Songs like Look It Here by Nathaniel Rateliff & The Night Sweats
Based on a tempo of (+/- 10%) and a similar genre
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Nathaniel Rateliff & The Night Sweats
Late Night Party - Out On The Weekend Ve...
117 bpm • D Maj • 03:23 • -6.87db
34% Popularity • 73% Danceability • 98% Energy • 28% Liveness
11% Instrumentalness • 55% Positiveness
34% Popularity • 73% Danceability • 98% Energy • 28% Liveness
11% Instrumentalness • 55% Positiveness
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The Barr Brothers
It Came to Me
117 bpm • A# Maj • 04:21 • -6.29db
35% Popularity • 52% Danceability • 93% Energy • 33% Liveness
1% Instrumentalness • 58% Positiveness
35% Popularity • 52% Danceability • 93% Energy • 33% Liveness
1% Instrumentalness • 58% Positiveness
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The Subdudes
Papa Dukie And The Mud People
117 bpm • G Maj • 04:38 • -6.04db
37% Popularity • 84% Danceability • 72% Energy • 30% Liveness
0% Instrumentalness • 97% Positiveness
37% Popularity • 84% Danceability • 72% Energy • 30% Liveness
0% Instrumentalness • 97% Positiveness
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Jason Isbell
How To Forget
117 bpm • D Maj • 04:04 • -12.27db
18% Popularity • 59% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
18% Popularity • 59% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Dan Auerbach
Stand by My Girl
117 bpm • D Maj • 03:53 • -5.59db
36% Popularity • 59% Danceability • 84% Energy • 56% Liveness
0% Instrumentalness • 96% Positiveness
36% Popularity • 59% Danceability • 84% Energy • 56% Liveness
0% Instrumentalness • 96% Positiveness
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The New Basement Tapes
Liberty Street
117 bpm • G Maj • 02:44 • -11.73db
29% Popularity • 46% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
29% Popularity • 46% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
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Nathaniel Rateliff & The Night Sweats
Look It Here
117 bpm • F min • 03:03 • -5db
45% Popularity • 66% Danceability • 87% Energy • 34% Liveness
2% Instrumentalness • 91% Positiveness
45% Popularity • 66% Danceability • 87% Energy • 34% Liveness
2% Instrumentalness • 91% Positiveness
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Tedeschi Trucks Band
Made Up Mind
118 bpm • G# Maj • 03:53 • -8.51db
40% Popularity • 67% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
40% Popularity • 67% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
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Alabama Shakes
Shoegaze
118 bpm • C# min • 02:59 • -5.31db
42% Popularity • 56% Danceability • 78% Energy • 12% Liveness
63% Instrumentalness • 67% Positiveness
42% Popularity • 56% Danceability • 78% Energy • 12% Liveness
63% Instrumentalness • 67% Positiveness
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Bob Schneider
Han Solo
116 bpm • D Maj • 03:08 • -7.81db
29% Popularity • 68% Danceability • 64% Energy • 8% Liveness
73% Instrumentalness • 55% Positiveness
29% Popularity • 68% Danceability • 64% Energy • 8% Liveness
73% Instrumentalness • 55% Positiveness
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Smooth Hound Smith
Forever Cold
116 bpm • D min • 04:23 • -6.98db
22% Popularity • 73% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
22% Popularity • 73% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
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The New Basement Tapes
The Whistle Is Blowing
117 bpm • C Maj • 05:16 • -10.28db
31% Popularity • 49% Danceability • 37% Energy • 11% Liveness
70% Instrumentalness • 18% Positiveness
31% Popularity • 49% Danceability • 37% Energy • 11% Liveness
70% Instrumentalness • 18% Positiveness
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Nathaniel Rateliff & The Night Sweats
Thank You
118 bpm • C# Maj • 03:17 • -5.24db
39% Popularity • 64% Danceability • 89% Energy • 10% Liveness
1% Instrumentalness • 47% Positiveness
39% Popularity • 64% Danceability • 89% Energy • 10% Liveness
1% Instrumentalness • 47% Positiveness
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Gasoline Lollipops
Love Is Free
116 bpm • B min • 03:50 • -6.5db
