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Long Way Off
Songs like
Long Way Off
by
Sam Fender
Based on a tempo of (+/- 10%) and a similar genre
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Sam Fender
Long Way Off
164 bpm • G# min • 03:49 • -4.13db
44% Popularity • 45% Danceability • 82% Energy • 38% Liveness
0% Instrumentalness • 74% Positiveness
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The K's
Hometown
165 bpm • B Maj • 04:53 • -7.12db
40% Popularity • 34% Danceability • 91% Energy • 39% Liveness
0% Instrumentalness • 52% Positiveness
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Corella
Island
163 bpm • C min • 03:02 • -5db
38% Popularity • 51% Danceability • 89% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
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Circa Waves
Movies
166 bpm • C Maj • 03:22 • -6db
52% Popularity • 58% Danceability • 79% Energy • 32% Liveness
0% Instrumentalness • 64% Positiveness
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Vistas
The Beautiful Nothing
162 bpm • C Maj • 04:06 • -3.3db
34% Popularity • 46% Danceability • 98% Energy • 3% Liveness
13% Instrumentalness • 93% Positiveness
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STONE
Keep Running
162 bpm • B min • 03:54 • -4.14db
24% Popularity • 36% Danceability • 89% Energy • 27% Liveness
0% Instrumentalness • 40% Positiveness
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Sam Fender
Better Of Me
164 bpm • G# min • 03:48 • -7.43db
38% Popularity • 61% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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KAWALA
Never Really Here For Long
166 bpm • G# Maj • 03:26 • -5.53db
30% Popularity • 56% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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Catfish and the Bottlemen
2all
167 bpm • G min • 03:08 • -4db
54% Popularity • 40% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Circa Waves
Fire That Burns
166 bpm • A# min • 03:50 • -7db
43% Popularity • 45% Danceability • 87% Energy • 10% Liveness
3% Instrumentalness • 42% Positiveness
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Biffy Clyro
Errors in the History of God
167 bpm • C Maj • 04:16 • -5.24db
35% Popularity • 48% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Corella
Puppets
161 bpm • C# min • 02:29 • -5.12db
48% Popularity • 45% Danceability • 84% Energy • 8% Liveness
3% Instrumentalness • 64% Positiveness
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Sam Fender
Seventeen Going Under - Edit
162 bpm • C# Maj • 03:57 • -4.64db
48% Popularity • 50% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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The Reytons
Antibiotics
161 bpm • B min • 03:04 • -5.03db
44% Popularity • 50% Danceability • 85% Energy • 24% Liveness
0% Instrumentalness • 71% Positiveness
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Gerry Cinnamon
Ghost
161 bpm • A Maj • 03:27 • -6db
55% Popularity • 48% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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Spector
Funny Way Of Showing It
160 bpm • C Maj • 03:38 • -5.21db
15% Popularity • 45% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 28% Positiveness
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Courteeners
Small Bones
168 bpm • A Maj • 04:13 • -9db
38% Popularity • 29% Danceability • 69% Energy • 32% Liveness
0% Instrumentalness • 25% Positiveness
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Maximo Park
Partly Of My Making
168 bpm • F# Maj • 04:03 • -4.61db
24% Popularity • 49% Danceability • 81% Energy • 35% Liveness
0% Instrumentalness • 69% Positiveness
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Sam Fender
Seventeen Going Under
162 bpm • C# Maj • 04:57 • -4.79db
70% Popularity • 48% Danceability • 87% Energy • 8% Liveness
1% Instrumentalness • 58% Positiveness
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Nothing But Thieves
This Feels Like the End
168 bpm • B min • 04:02 • -7.08db
45% Popularity • 52% Danceability • 90% Energy • 24% Liveness
1% Instrumentalness • 52% Positiveness
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Inhaler
We Have To Move On
160 bpm • E min • 04:12 • -5.01db
44% Popularity • 46% Danceability • 95% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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Circa Waves
T-Shirt Weather
160 bpm • E Maj • 03:12 • -5db
62% Popularity • 42% Danceability • 95% Energy • 24% Liveness
0% Instrumentalness • 47% Positiveness
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The K's
Chancer
160 bpm • A Maj • 03:15 • -6.33db
42% Popularity • 37% Danceability • 88% Energy • 34% Liveness
0% Instrumentalness • 55% Positiveness
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Courteeners
Are You in Love With a Notion?
