Songs like Look At How Far I've Come by August Alsina
Based on a tempo of (+/- 10%) and a similar genre
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Mila J
No More Complaining
120 bpm • F# Maj • 03:53 • -5.07db
28% Popularity • 74% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
28% Popularity • 74% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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Young Steff
SMQ
120 bpm • F# min • 03:12 • -7.63db
12% Popularity • 54% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
12% Popularity • 54% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
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Natasha Mosley
Tattoo
120 bpm • C# Maj • 04:02 • -5.72db
17% Popularity • 69% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
17% Popularity • 69% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Queen Naija
Butterflies
120 bpm • G# Maj • 03:32 • -7.59db
60% Popularity • 74% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
60% Popularity • 74% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Guordan Banks
Dear Friend
120 bpm • B min • 04:20 • -6db
13% Popularity • 48% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
13% Popularity • 48% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Zonnique
Should've Been
120 bpm • D# Maj • 03:33 • -9db
22% Popularity • 64% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
22% Popularity • 64% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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August Alsina
Look At How Far I've Come
120 bpm • G# min • 04:24 • -8.45db
24% Popularity • 63% Danceability • 56% Energy • 25% Liveness
0% Instrumentalness • 14% Positiveness
24% Popularity • 63% Danceability • 56% Energy • 25% Liveness
0% Instrumentalness • 14% Positiveness
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Cherish
Only One
120 bpm • C# min • 03:39 • -7db
29% Popularity • 66% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
29% Popularity • 66% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
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Natasha Mosley
Face in the Pillow
120 bpm • C min • 03:30 • -13.43db
21% Popularity • 81% Danceability • 18% Energy • 19% Liveness
0% Instrumentalness • 17% Positiveness
21% Popularity • 81% Danceability • 18% Energy • 19% Liveness
0% Instrumentalness • 17% Positiveness
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I RICH
Trpsx
120 bpm • G# min • 03:00 • -8db
23% Popularity • 73% Danceability • 54% Energy • 11% Liveness
1% Instrumentalness • 21% Positiveness
23% Popularity • 73% Danceability • 54% Energy • 11% Liveness
1% Instrumentalness • 21% Positiveness
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Snootie Wild
She's a Keeper
120 bpm • A# min • 04:01 • -7.8db
38% Popularity • 75% Danceability • 56% Energy • 35% Liveness
0% Instrumentalness • 43% Positiveness
38% Popularity • 75% Danceability • 56% Energy • 35% Liveness
0% Instrumentalness • 43% Positiveness
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Mila J
Oohwee
120 bpm • B min • 03:50 • -6.98db
22% Popularity • 74% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
22% Popularity • 74% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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Quincy
Late Night Flex
120 bpm • G# min • 04:37 • -7db
22% Popularity • 58% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
22% Popularity • 58% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Jhonni Blaze
Revolver
120 bpm • E min • 04:38 • -4.39db
15% Popularity • 62% Danceability • 67% Energy • 20% Liveness
0% Instrumentalness • 10% Positiveness
15% Popularity • 62% Danceability • 67% Energy • 20% Liveness
0% Instrumentalness • 10% Positiveness
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LeToya
Over
120 bpm • F min • 03:48 • -5db
34% Popularity • 72% Danceability • 65% Energy • 19% Liveness
0% Instrumentalness • 57% Positiveness
34% Popularity • 72% Danceability • 65% Energy • 19% Liveness
0% Instrumentalness • 57% Positiveness
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August Alsina
Mama
120 bpm • F# Maj • 03:29 • -7.86db
32% Popularity • 68% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
32% Popularity • 68% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Ash B
Get By
120 bpm • A min • 04:12 • -12.31db
21% Popularity • 76% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
21% Popularity • 76% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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MO3
Gangsta Love
120 bpm • C Maj • 03:53 • -12.96db
44% Popularity • 55% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
44% Popularity • 55% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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dvsn
The Line
120 bpm • C min • 07:11 • -12db
43% Popularity • 40% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
43% Popularity • 40% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Jon B.
