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Look At Where We Are
Songs like
Look At Where We Are
by
Hot Chip
Based on a tempo of (+/- 10%) and a similar genre
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Hot Chip
Look At Where We Are
137 bpm • G# min • 03:58 • -8.27db
42% Popularity • 79% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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Broken Bells
The Mall & Misery
137 bpm • D# min • 04:06 • -6.47db
47% Popularity • 58% Danceability • 65% Energy • 13% Liveness
1% Instrumentalness • 28% Positiveness
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Wild Belle
Love Like This
137 bpm • F min • 03:58 • -8db
40% Popularity • 93% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
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Cat Power
Manhattan
138 bpm • G Maj • 05:16 • -8.06db
46% Popularity • 71% Danceability • 62% Energy • 12% Liveness
2% Instrumentalness • 10% Positiveness
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Peter Bjorn and John
Up Against The Wall
138 bpm • D Maj • 07:03 • -7.36db
44% Popularity • 66% Danceability • 68% Energy • 12% Liveness
11% Instrumentalness • 57% Positiveness
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Grizzly Bear
Yet Again
136 bpm • E min • 05:18 • -5db
48% Popularity • 47% Danceability • 88% Energy • 13% Liveness
1% Instrumentalness • 46% Positiveness
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Gayngs
Faded High
138 bpm • C# min • 07:28 • -6db
20% Popularity • 62% Danceability • 82% Energy • 11% Liveness
66% Instrumentalness • 43% Positiveness
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Hot Chip
So Glad To See You
136 bpm • F Maj • 04:05 • -9.46db
24% Popularity • 73% Danceability • 62% Energy • 8% Liveness
29% Instrumentalness • 16% Positiveness
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Damon Albarn
Everyday Robots
139 bpm • C Maj • 03:59 • -12.3db
38% Popularity • 62% Danceability • 31% Energy • 17% Liveness
0% Instrumentalness • 46% Positiveness
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Bat For Lashes
Daniel
135 bpm • G# min • 04:11 • -8.39db
51% Popularity • 59% Danceability • 66% Energy • 14% Liveness
2% Instrumentalness • 42% Positiveness
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Lo-Fang
#88
135 bpm • G Maj • 05:48 • -10db
37% Popularity • 55% Danceability • 34% Energy • 8% Liveness
3% Instrumentalness • 40% Positiveness
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Chet Faker
Cigarettes & Loneliness
135 bpm • G Maj • 07:52 • -11.56db
26% Popularity • 70% Danceability • 50% Energy • 11% Liveness
15% Instrumentalness • 40% Positiveness
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Gayngs
The Gaudy Side of Town
138 bpm • B min • 07:07 • -9db
36% Popularity • 69% Danceability • 42% Energy • 7% Liveness
63% Instrumentalness • 62% Positiveness
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LA Priest
Oino
139 bpm • G# min • 04:31 • -6.62db
43% Popularity • 76% Danceability • 72% Energy • 9% Liveness
48% Instrumentalness • 96% Positiveness
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Active Child
Hanging On
135 bpm • F min • 05:26 • -9.01db
31% Popularity • 58% Danceability • 52% Energy • 12% Liveness
8% Instrumentalness • 21% Positiveness
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Wild Beasts
Mecca
135 bpm • F min • 03:44 • -13db
37% Popularity • 55% Danceability • 45% Energy • 9% Liveness
2% Instrumentalness • 15% Positiveness
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Yndi
Odyssey
135 bpm • G Maj • 06:10 • -10.5db
33% Popularity • 47% Danceability • 41% Energy • 13% Liveness
31% Instrumentalness • 6% Positiveness
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Beirut
Fener
139 bpm • D Maj • 03:28 • -7.9db
30% Popularity • 54% Danceability • 53% Energy • 8% Liveness
29% Instrumentalness • 76% Positiveness
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Gayngs
Crystal Rope
138 bpm • A min • 03:24 • -7.6db
17% Popularity • 83% Danceability • 28% Energy • 14% Liveness
86% Instrumentalness • 41% Positiveness
