Songs like Look Now, Baby by Son Seals
Based on a tempo of (+/- 10%) and a similar genre
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Matt "Guitar" Murphy
Big Six
123 bpm • A Maj • 04:52 • -13.34db
20% Popularity • 67% Danceability • 51% Energy • 13% Liveness
77% Instrumentalness • 62% Positiveness
20% Popularity • 67% Danceability • 51% Energy • 13% Liveness
77% Instrumentalness • 62% Positiveness
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Hound Dog Taylor & The HouseRockers
Wild About You, Baby
123 bpm • G# min • 03:39 • -15.93db
37% Popularity • 51% Danceability • 53% Energy • 32% Liveness
0% Instrumentalness • 97% Positiveness
37% Popularity • 51% Danceability • 53% Energy • 32% Liveness
0% Instrumentalness • 97% Positiveness
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Son Seals
Look Now, Baby
123 bpm • C Maj • 03:27 • -10.72db
33% Popularity • 68% Danceability • 59% Energy • 27% Liveness
0% Instrumentalness • 94% Positiveness
33% Popularity • 68% Danceability • 59% Energy • 27% Liveness
0% Instrumentalness • 94% Positiveness
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Lazy Lester
I'm A Man
123 bpm • A# Maj • 04:00 • -12db
33% Popularity • 52% Danceability • 65% Energy • 8% Liveness
21% Instrumentalness • 78% Positiveness
33% Popularity • 52% Danceability • 65% Energy • 8% Liveness
21% Instrumentalness • 78% Positiveness
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The Cash Box Kings
The Wine Talkin'
123 bpm • A Maj • 03:49 • -3db
27% Popularity • 63% Danceability • 86% Energy • 32% Liveness
0% Instrumentalness • 81% Positiveness
27% Popularity • 63% Danceability • 86% Energy • 32% Liveness
0% Instrumentalness • 81% Positiveness
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Earl Hooker
Off the Hook
123 bpm • G# Maj • 04:04 • -14db
21% Popularity • 64% Danceability • 41% Energy • 7% Liveness
76% Instrumentalness • 74% Positiveness
21% Popularity • 64% Danceability • 41% Energy • 7% Liveness
76% Instrumentalness • 74% Positiveness
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Luther "Guitar Junior" Johnson
Back At the Chiken Shack
123 bpm • G Maj • 05:35 • -11db
8% Popularity • 64% Danceability • 63% Energy • 27% Liveness
90% Instrumentalness • 69% Positiveness
8% Popularity • 64% Danceability • 63% Energy • 27% Liveness
90% Instrumentalness • 69% Positiveness
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Roomful Of Blues
It All Went Down The Drain
123 bpm • C Maj • 05:28 • -4.04db
21% Popularity • 65% Danceability • 83% Energy • 97% Liveness
0% Instrumentalness • 88% Positiveness
21% Popularity • 65% Danceability • 83% Energy • 97% Liveness
0% Instrumentalness • 88% Positiveness
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Son Seals
Sadie
123 bpm • B min • 06:07 • -9.63db
47% Popularity • 50% Danceability • 75% Energy • 9% Liveness
1% Instrumentalness • 93% Positiveness
47% Popularity • 50% Danceability • 75% Energy • 9% Liveness
1% Instrumentalness • 93% Positiveness
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Jimmy Dawkins
Little Angel Child
123 bpm • D Maj • 03:59 • -7.26db
41% Popularity • 50% Danceability • 64% Energy • 20% Liveness
3% Instrumentalness • 75% Positiveness
41% Popularity • 50% Danceability • 64% Energy • 20% Liveness
3% Instrumentalness • 75% Positiveness
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Guitar Shorty
Neverland
124 bpm • A min • 03:59 • -5db
38% Popularity • 67% Danceability • 78% Energy • 18% Liveness
0% Instrumentalness • 82% Positiveness
38% Popularity • 67% Danceability • 78% Energy • 18% Liveness
0% Instrumentalness • 82% Positiveness
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Doyle Bramhall
The Hunter
122 bpm • E min • 04:49 • -8.6db
12% Popularity • 61% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
12% Popularity • 61% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Ronnie Earl
Country Girl
