Songs like L'Orchestre Du Roi soleil: Marche pour la Cérémonie Turque (Jean-Baptiste Lully) by Le Concert Des Nations
Based on a tempo of (+/- 10%) and a similar genre
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Jean-Baptiste Lully
Le Bourgeois Gentilhomme, LWV 43: Marche...
79 bpm • C# Maj • 02:03 • -14.49db
23% Popularity • 51% Danceability • 33% Energy • 12% Liveness
97% Instrumentalness • 28% Positiveness
23% Popularity • 51% Danceability • 33% Energy • 12% Liveness
97% Instrumentalness • 28% Positiveness
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Antonio Caldara
Maddalena ai piedi di Cristo: No. 35 Ari...
79 bpm • A# min • 04:22 • -18.24db
14% Popularity • 15% Danceability • 3% Energy • 10% Liveness
28% Instrumentalness • 7% Positiveness
14% Popularity • 15% Danceability • 3% Energy • 10% Liveness
28% Instrumentalness • 7% Positiveness
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Jean-Philippe Rameau
Les Indes galantes, RCT 44, Nouvelle Ent...
79 bpm • F# min • 02:01 • -29.12db
26% Popularity • 45% Danceability • 4% Energy • 17% Liveness
14% Instrumentalness • 57% Positiveness
26% Popularity • 45% Danceability • 4% Energy • 17% Liveness
14% Instrumentalness • 57% Positiveness
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Alessandro Marcello
Oboe Concerto in D minor: 2. Adagio
79 bpm • D min • 04:23 • -19.56db
28% Popularity • 12% Danceability • 9% Energy • 12% Liveness
84% Instrumentalness • 7% Positiveness
28% Popularity • 12% Danceability • 9% Energy • 12% Liveness
84% Instrumentalness • 7% Positiveness
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William Lawes
Lawes: Consort Set No. 2 for 5 Viols in ...
79 bpm • A min • 02:45 • -24db
16% Popularity • 25% Danceability • 10% Energy • 10% Liveness
41% Instrumentalness • 29% Positiveness
16% Popularity • 25% Danceability • 10% Energy • 10% Liveness
41% Instrumentalness • 29% Positiveness
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Giovanni Gabrieli
In ecclesiis (a 14), C78
79 bpm • A min • 07:44 • -21db
15% Popularity • 11% Danceability • 11% Energy • 18% Liveness
18% Instrumentalness • 4% Positiveness
15% Popularity • 11% Danceability • 11% Energy • 18% Liveness
18% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Fauré: Cantique de Jean Racine, Op. 11
79 bpm • C# Maj • 04:53 • -22.46db
30% Popularity • 13% Danceability • 6% Energy • 17% Liveness
95% Instrumentalness • 4% Positiveness
30% Popularity • 13% Danceability • 6% Energy • 17% Liveness
95% Instrumentalness • 4% Positiveness
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Nicola Matteis
Diverse bizzarrie sopra la Vecchia Sarab...
79 bpm • B Maj • 04:14 • -14db
30% Popularity • 53% Danceability • 27% Energy • 11% Liveness
34% Instrumentalness • 54% Positiveness
30% Popularity • 53% Danceability • 27% Energy • 11% Liveness
34% Instrumentalness • 54% Positiveness
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Tomaso Albinoni
Oboe Concerto in C Major, Op. 9, No. 5: ...
79 bpm • A min • 01:58 • -19db
49% Popularity • 9% Danceability • 14% Energy • 6% Liveness
90% Instrumentalness • 9% Positiveness
49% Popularity • 9% Danceability • 14% Energy • 6% Liveness
90% Instrumentalness • 9% Positiveness
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Alessandro Marcello
Concerto Per Oboe, Archi E Continuo In R...
79 bpm • C# min • 03:14 • -29db
35% Popularity • 14% Danceability • 1% Energy • 7% Liveness
83% Instrumentalness • 12% Positiveness
35% Popularity • 14% Danceability • 1% Energy • 7% Liveness
83% Instrumentalness • 12% Positiveness
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Dietrich Buxtehude
Membra Jesu nostri, BuxWV 75: Ad pectus....
