Songs like Look At Me by Why Don't We
Based on a tempo of (+/- 10%) and a similar genre
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Why Don't We
Talk
120 bpm • F# min • 03:10 • -5.22db
56% Popularity • 80% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
56% Popularity • 80% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Suriel Hess
Hurt Me
120 bpm • G# Maj • 03:02 • -9.65db
43% Popularity • 77% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
43% Popularity • 77% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Alexa Cappelli
Body Language
120 bpm • C# min • 02:53 • -5db
51% Popularity • 87% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
51% Popularity • 87% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Em Beihold
Painful Truth
120 bpm • A min • 03:28 • -8.12db
38% Popularity • 73% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
38% Popularity • 73% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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david hugo
Baby Blue
120 bpm • F min • 02:09 • -5.52db
24% Popularity • 86% Danceability • 67% Energy • 35% Liveness
3% Instrumentalness • 62% Positiveness
24% Popularity • 86% Danceability • 67% Energy • 35% Liveness
3% Instrumentalness • 62% Positiveness
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GRANT KNOCHE
COLOR ME BLUE
120 bpm • E min • 02:26 • -7.12db
33% Popularity • 63% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
33% Popularity • 63% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Why Don't We
Look At Me
120 bpm • A# Maj • 01:57 • -6db
46% Popularity • 84% Danceability • 47% Energy • 55% Liveness
0% Instrumentalness • 48% Positiveness
46% Popularity • 84% Danceability • 47% Energy • 55% Liveness
0% Instrumentalness • 48% Positiveness
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Alec Benjamin
Match In The Rain
120 bpm • A# min • 02:39 • -7.34db
57% Popularity • 78% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 83% Positiveness
57% Popularity • 78% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 83% Positiveness
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Nessa Barrett
Pain - Kina Remix
120 bpm • C Maj • 03:20 • -8.89db
20% Popularity • 54% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
20% Popularity • 54% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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Charlotte Lawrence
Why Do You Love Me
120 bpm • G# min • 02:51 • -6.17db
51% Popularity • 84% Danceability • 30% Energy • 20% Liveness
0% Instrumentalness • 72% Positiveness
51% Popularity • 84% Danceability • 30% Energy • 20% Liveness
0% Instrumentalness • 72% Positiveness
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Jillian Rossi
Fever Dream
120 bpm • D Maj • 02:51 • -8.47db
51% Popularity • 56% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
51% Popularity • 56% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
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Frawley
No One Can Fix Me
120 bpm • G Maj • 03:26 • -8.82db
52% Popularity • 68% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
52% Popularity • 68% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Ruel
Say
120 bpm • D# Maj • 03:47 • -8db
54% Popularity • 62% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
54% Popularity • 62% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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GRACEY
Empty Love
120 bpm • D Maj • 03:27 • -9db
43% Popularity • 80% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
43% Popularity • 80% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Ashe
Moral of the Story - Bonus Track
120 bpm • A# Maj • 03:18 • -8.9db
70% Popularity • 58% Danceability • 37% Energy • 22% Liveness
0% Instrumentalness • 22% Positiveness
70% Popularity • 58% Danceability • 37% Energy • 22% Liveness
0% Instrumentalness • 22% Positiveness
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Nessa Barrett
Pain
120 bpm • C Maj • 03:39 • -14.77db
48% Popularity • 47% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
48% Popularity • 47% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Why Don't We
All My Love
121 bpm • C Maj • 02:31 • -4.71db
38% Popularity • 76% Danceability • 79% Energy • 11% Liveness
47% Instrumentalness • 54% Positiveness
38% Popularity • 76% Danceability • 79% Energy • 11% Liveness
47% Instrumentalness • 54% Positiveness
