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Long Time Comin'
Songs like
Long Time Comin'
by
John Hiatt
Based on a tempo of (+/- 10%) and a similar genre
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John Hiatt
Long Time Comin'
99 bpm • E Maj • 04:12 • -10db
52% Popularity • 65% Danceability • 42% Energy • 8% Liveness
53% Instrumentalness • 26% Positiveness
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Patty Griffin
Where I Come From
99 bpm • G min • 04:44 • -12.66db
30% Popularity • 50% Danceability • 42% Energy • 11% Liveness
2% Instrumentalness • 11% Positiveness
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The Be Good Tanyas
Draft Daughter's Blues aka Ootischenia
99 bpm • C Maj • 03:21 • -8.24db
48% Popularity • 56% Danceability • 58% Energy • 11% Liveness
6% Instrumentalness • 76% Positiveness
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Delbert McClinton
When Rita Leaves
100 bpm • E Maj • 04:37 • -10db
37% Popularity • 62% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Shelby Lynne
I Won't Die Alone
98 bpm • G# Maj • 02:41 • -12.71db
36% Popularity • 67% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Gram Parsons
A Song for You - 2002 Remaster
98 bpm • A Maj • 05:00 • -13.34db
35% Popularity • 44% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Bap Kennedy
Good as Gold
98 bpm • C# min • 02:48 • -13.71db
18% Popularity • 70% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
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Tom Russell
Touch of Evil
100 bpm • A Maj • 05:42 • -8.71db
12% Popularity • 71% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Nick Lowe
Lately I've Let Things Slide
98 bpm • G Maj • 03:06 • -7.99db
26% Popularity • 59% Danceability • 55% Energy • 26% Liveness
6% Instrumentalness • 45% Positiveness
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The Handsome Family
Just Like Tom Thumb's Blues
98 bpm • D Maj • 05:39 • -10.08db
31% Popularity • 56% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
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Shelby Lynne
Lungs
98 bpm • G# Maj • 02:54 • -11.76db
26% Popularity • 61% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Peter Wolf
Peace Of Mind
98 bpm • G# Maj • 03:48 • -11.61db
27% Popularity • 72% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Kieran Kane
Just Like That
98 bpm • C Maj • 03:30 • -12.02db
28% Popularity • 72% Danceability • 43% Energy • 9% Liveness
50% Instrumentalness • 75% Positiveness
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Iain Matthews
Seven Bridges Road
98 bpm • G Maj • 04:05 • -12.31db
32% Popularity • 40% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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John Hiatt
Only the Song Survives
98 bpm • G Maj • 04:00 • -9.69db
33% Popularity • 70% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
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Keb' Mo'
City Boy
100 bpm • G Maj • 04:06 • -14.88db
29% Popularity • 54% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Tom Russell
The Man From God Knows Where, Pt. 1
98 bpm • G Maj • 02:47 • -12.58db
23% Popularity • 64% Danceability • 43% Energy • 13% Liveness
3% Instrumentalness • 30% Positiveness
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Eric Bibb
Goin Down That Road Feelin´ Bad
97 bpm • C# Maj • 03:07 • -16db
33% Popularity • 52% Danceability • 23% Energy • 10% Liveness
18% Instrumentalness • 53% Positiveness
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Gillian Welch
The Way It Goes
98 bpm • F min • 04:01 • -9.08db
38% Popularity • 58% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Ted Hawkins
There Stands The Glass
101 bpm • F Maj • 02:33 • -9.54db
33% Popularity • 63% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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John Hiatt
Crossing Muddy Waters
101 bpm • A Maj • 04:05 • -9.93db
50% Popularity • 63% Danceability • 49% Energy • 33% Liveness
4% Instrumentalness • 49% Positiveness
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Bruce Cockburn
Going To The Country
101 bpm • F# Maj • 03:16 • -13.42db
37% Popularity • 48% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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James McMurtry
Song For A Deck Hands Daughter
97 bpm • C Maj • 03:30 • -20.01db
26% Popularity • 63% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Tom Rush
River Song
97 bpm • F Maj • 03:56 • -14.79db
16% Popularity • 66% Danceability • 41% Energy • 27% Liveness
23% Instrumentalness • 63% Positiveness
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Ray Bonneville
Lone Freighter's Wail
97 bpm • G min • 04:00 • -14.99db
11% Popularity • 63% Danceability • 24% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
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Chris Hillman
Wildflowers
101 bpm • E Maj • 02:51 • -7db
31% Popularity • 55% Danceability • 48% Energy • 34% Liveness
2% Instrumentalness • 56% Positiveness
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Martin Simpson
Blues Run the Game
97 bpm • D# Maj • 04:30 • -11db
21% Popularity • 44% Danceability • 52% Energy • 14% Liveness