79 bpm • C Maj • 02:53 • -23db
14% Popularity • 22% Danceability • 15% Energy • 17% Liveness
0% Instrumentalness • 9% Positiveness
14% Popularity • 22% Danceability • 15% Energy • 17% Liveness
0% Instrumentalness • 9% Positiveness
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Marc-Antoine Charpentier
Offerte non encore exécutée, H.522
79 bpm • B Maj • 03:17 • -15.78db
17% Popularity • 21% Danceability • 18% Energy • 12% Liveness
65% Instrumentalness • 35% Positiveness
17% Popularity • 21% Danceability • 18% Energy • 12% Liveness
65% Instrumentalness • 35% Positiveness
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Johann Sebastian Bach
St. Matthew Passion, BWV 244 / Pt. 2: No...
79 bpm • A# min • 06:16 • -17db
25% Popularity • 20% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
25% Popularity • 20% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Henry Purcell
Oedipus, Z. 583: Music for a While
78 bpm • F# Maj • 04:04 • -22.03db
22% Popularity • 20% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
22% Popularity • 20% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Luc Beauséjour
The Well-Tempered Clavier, Book 1, BWV 8...
78 bpm • B Maj • 01:57 • -21db
43% Popularity • 9% Danceability • 31% Energy • 8% Liveness
93% Instrumentalness • 69% Positiveness
43% Popularity • 9% Danceability • 31% Energy • 8% Liveness
93% Instrumentalness • 69% Positiveness
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Johann Pachelbel
Ciaccona
80 bpm • A min • 06:36 • -21db
13% Popularity • 12% Danceability • 12% Energy • 11% Liveness
39% Instrumentalness • 10% Positiveness
13% Popularity • 12% Danceability • 12% Energy • 11% Liveness
39% Instrumentalness • 10% Positiveness
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Heinrich Ignaz Franz von Biber
Mystery (Rosary) Sonata No. 2, "The Visi...
78 bpm • G# Maj • 01:34 • -20db
41% Popularity • 30% Danceability • 2% Energy • 11% Liveness
96% Instrumentalness • 33% Positiveness
41% Popularity • 30% Danceability • 2% Energy • 11% Liveness
96% Instrumentalness • 33% Positiveness
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Joseph-Nicolas-Pancrace Royer
Royer: Pièces de clavecin, Book 1 (1746...
78 bpm • A# min • 06:25 • -15.75db
19% Popularity • 17% Danceability • 46% Energy • 17% Liveness
68% Instrumentalness • 37% Positiveness
19% Popularity • 17% Danceability • 46% Energy • 17% Liveness
68% Instrumentalness • 37% Positiveness
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Jean-Philippe Rameau
Les Indes galantes, RCT 44, Nouvelle Ent...
78 bpm • F# min • 02:30 • -23.95db
21% Popularity • 40% Danceability • 9% Energy • 16% Liveness
0% Instrumentalness • 47% Positiveness
21% Popularity • 40% Danceability • 9% Energy • 16% Liveness
0% Instrumentalness • 47% Positiveness
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Alessandro Marcello
Concerto in D minor, S. Z799: 1. Andante...
78 bpm • D min • 03:11 • -16.28db
26% Popularity • 44% Danceability • 18% Energy • 10% Liveness
87% Instrumentalness • 49% Positiveness
26% Popularity • 44% Danceability • 18% Energy • 10% Liveness
87% Instrumentalness • 49% Positiveness
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Nicola Porpora
Porpora: Polifemo, HelN 31, Act 3: "Alto...
78 bpm • D# min • 10:29 • -23.53db
24% Popularity • 18% Danceability • 5% Energy • 10% Liveness
1% Instrumentalness • 5% Positiveness
24% Popularity • 18% Danceability • 5% Energy • 10% Liveness
1% Instrumentalness • 5% Positiveness
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François Couperin
Deuxième Livre de pièces de clavecin, ...
80 bpm • G# Maj • 02:38 • -26.98db
12% Popularity • 12% Danceability • 19% Energy • 11% Liveness
96% Instrumentalness • 52% Positiveness
12% Popularity • 12% Danceability • 19% Energy • 11% Liveness
96% Instrumentalness • 52% Positiveness
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Giuseppe Tartini
Violin Concerto in E Major, D. 50: I. Al...
78 bpm • E Maj • 06:11 • -15.96db
28% Popularity • 49% Danceability • 13% Energy • 17% Liveness
35% Instrumentalness • 53% Positiveness
28% Popularity • 49% Danceability • 13% Energy • 17% Liveness
35% Instrumentalness • 53% Positiveness
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Henry Purcell
Purcell: Dido and Aeneas, Z. 626, Act II...