160 bpm • G Maj • 04:14 • -6.77db
52% Popularity • 40% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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Sam Fender
The Borders
161 bpm • G# Maj • 05:32 • -3.79db
59% Popularity • 48% Danceability • 92% Energy • 30% Liveness
0% Instrumentalness • 58% Positiveness
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Kasabian
CHEMICALS
160 bpm • G# min • 03:31 • -6db
38% Popularity • 39% Danceability • 81% Energy • 39% Liveness
31% Instrumentalness • 40% Positiveness
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Inhaler
My Honest Face
160 bpm • F Maj • 04:32 • -4.17db
59% Popularity • 42% Danceability • 97% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Two Door Cinema Club
Wonderful Life
160 bpm • F Maj • 03:19 • -3db
41% Popularity • 60% Danceability • 86% Energy • 13% Liveness
0% Instrumentalness • 81% Positiveness
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Circa Waves
Your Ghost
160 bpm • A# Maj • 03:05 • -3.44db
37% Popularity • 59% Danceability • 84% Energy • 28% Liveness
0% Instrumentalness • 61% Positiveness
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Paolo Nutini
Desperation
169 bpm • C# Maj • 03:35 • -5.85db
38% Popularity • 42% Danceability • 73% Energy • 8% Liveness
9% Instrumentalness • 60% Positiveness
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Sam Fender
Getting Started
161 bpm • B Maj • 03:09 • -4.49db
61% Popularity • 47% Danceability • 90% Energy • 21% Liveness
0% Instrumentalness • 54% Positiveness
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Vistas
Retrospect - Single Version
159 bpm • C# Maj • 03:24 • -4.13db
49% Popularity • 41% Danceability • 90% Energy • 36% Liveness
0% Instrumentalness • 49% Positiveness
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The Clause
Time of Our Lives
159 bpm • G# Maj • 03:09 • -4.19db
36% Popularity • 46% Danceability • 97% Energy • 6% Liveness
8% Instrumentalness • 57% Positiveness
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Jamie T
St. George Wharf Tower
169 bpm • G# Maj • 03:10 • -6db
34% Popularity • 36% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 21% Positiveness
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Circa Waves
Aisles of Strange
160 bpm • C# Maj • 02:59 • -4.42db
24% Popularity • 51% Danceability • 86% Energy • 6% Liveness
18% Instrumentalness • 46% Positiveness
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Noah Kahan
Homesick
170 bpm • F# Maj • 03:14 • -6.44db
76% Popularity • 46% Danceability • 63% Energy • 34% Liveness
0% Instrumentalness • 39% Positiveness
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Sam Fender
Dead Boys
168 bpm • C Maj • 03:23 • -3.63db
55% Popularity • 46% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Vistas
Everything Changes in the End
159 bpm • B Maj • 03:17 • -4.82db
36% Popularity • 44% Danceability • 91% Energy • 61% Liveness
0% Instrumentalness • 46% Positiveness
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The Killers
West Hills
170 bpm • C min • 05:42 • -6.31db
37% Popularity • 32% Danceability • 67% Energy • 58% Liveness
0% Instrumentalness • 19% Positiveness
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The Lathums
How Beautiful Life Can Be - Single Versi...
170 bpm • G Maj • 02:30 • -3.29db
44% Popularity • 44% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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The K's
TV
170 bpm • C# min • 03:17 • -4.5db
38% Popularity • 39% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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The Reytons
Broke Boys Cartel
170 bpm • B min • 02:49 • -4db
48% Popularity • 51% Danceability • 92% Energy • 82% Liveness
0% Instrumentalness • 77% Positiveness
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KAWALA
Angry Man
158 bpm • E Maj • 03:31 • -5.64db
30% Popularity • 58% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
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Vistas
What Were You Hoping to Find?