8% Instrumentalness • 51% Positiveness
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Todd Snider
Fortunate Son
101 bpm • G Maj • 02:43 • -11db
30% Popularity • 56% Danceability • 26% Energy • 13% Liveness
3% Instrumentalness • 33% Positiveness
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Dave Alvin
Nine Volt Heart
97 bpm • C Maj • 04:57 • -10.61db
11% Popularity • 62% Danceability • 42% Energy • 16% Liveness
3% Instrumentalness • 50% Positiveness
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John Hiatt
Old People
96 bpm • F# Maj • 04:30 • -9.01db
26% Popularity • 61% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Ray Bonneville
Listen
97 bpm • G min • 03:48 • -14db
33% Popularity • 61% Danceability • 38% Energy • 11% Liveness
6% Instrumentalness • 73% Positiveness
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Gillian Welch
Everything Is Free
102 bpm • C Maj • 04:47 • -14.77db
39% Popularity • 69% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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J.J. Cale
Crazy Mama
96 bpm • B Maj • 02:22 • -19.45db
59% Popularity • 83% Danceability • 8% Energy • 8% Liveness
21% Instrumentalness • 48% Positiveness
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Graham Nash
Southbound Train - Remastered Version
102 bpm • F Maj • 03:55 • -10.62db
30% Popularity • 57% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Tim Easton
Sitting on Top of the World
96 bpm • A min • 02:54 • -16.94db
35% Popularity • 54% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Malcolm Holcombe
To Get By
96 bpm • C# Maj • 04:03 • -10.31db
22% Popularity • 68% Danceability • 49% Energy • 27% Liveness
0% Instrumentalness • 74% Positiveness
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Steve Forbert
January 23-30, 1978
95 bpm • A# Maj • 04:25 • -8.01db
23% Popularity • 59% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 87% Positiveness
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John Hiatt
Light Of The Burning Sun
103 bpm • F Maj • 04:38 • -15.26db
31% Popularity • 45% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Kieran Kane
I Don't Know Why
103 bpm • C# Maj • 03:09 • -14.8db
20% Popularity • 69% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Old Crow Medicine Show
Sad Eyed Lady of the Lowlands (Live)
103 bpm • G Maj • 09:27 • -5.98db
20% Popularity • 35% Danceability • 86% Energy • 83% Liveness
0% Instrumentalness • 55% Positiveness
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Dave Alvin
Blackjack David
94 bpm • A# Maj • 04:59 • -13db
16% Popularity • 50% Danceability • 40% Energy • 9% Liveness
9% Instrumentalness • 64% Positiveness
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Tom Waits
(Looking For) The Heart Of Saturday Nigh...
94 bpm • D Maj • 03:53 • -12.67db
46% Popularity • 63% Danceability • 21% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
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Steve Forbert
Romeo's Tune
95 bpm • A Maj • 03:32 • -5.65db
62% Popularity • 57% Danceability • 72% Energy • 30% Liveness
1% Instrumentalness • 73% Positiveness
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John Hiatt
Nobody Knew His Name
103 bpm • C Maj • 04:25 • -10.74db
27% Popularity • 60% Danceability • 45% Energy • 21% Liveness
0% Instrumentalness • 39% Positiveness
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John Mellencamp
Save Some Time To Dream
104 bpm • G Maj • 04:30 • -9.13db
28% Popularity • 66% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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Ry Cooder
Across the Borderline
94 bpm • D Maj • 03:05 • -18db
32% Popularity • 65% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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T Bone Burnett
Shut It Tight - 2006 Remaster
104 bpm • D min • 02:58 • -10.05db
31% Popularity • 56% Danceability • 47% Energy • 36% Liveness
0% Instrumentalness • 66% Positiveness
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Justin Townes Earle
Graceland
104 bpm • B Maj • 03:14 • -13.72db
51% Popularity • 57% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Paul Thorn
It's Never Too Late to Call
94 bpm • E Maj • 03:01 • -16.43db
21% Popularity • 64% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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John Hiatt
Sweet Dream
95 bpm • E Maj • 04:28 • -11.44db
23% Popularity • 48% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Ray Bonneville
Slow Matin'
94 bpm • D Maj • 03:01 • -11.72db
27% Popularity • 68% Danceability • 41% Energy • 11% Liveness
1% Instrumentalness • 69% Positiveness
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Warren Zevon
Carmelita
94 bpm • E Maj • 03:34 • -14db
47% Popularity • 74% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Don Henley
Searching For A Heart
104 bpm • B Maj • 04:05 • -11.09db
29% Popularity • 74% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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Joe Henry
Grave Angels
104 bpm • C Maj • 05:31 • -9.33db
23% Popularity • 63% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Susan Tedeschi