124 bpm • C Maj • 04:48 • -17.9db
32% Popularity • 61% Danceability • 28% Energy • 8% Liveness
15% Instrumentalness • 61% Positiveness
32% Popularity • 61% Danceability • 28% Energy • 8% Liveness
15% Instrumentalness • 61% Positiveness
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Albert Collins
Honey, Hush aka Talking Woman Blues
122 bpm • C Maj • 04:28 • -7db
44% Popularity • 86% Danceability • 71% Energy • 12% Liveness
1% Instrumentalness • 86% Positiveness
44% Popularity • 86% Danceability • 71% Energy • 12% Liveness
1% Instrumentalness • 86% Positiveness
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William Clarke
Sweet Angel's Gone
124 bpm • G Maj • 04:44 • -15db
20% Popularity • 58% Danceability • 49% Energy • 21% Liveness
1% Instrumentalness • 84% Positiveness
20% Popularity • 58% Danceability • 49% Energy • 21% Liveness
1% Instrumentalness • 84% Positiveness
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Hubert Sumlin
It's You, My Baby
124 bpm • A Maj • 02:31 • -9db
17% Popularity • 70% Danceability • 62% Energy • 32% Liveness
2% Instrumentalness • 94% Positiveness
17% Popularity • 70% Danceability • 62% Energy • 32% Liveness
2% Instrumentalness • 94% Positiveness
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Joe "Guitar" Hughes
A Blue Song
124 bpm • G Maj • 05:14 • -12db
27% Popularity • 78% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
27% Popularity • 78% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
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Diunna Greenleaf
Sunny Day Friends
124 bpm • C Maj • 03:40 • -4.66db
29% Popularity • 60% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
29% Popularity • 60% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
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Son Seals
Cold Blood
122 bpm • A# Maj • 04:05 • -10.66db
8% Popularity • 72% Danceability • 68% Energy • 29% Liveness
0% Instrumentalness • 95% Positiveness
8% Popularity • 72% Danceability • 68% Energy • 29% Liveness
0% Instrumentalness • 95% Positiveness
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Slim Harpo
One of These Days
122 bpm • A# Maj • 02:49 • -4.7db
32% Popularity • 43% Danceability • 92% Energy • 64% Liveness
0% Instrumentalness • 48% Positiveness
32% Popularity • 43% Danceability • 92% Energy • 64% Liveness
0% Instrumentalness • 48% Positiveness
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Lil Ed & The Blues Imperials
You Don't Exist Any More
124 bpm • A Maj • 04:03 • -10.96db
22% Popularity • 72% Danceability • 58% Energy • 42% Liveness
1% Instrumentalness • 64% Positiveness
22% Popularity • 72% Danceability • 58% Energy • 42% Liveness
1% Instrumentalness • 64% Positiveness
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Jimmy Dawkins
Ruff Times
124 bpm • G Maj • 05:32 • -16.7db
23% Popularity • 72% Danceability • 44% Energy • 14% Liveness
30% Instrumentalness • 80% Positiveness
23% Popularity • 72% Danceability • 44% Energy • 14% Liveness
30% Instrumentalness • 80% Positiveness
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Little Charlie & The Nightcats
My Next Ex-Wife
125 bpm • G Maj • 04:31 • -9.43db
20% Popularity • 80% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
20% Popularity • 80% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
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Magic Sam
I Don't Want No Woman
125 bpm • E Maj • 03:38 • -10.23db
12% Popularity • 50% Danceability • 62% Energy • 28% Liveness
0% Instrumentalness • 95% Positiveness
12% Popularity • 50% Danceability • 62% Energy • 28% Liveness
0% Instrumentalness • 95% Positiveness
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Son Seals
Don't Pick Me For Your Fool
121 bpm • B min • 04:15 • -11.47db
14% Popularity • 60% Danceability • 54% Energy • 33% Liveness
0% Instrumentalness • 96% Positiveness
14% Popularity • 60% Danceability • 54% Energy • 33% Liveness