80 bpm • F# min • 03:54 • -22.6db
29% Popularity • 17% Danceability • 2% Energy • 30% Liveness
0% Instrumentalness • 4% Positiveness
29% Popularity • 17% Danceability • 2% Energy • 30% Liveness
0% Instrumentalness • 4% Positiveness
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Andrew Lawrence-King
Folias (Imperfectas)
78 bpm • A min • 01:44 • -36.5db
29% Popularity • 34% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 16% Positiveness
29% Popularity • 34% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 16% Positiveness
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Johann Sebastian Bach
St. Matthew Passion, BWV 244, Part I: No...
80 bpm • D# min • 08:31 • -12.51db
40% Popularity • 11% Danceability • 29% Energy • 12% Liveness
6% Instrumentalness • 12% Positiveness
40% Popularity • 11% Danceability • 29% Energy • 12% Liveness
6% Instrumentalness • 12% Positiveness
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Marc-Antoine Charpentier
Prelude from 'Te Deum', H.146
80 bpm • D Maj • 01:21 • -15.16db
19% Popularity • 39% Danceability • 22% Energy • 17% Liveness
82% Instrumentalness • 42% Positiveness
19% Popularity • 39% Danceability • 22% Energy • 17% Liveness
82% Instrumentalness • 42% Positiveness
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Arcangelo Corelli
Concerto Grosso In D Major, Op. 6, No. 1...
78 bpm • D Maj • 01:32 • -17db
55% Popularity • 23% Danceability • 14% Energy • 31% Liveness
0% Instrumentalness • 7% Positiveness
55% Popularity • 23% Danceability • 14% Energy • 31% Liveness
0% Instrumentalness • 7% Positiveness
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Jean Sibelius
Valse triste, Op. 44
78 bpm • G Maj • 06:08 • -25.09db
42% Popularity • 7% Danceability • 2% Energy • 15% Liveness
94% Instrumentalness • 4% Positiveness
42% Popularity • 7% Danceability • 2% Energy • 15% Liveness
94% Instrumentalness • 4% Positiveness
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Henry Purcell
The Fairy Queen / Act 2: One Charming Ni...
80 bpm • B min • 02:24 • -22db
26% Popularity • 29% Danceability • 7% Energy • 16% Liveness
40% Instrumentalness • 25% Positiveness
26% Popularity • 29% Danceability • 7% Energy • 16% Liveness
40% Instrumentalness • 25% Positiveness
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Gabriel Fauré
Fauré: Pavane, Op. 50 (Version with Cho...
78 bpm • F# min • 05:39 • -27.47db
29% Popularity • 9% Danceability • 3% Energy • 14% Liveness
92% Instrumentalness • 6% Positiveness
29% Popularity • 9% Danceability • 3% Energy • 14% Liveness
92% Instrumentalness • 6% Positiveness
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François Couperin
Les barricades mystérieuses
81 bpm • A Maj • 02:29 • -16.72db
8% Popularity • 18% Danceability • 49% Energy • 8% Liveness
82% Instrumentalness • 77% Positiveness
8% Popularity • 18% Danceability • 49% Energy • 8% Liveness
82% Instrumentalness • 77% Positiveness
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Marin Marais
Pièces de viole, Livre 2 - Suite No. 3 ...
77 bpm • C# Maj • 06:08 • -31db
36% Popularity • 7% Danceability • 1% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
36% Popularity • 7% Danceability • 1% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
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Arcangelo Corelli
Concerto Grosso In D Major, Op. 6, No. 1...
81 bpm • A Maj • 01:08 • -19db
62% Popularity • 20% Danceability • 9% Energy • 12% Liveness
96% Instrumentalness • 19% Positiveness
62% Popularity • 20% Danceability • 9% Energy • 12% Liveness
96% Instrumentalness • 19% Positiveness
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Johann Sebastian Bach
Magnificat en mi bémol majeur, BWV 243a...