You Got The Silver
94 bpm • E Maj • 02:51 • -7.41db
43% Popularity • 42% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 54% Positiveness
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John Hiatt
Hide Your Tears
95 bpm • C Maj • 03:15 • -9db
24% Popularity • 60% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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The Notting Hillbillies
One Way Gal
105 bpm • D Maj • 03:09 • -14db
36% Popularity • 70% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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Robert Plant
Searching for My Love
94 bpm • A# Maj • 04:03 • -8db
32% Popularity • 63% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
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Blackie & The Rodeo Kings
Blow Me a Kiss
105 bpm • A Maj • 03:12 • -10.22db
23% Popularity • 70% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Steve Forbert
Sadly Sorta Like a Soap Opera
93 bpm • F# min • 03:39 • -8.53db
24% Popularity • 68% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Kieran Kane
Dark Eyed Gal
105 bpm • D Maj • 03:58 • -9.93db
12% Popularity • 50% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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John Hiatt
Lipstick Sunset
95 bpm • D Maj • 04:11 • -12.91db
31% Popularity • 57% Danceability • 30% Energy • 11% Liveness
1% Instrumentalness • 32% Positiveness
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Crosby & Nash
Lay Me Down
93 bpm • A# min • 03:36 • -10.6db
42% Popularity • 59% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Ted Hawkins
Long As I Can See The Light
105 bpm • G# Maj • 03:13 • -11.68db
29% Popularity • 43% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Dave Alvin
Black Rose of Texas
93 bpm • A Maj • 04:52 • -11.87db
12% Popularity • 60% Danceability • 40% Energy • 10% Liveness
1% Instrumentalness • 36% Positiveness
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Gordon Lightfoot
Early Morning Rain
105 bpm • F Maj • 03:18 • -16db
55% Popularity • 48% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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Lukas Nelson and Promise of the Real
Just Outside Of Austin
93 bpm • C Maj • 04:44 • -12.87db
43% Popularity • 60% Danceability • 41% Energy • 10% Liveness
1% Instrumentalness • 42% Positiveness
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John Hiatt
Baby's Gonna Kick
94 bpm • G# Maj • 04:07 • -6.46db
19% Popularity • 56% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Ray Bonneville
Sabine River
106 bpm • G# Maj • 04:46 • -11db
26% Popularity • 67% Danceability • 44% Energy • 31% Liveness
0% Instrumentalness • 77% Positiveness
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Malcolm Holcombe
Brother's Keeper
92 bpm • A# min • 02:43 • -10.97db
16% Popularity • 63% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Rod Picott
Girl From Arkansas
106 bpm • F# Maj • 03:38 • -9.23db
8% Popularity • 63% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Chris Hillman
Different Rivers
106 bpm • D Maj • 03:10 • -8.51db
13% Popularity • 62% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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Susan Tedeschi
Lord Protect My Child
106 bpm • G# Maj • 04:44 • -6.75db
29% Popularity • 64% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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John Hiatt
I Know How to Lose You
93 bpm • G Maj • 03:49 • -10.9db
30% Popularity • 64% Danceability • 45% Energy • 10% Liveness
1% Instrumentalness • 81% Positiveness
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Steve Forbert
Good Time Charlie's Got The Blues
92 bpm • F Maj • 03:06 • -10.29db
29% Popularity • 63% Danceability • 47% Energy • 9% Liveness
11% Instrumentalness • 46% Positiveness
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Malcolm Holcombe
Pitiful Blues
106 bpm • F min • 03:46 • -11db
28% Popularity • 52% Danceability • 51% Energy • 12% Liveness
18% Instrumentalness • 57% Positiveness
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John Sebastian
Good Time Charlie's Got The Blues
92 bpm • F Maj • 03:01 • -8.64db
23% Popularity • 65% Danceability • 45% Energy • 12% Liveness
1% Instrumentalness • 49% Positiveness
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Ray Bonneville
Shake off My Blues
107 bpm • G Maj • 03:09 • -13.29db
28% Popularity • 67% Danceability • 42% Energy • 15% Liveness
2% Instrumentalness • 67% Positiveness
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Eilen Jewell
Worried Mind
92 bpm • A Maj • 03:15 • -8db
43% Popularity • 43% Danceability • 61% Energy • 13% Liveness
8% Instrumentalness • 41% Positiveness
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John Hiatt
Gone
93 bpm • G Maj • 02:57 • -7.7db
43% Popularity • 71% Danceability • 64% Energy • 7% Liveness
13% Instrumentalness • 94% Positiveness
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Justin Townes Earle
Mama's Eyes
92 bpm • F Maj • 02:18 • -10.09db
46% Popularity • 63% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Pieta Brown
Do You Know?