0% Instrumentalness • 96% Positiveness
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Johnny Copeland
I De Go Now
121 bpm • C Maj • 06:55 • -12.58db
10% Popularity • 50% Danceability • 43% Energy • 14% Liveness
22% Instrumentalness • 47% Positiveness
10% Popularity • 50% Danceability • 43% Energy • 14% Liveness
22% Instrumentalness • 47% Positiveness
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Slim Harpo
Mailbox Blues - Single Version
124 bpm • C Maj • 02:44 • -13.07db
42% Popularity • 77% Danceability • 45% Energy • 38% Liveness
5% Instrumentalness • 77% Positiveness
42% Popularity • 77% Danceability • 45% Energy • 38% Liveness
5% Instrumentalness • 77% Positiveness
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Lil Ed & The Blues Imperials
Deep In My Soul
125 bpm • A# Maj • 04:33 • -5db
18% Popularity • 60% Danceability • 57% Energy • 23% Liveness
1% Instrumentalness • 65% Positiveness
18% Popularity • 60% Danceability • 57% Energy • 23% Liveness
1% Instrumentalness • 65% Positiveness
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The Fabulous Thunderbirds
Scratch My Back
121 bpm • E Maj • 03:52 • -7.18db
51% Popularity • 78% Danceability • 50% Energy • 11% Liveness
2% Instrumentalness • 86% Positiveness
51% Popularity • 78% Danceability • 50% Energy • 11% Liveness
2% Instrumentalness • 86% Positiveness
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Luther Johnson
Hush Hush
125 bpm • A Maj • 04:20 • -11.38db
20% Popularity • 75% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
20% Popularity • 75% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
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Magic Sam
All Your Love
121 bpm • B Maj • 02:56 • -7.76db
31% Popularity • 69% Danceability • 72% Energy • 10% Liveness
36% Instrumentalness • 83% Positiveness
31% Popularity • 69% Danceability • 72% Energy • 10% Liveness
36% Instrumentalness • 83% Positiveness
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Chris Cain
Drinking Straight Tequila
125 bpm • B min • 02:52 • -4.72db
29% Popularity • 55% Danceability • 83% Energy • 36% Liveness
0% Instrumentalness • 86% Positiveness
29% Popularity • 55% Danceability • 83% Energy • 36% Liveness
0% Instrumentalness • 86% Positiveness
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Son Seals
Going Home Tomorrow
125 bpm • E min • 03:39 • -11.75db
26% Popularity • 56% Danceability • 61% Energy • 32% Liveness
0% Instrumentalness • 97% Positiveness
26% Popularity • 56% Danceability • 61% Energy • 32% Liveness
0% Instrumentalness • 97% Positiveness
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Ronnie Earl
Little Johnny Lee
121 bpm • E min • 06:33 • -7.34db
25% Popularity • 58% Danceability • 77% Energy • 17% Liveness
86% Instrumentalness • 71% Positiveness
25% Popularity • 58% Danceability • 77% Energy • 17% Liveness
86% Instrumentalness • 71% Positiveness
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Clarence "Gatemouth" Brown
Born In Louisiana
121 bpm • G Maj • 03:52 • -10.87db
25% Popularity • 75% Danceability • 54% Energy • 31% Liveness
0% Instrumentalness • 70% Positiveness
25% Popularity • 75% Danceability • 54% Energy • 31% Liveness
0% Instrumentalness • 70% Positiveness
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John Brim
You Put the Heart on Me
120 bpm • F Maj • 02:40 • -14db
22% Popularity • 59% Danceability • 48% Energy • 35% Liveness
0% Instrumentalness • 91% Positiveness
22% Popularity • 59% Danceability • 48% Energy • 35% Liveness
0% Instrumentalness • 91% Positiveness
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Earl Hooker
Blues In D Natural
120 bpm • G Maj • 02:15 • -9.64db
27% Popularity • 46% Danceability • 63% Energy • 34% Liveness
84% Instrumentalness • 81% Positiveness
27% Popularity • 46% Danceability • 63% Energy • 34% Liveness
84% Instrumentalness • 81% Positiveness
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Roy Gaines