81 bpm • G min • 01:55 • -13db
15% Popularity • 25% Danceability • 46% Energy • 13% Liveness
71% Instrumentalness • 34% Positiveness
15% Popularity • 25% Danceability • 46% Energy • 13% Liveness
71% Instrumentalness • 34% Positiveness
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Jean-Féry Rebel
Les Éléments: III. Chaconne : Le Feu
77 bpm • C# Maj • 02:29 • -18db
9% Popularity • 28% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
9% Popularity • 28% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
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Luca Marenzio
Basciami Mille Volte a 5 Voci
81 bpm • G min • 02:02 • -19.35db
31% Popularity • 21% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
31% Popularity • 21% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Carl Friedrich Abel
Viola da Gamba Suite in D Minor: V. Alle...
77 bpm • C# min • 03:58 • -30.05db
25% Popularity • 33% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 31% Positiveness
25% Popularity • 33% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 31% Positiveness
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Alessandro Scarlatti
Il prigioniero fortunato: Sinfonia: III....
77 bpm • C# Maj • 01:12 • -12db
33% Popularity • 36% Danceability • 36% Energy • 13% Liveness
69% Instrumentalness • 37% Positiveness
33% Popularity • 36% Danceability • 36% Energy • 13% Liveness
69% Instrumentalness • 37% Positiveness
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Marc-Antoine Charpentier
Te Deum: I. Prélude
81 bpm • C# Maj • 01:44 • -14.86db
28% Popularity • 42% Danceability • 33% Energy • 21% Liveness
94% Instrumentalness • 49% Positiveness
28% Popularity • 42% Danceability • 33% Energy • 21% Liveness
94% Instrumentalness • 49% Positiveness
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Johann Sebastian Bach
Matthäus-Passion, BWV 244: Erbarme dich...
82 bpm • A# min • 07:20 • -21db
42% Popularity • 12% Danceability • 13% Energy • 13% Liveness
61% Instrumentalness • 11% Positiveness
42% Popularity • 12% Danceability • 13% Energy • 13% Liveness
61% Instrumentalness • 11% Positiveness
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Henry Purcell
King Arthur: Act III, scene 2: Cold Song...
82 bpm • F# min • 03:34 • -25db
23% Popularity • 59% Danceability • 3% Energy • 14% Liveness
0% Instrumentalness • 6% Positiveness
23% Popularity • 59% Danceability • 3% Energy • 14% Liveness
0% Instrumentalness • 6% Positiveness
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George Frideric Handel
Handel: Suite No. 4 in D Minor, HWV 437:...
76 bpm • C# min • 05:43 • -27db
39% Popularity • 15% Danceability • 6% Energy • 11% Liveness
84% Instrumentalness • 13% Positiveness
39% Popularity • 15% Danceability • 6% Energy • 11% Liveness
84% Instrumentalness • 13% Positiveness
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Georg Philipp Telemann
Concerto for Recorder, Transverse Flute,...
82 bpm • D min • 02:29 • -14.92db
39% Popularity • 60% Danceability • 32% Energy • 15% Liveness
88% Instrumentalness • 75% Positiveness
39% Popularity • 60% Danceability • 32% Energy • 15% Liveness
88% Instrumentalness • 75% Positiveness
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Arcangelo Corelli
Sonata "Follia" Op. 5, No. 12: Adagio
82 bpm • C# min • 02:12 • -24db
36% Popularity • 20% Danceability • 4% Energy • 10% Liveness
97% Instrumentalness • 21% Positiveness
36% Popularity • 20% Danceability • 4% Energy • 10% Liveness
97% Instrumentalness • 21% Positiveness
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Johann Gottlieb Goldberg
Trio Sonata No. 4 in C Major, DürG 13 (...
76 bpm • B Maj • 03:15 • -18.62db
37% Popularity • 15% Danceability • 18% Energy • 34% Liveness
0% Instrumentalness • 11% Positiveness
37% Popularity • 15% Danceability • 18% Energy • 34% Liveness
0% Instrumentalness • 11% Positiveness
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Clément Janequin
Le Chant des Oyseaulx
82 bpm • G# min • 05:27 • -16db
13% Popularity • 44% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
13% Popularity • 44% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
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Heinrich Ignaz Franz von Biber
Passagaglia for Solo Violin from "Rosenk...
82 bpm • F# min • 08:18 • -14db
21% Popularity • 24% Danceability • 15% Energy • 7% Liveness
85% Instrumentalness • 33% Positiveness
21% Popularity • 24% Danceability • 15% Energy • 7% Liveness
85% Instrumentalness • 33% Positiveness
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Henry Purcell
Amphitryon, Z. 572, "The 2 Sosias": VIII...