29% Popularity • 71% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
29% Popularity • 71% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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Buffalo Clover
The Ruse
116 bpm • C Maj • 03:10 • -4.12db
31% Popularity • 79% Danceability • 89% Energy • 6% Liveness
0% Instrumentalness • 41% Positiveness
31% Popularity • 79% Danceability • 89% Energy • 6% Liveness
0% Instrumentalness • 41% Positiveness
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Justin Townes Earle
One More Night In Brooklyn
118 bpm • A Maj • 03:04 • -10.55db
50% Popularity • 76% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
50% Popularity • 76% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Leon Bridges
Twistin' & Groovin'
118 bpm • C# min • 04:11 • -6.73db
46% Popularity • 68% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
46% Popularity • 68% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Madisen Ward and the Mama Bear
Live By the Water
115 bpm • D# Maj • 05:24 • -7.42db
21% Popularity • 80% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
21% Popularity • 80% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Nathaniel Rateliff & The Night Sweats
You Should've Seen The Other Guy - Live
117 bpm • C Maj • 03:46 • -11.44db
35% Popularity • 32% Danceability • 31% Energy • 99% Liveness
0% Instrumentalness • 24% Positiveness
35% Popularity • 32% Danceability • 31% Energy • 99% Liveness
0% Instrumentalness • 24% Positiveness
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Sean Rowe
Shine my Diamond Ring
119 bpm • F Maj • 04:18 • -6.7db
20% Popularity • 70% Danceability • 84% Energy • 19% Liveness
0% Instrumentalness • 79% Positiveness
20% Popularity • 70% Danceability • 84% Energy • 19% Liveness
0% Instrumentalness • 79% Positiveness
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Brent Cowles
Cold Times
115 bpm • G# Maj • 03:33 • -3.12db
7% Popularity • 72% Danceability • 73% Energy • 32% Liveness
26% Instrumentalness • 70% Positiveness
7% Popularity • 72% Danceability • 73% Energy • 32% Liveness
26% Instrumentalness • 70% Positiveness
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Justin Townes Earle
Maybe A Moment
119 bpm • D Maj • 03:05 • -7.39db
52% Popularity • 57% Danceability • 70% Energy • 31% Liveness
0% Instrumentalness • 70% Positiveness
52% Popularity • 57% Danceability • 70% Energy • 31% Liveness
0% Instrumentalness • 70% Positiveness
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JJ Grey & Mofro
Brave Lil' Fighter
115 bpm • G min • 05:36 • -5.24db
22% Popularity • 61% Danceability • 81% Energy • 8% Liveness
5% Instrumentalness • 67% Positiveness
22% Popularity • 61% Danceability • 81% Energy • 8% Liveness
5% Instrumentalness • 67% Positiveness
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Madisen Ward and the Mama Bear
Yellow Taxi
119 bpm • C Maj • 04:15 • -6.92db
33% Popularity • 71% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
33% Popularity • 71% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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The War And Treaty
Hi Ho
115 bpm • G Maj • 03:11 • -6.04db
31% Popularity • 49% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
31% Popularity • 49% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
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Nathaniel Rateliff & The Night Sweats
Howling At Nothing - Live
117 bpm • G# Maj • 03:59 • -4.36db
25% Popularity • 51% Danceability • 92% Energy • 97% Liveness
25% Instrumentalness • 54% Positiveness
25% Popularity • 51% Danceability • 92% Energy • 97% Liveness
25% Instrumentalness • 54% Positiveness
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Dawes
Somewhere Along The Way
119 bpm • A# Maj • 05:39 • -9.64db
34% Popularity • 63% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
34% Popularity • 63% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
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The Shouting Matches
Avery Hill
119 bpm • G Maj • 02:24 • -9.78db
38% Popularity • 79% Danceability • 70% Energy • 22% Liveness
13% Instrumentalness • 79% Positiveness
38% Popularity • 79% Danceability • 70% Energy • 22% Liveness
13% Instrumentalness • 79% Positiveness