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Hot Chip
Keep Quiet
140 bpm • F min • 03:59 • -11.01db
19% Popularity • 64% Danceability • 42% Energy • 8% Liveness
8% Instrumentalness • 13% Positiveness
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Wild Belle
Happy Home
134 bpm • C Maj • 03:45 • -5.7db
23% Popularity • 58% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
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Joe Goddard
Lemon & Lime - Home Time
140 bpm • C# Maj • 03:48 • -8.99db
18% Popularity • 62% Danceability • 44% Energy • 15% Liveness
32% Instrumentalness • 32% Positiveness
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The Very Best
Hear Me
139 bpm • A Maj • 04:40 • -10.94db
28% Popularity • 43% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Metronomy
Corinne
140 bpm • D# min • 03:16 • -8.87db
58% Popularity • 91% Danceability • 53% Energy • 12% Liveness
90% Instrumentalness • 82% Positiveness
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Gayngs
No Sweat
138 bpm • A# Maj • 06:05 • -8.6db
13% Popularity • 50% Danceability • 40% Energy • 12% Liveness
23% Instrumentalness • 14% Positiveness
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Hot Chip
So Much Further To Go
134 bpm • C# min • 03:12 • -11.76db
18% Popularity • 67% Danceability • 36% Energy • 11% Liveness
1% Instrumentalness • 31% Positiveness
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Wild Beasts
Hooting & Howling
140 bpm • F Maj • 04:35 • -9db
28% Popularity • 58% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 26% Positiveness
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Chet Faker
Gold
140 bpm • C# Maj • 04:41 • -9.44db
46% Popularity • 67% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
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James Blake
To The Last
140 bpm • B min • 04:19 • -12db
37% Popularity • 54% Danceability • 60% Energy • 14% Liveness
1% Instrumentalness • 12% Positiveness
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LA Priest
Lady's In Trouble With The Law
134 bpm • F# min • 03:42 • -8.07db
29% Popularity • 69% Danceability • 53% Energy • 5% Liveness
1% Instrumentalness • 90% Positiveness
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Metronomy
I'm Aquarius
133 bpm • C Maj • 04:01 • -7.8db
43% Popularity • 76% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
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Hot Chip
Thieves In The Night
134 bpm • G# Maj • 06:08 • -5.44db
28% Popularity • 63% Danceability • 72% Energy • 21% Liveness
10% Instrumentalness • 37% Positiveness
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Wild Beasts
Wanderlust
140 bpm • C Maj • 04:56 • -10.7db
31% Popularity • 57% Danceability • 62% Energy • 21% Liveness
91% Instrumentalness • 50% Positiveness
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Chet Faker
Talk Is Cheap
140 bpm • C min • 03:38 • -7.89db
53% Popularity • 66% Danceability • 61% Energy • 24% Liveness
0% Instrumentalness • 52% Positiveness
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Broken Bells
Leave It Alone
142 bpm • C# Maj • 05:30 • -8.75db
37% Popularity • 50% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Feist
The Bad In Each Other
132 bpm • F# min • 04:44 • -5.32db
35% Popularity • 40% Danceability • 63% Energy • 12% Liveness
4% Instrumentalness • 27% Positiveness
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Bright Eyes
Easy/Lucky/Free (Hot Chip Remix)
142 bpm • E Maj • 04:43 • -10.69db
5% Popularity • 54% Danceability • 55% Energy • 13% Liveness
12% Instrumentalness • 27% Positiveness
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Brolin
NYC
142 bpm • D Maj • 04:15 • -16.2db
26% Popularity • 79% Danceability • 28% Energy • 11% Liveness
1% Instrumentalness • 17% Positiveness
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SBTRKT
Hold On
132 bpm • C Maj • 03:26 • -11.74db
52% Popularity • 77% Danceability • 39% Energy • 9% Liveness
36% Instrumentalness • 44% Positiveness
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Sylvan Esso
Play It Right
132 bpm • F Maj • 03:04 • -9db
44% Popularity • 62% Danceability • 51% Energy • 9% Liveness