82 bpm • C# min • 01:18 • -22db
45% Popularity • 56% Danceability • 9% Energy • 7% Liveness
92% Instrumentalness • 74% Positiveness
45% Popularity • 56% Danceability • 9% Energy • 7% Liveness
92% Instrumentalness • 74% Positiveness
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Michael Praetorius
Terpsichore*: Bransle simple 1 (La, la, ...
76 bpm • D# Maj • 01:43 • -23.93db
35% Popularity • 60% Danceability • 8% Energy • 11% Liveness
58% Instrumentalness • 84% Positiveness
35% Popularity • 60% Danceability • 8% Energy • 11% Liveness
58% Instrumentalness • 84% Positiveness
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Girolamo Frescobaldi
Canzona seconda a canto solo "detta la B...
82 bpm • A min • 02:38 • -21db
23% Popularity • 32% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
23% Popularity • 32% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Derek Lee Ragin
Salve Regina in C Minor - Transp. in A-F...
82 bpm • C# min • 03:48 • -22.01db
30% Popularity • 14% Danceability • 5% Energy • 31% Liveness
1% Instrumentalness • 4% Positiveness
30% Popularity • 14% Danceability • 5% Energy • 31% Liveness
1% Instrumentalness • 4% Positiveness
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Gregorio Allegri
Miserere: I. Miserere mei, Deus
76 bpm • F min • 02:38 • -25db
32% Popularity • 20% Danceability • 6% Energy • 20% Liveness
0% Instrumentalness • 4% Positiveness
32% Popularity • 20% Danceability • 6% Energy • 20% Liveness
0% Instrumentalness • 4% Positiveness
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André Campra
Messe de requiem: I. Requiem
82 bpm • D# Maj • 06:27 • -18db
15% Popularity • 12% Danceability • 19% Energy • 9% Liveness
2% Instrumentalness • 10% Positiveness
15% Popularity • 12% Danceability • 19% Energy • 9% Liveness
2% Instrumentalness • 10% Positiveness
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Diego Ortiz
Pass'emezzo antico: Recercada primera
76 bpm • G# min • 02:11 • -20db
28% Popularity • 51% Danceability • 21% Energy • 10% Liveness
96% Instrumentalness • 60% Positiveness
28% Popularity • 51% Danceability • 21% Energy • 10% Liveness
96% Instrumentalness • 60% Positiveness
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Arcangelo Corelli
Violin Sonata in B-Flat Major, Op. 5 No....
83 bpm • G# Maj • 01:21 • -13.02db
56% Popularity • 51% Danceability • 30% Energy • 16% Liveness
64% Instrumentalness • 67% Positiveness
56% Popularity • 51% Danceability • 30% Energy • 16% Liveness
64% Instrumentalness • 67% Positiveness
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Jean-Baptiste Lully
Le Bourgeois Gentilhomme, LWV 43: Gavott...
75 bpm • A# Maj • 01:41 • -18.48db
16% Popularity • 53% Danceability • 31% Energy • 12% Liveness
93% Instrumentalness • 27% Positiveness
16% Popularity • 53% Danceability • 31% Energy • 12% Liveness
93% Instrumentalness • 27% Positiveness
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Luigi Cherubini
Requiem No. 1 in C Minor: Introitus et K...
83 bpm • C min • 07:14 • -31db
25% Popularity • 8% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
25% Popularity • 8% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
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Henry Purcell
Dido and Aeneas / Act 3: "Thy Hand Belin...
83 bpm • F# min • 04:06 • -28.04db
40% Popularity • 14% Danceability • 2% Energy • 21% Liveness
0% Instrumentalness • 4% Positiveness
40% Popularity • 14% Danceability • 2% Energy • 21% Liveness
0% Instrumentalness • 4% Positiveness
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George Frideric Handel
Handel: Aminta e Fillide, HWV 83: "Per a...
83 bpm • A Maj • 05:17 • -16.47db
10% Popularity • 35% Danceability • 23% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
10% Popularity • 35% Danceability • 23% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
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Marc-Antoine Charpentier
Te Deum, H. 146: II. "Te Deum laudamus"
83 bpm • C# Maj • 01:04 • -19.05db
28% Popularity • 36% Danceability • 13% Energy • 16% Liveness
52% Instrumentalness • 53% Positiveness
28% Popularity • 36% Danceability • 13% Energy • 16% Liveness
52% Instrumentalness • 53% Positiveness
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Jean-Henri d'Anglebert
Les Folies d'Espagne
75 bpm • C Maj • 05:05 • -24db
11% Popularity • 32% Danceability • 4% Energy • 10% Liveness
89% Instrumentalness • 11% Positiveness
11% Popularity • 32% Danceability • 4% Energy • 10% Liveness
89% Instrumentalness • 11% Positiveness
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Tomaso Albinoni
Oboe Concerto in D Minor, Op. 9, No. 2: ...