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The Attire
Girls Like You
119 bpm • E min • 02:43 • -6.53db
40% Popularity • 85% Danceability • 52% Energy • 38% Liveness
0% Instrumentalness • 60% Positiveness
40% Popularity • 85% Danceability • 52% Energy • 38% Liveness
0% Instrumentalness • 60% Positiveness
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Frawley
Ain't Nobody's Baby
121 bpm • B Maj • 02:29 • -5.12db
34% Popularity • 86% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
34% Popularity • 86% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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Sara Kays
Traffic Lights
122 bpm • B Maj • 03:24 • -7.63db
49% Popularity • 52% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
49% Popularity • 52% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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5 Seconds of Summer
If Walls Could Talk
122 bpm • E min • 03:02 • -4.76db
56% Popularity • 59% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
56% Popularity • 59% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Munn
i'm fucked, i know
122 bpm • C# Maj • 02:25 • -9.04db
48% Popularity • 74% Danceability • 46% Energy • 21% Liveness
0% Instrumentalness • 37% Positiveness
48% Popularity • 74% Danceability • 46% Energy • 21% Liveness
0% Instrumentalness • 37% Positiveness
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Victoria Justice
Treat Myself
122 bpm • E min • 02:42 • -5.7db
42% Popularity • 79% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
42% Popularity • 79% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
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Halle Abadi
FLIRT
122 bpm • A# min • 02:10 • -6db
43% Popularity • 80% Danceability • 57% Energy • 24% Liveness
0% Instrumentalness • 60% Positiveness
43% Popularity • 80% Danceability • 57% Energy • 24% Liveness
0% Instrumentalness • 60% Positiveness
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Alexander 23
Cry Over Boys
118 bpm • G Maj • 02:50 • -13.55db
53% Popularity • 86% Danceability • 25% Energy • 53% Liveness
0% Instrumentalness • 38% Positiveness
53% Popularity • 86% Danceability • 25% Energy • 53% Liveness
0% Instrumentalness • 38% Positiveness
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JESSIA
But I Don'T
122 bpm • C Maj • 02:17 • -10db
41% Popularity • 89% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
41% Popularity • 89% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Conan Gray
Affluenza
118 bpm • B Maj • 03:19 • -5.66db
58% Popularity • 68% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 86% Positiveness
58% Popularity • 68% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 86% Positiveness
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Hailee Steinfeld
Afterlife
122 bpm • C# min • 03:29 • -4.73db
56% Popularity • 67% Danceability • 61% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
56% Popularity • 67% Danceability • 61% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
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Brandon Colbein
Mean To Me
122 bpm • C Maj • 03:04 • -9.99db
22% Popularity • 69% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
22% Popularity • 69% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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david hugo
Sleep and Friends
118 bpm • G Maj • 02:54 • -8.24db
29% Popularity • 85% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
29% Popularity • 85% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Dylan Conrique
Not So Secretly
118 bpm • F# min • 03:25 • -7.19db
32% Popularity • 80% Danceability • 51% Energy • 34% Liveness
0% Instrumentalness • 59% Positiveness
32% Popularity • 80% Danceability • 51% Energy • 34% Liveness
0% Instrumentalness • 59% Positiveness
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Bryce Xavier
Romeo
122 bpm • D# Maj • 03:03 • -13.66db
36% Popularity • 57% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
36% Popularity • 57% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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salem ilese
757
123 bpm • A Maj • 02:25 • -5.4db
31% Popularity • 70% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
31% Popularity • 70% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
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Ellise
Fight!
