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Look to the Stars
Songs like
Look to the Stars
by
Johannes Bornlöf
Based on a tempo of (+/- 10%) and a similar genre
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Davide De Angelis
Winter Night
81 bpm • E min • 03:35 • -16.08db
35% Popularity • 18% Danceability • 27% Energy • 9% Liveness
94% Instrumentalness • 20% Positiveness
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Johannes Bornlöf
Look to the Stars
81 bpm • B Maj • 02:49 • -16db
28% Popularity • 34% Danceability • 18% Energy • 21% Liveness
87% Instrumentalness • 4% Positiveness
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Infinity Ripple
Supposing
81 bpm • C Maj • 03:07 • -15.53db
29% Popularity • 23% Danceability • 13% Energy • 12% Liveness
88% Instrumentalness • 11% Positiveness
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Ludovico Einaudi
Night
81 bpm • D# Maj • 05:03 • -24.12db
9% Popularity • 56% Danceability • 6% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
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Matt Stewart-Evans
Wander
81 bpm • F# Maj • 03:28 • -14.77db
22% Popularity • 27% Danceability • 30% Energy • 14% Liveness
90% Instrumentalness • 8% Positiveness
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Ensemble Rivr Dane
Awatere
81 bpm • D Maj • 03:48 • -23.71db
13% Popularity • 13% Danceability • 6% Energy • 7% Liveness
29% Instrumentalness • 3% Positiveness
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Jonas Holmes
Ouroboros
81 bpm • C min • 02:05 • -25.64db
39% Popularity • 34% Danceability • 6% Energy • 12% Liveness
95% Instrumentalness • 22% Positiveness
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Diminuendo
Pictures
81 bpm • F# min • 02:40 • -26.1db
39% Popularity • 16% Danceability • 5% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
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Franz Gordon
Three Days in Venice
81 bpm • G Maj • 03:07 • -24.04db
29% Popularity • 11% Danceability • 3% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Kevin Smuts
Basically Flying
82 bpm • A min • 02:29 • -20.53db
41% Popularity • 36% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
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Slow Meadow
Semolina
80 bpm • G# Maj • 03:40 • -30.66db
39% Popularity • 10% Danceability • 2% Energy • 12% Liveness
91% Instrumentalness • 5% Positiveness
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Johannes Bornlöf
Let's Run Away Together
80 bpm • G Maj • 02:57 • -19db
45% Popularity • 28% Danceability • 15% Energy • 8% Liveness
82% Instrumentalness • 6% Positiveness
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Doug Kaufman
The Garden
80 bpm • F# Maj • 02:56 • -17.3db
46% Popularity • 21% Danceability • 24% Energy • 7% Liveness
91% Instrumentalness • 4% Positiveness
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Trevor Kowalski
Caught in the Waves
82 bpm • G min • 02:28 • -16.01db
39% Popularity • 31% Danceability • 25% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
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Diminuendo
Sweetness
82 bpm • E min • 02:20 • -16.06db
37% Popularity • 13% Danceability • 9% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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Emiliano Blangero
Eterno viaggiare
80 bpm • A Maj • 03:57 • -24.74db
25% Popularity • 22% Danceability • 7% Energy • 7% Liveness
95% Instrumentalness • 7% Positiveness
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Slow Meadow
Borderland Sorrows
82 bpm • D# Maj • 03:43 • -19db
46% Popularity • 32% Danceability • 11% Energy • 8% Liveness
94% Instrumentalness • 8% Positiveness
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Johannes Bornlöf
The Diary
82 bpm • G# min • 02:26 • -25.86db
33% Popularity • 30% Danceability • 2% Energy • 9% Liveness
97% Instrumentalness • 27% Positiveness
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Dominique Charpentier
Libeccio
82 bpm • F# min • 01:39 • -15.04db
44% Popularity • 42% Danceability • 13% Energy • 12% Liveness
90% Instrumentalness • 15% Positiveness
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Crystal Fragments
Aquamarine
80 bpm • A min • 02:52 • -24.31db