1% Instrumentalness • 16% Positiveness
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Beirut
Santa Fe
132 bpm • B Maj • 04:14 • -7db
53% Popularity • 73% Danceability • 68% Energy • 11% Liveness
1% Instrumentalness • 95% Positiveness
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Slow Club
Tears Of Joy
143 bpm • G# Maj • 04:05 • -9db
31% Popularity • 64% Danceability • 52% Energy • 36% Liveness
0% Instrumentalness • 36% Positiveness
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Peter and Kerry
One Thing
131 bpm • E min • 03:30 • -5db
37% Popularity • 29% Danceability • 50% Energy • 27% Liveness
0% Instrumentalness • 27% Positiveness
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Lips
Everything to Me
144 bpm • F min • 03:07 • -8.99db
31% Popularity • 63% Danceability • 42% Energy • 13% Liveness
2% Instrumentalness • 28% Positiveness
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Broken Bells
October
144 bpm • F# min • 03:38 • -5.09db
52% Popularity • 55% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Feist
How Come You Never Go There - Beck Remix
144 bpm • A# Maj • 03:10 • -5db
27% Popularity • 78% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 58% Positiveness
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Wild Beasts
All The King's Men
130 bpm • A# Maj • 03:59 • -7db
35% Popularity • 57% Danceability • 85% Energy • 20% Liveness
0% Instrumentalness • 77% Positiveness
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Hot Chip
The Warning
130 bpm • G Maj • 04:51 • -10db
40% Popularity • 73% Danceability • 61% Energy • 40% Liveness
19% Instrumentalness • 44% Positiveness
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Petite Noir
Chess
130 bpm • A Maj • 06:27 • -9.4db
27% Popularity • 58% Danceability • 67% Energy • 11% Liveness
51% Instrumentalness • 50% Positiveness
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Jamie xx
Stranger in a Room
130 bpm • C min • 02:57 • -17.26db
50% Popularity • 67% Danceability • 16% Energy • 10% Liveness
38% Instrumentalness • 33% Positiveness
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Beirut
My Night With the Prostitute from Marsei...
130 bpm • D Maj • 03:07 • -11db
35% Popularity • 62% Danceability • 55% Energy • 10% Liveness
19% Instrumentalness • 31% Positiveness
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Metronomy
Everything Goes My Way
130 bpm • D min • 03:30 • -8.2db
61% Popularity • 86% Danceability • 56% Energy • 18% Liveness
0% Instrumentalness • 54% Positiveness
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Wild Beasts
Sweet Spot
130 bpm • F Maj • 03:59 • -13db
26% Popularity • 71% Danceability • 37% Energy • 7% Liveness
24% Instrumentalness • 41% Positiveness
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Hot Chip
Ends Of The Earth
130 bpm • C Maj • 05:39 • -6.45db
23% Popularity • 63% Danceability • 78% Energy • 13% Liveness
7% Instrumentalness • 57% Positiveness
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Damon Albarn
Lonely Press Play
130 bpm • G Maj • 03:42 • -14db
40% Popularity • 76% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Rhye
Verse
130 bpm • G# Maj • 02:52 • -12.35db
43% Popularity • 66% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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James Blake
Life Round Here
145 bpm • A# min • 03:37 • -9.48db
48% Popularity • 60% Danceability • 66% Energy • 11% Liveness
33% Instrumentalness • 26% Positiveness
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Beirut
Pacheco
146 bpm • F# Maj • 03:08 • -8.27db
30% Popularity • 60% Danceability • 27% Energy • 12% Liveness
81% Instrumentalness • 50% Positiveness
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Wild Beasts
Palace
130 bpm • G Maj • 03:20 • -11.9db
23% Popularity • 59% Danceability • 50% Energy • 12% Liveness
11% Instrumentalness • 27% Positiveness
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Hot Chip
Wrestlers
130 bpm • C Maj • 03:46 • -6.79db
22% Popularity • 91% Danceability • 46% Energy • 34% Liveness
0% Instrumentalness • 26% Positiveness
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Zero 7