75 bpm • A# Maj • 05:22 • -21.26db
31% Popularity • 17% Danceability • 8% Energy • 11% Liveness
86% Instrumentalness • 7% Positiveness
31% Popularity • 17% Danceability • 8% Energy • 11% Liveness
86% Instrumentalness • 7% Positiveness
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Johann Adolf Hasse
Hasse: Sanctus Petrus et Sancta Maria Ma...
75 bpm • D Maj • 06:48 • -14.93db
34% Popularity • 24% Danceability • 26% Energy • 13% Liveness
3% Instrumentalness • 19% Positiveness
34% Popularity • 24% Danceability • 26% Energy • 13% Liveness
3% Instrumentalness • 19% Positiveness
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Jean-Baptiste Lully
Le Bourgeois Gentilhomme, LWV 43: Canari...
84 bpm • D min • 01:16 • -20db
19% Popularity • 52% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
19% Popularity • 52% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Le Concert Des Nations
Premier Concert: Prélude - Gravement (C...
84 bpm • F Maj • 02:39 • -16.37db
12% Popularity • 12% Danceability • 18% Energy • 12% Liveness
29% Instrumentalness • 18% Positiveness
12% Popularity • 12% Danceability • 18% Energy • 12% Liveness
29% Instrumentalness • 18% Positiveness
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Marc-Antoine Charpentier
Charpentier: Te Deum, H. 146: I. Prélud...
75 bpm • C Maj • 01:38 • -12.7db
18% Popularity • 47% Danceability • 38% Energy • 7% Liveness
86% Instrumentalness • 52% Positiveness
18% Popularity • 47% Danceability • 38% Energy • 7% Liveness
86% Instrumentalness • 52% Positiveness
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George Frideric Handel
Rinaldo, HWV 7b: Act II Scene 4: Aria: L...
84 bpm • E Maj • 06:03 • -26db
36% Popularity • 25% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
36% Popularity • 25% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Carl Philipp Emanuel Bach
Bach, CPE: Cello Concerto No. 3 in A Maj...
75 bpm • G# min • 05:06 • -24db
27% Popularity • 38% Danceability • 14% Energy • 18% Liveness
94% Instrumentalness • 42% Positiveness
27% Popularity • 38% Danceability • 14% Energy • 18% Liveness
94% Instrumentalness • 42% Positiveness
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Francois-Joseph Gossec
Grande Messe des Morts: II. Introitus: R...
74 bpm • C min • 03:08 • -26.75db
37% Popularity • 19% Danceability • 9% Energy • 8% Liveness
84% Instrumentalness • 3% Positiveness
37% Popularity • 19% Danceability • 9% Energy • 8% Liveness
84% Instrumentalness • 3% Positiveness
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Henry Purcell
King Arthur: Act V, sc.2: Chaconne
75 bpm • E Maj • 04:01 • -21.19db
8% Popularity • 31% Danceability • 5% Energy • 17% Liveness
6% Instrumentalness • 32% Positiveness
8% Popularity • 31% Danceability • 5% Energy • 17% Liveness
6% Instrumentalness • 32% Positiveness
► Preview
Marco Uccellini
Uccellini : Aria sopra 'La Bergamasca'
74 bpm • A# Maj • 03:39 • -14.25db
11% Popularity • 45% Danceability • 24% Energy • 13% Liveness
72% Instrumentalness • 60% Positiveness
11% Popularity • 45% Danceability • 24% Energy • 13% Liveness
72% Instrumentalness • 60% Positiveness
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Marc-Antoine Charpentier
Prelude from Te Deum
84 bpm • C# Maj • 01:26 • -10.31db
22% Popularity • 61% Danceability • 36% Energy • 8% Liveness
30% Instrumentalness • 63% Positiveness
22% Popularity • 61% Danceability • 36% Energy • 8% Liveness
30% Instrumentalness • 63% Positiveness
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Johann Sebastian Bach
Concerto for two violins BWV 1043 in D M...