Understand
120 bpm • G min • 04:54 • -7.06db
28% Popularity • 53% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
28% Popularity • 53% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Cherish
Amnesia
120 bpm • C Maj • 03:44 • -8db
33% Popularity • 70% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
33% Popularity • 70% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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August Alsina
For You
120 bpm • A# min • 03:48 • -10.04db
25% Popularity • 40% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
25% Popularity • 40% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
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Sonta
2AM
120 bpm • A min • 02:55 • -7.88db
25% Popularity • 63% Danceability • 63% Energy • 21% Liveness
0% Instrumentalness • 48% Positiveness
25% Popularity • 63% Danceability • 63% Energy • 21% Liveness
0% Instrumentalness • 48% Positiveness
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Ro James
Last Cigarette
120 bpm • A min • 03:44 • -6.93db
25% Popularity • 73% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
25% Popularity • 73% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Mila J
Next Up
120 bpm • F min • 03:04 • -8.03db
23% Popularity • 80% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
23% Popularity • 80% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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Quincy
Waterfall
120 bpm • C# min • 03:32 • -6.42db
12% Popularity • 71% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
12% Popularity • 71% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
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TGT
I Need
120 bpm • E Maj • 04:32 • -3.88db
38% Popularity • 44% Danceability • 60% Energy • 37% Liveness
0% Instrumentalness • 55% Positiveness
38% Popularity • 44% Danceability • 60% Energy • 37% Liveness
0% Instrumentalness • 55% Positiveness
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August Alsina
Control
120 bpm • G Maj • 03:12 • -11.06db
24% Popularity • 67% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
24% Popularity • 67% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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Sonta
Final GoodBye
120 bpm • C# min • 04:26 • -3.48db
24% Popularity • 64% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
24% Popularity • 64% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Ro James
Burn Slow
120 bpm • F min • 03:36 • -7.07db
34% Popularity • 53% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
34% Popularity • 53% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
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Ann Marie
Decline
119 bpm • C Maj • 03:07 • -7.3db
24% Popularity • 54% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
24% Popularity • 54% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Bahja Rodriguez
Place
119 bpm • C Maj • 03:39 • -14.42db
9% Popularity • 60% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
9% Popularity • 60% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Ca$h Out
She Wanna Ride
119 bpm • F# min • 03:58 • -6.08db
16% Popularity • 70% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
16% Popularity • 70% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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August Alsina
Kissin' On My Tattoos
120 bpm • D min • 04:11 • -8.35db
58% Popularity • 58% Danceability • 62% Energy • 36% Liveness
0% Instrumentalness • 18% Positiveness
58% Popularity • 58% Danceability • 62% Energy • 36% Liveness
0% Instrumentalness • 18% Positiveness
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Guordan Banks
Leanin' On
119 bpm • A min • 03:47 • -5.41db
13% Popularity • 69% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
13% Popularity • 69% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
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Tamar Braxton
My Man
118 bpm • G# Maj • 04:11 • -6.8db
37% Popularity • 41% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
37% Popularity • 41% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Elliott Trent
Slow
122 bpm • C# Maj • 03:23 • -7db
32% Popularity • 44% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
32% Popularity • 44% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Bahja Rodriguez
Next One
121 bpm • F# min • 02:48 • -14.11db
12% Popularity • 55% Danceability • 33% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
12% Popularity • 55% Danceability • 33% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
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Mýa
Team You
118 bpm • C min • 04:12 • -5.34db
15% Popularity • 47% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
15% Popularity • 47% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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August Alsina
Hollywood
120 bpm • G Maj • 03:28 • -7.67db
24% Popularity • 54% Danceability • 62% Energy • 24% Liveness
0% Instrumentalness • 67% Positiveness