Swing
146 bpm • F Maj • 03:57 • -8db
36% Popularity • 57% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 31% Positiveness
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James Vincent McMorrow
Rising Water
146 bpm • A# Maj • 04:56 • -10.54db
27% Popularity • 82% Danceability • 62% Energy • 9% Liveness
58% Instrumentalness • 54% Positiveness
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Metronomy
Love Letters
128 bpm • A# min • 05:15 • -8db
47% Popularity • 77% Danceability • 53% Energy • 9% Liveness
22% Instrumentalness • 16% Positiveness
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Totally Enormous Extinct Dinosaurs
Garden
128 bpm • A# Maj • 04:35 • -8.45db
42% Popularity • 86% Danceability • 58% Energy • 14% Liveness
77% Instrumentalness • 60% Positiveness
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Sunny Levine
No Other Plans
128 bpm • D# min • 05:14 • -12db
30% Popularity • 66% Danceability • 52% Energy • 8% Liveness
1% Instrumentalness • 43% Positiveness
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Hot Chip
Ready For The Floor
129 bpm • C# min • 03:54 • -5.44db
56% Popularity • 76% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
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Hundred Waters
Xtalk
128 bpm • A Maj • 03:50 • -9.68db
14% Popularity • 50% Danceability • 53% Energy • 11% Liveness
2% Instrumentalness • 21% Positiveness
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Grizzly Bear
Mourning Sound
128 bpm • G Maj • 04:22 • -6db
45% Popularity • 51% Danceability • 74% Energy • 12% Liveness
16% Instrumentalness • 44% Positiveness
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Donna Summer
Sunset People - Hot Chip Re-Edit (Bonus ...
128 bpm • A Maj • 10:55 • -7.44db
6% Popularity • 87% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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Jagwar Ma
Come Save Me
128 bpm • A# Maj • 05:15 • -6.9db
20% Popularity • 61% Danceability • 84% Energy • 16% Liveness
0% Instrumentalness • 58% Positiveness
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Patrick Watson
Adventures In Your Own Backyard
147 bpm • F min • 04:51 • -10db
4% Popularity • 35% Danceability • 54% Energy • 28% Liveness
9% Instrumentalness • 19% Positiveness
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Hot Chip
Dancing In The Dark
146 bpm • D Maj • 06:32 • -6.9db
38% Popularity • 46% Danceability • 86% Energy • 11% Liveness
53% Instrumentalness • 10% Positiveness
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#1 Dads
Return To
128 bpm • F# min • 04:15 • -14db
32% Popularity • 46% Danceability • 29% Energy • 11% Liveness
5% Instrumentalness • 12% Positiveness
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Jamie xx
Far Nearer
127 bpm • C Maj • 06:50 • -11.54db
41% Popularity • 61% Danceability • 43% Energy • 11% Liveness
85% Instrumentalness • 33% Positiveness
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NZCA LINES
Okinawa Channels
127 bpm • F# min • 03:26 • -11db
23% Popularity • 75% Danceability • 53% Energy • 10% Liveness
16% Instrumentalness • 54% Positiveness
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Metronomy
Reservoir
148 bpm • G Maj • 03:14 • -9db
58% Popularity • 74% Danceability • 46% Energy • 10% Liveness
38% Instrumentalness • 45% Positiveness
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Cut Copy
Feel The Love
126 bpm • A min • 04:29 • -4.54db
35% Popularity • 54% Danceability • 84% Energy • 31% Liveness
0% Instrumentalness • 29% Positiveness
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Hot Chip
Brothers
127 bpm • B Maj • 04:20 • -7.06db
21% Popularity • 58% Danceability • 71% Energy • 10% Liveness
1% Instrumentalness • 14% Positiveness
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Florence + The Machine
Queen Of Peace - Hot Chip Remix
126 bpm • C# Maj • 06:25 • -8.86db
19% Popularity • 80% Danceability • 73% Energy • 6% Liveness
34% Instrumentalness • 62% Positiveness
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Beirut
The Rip Tide
149 bpm • B Maj • 04:26 • -7.78db