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Low Cut Connie
Revolution Rock n Roll
115 bpm • C# min • 03:09 • -6.62db
32% Popularity • 44% Danceability • 66% Energy • 22% Liveness
2% Instrumentalness • 36% Positiveness
32% Popularity • 44% Danceability • 66% Energy • 22% Liveness
2% Instrumentalness • 36% Positiveness
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Middle Brother
Portland
119 bpm • D Maj • 05:05 • -6.93db
31% Popularity • 75% Danceability • 82% Energy • 18% Liveness
0% Instrumentalness • 79% Positiveness
31% Popularity • 75% Danceability • 82% Energy • 18% Liveness
0% Instrumentalness • 79% Positiveness
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Ryan Adams & The Cardinals
Dance All Night
119 bpm • D# Maj • 03:14 • -6db
39% Popularity • 58% Danceability • 69% Energy • 15% Liveness
5% Instrumentalness • 65% Positiveness
39% Popularity • 58% Danceability • 69% Energy • 15% Liveness
5% Instrumentalness • 65% Positiveness
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Nathaniel Rateliff & The Night Sweats
I’ve Been Failing
116 bpm • D# Maj • 03:00 • -8.47db
47% Popularity • 71% Danceability • 61% Energy • 7% Liveness
1% Instrumentalness • 57% Positiveness
47% Popularity • 71% Danceability • 61% Energy • 7% Liveness
1% Instrumentalness • 57% Positiveness
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The National Reserve
New Love
114 bpm • A Maj • 03:48 • -4.48db
15% Popularity • 56% Danceability • 84% Energy • 30% Liveness
1% Instrumentalness • 83% Positiveness
15% Popularity • 56% Danceability • 84% Energy • 30% Liveness
1% Instrumentalness • 83% Positiveness
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Jamestown Revival
Company Man
120 bpm • A Maj • 03:04 • -5.08db
34% Popularity • 55% Danceability • 90% Energy • 13% Liveness
0% Instrumentalness • 86% Positiveness
34% Popularity • 55% Danceability • 90% Energy • 13% Liveness
0% Instrumentalness • 86% Positiveness
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Dawes
Someone Will
114 bpm • F Maj • 03:33 • -9.11db
31% Popularity • 68% Danceability • 71% Energy • 17% Liveness
0% Instrumentalness • 73% Positiveness
31% Popularity • 68% Danceability • 71% Energy • 17% Liveness
0% Instrumentalness • 73% Positiveness
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The California Honeydrops
When It Was Wrong
114 bpm • G# min • 04:32 • -6db
52% Popularity • 76% Danceability • 81% Energy • 23% Liveness
0% Instrumentalness • 90% Positiveness
52% Popularity • 76% Danceability • 81% Energy • 23% Liveness
0% Instrumentalness • 90% Positiveness
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Chuck Prophet
Bad Year for Rock and Roll
120 bpm • A min • 03:46 • -3.28db
14% Popularity • 53% Danceability • 85% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
14% Popularity • 53% Danceability • 85% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
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Nathaniel Rateliff & The Night Sweats
Boiled Over
115 bpm • B Maj • 02:30 • -8.51db
34% Popularity • 33% Danceability • 36% Energy • 9% Liveness
5% Instrumentalness • 19% Positiveness
34% Popularity • 33% Danceability • 36% Energy • 9% Liveness
5% Instrumentalness • 19% Positiveness
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The Revivalists
Fade Away
120 bpm • F# Maj • 05:14 • -7.18db
42% Popularity • 55% Danceability • 69% Energy • 11% Liveness
21% Instrumentalness • 33% Positiveness
42% Popularity • 55% Danceability • 69% Energy • 11% Liveness
21% Instrumentalness • 33% Positiveness
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Anderson East
Quit You
114 bpm • C Maj • 02:49 • -5.56db
33% Popularity • 71% Danceability • 79% Energy • 30% Liveness
0% Instrumentalness • 78% Positiveness
33% Popularity • 71% Danceability • 79% Energy • 30% Liveness
0% Instrumentalness • 78% Positiveness
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The Bones of J.R. Jones
Good Friend of Mine
120 bpm • F# Maj • 02:59 • -6.58db
43% Popularity • 64% Danceability • 75% Energy • 5% Liveness
0% Instrumentalness • 87% Positiveness
43% Popularity • 64% Danceability • 75% Energy • 5% Liveness
0% Instrumentalness • 87% Positiveness
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Greensky Bluegrass