158 bpm • E Maj • 03:45 • -4.48db
34% Popularity • 50% Danceability • 95% Energy • 7% Liveness
7% Instrumentalness • 40% Positiveness
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The Killers
West Hills - Abridged
170 bpm • C min • 05:08 • -5.5db
34% Popularity • 30% Danceability • 70% Energy • 23% Liveness
1% Instrumentalness • 14% Positiveness
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The Lathums
How Beautiful Life Can Be
170 bpm • G Maj • 02:46 • -2.78db
41% Popularity • 43% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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STONE
Let's Dance To The Real Thing
158 bpm • A Maj • 02:47 • -4db
37% Popularity • 37% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
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Maximo Park
Versions Of You
158 bpm • A Maj • 04:37 • -6db
34% Popularity • 43% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Sam Fender
Get You Down - Edit
158 bpm • D Maj • 03:40 • -5.95db
27% Popularity • 43% Danceability • 96% Energy • 51% Liveness
76% Instrumentalness • 53% Positiveness
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Gerry Cinnamon
Where We're Going
158 bpm • A Maj • 04:00 • -7db
60% Popularity • 52% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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BLOXX
Everything I’ve Ever Learned
158 bpm • B min • 03:54 • -3.38db
25% Popularity • 39% Danceability • 95% Energy • 33% Liveness
0% Instrumentalness • 41% Positiveness
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Andrew Cushin
Catch Me If You Can
157 bpm • G# Maj • 02:37 • -5.07db
34% Popularity • 44% Danceability • 88% Energy • 24% Liveness
0% Instrumentalness • 60% Positiveness
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The K's
Picture
171 bpm • C Maj • 03:16 • -3.56db
39% Popularity • 42% Danceability • 96% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Spector
Country Boy
171 bpm • C Maj • 04:03 • -6.41db
13% Popularity • 34% Danceability • 44% Energy • 11% Liveness
4% Instrumentalness • 32% Positiveness
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Sam Fender
Get You Down
158 bpm • D Maj • 04:23 • -4.91db
51% Popularity • 39% Danceability • 97% Energy • 30% Liveness
9% Instrumentalness • 39% Positiveness
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Biffy Clyro
Haru Urara
157 bpm • D# Maj • 03:15 • -6db
30% Popularity • 59% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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Nothing But Thieves
Futureproof
171 bpm • B min • 03:27 • -5.21db
55% Popularity • 34% Danceability • 90% Energy • 19% Liveness
0% Instrumentalness • 37% Positiveness
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The Wombats
Flip Me Upside Down
172 bpm • C# Maj • 03:13 • -5.54db
27% Popularity • 48% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
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Richard Ashcroft
This Thing Called Life
156 bpm • D Maj • 05:26 • -4.98db
33% Popularity • 56% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
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Corella
Bloom
156 bpm • F min • 02:33 • -5db
57% Popularity • 49% Danceability • 89% Energy • 83% Liveness
0% Instrumentalness • 66% Positiveness
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Sam Fender
Greasy Spoon
171 bpm • F# Maj • 02:58 • -6db
45% Popularity • 52% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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Biffy Clyro
Space
157 bpm • A# Maj • 03:55 • -5.17db
52% Popularity • 46% Danceability • 56% Energy • 19% Liveness
0% Instrumentalness • 41% Positiveness
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Nothing But Thieves
Miracle, Baby
156 bpm • A min • 03:40 • -3.94db
49% Popularity • 46% Danceability • 76% Energy • 20% Liveness
0% Instrumentalness • 44% Positiveness
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Spector
Bad Summer
156 bpm • C Maj • 02:45 • -5db
20% Popularity • 44% Danceability • 80% Energy • 22% Liveness
0% Instrumentalness • 40% Positiveness
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Afflecks Palace
You Are The Answer
173 bpm • G Maj • 03:52 • -3.91db
14% Popularity • 46% Danceability • 94% Energy • 36% Liveness
8% Instrumentalness • 73% Positiveness
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Corella
Let On
156 bpm • F# min • 02:27 • -5.36db
54% Popularity • 46% Danceability • 94% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Sam Fender
Aye
156 bpm • C# Maj • 03:06 • -4.84db
44% Popularity • 59% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Catfish and the Bottlemen
7
155 bpm • A# Maj • 04:16 • -4.93db
67% Popularity • 53% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Deaf Havana
Going Clear
155 bpm • D# Maj • 03:21 • -4.78db
8% Popularity • 47% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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Gang of Youths
the man himself
155 bpm • E Maj • 04:24 • -6db
33% Popularity • 44% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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JAMIE WEBSTER
North End Kid
155 bpm • B Maj • 04:06 • -5.68db
42% Popularity • 54% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Corella
Flood
155 bpm • A Maj • 03:52 • -4.44db
36% Popularity • 45% Danceability • 90% Energy • 9% Liveness
5% Instrumentalness • 45% Positiveness
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Kasabian
SCRIPTVRE
174 bpm • C# min • 03:49 • -4.89db
38% Popularity • 45% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Sam Fender
The Leveller
157 bpm • D Maj • 04:01 • -4.72db
37% Popularity • 47% Danceability • 95% Energy • 33% Liveness
0% Instrumentalness • 49% Positiveness
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The Reytons
Slice Of Lime (2017)
155 bpm • B Maj • 03:50 • -3.74db
49% Popularity • 50% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
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Circa Waves
Be Your Drug
174 bpm • C Maj • 02:28 • -5.41db
52% Popularity • 60% Danceability • 78% Energy • 8% Liveness
2% Instrumentalness • 69% Positiveness
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Vistas
Stranger
174 bpm • G# Maj • 03:23 • -5.32db
50% Popularity • 51% Danceability • 91% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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Somebody's Child
I Need Ya
174 bpm • F# min • 03:05 • -5.73db
33% Popularity • 33% Danceability • 75% Energy • 10% Liveness
32% Instrumentalness • 50% Positiveness
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The Bracknall
Going Nowhere Fast
174 bpm • B Maj • 05:00 • -5.96db
26% Popularity • 42% Danceability • 64% Energy • 23% Liveness
0% Instrumentalness • 60% Positiveness
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Sam Fender
You're Not The Only One
156 bpm • B Maj • 04:35 • -3.88db
52% Popularity • 43% Danceability • 96% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Corella
Do You Want It?