Bluesman for Life - Remastered
120 bpm • F min • 05:10 • -9.9db
29% Popularity • 61% Danceability • 65% Energy • 43% Liveness
65% Instrumentalness • 79% Positiveness
29% Popularity • 61% Danceability • 65% Energy • 43% Liveness
65% Instrumentalness • 79% Positiveness
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Luther "Guitar Junior" Johnson
Look What You Done
120 bpm • C Maj • 03:54 • -13.35db
16% Popularity • 74% Danceability • 62% Energy • 31% Liveness
0% Instrumentalness • 89% Positiveness
16% Popularity • 74% Danceability • 62% Energy • 31% Liveness
0% Instrumentalness • 89% Positiveness
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Andrew "Jr Boy" Jones
Whiskey Drinkin' Blues
120 bpm • G Maj • 04:33 • -5.57db
33% Popularity • 66% Danceability • 57% Energy • 28% Liveness
0% Instrumentalness • 45% Positiveness
33% Popularity • 66% Danceability • 57% Energy • 28% Liveness
0% Instrumentalness • 45% Positiveness
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Kenny Neal
Look But Don't Touch
120 bpm • A min • 03:22 • -10.81db
28% Popularity • 72% Danceability • 73% Energy • 4% Liveness
2% Instrumentalness • 79% Positiveness
28% Popularity • 72% Danceability • 73% Energy • 4% Liveness
2% Instrumentalness • 79% Positiveness
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Lil Ed & The Blues Imperials
Packin' Up
120 bpm • D Maj • 03:54 • -15.64db
25% Popularity • 57% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 77% Positiveness
25% Popularity • 57% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 77% Positiveness
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Billy Boy Arnold
I Ain't Got You
126 bpm • A Maj • 03:15 • -9.25db
25% Popularity • 71% Danceability • 79% Energy • 22% Liveness
0% Instrumentalness • 93% Positiveness
25% Popularity • 71% Danceability • 79% Energy • 22% Liveness
0% Instrumentalness • 93% Positiveness
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Robert Cray
Playin' In The Dirt
120 bpm • G Maj • 03:46 • -9.48db
26% Popularity • 78% Danceability • 60% Energy • 7% Liveness
1% Instrumentalness • 90% Positiveness
26% Popularity • 78% Danceability • 60% Energy • 7% Liveness
1% Instrumentalness • 90% Positiveness
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Lazy Lester
If You Think I've Lost You
120 bpm • G Maj • 03:45 • -4.93db
7% Popularity • 60% Danceability • 71% Energy • 32% Liveness
0% Instrumentalness • 65% Positiveness
7% Popularity • 60% Danceability • 71% Energy • 32% Liveness
0% Instrumentalness • 65% Positiveness
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Johnny Copeland
Flyin' High (Yesterday)
120 bpm • A Maj • 03:14 • -12.65db
14% Popularity • 46% Danceability • 57% Energy • 25% Liveness
0% Instrumentalness • 79% Positiveness
14% Popularity • 46% Danceability • 57% Energy • 25% Liveness
0% Instrumentalness • 79% Positiveness
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A.C. Reed
I Can't Go This Way
126 bpm • A min • 04:05 • -9db
29% Popularity • 73% Danceability • 65% Energy • 17% Liveness
0% Instrumentalness • 39% Positiveness
29% Popularity • 73% Danceability • 65% Energy • 17% Liveness
0% Instrumentalness • 39% Positiveness
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Luther Johnson
Rock Me Slow and Easy
127 bpm • A Maj • 04:18 • -12.99db
18% Popularity • 80% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
18% Popularity • 80% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
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Nick Moss Band
Crazy Mixed Up Baby
119 bpm • F min • 04:47 • -2db
11% Popularity • 42% Danceability • 96% Energy • 19% Liveness
0% Instrumentalness • 93% Positiveness
11% Popularity • 42% Danceability • 96% Energy • 19% Liveness
0% Instrumentalness • 93% Positiveness
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Son Seals
Going Home (Where Women Got Meat On Thei...