38% Popularity • 26% Danceability • 7% Energy • 10% Liveness
84% Instrumentalness • 13% Positiveness
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Joe Alexander Shepherd
Beautiful Girl
79 bpm • F min • 05:47 • -18.45db
31% Popularity • 23% Danceability • 11% Energy • 10% Liveness
95% Instrumentalness • 5% Positiveness
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Charlotte Funke
2nd Episode
83 bpm • G Maj • 02:35 • -21.73db
29% Popularity • 23% Danceability • 6% Energy • 12% Liveness
92% Instrumentalness • 11% Positiveness
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Sebastián Escofet
Ondulante
83 bpm • F Maj • 03:00 • -21.87db
35% Popularity • 8% Danceability • 8% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
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Johannes Bornlöf
Hope Whispers
80 bpm • C# Maj • 02:54 • -15.26db
20% Popularity • 34% Danceability • 18% Energy • 12% Liveness
92% Instrumentalness • 7% Positiveness
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Manuel Zito
Fernweh
79 bpm • B min • 02:58 • -16.29db
34% Popularity • 18% Danceability • 26% Energy • 10% Liveness
90% Instrumentalness • 15% Positiveness
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Crystal Fragments
Amethyst
82 bpm • D min • 02:47 • -21.33db
26% Popularity • 9% Danceability • 9% Energy • 10% Liveness
80% Instrumentalness • 7% Positiveness
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Jakob Ahlbom
Endeavour
83 bpm • C Maj • 04:27 • -18.59db
32% Popularity • 8% Danceability • 17% Energy • 5% Liveness
95% Instrumentalness • 4% Positiveness
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David Celeste
Sphinx
79 bpm • A min • 01:42 • -24.45db
45% Popularity • 37% Danceability • 4% Energy • 6% Liveness
96% Instrumentalness • 8% Positiveness
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Philippe Paquet
Révérence: II
79 bpm • D min • 06:21 • -12.84db
31% Popularity • 12% Danceability • 29% Energy • 10% Liveness
86% Instrumentalness • 18% Positiveness
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Kendra Logozar
Equilibrium
79 bpm • C Maj • 02:35 • -18.96db
37% Popularity • 52% Danceability • 4% Energy • 9% Liveness
93% Instrumentalness • 15% Positiveness
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Manuel Zito
La deriva
83 bpm • E min • 02:51 • -13.85db
23% Popularity • 42% Danceability • 27% Energy • 9% Liveness
91% Instrumentalness • 7% Positiveness
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Martin Bloch
Suite in D IV (Dreamland)
83 bpm • A min • 02:54 • -27.74db
43% Popularity • 32% Danceability • 11% Energy • 10% Liveness
94% Instrumentalness • 48% Positiveness
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L'Orchestra Nazionale di Mendoni
Enigma Variations: Nimrod
83 bpm • D# Maj • 03:09 • -15.02db
30% Popularity • 19% Danceability • 24% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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Diminuendo
El Dorado
83 bpm • A# Maj • 03:43 • -13.95db
24% Popularity • 18% Danceability • 30% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
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Volker Bertelmann
Salvation
78 bpm • F Maj • 05:25 • -17db
28% Popularity • 8% Danceability • 22% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Yonder Dale
Benevolent
84 bpm • A min • 03:08 • -17.19db
36% Popularity • 12% Danceability • 19% Energy • 11% Liveness
85% Instrumentalness • 26% Positiveness
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Matt Stewart-Evans
Anonymous Waltz
78 bpm • F min • 02:55 • -21db
39% Popularity • 33% Danceability • 10% Energy • 11% Liveness
86% Instrumentalness • 5% Positiveness
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Simon Wester
Encounter
78 bpm • F Maj • 05:58 • -15.38db
26% Popularity • 13% Danceability • 21% Energy • 7% Liveness
84% Instrumentalness • 4% Positiveness
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Tegelhof Kammerorchester
Sinfonia in B Minor
78 bpm • B Maj • 02:37 • -16.13db
22% Popularity • 9% Danceability • 21% Energy • 15% Liveness
82% Instrumentalness • 4% Positiveness
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Ian Wong
Voices from the Sky
78 bpm • B Maj • 02:49 • -24.88db