Past My Prime
120 bpm • G Maj • 03:33 • -6.86db
47% Popularity • 55% Danceability • 64% Energy • 11% Liveness
1% Instrumentalness • 65% Positiveness
47% Popularity • 55% Danceability • 64% Energy • 11% Liveness
1% Instrumentalness • 65% Positiveness
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Shinyribs
Take Me to Lake Charles
114 bpm • C Maj • 03:16 • -5.45db
39% Popularity • 66% Danceability • 73% Energy • 23% Liveness
0% Instrumentalness • 91% Positiveness
39% Popularity • 66% Danceability • 73% Energy • 23% Liveness
0% Instrumentalness • 91% Positiveness
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Nathaniel Rateliff & The Night Sweats
Mellow Out
120 bpm • B min • 03:32 • -7.82db
45% Popularity • 62% Danceability • 63% Energy • 26% Liveness
1% Instrumentalness • 68% Positiveness
45% Popularity • 62% Danceability • 63% Energy • 26% Liveness
1% Instrumentalness • 68% Positiveness
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The New Basement Tapes
Nothing To It
121 bpm • F# Maj • 03:32 • -8db
34% Popularity • 55% Danceability • 74% Energy • 16% Liveness
1% Instrumentalness • 61% Positiveness
34% Popularity • 55% Danceability • 74% Energy • 16% Liveness
1% Instrumentalness • 61% Positiveness
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Kristin Diable
I'll Make Time for You
113 bpm • G# min • 04:54 • -7.34db
18% Popularity • 50% Danceability • 79% Energy • 16% Liveness
18% Instrumentalness • 58% Positiveness
18% Popularity • 50% Danceability • 79% Energy • 16% Liveness
18% Instrumentalness • 58% Positiveness
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JJ Grey & Mofro
Everything Is A Song
113 bpm • F Maj • 05:11 • -7db
30% Popularity • 58% Danceability • 61% Energy • 5% Liveness
22% Instrumentalness • 62% Positiveness
30% Popularity • 58% Danceability • 61% Energy • 5% Liveness
22% Instrumentalness • 62% Positiveness
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Black Joe Lewis & The Honeybears
Get Yo Shit
113 bpm • B min • 02:47 • -4db
41% Popularity • 71% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
41% Popularity • 71% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
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Fruition
Labor of Love
113 bpm • E min • 04:03 • -7db
32% Popularity • 51% Danceability • 89% Energy • 21% Liveness
0% Instrumentalness • 44% Positiveness
32% Popularity • 51% Danceability • 89% Energy • 21% Liveness
0% Instrumentalness • 44% Positiveness
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Nathaniel Rateliff & The Night Sweats
Babe I Know
113 bpm • A Maj • 03:04 • -8.81db
53% Popularity • 46% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
53% Popularity • 46% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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The Avett Brothers
Divorce Separation Blues
113 bpm • C Maj • 04:56 • -7.05db
30% Popularity • 70% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
30% Popularity • 70% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Todd Snider
Ways and Means
121 bpm • C Maj • 02:48 • -4.72db
8% Popularity • 59% Danceability • 81% Energy • 25% Liveness
0% Instrumentalness • 96% Positiveness
8% Popularity • 59% Danceability • 81% Energy • 25% Liveness
0% Instrumentalness • 96% Positiveness
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The Lone Bellow
You Never Need Nobody
113 bpm • G Maj • 04:49 • -8db
31% Popularity • 38% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
31% Popularity • 38% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
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The Black Keys
Meet Me in the City
121 bpm • A Maj • 03:38 • -5.49db
50% Popularity • 48% Danceability • 75% Energy • 11% Liveness
23% Instrumentalness • 30% Positiveness
50% Popularity • 48% Danceability • 75% Energy • 11% Liveness
23% Instrumentalness • 30% Positiveness
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David Gray
Money (That's What I Want)
121 bpm • F Maj • 03:54 • -6db
41% Popularity • 66% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
41% Popularity • 66% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Trampled by Turtles
Victory
122 bpm • A Maj • 03:57 • -7.78db