127 bpm • E min • 03:47 • -6.94db
12% Popularity • 69% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 83% Positiveness
12% Popularity • 69% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 83% Positiveness
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Byther Smith
This Little Voice
119 bpm • C# min • 03:20 • -7.17db
14% Popularity • 69% Danceability • 74% Energy • 15% Liveness
2% Instrumentalness • 92% Positiveness
14% Popularity • 69% Danceability • 74% Energy • 15% Liveness
2% Instrumentalness • 92% Positiveness
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Hubert Sumlin
Easy, Hubert, Easy
127 bpm • B Maj • 03:53 • -11.64db
14% Popularity • 72% Danceability • 46% Energy • 7% Liveness
85% Instrumentalness • 76% Positiveness
14% Popularity • 72% Danceability • 46% Energy • 7% Liveness
85% Instrumentalness • 76% Positiveness
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Little Charlie & The Nightcats
That's Big
119 bpm • E Maj • 04:07 • -7.04db
24% Popularity • 78% Danceability • 66% Energy • 33% Liveness
0% Instrumentalness • 92% Positiveness
24% Popularity • 78% Danceability • 66% Energy • 33% Liveness
0% Instrumentalness • 92% Positiveness
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Queen Sylvia Embry
Blues This Morning
127 bpm • G Maj • 02:08 • -12db
28% Popularity • 70% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
28% Popularity • 70% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
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Kenny Neal
Hoodoo Moon
127 bpm • E Maj • 03:16 • -13.69db
20% Popularity • 65% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
20% Popularity • 65% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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Son Seals
Don't Pick Me For Your Fool
127 bpm • B min • 05:06 • -7.18db
5% Popularity • 47% Danceability • 88% Energy • 95% Liveness
0% Instrumentalness • 85% Positiveness
5% Popularity • 47% Danceability • 88% Energy • 95% Liveness
0% Instrumentalness • 85% Positiveness
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Snooky Pryor
Bury You in a Paper Sack
119 bpm • F Maj • 04:35 • -11.64db
13% Popularity • 64% Danceability • 59% Energy • 10% Liveness
4% Instrumentalness • 96% Positiveness
13% Popularity • 64% Danceability • 59% Energy • 10% Liveness
4% Instrumentalness • 96% Positiveness
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Clarence "Gatemouth" Brown
I Got My Mojo Working
119 bpm • G Maj • 04:46 • -10.98db
40% Popularity • 68% Danceability • 59% Energy • 9% Liveness
6% Instrumentalness • 86% Positiveness
40% Popularity • 68% Danceability • 59% Energy • 9% Liveness
6% Instrumentalness • 86% Positiveness
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Lowell Fulson
Do Me Right
119 bpm • F min • 02:53 • -14db
33% Popularity • 70% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
33% Popularity • 70% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
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Bob Corritore
Last Time
119 bpm • G Maj • 02:31 • -2.37db
14% Popularity • 59% Danceability • 83% Energy • 48% Liveness
0% Instrumentalness • 71% Positiveness
14% Popularity • 59% Danceability • 83% Energy • 48% Liveness
0% Instrumentalness • 71% Positiveness
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Guitar Shorty
What She Don't Know
118 bpm • E min • 03:16 • -5.59db
40% Popularity • 72% Danceability • 88% Energy • 32% Liveness
0% Instrumentalness • 96% Positiveness
40% Popularity • 72% Danceability • 88% Energy • 32% Liveness
0% Instrumentalness • 96% Positiveness
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Eddie Shaw
My Baby's So Ugly
118 bpm • C Maj • 03:31 • -11.12db
22% Popularity • 68% Danceability • 62% Energy • 11% Liveness
1% Instrumentalness • 88% Positiveness
22% Popularity • 68% Danceability • 62% Energy • 11% Liveness
1% Instrumentalness • 88% Positiveness
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Snooky Pryor
Come on Down to My House
119 bpm • E min • 05:49 • -6.58db
6% Popularity • 59% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
6% Popularity • 59% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
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Freddy King
Takin' Care of Business
128 bpm • F# Maj • 02:49 • -7.3db
8% Popularity • 69% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
8% Popularity • 69% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
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Jimmy Dawkins
I Wonder Why
128 bpm • D Maj • 03:08 • -6.14db
9% Popularity • 51% Danceability • 68% Energy • 16% Liveness
6% Instrumentalness • 88% Positiveness
9% Popularity • 51% Danceability • 68% Energy • 16% Liveness
6% Instrumentalness • 88% Positiveness
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Lazy Lester
Tell Me Pretty Baby
118 bpm • A Maj • 02:40 • -6.44db
12% Popularity • 65% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 81% Positiveness