117 bpm • G# Maj • 02:17 • -7db
37% Popularity • 53% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 40% Positiveness
37% Popularity • 53% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 40% Positiveness
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Sabrina Carpenter
Take Off All Your Cool
117 bpm • A min • 03:03 • -4.21db
42% Popularity • 51% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
42% Popularity • 51% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
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John K
happiness
123 bpm • B Maj • 03:16 • -4.04db
44% Popularity • 80% Danceability • 72% Energy • 24% Liveness
0% Instrumentalness • 69% Positiveness
44% Popularity • 80% Danceability • 72% Energy • 24% Liveness
0% Instrumentalness • 69% Positiveness
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Sarah Cothran
Don't Want My Heart
117 bpm • C Maj • 02:52 • -4.77db
41% Popularity • 62% Danceability • 60% Energy • 43% Liveness
0% Instrumentalness • 22% Positiveness
41% Popularity • 62% Danceability • 60% Energy • 43% Liveness
0% Instrumentalness • 22% Positiveness
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Alexander 23
Come Here and Leave Me Alone
117 bpm • C# min • 03:06 • -12.4db
40% Popularity • 69% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
40% Popularity • 69% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Sage Charmaine
June
123 bpm • G Maj • 03:03 • -3.42db
35% Popularity • 68% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
35% Popularity • 68% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
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Thomas Day
Bonnie & Clyde
123 bpm • F Maj • 02:32 • -4.29db
38% Popularity • 73% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
38% Popularity • 73% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
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vaultboy
aftermath
117 bpm • A Maj • 02:46 • -9.28db
58% Popularity • 62% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
58% Popularity • 62% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Here At Last
Remedy
124 bpm • D Maj • 02:35 • -10.59db
35% Popularity • 70% Danceability • 44% Energy • 20% Liveness
0% Instrumentalness • 60% Positiveness
35% Popularity • 70% Danceability • 44% Energy • 20% Liveness
0% Instrumentalness • 60% Positiveness
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Why Don't We
Free
117 bpm • C Maj • 02:52 • -7.15db
38% Popularity • 71% Danceability • 54% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
38% Popularity • 71% Danceability • 54% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
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Sara Kays
I’m Okay Though
124 bpm • C Maj • 03:02 • -6.68db
39% Popularity • 66% Danceability • 66% Energy • 29% Liveness
0% Instrumentalness • 38% Positiveness
39% Popularity • 66% Danceability • 66% Energy • 29% Liveness
0% Instrumentalness • 38% Positiveness
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Jonas Blue
Don’t Wake Me Up
124 bpm • B Maj • 03:08 • -5.08db
69% Popularity • 62% Danceability • 75% Energy • 15% Liveness
0% Instrumentalness • 43% Positiveness
69% Popularity • 62% Danceability • 75% Energy • 15% Liveness
0% Instrumentalness • 43% Positiveness
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Kylie Muse
Alter Ego
124 bpm • F min • 02:56 • -15.76db
21% Popularity • 56% Danceability • 34% Energy • 22% Liveness
0% Instrumentalness • 36% Positiveness
21% Popularity • 56% Danceability • 34% Energy • 22% Liveness
0% Instrumentalness • 36% Positiveness
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Jade LeMac
Aimed to Kill
124 bpm • C Maj • 03:22 • -2.79db
52% Popularity • 63% Danceability • 75% Energy • 19% Liveness
0% Instrumentalness • 57% Positiveness
52% Popularity • 63% Danceability • 75% Energy • 19% Liveness
0% Instrumentalness • 57% Positiveness
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Frawley
Kiss And Tell
116 bpm • D min • 02:32 • -7db
42% Popularity • 85% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
42% Popularity • 85% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
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Haiden Henderson
Can't Hurt Me
115 bpm • B min • 03:08 • -8.07db
39% Popularity • 68% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
39% Popularity • 68% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Abigail Barlow
Future Ex
125 bpm • C# Maj • 02:36 • -4.77db
41% Popularity • 85% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
41% Popularity • 85% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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salem ilese
Roses to His Ex
125 bpm • B min • 02:39 • -5.48db
32% Popularity • 81% Danceability • 63% Energy • 40% Liveness
0% Instrumentalness • 75% Positiveness
32% Popularity • 81% Danceability • 63% Energy • 40% Liveness
0% Instrumentalness • 75% Positiveness
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Christian French
crowded room
125 bpm • B min • 02:52 • -6.59db
34% Popularity • 75% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
34% Popularity • 75% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Sarah Cothran
Poor Marionette
125 bpm • G# min • 02:23 • -6.8db
41% Popularity • 60% Danceability • 55% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
41% Popularity • 60% Danceability • 55% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
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Logan Henderson
Pull Me Deep
125 bpm • F min • 03:38 • -7db
38% Popularity • 82% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