47% Popularity • 45% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
47% Popularity • 45% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Tom Petty
Time To Move On
113 bpm • D Maj • 03:15 • -9db
55% Popularity • 61% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
55% Popularity • 61% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Plants and Animals
The End of That
122 bpm • F Maj • 04:03 • -7.54db
28% Popularity • 67% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
28% Popularity • 67% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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Major and the Monbacks
Don't Say a Word
113 bpm • A# Maj • 03:56 • -3.47db
23% Popularity • 60% Danceability • 80% Energy • 26% Liveness
1% Instrumentalness • 54% Positiveness
23% Popularity • 60% Danceability • 80% Energy • 26% Liveness
1% Instrumentalness • 54% Positiveness
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Them Vibes
Lorelei
112 bpm • G Maj • 02:37 • -11db
29% Popularity • 61% Danceability • 58% Energy • 10% Liveness
1% Instrumentalness • 63% Positiveness
29% Popularity • 61% Danceability • 58% Energy • 10% Liveness
1% Instrumentalness • 63% Positiveness
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Old 97's
Every Night Is Friday Night (Without You...
122 bpm • D Maj • 02:45 • -5.16db
34% Popularity • 59% Danceability • 91% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
34% Popularity • 59% Danceability • 91% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
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JJ Grey & Mofro
Everything Good Is Bad
112 bpm • A# Maj • 03:40 • -5db
43% Popularity • 77% Danceability • 66% Energy • 37% Liveness
0% Instrumentalness • 50% Positiveness
43% Popularity • 77% Danceability • 66% Energy • 37% Liveness
0% Instrumentalness • 50% Positiveness
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Anderson East
Only You
122 bpm • A# Maj • 02:46 • -5.06db
39% Popularity • 64% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 91% Positiveness
39% Popularity • 64% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 91% Positiveness
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Nathaniel Rateliff & The Night Sweats
Having A Party - Live
122 bpm • G# Maj • 06:47 • -4.09db
33% Popularity • 32% Danceability • 89% Energy • 97% Liveness
1% Instrumentalness • 45% Positiveness
33% Popularity • 32% Danceability • 89% Energy • 97% Liveness
1% Instrumentalness • 45% Positiveness
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Low Cut Connie
Shake It Little Tina
122 bpm • D Maj • 03:22 • -3.46db
31% Popularity • 74% Danceability • 76% Energy • 25% Liveness
0% Instrumentalness • 97% Positiveness
31% Popularity • 74% Danceability • 76% Energy • 25% Liveness
0% Instrumentalness • 97% Positiveness
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Rayland Baxter
Casanova
122 bpm • C Maj • 03:49 • -5.35db
30% Popularity • 60% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
30% Popularity • 60% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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The Revivalists
Celebration
112 bpm • A Maj • 03:46 • -5.12db
40% Popularity • 60% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
40% Popularity • 60% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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Josh Ritter
Young Moses
122 bpm • F min • 04:08 • -4.26db
2% Popularity • 63% Danceability • 97% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
2% Popularity • 63% Danceability • 97% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
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Madisen Ward and the Mama Bear
Modern Day Mystery
112 bpm • C min • 04:40 • -8.84db
10% Popularity • 67% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
10% Popularity • 67% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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The New Basement Tapes
Hidee Hidee Ho #11
112 bpm • A Maj • 04:44 • -10.95db
23% Popularity • 61% Danceability • 42% Energy • 15% Liveness
51% Instrumentalness • 43% Positiveness
23% Popularity • 61% Danceability • 42% Energy • 15% Liveness
51% Instrumentalness • 43% Positiveness