12% Popularity • 65% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 81% Positiveness
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Guitar Shorty
Texas Women
128 bpm • F# min • 04:24 • -5db
25% Popularity • 69% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
25% Popularity • 69% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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Byther Smith
I Tried
118 bpm • F min • 03:07 • -12.12db
37% Popularity • 73% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
37% Popularity • 73% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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Hubert Sumlin
Blues is Here to Stay
118 bpm • D Maj • 03:14 • -6.41db
20% Popularity • 71% Danceability • 91% Energy • 21% Liveness
0% Instrumentalness • 94% Positiveness
20% Popularity • 71% Danceability • 91% Energy • 21% Liveness
0% Instrumentalness • 94% Positiveness
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Johnny Copeland
Catch Up With The Blues
128 bpm • F min • 05:01 • -8.9db
16% Popularity • 63% Danceability • 82% Energy • 11% Liveness
6% Instrumentalness • 68% Positiveness
16% Popularity • 63% Danceability • 82% Energy • 11% Liveness
6% Instrumentalness • 68% Positiveness
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William Clarke
Pawnshop Bound
118 bpm • C Maj • 04:23 • -9.28db
27% Popularity • 65% Danceability • 74% Energy • 13% Liveness
1% Instrumentalness • 76% Positiveness
27% Popularity • 65% Danceability • 74% Energy • 13% Liveness
1% Instrumentalness • 76% Positiveness
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Clarence "Gatemouth" Brown
Goin' to Chicago
129 bpm • F# Maj • 04:17 • -11.94db
23% Popularity • 63% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
23% Popularity • 63% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
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The Fabulous Thunderbirds
Wait On Time
129 bpm • E Maj • 03:03 • -5.68db
38% Popularity • 67% Danceability • 60% Energy • 20% Liveness
0% Instrumentalness • 84% Positiveness
38% Popularity • 67% Danceability • 60% Energy • 20% Liveness
0% Instrumentalness • 84% Positiveness
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Billy Boy Arnold
Play with Fire
118 bpm • G min • 03:45 • -5.78db
8% Popularity • 44% Danceability • 68% Energy • 40% Liveness
0% Instrumentalness • 84% Positiveness
8% Popularity • 44% Danceability • 68% Energy • 40% Liveness
0% Instrumentalness • 84% Positiveness
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Magic Sam
Sweet Home Chicago
117 bpm • A Maj • 04:16 • -10.81db
23% Popularity • 59% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
23% Popularity • 59% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
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Raful Neal
Let's Work Together
117 bpm • C Maj • 02:40 • -8.14db
22% Popularity • 82% Danceability • 71% Energy • 17% Liveness
0% Instrumentalness • 93% Positiveness
22% Popularity • 82% Danceability • 71% Energy • 17% Liveness
0% Instrumentalness • 93% Positiveness
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Snooky Pryor
Keyhole in Your Door
129 bpm • G# Maj • 03:40 • -11.35db
8% Popularity • 60% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
8% Popularity • 60% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
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Luther Johnson
She's My Babe
129 bpm • G Maj • 03:06 • -10.97db
34% Popularity • 74% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
34% Popularity • 74% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
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Son Seals
Mother-In-Law Blues
129 bpm • E Maj • 03:15 • -12.12db
31% Popularity • 59% Danceability • 62% Energy • 69% Liveness
0% Instrumentalness • 84% Positiveness
31% Popularity • 59% Danceability • 62% Energy • 69% Liveness
0% Instrumentalness • 84% Positiveness
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Detroit Junior
I Got Money
117 bpm • F Maj • 02:41 • -15.71db
31% Popularity • 63% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
31% Popularity • 63% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
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Jimmy Rogers
Walking By Myself
117 bpm • B min • 02:47 • -13.33db
48% Popularity • 62% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 78% Positiveness
48% Popularity • 62% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 78% Positiveness
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A.C. Reed
She's Fine
117 bpm • A Maj • 04:30 • -6.28db
23% Popularity • 54% Danceability • 57% Energy • 20% Liveness
3% Instrumentalness • 81% Positiveness
23% Popularity • 54% Danceability • 57% Energy • 20% Liveness
3% Instrumentalness • 81% Positiveness
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Rusty Zinn
Just Like A Fish