84 bpm • E Maj • 07:20 • -19.47db
36% Popularity • 11% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
36% Popularity • 11% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Élisabeth Jacquet de La Guerre
Chamber Sonata No. 4 in G Minor: I. Grav...
84 bpm • C# min • 01:23 • -14db
43% Popularity • 22% Danceability • 16% Energy • 14% Liveness
98% Instrumentalness • 6% Positiveness
43% Popularity • 22% Danceability • 16% Energy • 14% Liveness
98% Instrumentalness • 6% Positiveness
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Antoine Forqueray
Jupiter
84 bpm • B min • 04:01 • -17db
12% Popularity • 17% Danceability • 51% Energy • 96% Liveness
94% Instrumentalness • 80% Positiveness
12% Popularity • 17% Danceability • 51% Energy • 96% Liveness
94% Instrumentalness • 80% Positiveness
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Marin Marais
Couplets de folies (Arr. Horsch for Reco...
84 bpm • D# min • 05:23 • -24.48db
21% Popularity • 32% Danceability • 9% Energy • 12% Liveness
95% Instrumentalness • 46% Positiveness
21% Popularity • 32% Danceability • 9% Energy • 12% Liveness
95% Instrumentalness • 46% Positiveness
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John Dowland
Flow, my tears
74 bpm • F# min • 04:04 • -22db
23% Popularity • 22% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
23% Popularity • 22% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
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Antonio Vivaldi
Stabat Mater in F Minor, RV 621: I. Stab...
74 bpm • E min • 03:49 • -22.24db
12% Popularity • 20% Danceability • 5% Energy • 6% Liveness
24% Instrumentalness • 4% Positiveness
12% Popularity • 20% Danceability • 5% Energy • 6% Liveness
24% Instrumentalness • 4% Positiveness
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Henry Purcell
Oedipus: Music For A While, Z583
85 bpm • E min • 04:13 • -18db
26% Popularity • 21% Danceability • 10% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
26% Popularity • 21% Danceability • 10% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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Jean-Philippe Rameau
Les Indes Galantes - Air des Incas pour ...
74 bpm • G# Maj • 02:20 • -15.44db
15% Popularity • 44% Danceability • 19% Energy • 19% Liveness
9% Instrumentalness • 41% Positiveness
15% Popularity • 44% Danceability • 19% Energy • 19% Liveness
9% Instrumentalness • 41% Positiveness
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Andreas Scholl
Stabat Mater
85 bpm • F Maj • 02:01 • -11.05db
38% Popularity • 36% Danceability • 14% Energy • 15% Liveness
0% Instrumentalness • 14% Positiveness
38% Popularity • 36% Danceability • 14% Energy • 15% Liveness
0% Instrumentalness • 14% Positiveness
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Carl Friedrich Abel
Viola da Gamba Suite in D Major: I. Prel...
85 bpm • C# Maj • 01:40 • -31.51db
36% Popularity • 22% Danceability • 2% Energy • 12% Liveness
92% Instrumentalness • 22% Positiveness
36% Popularity • 22% Danceability • 2% Energy • 12% Liveness
92% Instrumentalness • 22% Positiveness
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Gabriel Fauré
Cantique de Jean Racine, Op. 11
73 bpm • C# Maj • 05:18 • -17.16db
40% Popularity • 7% Danceability • 17% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
40% Popularity • 7% Danceability • 17% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Antonio Vivaldi
Vivaldi: Mandolin Concerto in C Major, R...
85 bpm • B Maj • 03:09 • -21db
29% Popularity • 53% Danceability • 28% Energy • 21% Liveness
81% Instrumentalness • 44% Positiveness
29% Popularity • 53% Danceability • 28% Energy • 21% Liveness
81% Instrumentalness • 44% Positiveness
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Tomaso Albinoni
Albinoni: Oboe Concerto in D Minor, Op. ...
74 bpm • A Maj • 05:26 • -24.59db
16% Popularity • 19% Danceability • 5% Energy • 35% Liveness
94% Instrumentalness • 7% Positiveness
16% Popularity • 19% Danceability • 5% Energy • 35% Liveness
94% Instrumentalness • 7% Positiveness
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Luigi Boccherini
String Quintet No. 60 in C Major, Op. 30...