43% Popularity • 39% Danceability • 56% Energy • 16% Liveness
80% Instrumentalness • 35% Positiveness
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Joe Goddard
Electric Lines
126 bpm • G# Maj • 05:57 • -10.72db
35% Popularity • 73% Danceability • 44% Energy • 9% Liveness
6% Instrumentalness • 20% Positiveness
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The Whitest Boy Alive
Courage
125 bpm • E min • 04:22 • -7db
17% Popularity • 78% Danceability • 77% Energy • 6% Liveness
64% Instrumentalness • 42% Positiveness
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SBTRKT
Never Never
150 bpm • G# min • 03:57 • -8db
36% Popularity • 67% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Hot Chip
No Fit State
127 bpm • F min • 05:38 • -6.95db
29% Popularity • 68% Danceability • 62% Energy • 6% Liveness
2% Instrumentalness • 20% Positiveness
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White Hinterland
Icarus
125 bpm • E Maj • 03:47 • -9db
37% Popularity • 71% Danceability • 58% Energy • 11% Liveness
72% Instrumentalness • 17% Positiveness
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Metronomy
She Wants
125 bpm • A min • 03:51 • -7db
46% Popularity • 81% Danceability • 46% Energy • 14% Liveness
1% Instrumentalness • 14% Positiveness
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Jono McCleery
Fears
150 bpm • G# min • 04:05 • -9.65db
21% Popularity • 60% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Youth Lagoon
Daydream
125 bpm • C Maj • 05:19 • -7.03db
36% Popularity • 73% Danceability • 58% Energy • 11% Liveness
95% Instrumentalness • 27% Positiveness
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Local Natives
Sun Hands
125 bpm • D min • 04:51 • -9.57db
30% Popularity • 58% Danceability • 57% Energy • 8% Liveness
9% Instrumentalness • 44% Positiveness
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Hot Chip
Boy From School
126 bpm • G# min • 05:19 • -3.96db
52% Popularity • 63% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Junior Boys
Birthday
125 bpm • A Maj • 04:16 • -12.54db
3% Popularity • 86% Danceability • 35% Energy • 12% Liveness
12% Instrumentalness • 41% Positiveness
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Amason
Went to War
125 bpm • C Maj • 03:04 • -11db
33% Popularity • 84% Danceability • 54% Energy • 8% Liveness
2% Instrumentalness • 77% Positiveness
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The Whitest Boy Alive
Island
125 bpm • B min • 07:04 • -8.1db
18% Popularity • 74% Danceability • 57% Energy • 9% Liveness
84% Instrumentalness • 54% Positiveness
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EL VY
Return to the Moon (Political Song for D...
125 bpm • D Maj • 04:13 • -7db
40% Popularity • 70% Danceability • 90% Energy • 11% Liveness
42% Instrumentalness • 83% Positiveness
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Sheep, Dog & Wolf
Glare
151 bpm • G min • 04:27 • -7db
31% Popularity • 38% Danceability • 45% Energy • 26% Liveness
0% Instrumentalness • 51% Positiveness
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Hot Chip
These Chains
126 bpm • A# min • 04:13 • -4.81db
32% Popularity • 67% Danceability • 83% Energy • 18% Liveness
2% Instrumentalness • 39% Positiveness
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Laura Veirs
July Flame
125 bpm • F# min • 03:44 • -9db
36% Popularity • 66% Danceability • 47% Energy • 11% Liveness
33% Instrumentalness • 30% Positiveness
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Metronomy
The Upsetter
124 bpm • A min • 04:15 • -10.5db
45% Popularity • 76% Danceability • 39% Energy • 12% Liveness
59% Instrumentalness • 26% Positiveness
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Love Inks
Blackeye
124 bpm • B min • 01:56 • -4.95db
18% Popularity • 81% Danceability • 62% Energy • 22% Liveness
0% Instrumentalness • 52% Positiveness
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Santigold
Disparate Youth
152 bpm • C# Maj • 04:44 • -4.14db
61% Popularity • 64% Danceability • 93% Energy • 22% Liveness
82% Instrumentalness • 55% Positiveness
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Look At Where We Are