38% Popularity • 82% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Daniel Seavey
Give It A Week
125 bpm • E Maj • 03:02 • -7.67db
39% Popularity • 78% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
39% Popularity • 78% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Why Don't We
Love Song
125 bpm • F Maj • 02:31 • -4.03db
51% Popularity • 76% Danceability • 72% Energy • 34% Liveness
0% Instrumentalness • 73% Positiveness
51% Popularity • 76% Danceability • 72% Energy • 34% Liveness
0% Instrumentalness • 73% Positiveness
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KINGS
how to kill me
115 bpm • G# Maj • 02:42 • -9.2db
36% Popularity • 60% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
36% Popularity • 60% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
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Fly By Midnight
Love Me Like a Friend
125 bpm • F# min • 03:22 • -5.57db
52% Popularity • 71% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
52% Popularity • 71% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Nour Khodr
ACE
125 bpm • F min • 02:36 • -8.74db
26% Popularity • 74% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
26% Popularity • 74% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Emma Holzer
Touch Me There
115 bpm • C# min • 02:38 • -6.66db
32% Popularity • 84% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
32% Popularity • 84% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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jenny nuo
EXPIRED
115 bpm • C Maj • 02:26 • -8db
40% Popularity • 84% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
40% Popularity • 84% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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Why Don't We
For You
115 bpm • G# min • 03:22 • -5.48db
41% Popularity • 75% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
41% Popularity • 75% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Soran
IG Comments Song
115 bpm • G min • 02:42 • -6.32db
40% Popularity • 89% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
40% Popularity • 89% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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Kimmie Devereux
Like A Drug
115 bpm • F# min • 02:45 • -8.9db
25% Popularity • 77% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
25% Popularity • 77% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
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Alex Frew
Antisocial Love Song
115 bpm • F Maj • 02:49 • -7.93db
28% Popularity • 69% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
28% Popularity • 69% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Jake Scott
Favorite T-Shirt
115 bpm • A Maj • 03:04 • -8.14db
55% Popularity • 85% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
55% Popularity • 85% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
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Sabrina Carpenter
Honeymoon Fades
115 bpm • F min • 03:15 • -7.55db
52% Popularity • 50% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
52% Popularity • 50% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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salem ilese
good, not great
126 bpm • F# Maj • 02:34 • -7.62db
18% Popularity • 69% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 44% Positiveness
18% Popularity • 69% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 44% Positiveness
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Cassidi
Stupid Boys
126 bpm • A Maj • 03:10 • -12.45db
30% Popularity • 50% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
30% Popularity • 50% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Blake Rose
Hotel Room
126 bpm • B min • 03:25 • -7db
38% Popularity • 44% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
38% Popularity • 44% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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5 Seconds of Summer
Lonely Heart
126 bpm • B min • 03:24 • -5.57db
56% Popularity • 59% Danceability • 71% Energy • 16% Liveness
0% Instrumentalness • 26% Positiveness
56% Popularity • 59% Danceability • 71% Energy • 16% Liveness
0% Instrumentalness • 26% Positiveness
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Two Neighbors
Can't Stand It
126 bpm • F# min • 02:23 • -5.04db
22% Popularity • 82% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
22% Popularity • 82% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Why Don't We
Slow Down
127 bpm • C min • 03:08 • -3.83db
42% Popularity • 78% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
42% Popularity • 78% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Christian French
head first
127 bpm • F# min • 02:34 • -6.22db
55% Popularity • 91% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
55% Popularity • 91% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
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Huddy
America's Sweetheart
127 bpm • C# min • 03:24 • -7.43db
44% Popularity • 59% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 7% Positiveness
44% Popularity • 59% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 7% Positiveness
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HRVY
Golden Hour
113 bpm • G# Maj • 02:38 • -6.18db
43% Popularity • 76% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
43% Popularity • 76% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
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Ruel
Dazed & Confused
128 bpm • D Maj • 03:09 • -7.41db
62% Popularity • 69% Danceability • 50% Energy • 36% Liveness
0% Instrumentalness • 42% Positiveness