174 bpm • F# min • 03:10 • -5db
46% Popularity • 22% Danceability • 85% Energy • 22% Liveness
4% Instrumentalness • 19% Positiveness
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Richard Ashcroft
A Song for the Lovers
154 bpm • A min • 05:06 • -6.94db
33% Popularity • 44% Danceability • 83% Energy • 20% Liveness
0% Instrumentalness • 36% Positiveness
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Maximo Park
Placeholder
154 bpm • G Maj • 02:48 • -4.53db
25% Popularity • 45% Danceability • 89% Energy • 20% Liveness
21% Instrumentalness • 89% Positiveness
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Nothing But Thieves
Your Blood
176 bpm • E min • 04:50 • -6db
42% Popularity • 31% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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JAMIE WEBSTER
Going Out
176 bpm • C# Maj • 03:48 • -2.86db
42% Popularity • 47% Danceability • 94% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Sam Fender
Spice
175 bpm • C# Maj • 02:21 • -3db
58% Popularity • 49% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 58% Positiveness
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Corella
Come Around
175 bpm • F# min • 03:14 • -2db
53% Popularity • 37% Danceability • 95% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
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Richard Ashcroft
Sonnet
176 bpm • C Maj • 04:20 • -6.54db
38% Popularity • 47% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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The K's
Sarajevo
176 bpm • F# min • 03:25 • -3.55db
41% Popularity • 46% Danceability • 94% Energy • 22% Liveness
0% Instrumentalness • 84% Positiveness
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Sports Team
R Entertainment
152 bpm • A Maj • 03:09 • -4.48db
20% Popularity • 46% Danceability • 83% Energy • 21% Liveness
24% Instrumentalness • 42% Positiveness
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The Lathums
Fight On
152 bpm • B min • 02:48 • -4db
55% Popularity • 49% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Sam Fender
Saturday
176 bpm • C# Maj • 03:01 • -3.08db
60% Popularity • 45% Danceability • 81% Energy • 16% Liveness
1% Instrumentalness • 68% Positiveness
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The Wombats
If You Ever Leave, I'm Coming With You
152 bpm • A min • 02:49 • -5.46db
40% Popularity • 52% Danceability • 88% Energy • 52% Liveness
0% Instrumentalness • 59% Positiveness
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Corella
Caught Up
175 bpm • A min • 03:16 • -5db
45% Popularity • 52% Danceability • 82% Energy • 28% Liveness
0% Instrumentalness • 48% Positiveness
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Biffy Clyro
A Hunger in Your Haunt
177 bpm • F Maj • 03:49 • -4.17db
42% Popularity • 39% Danceability • 93% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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The War On Drugs
Victim
177 bpm • A min • 06:00 • -5.98db
41% Popularity • 46% Danceability • 93% Energy • 15% Liveness
13% Instrumentalness • 34% Positiveness
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The Kooks
Ooh La
151 bpm • A# min • 03:28 • -5.19db
62% Popularity • 55% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 75% Positiveness
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The Lathums
Oh My Love
178 bpm • F# min • 02:22 • -4db
45% Popularity • 40% Danceability • 81% Energy • 26% Liveness
0% Instrumentalness • 66% Positiveness
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Gang of Youths
the angel of 8th ave.
179 bpm • F# min • 03:59 • -8db
44% Popularity • 40% Danceability • 97% Energy • 13% Liveness
10% Instrumentalness • 60% Positiveness
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Catfish and the Bottlemen
Encore
150 bpm • A Maj • 02:45 • -3.65db
54% Popularity • 49% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
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Long Way Off