32% Popularity • 60% Danceability • 14% Energy • 10% Liveness
95% Instrumentalness • 17% Positiveness
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Arelius
Rise
84 bpm • C Maj • 03:02 • -27.67db
42% Popularity • 23% Danceability • 6% Energy • 11% Liveness
91% Instrumentalness • 18% Positiveness
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Kylian Rebour
Different Beginning
78 bpm • F Maj • 01:15 • -25.32db
40% Popularity • 28% Danceability • 6% Energy • 11% Liveness
79% Instrumentalness • 26% Positiveness
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Sarah Spring
Under Cold Water
85 bpm • A# min • 02:06 • -26.35db
42% Popularity • 26% Danceability • 11% Energy • 10% Liveness
86% Instrumentalness • 32% Positiveness
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Rick Mays Orchestra
The Saga
84 bpm • D# Maj • 01:49 • -15.52db
27% Popularity • 13% Danceability • 19% Energy • 14% Liveness
91% Instrumentalness • 9% Positiveness
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Hannah Grey
Still Waters
77 bpm • G# Maj • 02:16 • -20.5db
33% Popularity • 11% Danceability • 13% Energy • 15% Liveness
91% Instrumentalness • 10% Positiveness
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Emily Rubye
Next
85 bpm • G Maj • 02:14 • -13.65db
33% Popularity • 40% Danceability • 10% Energy • 13% Liveness
82% Instrumentalness • 6% Positiveness
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James Spiteri
Hope
77 bpm • F# Maj • 06:17 • -20.34db
23% Popularity • 15% Danceability • 13% Energy • 14% Liveness
95% Instrumentalness • 7% Positiveness
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Peter Pritchard
Rust And Gold
85 bpm • D# min • 07:32 • -29.59db
34% Popularity • 30% Danceability • 4% Energy • 15% Liveness
93% Instrumentalness • 30% Positiveness
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Lorenz Gayo
When The Children Play
77 bpm • D min • 01:12 • -18.52db
32% Popularity • 29% Danceability • 19% Energy • 35% Liveness
94% Instrumentalness • 23% Positiveness
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Max Richter
I will not forget you
77 bpm • C Maj • 03:55 • -16.68db
42% Popularity • 15% Danceability • 11% Energy • 9% Liveness
6% Instrumentalness • 3% Positiveness
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David Celeste
Mastermind
85 bpm • F# min • 02:10 • -16.68db
39% Popularity • 22% Danceability • 11% Energy • 11% Liveness
90% Instrumentalness • 6% Positiveness
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La Brea String Section
A Time for us
77 bpm • A# min • 03:35 • -13.92db
35% Popularity • 7% Danceability • 24% Energy • 9% Liveness
76% Instrumentalness • 8% Positiveness
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Joel Christian Goffin
Waterfelt
77 bpm • C Maj • 03:43 • -22.74db
29% Popularity • 38% Danceability • 2% Energy • 9% Liveness
89% Instrumentalness • 5% Positiveness
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Rand Aldo
Nocturne in Green
77 bpm • D Maj • 04:03 • -18.02db
27% Popularity • 21% Danceability • 20% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Elena Falwell
Elegi For Cello
76 bpm • C Maj • 02:43 • -19.54db
29% Popularity • 17% Danceability • 15% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Dan Evmark
Infinité
76 bpm • G min • 04:22 • -14.13db
10% Popularity • 9% Danceability • 23% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Music Within
Julichka's Theme (String Quartet)
86 bpm • D# Maj • 02:38 • -11.38db
36% Popularity • 14% Danceability • 24% Energy • 10% Liveness
84% Instrumentalness • 3% Positiveness
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Nico Cartosio
Melting
86 bpm • C# Maj • 02:38 • -17.17db
30% Popularity • 15% Danceability • 9% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
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Landwerm
Dawn
86 bpm • E Maj • 01:49 • -16.47db
37% Popularity • 18% Danceability • 20% Energy • 11% Liveness
80% Instrumentalness • 4% Positiveness
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Lo Mimieux
Il Reste Du Temps
76 bpm • F# min • 03:13 • -21.26db
40% Popularity • 29% Danceability • 7% Energy • 10% Liveness
92% Instrumentalness • 14% Positiveness