24% Popularity • 54% Danceability • 62% Energy • 24% Liveness
0% Instrumentalness • 67% Positiveness
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![Thinking Bout It [Remix] (feat. Twista) cover art](https://i.scdn.co/image/ab67616d00001e02a7242684c820793a7c4b7c2e)
Tia London
Thinking Bout It [Remix]
118 bpm • G Maj • 03:55 • -8.22db
14% Popularity • 85% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
14% Popularity • 85% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
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Donell Jones
Life Goes On
122 bpm • B min • 04:38 • -6.68db
37% Popularity • 76% Danceability • 47% Energy • 29% Liveness
0% Instrumentalness • 62% Positiveness
37% Popularity • 76% Danceability • 47% Energy • 29% Liveness
0% Instrumentalness • 62% Positiveness
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Sterling Simms
Sex In The City
122 bpm • F min • 04:12 • -7db
16% Popularity • 60% Danceability • 53% Energy • 5% Liveness
0% Instrumentalness • 35% Positiveness
16% Popularity • 60% Danceability • 53% Energy • 5% Liveness
0% Instrumentalness • 35% Positiveness
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Quincy
Me Time
118 bpm • F# Maj • 03:26 • -5.09db
9% Popularity • 76% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
9% Popularity • 76% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Tink
Million
122 bpm • F# min • 04:31 • -5.77db
50% Popularity • 78% Danceability • 63% Energy • 23% Liveness
0% Instrumentalness • 36% Positiveness
50% Popularity • 78% Danceability • 63% Energy • 23% Liveness
0% Instrumentalness • 36% Positiveness
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August Alsina
Drugs
118 bpm • F# min • 03:13 • -11.31db
32% Popularity • 41% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
32% Popularity • 41% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Tia London
Thinking Bout It
118 bpm • G Maj • 04:24 • -8.38db
17% Popularity • 85% Danceability • 42% Energy • 29% Liveness
0% Instrumentalness • 41% Positiveness
17% Popularity • 85% Danceability • 42% Energy • 29% Liveness
0% Instrumentalness • 41% Positiveness
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Sydney Renae
Put It All on Me
118 bpm • A min • 03:00 • -11.13db
29% Popularity • 67% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
29% Popularity • 67% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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DJ Luke Nasty
Right
122 bpm • C# Maj • 02:52 • -6.82db
16% Popularity • 82% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
16% Popularity • 82% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Masspike Miles
Love Come Down
118 bpm • A# min • 04:51 • -6.61db
7% Popularity • 31% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
7% Popularity • 31% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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Tink
Can I
122 bpm • C Maj • 03:25 • -12.3db
41% Popularity • 75% Danceability • 29% Energy • 25% Liveness
0% Instrumentalness • 25% Positiveness
41% Popularity • 75% Danceability • 29% Energy • 25% Liveness
0% Instrumentalness • 25% Positiveness
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Mustard
10,000 Hours
122 bpm • F min • 03:09 • -7.91db
29% Popularity • 61% Danceability • 42% Energy • 35% Liveness
0% Instrumentalness • 25% Positiveness
29% Popularity • 61% Danceability • 42% Energy • 35% Liveness
0% Instrumentalness • 25% Positiveness
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August Alsina
Rounds
118 bpm • C# Maj • 03:32 • -4.1db
29% Popularity • 58% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
29% Popularity • 58% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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B. Smyth
Letter
118 bpm • C# Maj • 03:44 • -5db
31% Popularity • 56% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
31% Popularity • 56% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Case
Shook Up
122 bpm • B Maj • 03:32 • -6.46db
19% Popularity • 82% Danceability • 47% Energy • 4% Liveness
0% Instrumentalness • 84% Positiveness
19% Popularity • 82% Danceability • 47% Energy • 4% Liveness
0% Instrumentalness • 84% Positiveness
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Layton Greene
Kool Kid
117 bpm • G min • 04:39 • -9.03db
28% Popularity • 53% Danceability • 59% Energy • 26% Liveness
0% Instrumentalness • 36% Positiveness
28% Popularity • 53% Danceability • 59% Energy • 26% Liveness
0% Instrumentalness • 36% Positiveness
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TGT
Our House
123 bpm • G Maj • 04:34 • -5db
23% Popularity • 48% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
23% Popularity • 48% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Blaq Tuxedo
Comitted
123 bpm • G min • 03:31 • -8.64db
9% Popularity • 63% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
9% Popularity • 63% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
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August Alsina