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Low Cut Connie
Me n Annie
122 bpm • D Maj • 03:24 • -3.61db
26% Popularity • 79% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
26% Popularity • 79% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
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Sean Rowe
Desiree
122 bpm • F# Maj • 04:38 • -6.3db
39% Popularity • 78% Danceability • 64% Energy • 14% Liveness
30% Instrumentalness • 90% Positiveness
39% Popularity • 78% Danceability • 64% Energy • 14% Liveness
30% Instrumentalness • 90% Positiveness
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Nathaniel Rateliff & The Night Sweats
Shake
112 bpm • E Maj • 03:38 • -6db
39% Popularity • 64% Danceability • 82% Energy • 44% Liveness
2% Instrumentalness • 77% Positiveness
39% Popularity • 64% Danceability • 82% Energy • 44% Liveness
2% Instrumentalness • 77% Positiveness
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Tedeschi Trucks Band
Part of Me
112 bpm • G Maj • 04:06 • -8.33db
52% Popularity • 68% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
52% Popularity • 68% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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Colvin & Earle
You’re Right (I’m Wrong)
112 bpm • B min • 04:13 • -9.33db
11% Popularity • 50% Danceability • 74% Energy • 28% Liveness
0% Instrumentalness • 50% Positiveness
11% Popularity • 50% Danceability • 74% Energy • 28% Liveness
0% Instrumentalness • 50% Positiveness
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Ruen Brothers
Summer Sun
122 bpm • G min • 03:21 • -2.62db
40% Popularity • 48% Danceability • 87% Energy • 22% Liveness
0% Instrumentalness • 47% Positiveness
40% Popularity • 48% Danceability • 87% Energy • 22% Liveness
0% Instrumentalness • 47% Positiveness
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Jamestown Revival
Midnight Hour
112 bpm • A Maj • 03:30 • -4.67db
50% Popularity • 62% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
50% Popularity • 62% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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The Marcus King Band
Ain’t Nothin’ Wrong With That
112 bpm • G Maj • 03:48 • -6db
42% Popularity • 50% Danceability • 87% Energy • 9% Liveness
1% Instrumentalness • 82% Positiveness
42% Popularity • 50% Danceability • 87% Energy • 9% Liveness
1% Instrumentalness • 82% Positiveness
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The Shouting Matches
Seven Sisters
123 bpm • C Maj • 02:40 • -9.42db
36% Popularity • 79% Danceability • 52% Energy • 12% Liveness
22% Instrumentalness • 62% Positiveness
36% Popularity • 79% Danceability • 52% Energy • 12% Liveness
22% Instrumentalness • 62% Positiveness
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Lake Street Dive
Call off Your Dogs
111 bpm • D Maj • 03:25 • -8db
44% Popularity • 75% Danceability • 74% Energy • 19% Liveness
0% Instrumentalness • 44% Positiveness
44% Popularity • 75% Danceability • 74% Energy • 19% Liveness
0% Instrumentalness • 44% Positiveness
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Lukas Nelson and Promise of the Real
Set Me Down On A Cloud
123 bpm • F# Maj • 07:16 • -6.03db
35% Popularity • 48% Danceability • 54% Energy • 19% Liveness
0% Instrumentalness • 39% Positiveness
35% Popularity • 48% Danceability • 54% Energy • 19% Liveness
0% Instrumentalness • 39% Positiveness
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Ryan Adams & The Cardinals
Magnolia Mountain
123 bpm • A Maj • 05:51 • -6.13db
34% Popularity • 42% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
34% Popularity • 42% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
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Josh Ritter
Feels Like Lightning
123 bpm • C Maj • 03:02 • -8db
31% Popularity • 55% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
31% Popularity • 55% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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The Marcus King Band
How Long
111 bpm • A# Maj • 05:21 • -8.27db
40% Popularity • 66% Danceability • 80% Energy • 34% Liveness
8% Instrumentalness • 72% Positiveness
40% Popularity • 66% Danceability • 80% Energy • 34% Liveness
8% Instrumentalness • 72% Positiveness