92 bpm • A Maj • 03:01 • -8.85db
48% Popularity • 53% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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Richard Thompson
Persuasion
92 bpm • C Maj • 04:38 • -11.77db
37% Popularity • 62% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Iris DeMent
When My Morning Comes Around
107 bpm • A# Maj • 03:51 • -8db
30% Popularity • 54% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Shelby Lynne
Into My Arms
91 bpm • C Maj • 04:47 • -13.61db
31% Popularity • 64% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
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John Hiatt
Before I Go
107 bpm • E Maj • 03:34 • -7.9db
33% Popularity • 62% Danceability • 74% Energy • 20% Liveness
8% Instrumentalness • 76% Positiveness
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Ted Hawkins
Biloxi
107 bpm • F# Maj • 04:41 • -11.82db
26% Popularity • 62% Danceability • 30% Energy • 11% Liveness
1% Instrumentalness • 69% Positiveness
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Los Lobos
Take My Hand
91 bpm • E Maj • 04:45 • -15.92db
16% Popularity • 45% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Tom Rush
Too Many Memories -
91 bpm • E Maj • 03:42 • -13.41db
17% Popularity • 68% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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Robbie Robertson
Soap Box Preacher
91 bpm • G Maj • 05:20 • -16.05db
25% Popularity • 74% Danceability • 34% Energy • 8% Liveness
2% Instrumentalness • 63% Positiveness
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Mike Campbell & The Dirty Knobs
Irish Girl
91 bpm • A Maj • 04:25 • -8.52db
30% Popularity • 62% Danceability • 53% Energy • 26% Liveness
0% Instrumentalness • 49% Positiveness
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Eilen Jewell
Half-Broke Horse
91 bpm • B Maj • 03:26 • -10.02db
38% Popularity • 53% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Mary Gauthier
Got Your Six
108 bpm • E Maj • 02:38 • -8.22db
29% Popularity • 73% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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John Mellencamp
Longest Days
108 bpm • C# Maj • 03:10 • -13db
37% Popularity • 71% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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John Hiatt
Terms of My Surrender
108 bpm • B Maj • 03:29 • -12db
42% Popularity • 52% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Nick Lowe
What's So Funny 'Bout Peace, Love and Un...
108 bpm • G Maj • 04:03 • -15.32db
37% Popularity • 63% Danceability • 26% Energy • 73% Liveness
0% Instrumentalness • 36% Positiveness
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Darrell Scott
A Crooked Road
108 bpm • C Maj • 04:11 • -12db
31% Popularity • 46% Danceability • 24% Energy • 10% Liveness
2% Instrumentalness • 52% Positiveness
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The Notting Hillbillies
Railroad Worksong
91 bpm • B Maj • 05:28 • -17.29db
39% Popularity • 60% Danceability • 30% Energy • 10% Liveness
20% Instrumentalness • 48% Positiveness
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Malcolm Holcombe
Black Bitter Moon
109 bpm • C# Maj • 02:59 • -11.44db
29% Popularity • 66% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Geraint Watkins
Heaven Only Knows
90 bpm • C Maj • 04:24 • -9.32db
33% Popularity • 71% Danceability • 44% Energy • 8% Liveness
24% Instrumentalness • 59% Positiveness
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Long Time Comin'