Ghetto
122 bpm • E min • 03:59 • -5db
33% Popularity • 66% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
33% Popularity • 66% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Travis Garland
Curvin Everybody
117 bpm • F# min • 03:28 • -7.29db
31% Popularity • 57% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
31% Popularity • 57% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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TWENTY88
Push It
117 bpm • A# min • 02:34 • -9.66db
50% Popularity • 60% Danceability • 52% Energy • 33% Liveness
0% Instrumentalness • 50% Positiveness
50% Popularity • 60% Danceability • 52% Energy • 33% Liveness
0% Instrumentalness • 50% Positiveness
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Jodeci
Body Parts
123 bpm • D Maj • 03:43 • -8.39db
13% Popularity • 66% Danceability • 65% Energy • 45% Liveness
0% Instrumentalness • 73% Positiveness
13% Popularity • 66% Danceability • 65% Energy • 45% Liveness
0% Instrumentalness • 73% Positiveness
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Ro James
Indiana Jones
117 bpm • G# min • 04:06 • -6.66db
19% Popularity • 61% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
19% Popularity • 61% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Ginuwine
Love You More
117 bpm • G# min • 04:01 • -6.92db
44% Popularity • 66% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
44% Popularity • 66% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
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August Alsina
American Dream
118 bpm • G# min • 03:28 • -10.09db
23% Popularity • 72% Danceability • 70% Energy • 46% Liveness
0% Instrumentalness • 71% Positiveness
23% Popularity • 72% Danceability • 70% Energy • 46% Liveness
0% Instrumentalness • 71% Positiveness
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dvsn
Nuh Time / Tek Time
117 bpm • F# Maj • 05:40 • -11.6db
44% Popularity • 55% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 7% Positiveness
44% Popularity • 55% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 7% Positiveness
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Elliott Trent
Luv Lyfe
117 bpm • D# min • 04:43 • -6.86db
28% Popularity • 56% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
28% Popularity • 56% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Tyree Thomas
Love for Ya
124 bpm • C# min • 03:09 • -6.23db
17% Popularity • 59% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
17% Popularity • 59% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Ro James
Lisa
117 bpm • B Maj • 02:54 • -5.72db
20% Popularity • 64% Danceability • 71% Energy • 20% Liveness
0% Instrumentalness • 44% Positiveness
20% Popularity • 64% Danceability • 71% Energy • 20% Liveness
0% Instrumentalness • 44% Positiveness
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Yo Trane
Moonlight
117 bpm • A Maj • 03:38 • -10.81db
35% Popularity • 63% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 5% Positiveness
35% Popularity • 63% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 5% Positiveness
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Jordan Hush
Leave It In
124 bpm • F# min • 05:13 • -11.99db
24% Popularity • 41% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
24% Popularity • 41% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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TWENTY88
Déjà vu
124 bpm • G# Maj • 04:11 • -8.99db
48% Popularity • 57% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
48% Popularity • 57% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Chrishan
Back 2 U
116 bpm • D min • 03:45 • -9.05db
17% Popularity • 45% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
17% Popularity • 45% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Elliott Trent
Obsession
124 bpm • F min • 03:49 • -4.89db
33% Popularity • 43% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
33% Popularity • 43% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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B. Smyth
Might Cuff U
124 bpm • G# min • 03:22 • -5.46db
43% Popularity • 78% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
43% Popularity • 78% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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August Alsina
First Time
124 bpm • F# Maj • 03:08 • -7.59db
27% Popularity • 77% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
27% Popularity • 77% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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LeToya
Obvious
124 bpm • G min • 03:55 • -6.49db
27% Popularity • 66% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
27% Popularity • 66% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
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Johnta Austin
Close Your Eyes
124 bpm • G# Maj • 03:45 • -5db
21% Popularity • 67% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 66% Positiveness
21% Popularity • 67% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 66% Positiveness