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Matt Stewart-Evans
Horizon
76 bpm • A min • 02:58 • -24.85db
28% Popularity • 30% Danceability • 3% Energy • 10% Liveness
93% Instrumentalness • 8% Positiveness
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Emily Rubye
Still Asleep
76 bpm • F Maj • 02:08 • -19.89db
37% Popularity • 35% Danceability • 11% Energy • 16% Liveness
93% Instrumentalness • 23% Positiveness
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Trevor Kowalski
Clouds Brush the Prairie
76 bpm • G Maj • 02:44 • -23.13db
31% Popularity • 29% Danceability • 8% Energy • 8% Liveness
96% Instrumentalness • 7% Positiveness
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Arden Forest
Coral Red
76 bpm • G# Maj • 02:17 • -25db
32% Popularity • 44% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 18% Positiveness
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Henrik Janson
Sunset at the Veranda
87 bpm • G Maj • 02:38 • -22.75db
37% Popularity • 37% Danceability • 7% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Gavin Luke
The Gift
76 bpm • C# Maj • 02:38 • -21db
42% Popularity • 16% Danceability • 10% Energy • 10% Liveness
95% Instrumentalness • 11% Positiveness
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Alexandra Zvereca
Grandma's Place
87 bpm • C Maj • 01:56 • -25.81db
36% Popularity • 26% Danceability • 3% Energy • 9% Liveness
96% Instrumentalness • 65% Positiveness
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Edvard Kravchuk
Transience
87 bpm • B min • 02:59 • -32.05db
42% Popularity • 44% Danceability • 2% Energy • 9% Liveness
96% Instrumentalness • 51% Positiveness
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Luigi Casabona
Ben Varrey's Rhapsody
87 bpm • F Maj • 03:58 • -12.76db
28% Popularity • 30% Danceability • 27% Energy • 10% Liveness
91% Instrumentalness • 19% Positiveness
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Arden Forest
Sapphire
76 bpm • C# Maj • 03:22 • -20db
21% Popularity • 42% Danceability • 5% Energy • 11% Liveness
94% Instrumentalness • 44% Positiveness
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Frans Bak
Parting
87 bpm • D min • 04:53 • -15.81db
27% Popularity • 22% Danceability • 14% Energy • 13% Liveness
90% Instrumentalness • 9% Positiveness
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MDJ Matthias De Jaeger
Living Dream
75 bpm • E Maj • 04:22 • -23.55db
29% Popularity • 20% Danceability • 5% Energy • 8% Liveness
89% Instrumentalness • 7% Positiveness
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Jonas Kvarnström
Cloud Atlas - Sextet - Piano & Orchestr...
75 bpm • C Maj • 04:15 • -18.35db
44% Popularity • 20% Danceability • 7% Energy • 6% Liveness
90% Instrumentalness • 9% Positiveness
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John Barry
Somewhere in Time
75 bpm • C Maj • 02:12 • -29.85db
17% Popularity • 28% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 6% Positiveness
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Christophe Terrettaz
I Miss You
75 bpm • F# min • 01:53 • -34.61db
17% Popularity • 39% Danceability • 1% Energy • 8% Liveness
95% Instrumentalness • 71% Positiveness
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Samuel Lindon
La Tour - Orchestral Version
75 bpm • D min • 02:19 • -18.99db
38% Popularity • 18% Danceability • 6% Energy • 10% Liveness
95% Instrumentalness • 8% Positiveness
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Thomas Farnon
Impromptu, No. 1
75 bpm • D Maj • 03:26 • -20.48db
34% Popularity • 28% Danceability • 18% Energy • 10% Liveness
97% Instrumentalness • 8% Positiveness
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Johannes Bornlöf
Crystal Clear
75 bpm • F Maj • 02:07 • -38.77db
36% Popularity • 24% Danceability • 0% Energy • 8% Liveness
98% Instrumentalness • 4% Positiveness
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Vincent & A Secret
While You Were Sleeping
74 bpm • E Maj • 01:45 • -30.34db
37% Popularity • 21% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Niccolò Pagliani
More Than Words
88 bpm • C Maj • 03:38 • -25.46db
26% Popularity • 12% Danceability • 11% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
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Peter Broderick
