16 • -11.22db
46% Popularity • 46% Danceability • 31% Energy • 11% Liveness
38% Instrumentalness • 7% Positiveness
46% Popularity • 46% Danceability • 31% Energy • 11% Liveness
38% Instrumentalness • 7% Positiveness
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S. Carey
In the Stream
129 bpm • D# Maj • 05:10 • -17db
33% Popularity • 34% Danceability • 24% Energy • 12% Liveness
18% Instrumentalness • 8% Positiveness
33% Popularity • 34% Danceability • 24% Energy • 12% Liveness
18% Instrumentalness • 8% Positiveness
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Early Morning Rebel
Life Boat
119 bpm • G Maj • 03:01 • -6.1db
23% Popularity • 60% Danceability • 30% Energy • 12% Liveness
4% Instrumentalness • 6% Positiveness
23% Popularity • 60% Danceability • 30% Energy • 12% Liveness
4% Instrumentalness • 6% Positiveness
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Natalie Merchant
My Skin
129 bpm • G# Maj • 05:32 • -15db
38% Popularity • 55% Danceability • 18% Energy • 7% Liveness
3% Instrumentalness • 21% Positiveness
38% Popularity • 55% Danceability • 18% Energy • 7% Liveness
3% Instrumentalness • 21% Positiveness
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Amy Stroup
Redeeming Love
130 bpm • C Maj • 03:41 • -10db
22% Popularity • 64% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
22% Popularity • 64% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Little Children
Distant Shouts
130 bpm • E min • 05:42 • -10db
21% Popularity • 44% Danceability • 57% Energy • 39% Liveness
19% Instrumentalness • 30% Positiveness
21% Popularity • 44% Danceability • 57% Energy • 39% Liveness
19% Instrumentalness • 30% Positiveness
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Tony Dekker
On My Way Back
130 bpm • D Maj • 02:59 • -10.33db
22% Popularity • 56% Danceability • 29% Energy • 10% Liveness
1% Instrumentalness • 26% Positiveness
22% Popularity • 56% Danceability • 29% Energy • 10% Liveness
1% Instrumentalness • 26% Positiveness
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The Slow Show
Falling Slow
118 bpm • E Maj • 02:49 • -10.15db
29% Popularity • 73% Danceability • 40% Energy • 8% Liveness
7% Instrumentalness • 17% Positiveness
29% Popularity • 73% Danceability • 40% Energy • 8% Liveness
7% Instrumentalness • 17% Positiveness
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Unkle Bob
Swans (Extended Version)
118 bpm • B min • 04:07 • -5.61db
18% Popularity • 49% Danceability • 67% Energy • 10% Liveness
1% Instrumentalness • 18% Positiveness
18% Popularity • 49% Danceability • 67% Energy • 10% Liveness
1% Instrumentalness • 18% Positiveness
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Fink
If Only
130 bpm • D Maj • 04:23 • -19.28db
45% Popularity • 69% Danceability • 11% Energy • 26% Liveness
0% Instrumentalness • 50% Positiveness
45% Popularity • 69% Danceability • 11% Energy • 26% Liveness
0% Instrumentalness • 50% Positiveness
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Simon Herron
A September Song
130 bpm • D# Maj • 02:48 • -16.7db
22% Popularity • 42% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
22% Popularity • 42% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Beta Radio
Return To Darden Road
130 bpm • G# Maj • 03:21 • -10db
26% Popularity • 56% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
26% Popularity • 56% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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José González
Stay Alive
130 bpm • F# Maj • 04:26 • -12.11db
69% Popularity • 71% Danceability • 31% Energy • 9% Liveness
17% Instrumentalness • 31% Positiveness
69% Popularity • 71% Danceability • 31% Energy • 9% Liveness
17% Instrumentalness • 31% Positiveness
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Pascal Pinon
Þerney (One Thing)
130 bpm • G Maj • 03:37 • -13db
23% Popularity • 54% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
23% Popularity • 54% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Paper Aeroplanes
Goldrush
130 bpm • D min • 03:28 • -16.08db
16% Popularity • 43% Danceability • 21% Energy • 22% Liveness
0% Instrumentalness • 16% Positiveness
16% Popularity • 43% Danceability • 21% Energy • 22% Liveness
0% Instrumentalness • 16% Positiveness
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Matthew Perryman Jones
I Don't Want to Leave
118 bpm • G Maj • 03:25 • -12.09db
21% Popularity • 53% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