62% Popularity • 69% Danceability • 50% Energy • 36% Liveness
0% Instrumentalness • 42% Positiveness
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Nessa Barrett
if u love me
128 bpm • A min • 04:14 • -6.64db
46% Popularity • 68% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 19% Positiveness
46% Popularity • 68% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 19% Positiveness
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Why Don't We
I Still Do
114 bpm • D min • 02:27 • -6.02db
45% Popularity • 81% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
45% Popularity • 81% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Indiana Massara
Squeeze
128 bpm • B min • 02:29 • -4.77db
17% Popularity • 81% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
17% Popularity • 81% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
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5 Seconds of Summer
Old Me
128 bpm • C Maj • 03:06 • -3.64db
60% Popularity • 72% Danceability • 62% Energy • 26% Liveness
0% Instrumentalness • 47% Positiveness
60% Popularity • 72% Danceability • 62% Energy • 26% Liveness
0% Instrumentalness • 47% Positiveness
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Sara Kays
Future Kids
128 bpm • F Maj • 03:11 • -10.28db
37% Popularity • 66% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
37% Popularity • 66% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
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KINGS
ur a good bye
128 bpm • E Maj • 03:21 • -6.63db
37% Popularity • 77% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
37% Popularity • 77% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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Huddy
America's Sweetheart - Acoustic
128 bpm • E Maj • 03:26 • -8.42db
26% Popularity • 63% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
26% Popularity • 63% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Why Don't We
Just Friends
128 bpm • C Maj • 02:35 • -6.65db
55% Popularity • 60% Danceability • 72% Energy • 27% Liveness
0% Instrumentalness • 78% Positiveness
55% Popularity • 60% Danceability • 72% Energy • 27% Liveness
0% Instrumentalness • 78% Positiveness
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Matt Sato
i go high, you go low
128 bpm • D Maj • 02:39 • -10.61db
21% Popularity • 81% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
21% Popularity • 81% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
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Indiana Massara
Run You Down
128 bpm • B min • 02:50 • -7.43db
30% Popularity • 71% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
30% Popularity • 71% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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Alex Sampson
Let There Be Light
128 bpm • D Maj • 03:43 • -6db
35% Popularity • 57% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
35% Popularity • 57% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Here At Last
Tongue
112 bpm • D Maj • 02:42 • -4.88db
34% Popularity • 85% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
34% Popularity • 85% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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david hugo
Dangerous
112 bpm • F# min • 02:51 • -7.33db
41% Popularity • 83% Danceability • 58% Energy • 19% Liveness
0% Instrumentalness • 68% Positiveness
41% Popularity • 83% Danceability • 58% Energy • 19% Liveness
0% Instrumentalness • 68% Positiveness
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Olivia Holt
love on you.
112 bpm • C Maj • 02:31 • -9.01db
25% Popularity • 88% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
25% Popularity • 88% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
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Jack & Jack
2 Cigarettes
112 bpm • A min • 03:49 • -8.07db
47% Popularity • 76% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
47% Popularity • 76% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Fash
Fake Nice
111 bpm • A# Maj • 03:05 • -6.55db
27% Popularity • 87% Danceability • 65% Energy • 29% Liveness
0% Instrumentalness • 82% Positiveness
27% Popularity • 87% Danceability • 65% Energy • 29% Liveness
0% Instrumentalness • 82% Positiveness
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Zach Hood
13 Missed Calls
130 bpm • G Maj • 03:29 • -6.35db
50% Popularity • 64% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
50% Popularity • 64% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
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Alec Benjamin
I'm Not A Cynic
130 bpm • C# Maj • 02:16 • -5.64db
53% Popularity • 68% Danceability • 71% Energy • 36% Liveness
0% Instrumentalness • 80% Positiveness
53% Popularity • 68% Danceability • 71% Energy • 36% Liveness
0% Instrumentalness • 80% Positiveness
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Why Don't We
Unbelievable
130 bpm • G Maj • 03:09 • -7.14db
54% Popularity • 53% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
54% Popularity • 53% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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JESSIA
I Should Quit
130 bpm • A Maj • 02:30 • -7.1db
33% Popularity • 76% Danceability • 54% Energy • 45% Liveness
0% Instrumentalness • 72% Positiveness
33% Popularity • 76% Danceability • 54% Energy • 45% Liveness
0% Instrumentalness • 72% Positiveness
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Jack & Jack
No One Compares To You
112 bpm • C# Maj • 03:02 • -6.04db
59% Popularity • 70% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
59% Popularity • 70% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