Eyes Closed and Traveling
88 bpm • F# Maj • 03:25 • -28.52db
8% Popularity • 56% Danceability • 7% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
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Gareth Malone
Music For Healing Pt. 2
88 bpm • A Maj • 02:55 • -26.77db
30% Popularity • 22% Danceability • 1% Energy • 7% Liveness
96% Instrumentalness • 3% Positiveness
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Philippe Paquet
Relations: II
74 bpm • F min • 03:48 • -13.61db
17% Popularity • 7% Danceability • 25% Energy • 14% Liveness
83% Instrumentalness • 4% Positiveness
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David Farnon
On the Journey of a Soul
88 bpm • G Maj • 03:06 • -15.83db
15% Popularity • 13% Danceability • 19% Energy • 15% Liveness
92% Instrumentalness • 4% Positiveness
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Berlioz
A Letter Home
89 bpm • F Maj • 02:19 • -24.51db
49% Popularity • 27% Danceability • 9% Energy • 11% Liveness
96% Instrumentalness • 15% Positiveness
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Floriscope
Petals
74 bpm • B Maj • 02:37 • -23.47db
46% Popularity • 43% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 31% Positiveness
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Samuel Bohn
Passing On
89 bpm • A min • 02:55 • -14.83db
31% Popularity • 16% Danceability • 40% Energy • 9% Liveness
80% Instrumentalness • 3% Positiveness
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Lanai String Section
Escapes within
89 bpm • G min • 01:28 • -25.23db
35% Popularity • 21% Danceability • 3% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
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Ricki Westberg
When We First Met
89 bpm • A# Maj • 01:52 • -28db
43% Popularity • 38% Danceability • 2% Energy • 15% Liveness
95% Instrumentalness • 39% Positiveness
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Joshua Chiong
Looking Back
74 bpm • E Maj • 03:41 • -21.6db
32% Popularity • 13% Danceability • 5% Energy • 10% Liveness
83% Instrumentalness • 5% Positiveness
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Robin Bennich
Rain
89 bpm • D Maj • 02:19 • -24db
31% Popularity • 31% Danceability • 13% Energy • 9% Liveness
92% Instrumentalness • 42% Positiveness
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Josep Alba
Nightfall
89 bpm • E min • 02:57 • -18.1db
19% Popularity • 15% Danceability • 23% Energy • 12% Liveness
97% Instrumentalness • 5% Positiveness
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Samyula
Infinity
73 bpm • G# Maj • 04:45 • -16.74db
32% Popularity • 22% Danceability • 16% Energy • 12% Liveness
94% Instrumentalness • 5% Positiveness
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Simon Wester
Flow with the Wind
73 bpm • A# Maj • 03:05 • -17.4db
34% Popularity • 16% Danceability • 11% Energy • 17% Liveness
91% Instrumentalness • 7% Positiveness
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Charles Bolt
Beyond The Sun
73 bpm • A# Maj • 02:59 • -26.52db
37% Popularity • 42% Danceability • 2% Energy • 12% Liveness
96% Instrumentalness • 42% Positiveness
► Preview
Johannes Bornlöf
The Day Will Come
73 bpm • D min • 03:01 • -23.1db
17% Popularity • 21% Danceability • 10% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
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Michele Nobler
Isola Luce del Mare
90 bpm • E min • 03:35 • -30.12db
31% Popularity • 19% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 7% Positiveness
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Josep Alba
Dulces Sueños
89 bpm • E Maj • 04:05 • -19.45db
38% Popularity • 16% Danceability • 15% Energy • 11% Liveness
90% Instrumentalness • 7% Positiveness
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Aija Alsina
To the Moon and Back
73 bpm • G# Maj • 04:30 • -18.26db
38% Popularity • 9% Danceability • 12% Energy • 14% Liveness
94% Instrumentalness • 10% Positiveness
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Alessandro Moro
Attimi
73 bpm • E min • 02:32 • -18db
42% Popularity • 20% Danceability • 10% Energy • 14% Liveness
96% Instrumentalness • 4% Positiveness
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Look to the Stars