21% Popularity • 53% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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Damien Rice
Trusty and True
118 bpm • G# Maj • 08:09 • -13db
31% Popularity • 53% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
31% Popularity • 53% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Rachael Yamagata
Sunday Afternoon
118 bpm • A min • 09:04 • -10db
28% Popularity • 29% Danceability • 38% Energy • 9% Liveness
28% Instrumentalness • 14% Positiveness
28% Popularity • 29% Danceability • 38% Energy • 9% Liveness
28% Instrumentalness • 14% Positiveness
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Jonas David
You in the fires
118 bpm • F# Maj • 05:00 • -8.77db
13% Popularity • 42% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
13% Popularity • 42% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Katie Herzig
Wish You Well
118 bpm • C# Maj • 04:05 • -10db
28% Popularity • 52% Danceability • 41% Energy • 25% Liveness
0% Instrumentalness • 13% Positiveness
28% Popularity • 52% Danceability • 41% Energy • 25% Liveness
0% Instrumentalness • 13% Positiveness
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I Will, I Swear
Long Days
118 bpm • D Maj • 03:21 • -16db
25% Popularity • 33% Danceability • 7% Energy • 27% Liveness
0% Instrumentalness • 8% Positiveness
25% Popularity • 33% Danceability • 7% Energy • 27% Liveness
0% Instrumentalness • 8% Positiveness
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Matthew Perryman Jones
Echoes of Eden
118 bpm • E Maj • 04:28 • -8.69db
12% Popularity • 84% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
12% Popularity • 84% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
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Perfume Genius
All Waters
130 bpm • C# min • 02:10 • -12.95db
25% Popularity • 18% Danceability • 28% Energy • 34% Liveness
0% Instrumentalness • 7% Positiveness
25% Popularity • 18% Danceability • 28% Energy • 34% Liveness
0% Instrumentalness • 7% Positiveness
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Andrew Belle
Make It Without You
118 bpm • C# Maj • 04:32 • -8.44db
41% Popularity • 46% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 16% Positiveness
41% Popularity • 46% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 16% Positiveness
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Glen Hansard & Marketa Irglova
The Moon
118 bpm • B min • 04:42 • -13.66db
38% Popularity • 59% Danceability • 7% Energy • 9% Liveness
1% Instrumentalness • 9% Positiveness
38% Popularity • 59% Danceability • 7% Energy • 9% Liveness
1% Instrumentalness • 9% Positiveness
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Over the Rhine
Born
131 bpm • F Maj • 06:13 • -11db
29% Popularity • 49% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
29% Popularity • 49% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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St Leonards
Best Part of Me
117 bpm • A Maj • 05:13 • -8.34db
25% Popularity • 48% Danceability • 71% Energy • 9% Liveness
48% Instrumentalness • 12% Positiveness
25% Popularity • 48% Danceability • 71% Energy • 9% Liveness
48% Instrumentalness • 12% Positiveness
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Unkle Bob
Swans
117 bpm • B min • 02:30 • -8.12db
40% Popularity • 39% Danceability • 41% Energy • 10% Liveness
1% Instrumentalness • 15% Positiveness
40% Popularity • 39% Danceability • 41% Energy • 10% Liveness
1% Instrumentalness • 15% Positiveness
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Bell X1
Careful What You Wish For
131 bpm • F Maj • 04:32 • -9db
27% Popularity • 64% Danceability • 60% Energy • 10% Liveness
7% Instrumentalness • 36% Positiveness
27% Popularity • 64% Danceability • 60% Energy • 10% Liveness
7% Instrumentalness • 36% Positiveness
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Of Monsters and Men
Slow And Steady
117 bpm • G# min • 05:01 • -7.14db
46% Popularity • 32% Danceability • 80% Energy • 36% Liveness
17% Instrumentalness • 31% Positiveness
46% Popularity • 32% Danceability • 80% Energy • 36% Liveness
17% Instrumentalness • 31% Positiveness
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OneRepublic
Au Revoir
117 bpm • D Maj • 04:50 • -9.41db
38% Popularity • 52% Danceability • 53% Energy • 12% Liveness
31% Instrumentalness • 11% Positiveness
38% Popularity • 52% Danceability • 53% Energy • 12% Liveness
31% Instrumentalness • 11% Positiveness