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The Head And The Heart
Shake
111 bpm • E Maj • 04:01 • -8db
55% Popularity • 48% Danceability • 78% Energy • 13% Liveness
72% Instrumentalness • 42% Positiveness
55% Popularity • 48% Danceability • 78% Energy • 13% Liveness
72% Instrumentalness • 42% Positiveness
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North Mississippi Allstars
Meet Me In the City
111 bpm • G# Maj • 04:36 • -8db
38% Popularity • 87% Danceability • 50% Energy • 18% Liveness
46% Instrumentalness • 47% Positiveness
38% Popularity • 87% Danceability • 50% Energy • 18% Liveness
46% Instrumentalness • 47% Positiveness
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Lukas Nelson and Promise of the Real
Living It Up
123 bpm • C# Maj • 03:13 • -8.23db
33% Popularity • 47% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
33% Popularity • 47% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Low Cut Connie
Boozophilia
123 bpm • D Maj • 04:02 • -7.69db
23% Popularity • 57% Danceability • 88% Energy • 35% Liveness
0% Instrumentalness • 86% Positiveness
23% Popularity • 57% Danceability • 88% Energy • 35% Liveness
0% Instrumentalness • 86% Positiveness
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The Revivalists
Soulfight
123 bpm • G Maj • 06:32 • -8.85db
56% Popularity • 59% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
56% Popularity • 59% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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Jamestown Revival
Airliner
123 bpm • C Maj • 03:45 • -5.01db
26% Popularity • 65% Danceability • 82% Energy • 8% Liveness
3% Instrumentalness • 76% Positiveness
26% Popularity • 65% Danceability • 82% Energy • 8% Liveness
3% Instrumentalness • 76% Positiveness
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Andy Frasco & the U.N.
Don't Ya Worry
124 bpm • G# Maj • 03:00 • -7.99db
33% Popularity • 80% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
33% Popularity • 80% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
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Greensky Bluegrass
In Control
124 bpm • B Maj • 04:32 • -6.75db
35% Popularity • 42% Danceability • 58% Energy • 11% Liveness
7% Instrumentalness • 41% Positiveness
35% Popularity • 42% Danceability • 58% Energy • 11% Liveness
7% Instrumentalness • 41% Positiveness
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Josh Ritter
Right Moves
124 bpm • G# Maj • 03:44 • -5.08db
30% Popularity • 57% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
30% Popularity • 57% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
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Lake Street Dive
I Don't Care About You
110 bpm • E min • 03:37 • -7.82db
39% Popularity • 40% Danceability • 44% Energy • 35% Liveness
0% Instrumentalness • 36% Positiveness
39% Popularity • 40% Danceability • 44% Energy • 35% Liveness
0% Instrumentalness • 36% Positiveness
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St. Paul & The Broken Bones
Call Me
110 bpm • G Maj • 02:51 • -4db
62% Popularity • 57% Danceability • 79% Energy • 12% Liveness
21% Instrumentalness • 61% Positiveness
62% Popularity • 57% Danceability • 79% Energy • 12% Liveness
21% Instrumentalness • 61% Positiveness
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The California Honeydrops
Like You Mean It
110 bpm • F Maj • 04:43 • -7db
26% Popularity • 80% Danceability • 64% Energy • 44% Liveness
1% Instrumentalness • 94% Positiveness
26% Popularity • 80% Danceability • 64% Energy • 44% Liveness
1% Instrumentalness • 94% Positiveness
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Nathaniel Rateliff & The Night Sweats
How To Make Friends
110 bpm • F# Maj • 03:11 • -7.3db
38% Popularity • 65% Danceability • 59% Energy • 11% Liveness
66% Instrumentalness • 65% Positiveness
38% Popularity • 65% Danceability • 59% Energy • 11% Liveness
66% Instrumentalness • 65% Positiveness
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Glossary
A Shoulder to Cry On
110 bpm • C Maj • 04:13 • -6.57db
18% Popularity • 68% Danceability • 67% Energy • 30% Liveness
0% Instrumentalness • 72% Positiveness
18% Popularity • 68% Danceability • 67% Energy • 30% Liveness
0% Instrumentalness • 72% Positiveness