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Queen Naija
Medicine
116 bpm • G# min • 03:39 • -8.44db
66% Popularity • 74% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
66% Popularity • 74% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Gemaine
Freaky
116 bpm • F Maj • 03:10 • -7.83db
34% Popularity • 44% Danceability • 49% Energy • 19% Liveness
0% Instrumentalness • 15% Positiveness
34% Popularity • 44% Danceability • 49% Energy • 19% Liveness
0% Instrumentalness • 15% Positiveness
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Davion Farris
Don't Hold Back
124 bpm • F# min • 03:15 • -7.53db
21% Popularity • 48% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
21% Popularity • 48% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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K-Major
Category V
116 bpm • C# min • 04:07 • -10.49db
13% Popularity • 66% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
13% Popularity • 66% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Young Steff
Slow Jukin'
116 bpm • G Maj • 03:49 • -8db
36% Popularity • 70% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
36% Popularity • 70% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Layton Greene
Choices
124 bpm • C# min • 02:56 • -8.55db
34% Popularity • 52% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
34% Popularity • 52% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Mýa
Ready for Whatever
116 bpm • E min • 03:22 • -6.63db
26% Popularity • 59% Danceability • 70% Energy • 8% Liveness
2% Instrumentalness • 21% Positiveness
26% Popularity • 59% Danceability • 70% Energy • 8% Liveness
2% Instrumentalness • 21% Positiveness
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David Banner
Marry Me
115 bpm • B min • 04:17 • -7.88db
10% Popularity • 62% Danceability • 51% Energy • 34% Liveness
0% Instrumentalness • 7% Positiveness
10% Popularity • 62% Danceability • 51% Energy • 34% Liveness
0% Instrumentalness • 7% Positiveness
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Ash B
My Life
125 bpm • C min • 03:21 • -10db
29% Popularity • 71% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
29% Popularity • 71% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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K-Major
Shut It Down
125 bpm • F# min • 04:30 • -9.1db
9% Popularity • 68% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 68% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Mila J
Me & You
125 bpm • C# Maj • 02:41 • -5.16db
27% Popularity • 72% Danceability • 78% Energy • 21% Liveness
0% Instrumentalness • 82% Positiveness
27% Popularity • 72% Danceability • 78% Energy • 21% Liveness
0% Instrumentalness • 82% Positiveness
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Toni Romiti
Got That Bomb
125 bpm • C# min • 03:05 • -9.65db
30% Popularity • 80% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
30% Popularity • 80% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Dave Love
W.I.G.D.
125 bpm • A Maj • 04:21 • -11.46db
14% Popularity • 65% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
14% Popularity • 65% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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Cassius Jay
Best Friend
125 bpm • C min • 03:37 • -11.15db
2% Popularity • 82% Danceability • 50% Energy • 5% Liveness
0% Instrumentalness • 72% Positiveness
2% Popularity • 82% Danceability • 50% Energy • 5% Liveness
0% Instrumentalness • 72% Positiveness
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Ash B
Let It Go
116 bpm • C Maj • 04:12 • -7.82db
23% Popularity • 75% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
23% Popularity • 75% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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B5
All over Again
125 bpm • B Maj • 04:05 • -4.17db
15% Popularity • 75% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
15% Popularity • 75% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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SoMo
Want It
125 bpm • F# min • 04:25 • -7.93db
37% Popularity • 67% Danceability • 54% Energy • 19% Liveness
0% Instrumentalness • 8% Positiveness
37% Popularity • 67% Danceability • 54% Energy • 19% Liveness
0% Instrumentalness • 8% Positiveness
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Ashanti
Early In The Morning
125 bpm • A# Maj • 04:07 • -8.78db
25% Popularity • 69% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
25% Popularity • 69% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
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Gemaine
It Ain't Like That (Interlude)
125 bpm • C# Maj • 01:40 • -7db
9% Popularity • 72% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
9% Popularity • 72% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Kirko Bangz
Work Sum'n
125 bpm • F# min • 04:19 • -10.38db
14% Popularity • 50% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
14% Popularity • 50% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