117 bpm • F Maj • 03:37 • -6.62db
17% Popularity • 73% Danceability • 74% Energy • 36% Liveness
0% Instrumentalness • 71% Positiveness
17% Popularity • 73% Danceability • 74% Energy • 36% Liveness
0% Instrumentalness • 71% Positiveness
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Ronnie Earl
Hey Jose
117 bpm • F Maj • 05:11 • -6.66db
23% Popularity • 50% Danceability • 90% Energy • 18% Liveness
86% Instrumentalness • 71% Positiveness
23% Popularity • 50% Danceability • 90% Energy • 18% Liveness
86% Instrumentalness • 71% Positiveness
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Son Seals
Buzzard Luck
117 bpm • F min • 05:03 • -7.62db
9% Popularity • 76% Danceability • 83% Energy • 7% Liveness
1% Instrumentalness • 95% Positiveness
9% Popularity • 76% Danceability • 83% Energy • 7% Liveness
1% Instrumentalness • 95% Positiveness
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Lazy Lester
I'm a Lover Not a Fighter
117 bpm • E Maj • 03:09 • -6.56db
8% Popularity • 64% Danceability • 86% Energy • 24% Liveness
0% Instrumentalness • 76% Positiveness
8% Popularity • 64% Danceability • 86% Energy • 24% Liveness
0% Instrumentalness • 76% Positiveness
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Slim Harpo
Buzz Me, Babe
130 bpm • B min • 02:14 • -7.5db
46% Popularity • 61% Danceability • 52% Energy • 37% Liveness
1% Instrumentalness • 48% Positiveness
46% Popularity • 61% Danceability • 52% Energy • 37% Liveness
1% Instrumentalness • 48% Positiveness
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A.C. Reed
Everything I Do Got to Be Funky
117 bpm • B min • 05:54 • -11.47db
15% Popularity • 85% Danceability • 59% Energy • 9% Liveness
3% Instrumentalness • 92% Positiveness
15% Popularity • 85% Danceability • 59% Energy • 9% Liveness
3% Instrumentalness • 92% Positiveness
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Snooky Pryor
Coal Black Mare
116 bpm • C# Maj • 03:27 • -10.53db
12% Popularity • 64% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
12% Popularity • 64% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
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Sonny Boy Williamson II
Trying To Get Back On My Feet - Stereo V...
130 bpm • D Maj • 02:08 • -9.97db
31% Popularity • 61% Danceability • 52% Energy • 25% Liveness
0% Instrumentalness • 74% Positiveness
31% Popularity • 61% Danceability • 52% Energy • 25% Liveness
0% Instrumentalness • 74% Positiveness
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Lonesome Sundown
They Call Me Sundown
116 bpm • G Maj • 03:59 • -14.01db
15% Popularity • 74% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
15% Popularity • 74% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
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Hound Dog Taylor & The HouseRockers
She's Gone
130 bpm • E Maj • 03:51 • -15.83db
36% Popularity • 70% Danceability • 57% Energy • 28% Liveness
0% Instrumentalness • 81% Positiveness
36% Popularity • 70% Danceability • 57% Energy • 28% Liveness
0% Instrumentalness • 81% Positiveness
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Son Seals
Don't Bother Me
130 bpm • F Maj • 03:52 • -10.91db
6% Popularity • 68% Danceability • 64% Energy • 5% Liveness
43% Instrumentalness • 96% Positiveness
6% Popularity • 68% Danceability • 64% Energy • 5% Liveness
43% Instrumentalness • 96% Positiveness
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Bob Corritore
Big Mama's Soul Food
130 bpm • A Maj • 04:09 • -3.17db
16% Popularity • 42% Danceability • 90% Energy • 32% Liveness
0% Instrumentalness • 76% Positiveness
16% Popularity • 42% Danceability • 90% Energy • 32% Liveness
0% Instrumentalness • 76% Positiveness
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Clarence "Gatemouth" Brown
Ain't That Dandy
116 bpm • F Maj • 02:53 • -13.52db
29% Popularity • 54% Danceability • 33% Energy • 8% Liveness
65% Instrumentalness • 78% Positiveness
29% Popularity • 54% Danceability • 33% Energy • 8% Liveness
65% Instrumentalness • 78% Positiveness
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Smokin' Joe Kubek & Bnois King
Tell Me Why
116 bpm • A min • 03:41 • -6.45db
19% Popularity • 52% Danceability • 74% Energy • 30% Liveness
0% Instrumentalness • 70% Positiveness
19% Popularity • 52% Danceability • 74% Energy • 30% Liveness
0% Instrumentalness • 70% Positiveness
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William Clarke
Gambling For My Bread
130 bpm • A# Maj • 03:25 • -12.78db
21% Popularity • 70% Danceability • 55% Energy • 28% Liveness
0% Instrumentalness • 83% Positiveness
21% Popularity • 70% Danceability • 55% Energy • 28% Liveness
0% Instrumentalness • 83% Positiveness
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Snooky Pryor
Bottle It Up and Go
131 bpm • G# Maj • 03:02 • -11.63db
20% Popularity • 66% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
20% Popularity • 66% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