85 bpm • G Maj • 04:41 • -22.65db
29% Popularity • 18% Danceability • 1% Energy • 33% Liveness
19% Instrumentalness • 12% Positiveness
29% Popularity • 18% Danceability • 1% Energy • 33% Liveness
19% Instrumentalness • 12% Positiveness
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Jean-Philippe Rameau
Rameau: Les Indes galantes, Quatrième e...
85 bpm • F# min • 04:46 • -17.92db
33% Popularity • 43% Danceability • 29% Energy • 42% Liveness
0% Instrumentalness • 54% Positiveness
33% Popularity • 43% Danceability • 29% Energy • 42% Liveness
0% Instrumentalness • 54% Positiveness
► Preview
Claudio Monteverdi
L'Orfeo, Ato primo: II. Lasciate i monti
85 bpm • G Maj • 02:37 • -19db
20% Popularity • 30% Danceability • 25% Energy • 27% Liveness
0% Instrumentalness • 47% Positiveness
20% Popularity • 30% Danceability • 25% Energy • 27% Liveness
0% Instrumentalness • 47% Positiveness
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George Frideric Handel
L'Allegro, Il Penseroso, ed il Moderato,...
85 bpm • A Maj • 06:36 • -23db
21% Popularity • 13% Danceability • 9% Energy • 11% Liveness
5% Instrumentalness • 14% Positiveness
21% Popularity • 13% Danceability • 9% Energy • 11% Liveness
5% Instrumentalness • 14% Positiveness
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Josquin des Prez
Mille regretz
86 bpm • F# min • 02:14 • -28.85db
28% Popularity • 17% Danceability • 6% Energy • 11% Liveness
4% Instrumentalness • 4% Positiveness
28% Popularity • 17% Danceability • 6% Energy • 11% Liveness
4% Instrumentalness • 4% Positiveness
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Alessandro Marcello
Oboe Concerto in D Minor, S. Z799: I. An...
73 bpm • C# min • 03:30 • -16db
32% Popularity • 37% Danceability • 12% Energy • 10% Liveness
75% Instrumentalness • 19% Positiveness
32% Popularity • 37% Danceability • 12% Energy • 10% Liveness
75% Instrumentalness • 19% Positiveness
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Luigi Boccherini
Bocherini / Arr. Grützmacher: Cello Con...
86 bpm • G min • 06:54 • -23.72db
44% Popularity • 13% Danceability • 12% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
44% Popularity • 13% Danceability • 12% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
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![Sonata in A-Moll, BuxWV 272: Sonata in A-Moll, BuxWV 272: III. [Passacaglia] cover art](https://i.scdn.co/image/ab67616d00001e02f90d6525c5a62ca2c4975b93)
Dietrich Buxtehude
Sonata in A-Moll, BuxWV 272: Sonata in A...
73 bpm • G# min • 02:45 • -16.74db
26% Popularity • 28% Danceability • 26% Energy • 11% Liveness
43% Instrumentalness • 12% Positiveness
26% Popularity • 28% Danceability • 26% Energy • 11% Liveness
43% Instrumentalness • 12% Positiveness
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Jean-Philippe Rameau
Les Indes galantes: Air des Sauvages
85 bpm • F# min • 01:58 • -19.13db
27% Popularity • 47% Danceability • 18% Energy • 13% Liveness
1% Instrumentalness • 81% Positiveness
27% Popularity • 47% Danceability • 18% Energy • 13% Liveness
1% Instrumentalness • 81% Positiveness
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Jean-Baptiste Lully
Le Divertissement Royal de Versailles, L...
73 bpm • F min • 01:36 • -12.37db
13% Popularity • 42% Danceability • 54% Energy • 11% Liveness
96% Instrumentalness • 66% Positiveness
13% Popularity • 42% Danceability • 54% Energy • 11% Liveness
96% Instrumentalness • 66% Positiveness
► Preview
Henry Purcell
Purcell: "O Solitude, My Sweetest Choice...
73 bpm • B min • 05:24 • -28.46db
25% Popularity • 25% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
25% Popularity • 25% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
► Preview
Pierre Francisque Carroubel
Spagnolette
86 bpm • D min • 03:35 • -25db
19% Popularity • 35% Danceability • 4% Energy • 10% Liveness
6% Instrumentalness • 28% Positiveness
19% Popularity • 35% Danceability • 4% Energy • 10% Liveness
6% Instrumentalness • 28% Positiveness
