Songs like Los dos miedos by Alicia de Larrocha
Based on a tempo of (+/- 10%) and a similar genre
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Alexander Scriabin
4 Pieces, Op. 51: II. Prélude
75 bpm • F Maj • 02:11 • -32.91db
34% Popularity • 60% Danceability • 1% Energy • 6% Liveness
88% Instrumentalness • 18% Positiveness
34% Popularity • 60% Danceability • 1% Energy • 6% Liveness
88% Instrumentalness • 18% Positiveness
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Felix Mendelssohn
Lieder ohne Worte, Op. 38: No. 6. Andant...
75 bpm • G# Maj • 02:17 • -27.44db
25% Popularity • 20% Danceability • 4% Energy • 10% Liveness
94% Instrumentalness • 23% Positiveness
25% Popularity • 20% Danceability • 4% Energy • 10% Liveness
94% Instrumentalness • 23% Positiveness
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Ludwig van Beethoven
11 Bagatelles, Op. 119: XI. Andante, ma ...
75 bpm • A# Maj • 02:00 • -23.45db
29% Popularity • 41% Danceability • 9% Energy • 68% Liveness
77% Instrumentalness • 37% Positiveness
29% Popularity • 41% Danceability • 9% Energy • 68% Liveness
77% Instrumentalness • 37% Positiveness
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Alicia de Larrocha
ALBENIZ: IBERIA, PRIMER CUADERNO: III. C...
75 bpm • B Maj • 08:07 • -15.39db
5% Popularity • 27% Danceability • 28% Energy • 12% Liveness
89% Instrumentalness • 6% Positiveness
5% Popularity • 27% Danceability • 28% Energy • 12% Liveness
89% Instrumentalness • 6% Positiveness
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Roger Quilter
Quilter / Arr. Hough: 3 Songs, Op. 3: No...
74 bpm • G# min • 02:09 • -38db
19% Popularity • 25% Danceability • 1% Energy • 10% Liveness
97% Instrumentalness • 24% Positiveness
19% Popularity • 25% Danceability • 1% Energy • 10% Liveness
97% Instrumentalness • 24% Positiveness
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Gabriel Fauré
Trois Romances sans paroles, Op. 17: 3. ...
74 bpm • G# Maj • 02:14 • -32db
17% Popularity • 33% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 13% Positiveness
17% Popularity • 33% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 13% Positiveness
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Benjamin Frith
Nocturne No. 11 In E Flat Major, H. 56a:...
74 bpm • D# Maj • 06:35 • -33.6db
16% Popularity • 35% Danceability • 1% Energy • 9% Liveness
90% Instrumentalness • 10% Positiveness
16% Popularity • 35% Danceability • 1% Energy • 9% Liveness
90% Instrumentalness • 10% Positiveness
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Jean Sibelius
6 Pieces, Op. 94: No. 5 Melodie
76 bpm • B Maj • 02:06 • -27.38db
24% Popularity • 37% Danceability • 2% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
24% Popularity • 37% Danceability • 2% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
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Sergei Rachmaninoff
Piano Sonata No. 2 in B-Flat Minor, Op. ...
76 bpm • A# Maj • 07:12 • -21.69db
19% Popularity • 30% Danceability • 13% Energy • 9% Liveness
83% Instrumentalness • 5% Positiveness
19% Popularity • 30% Danceability • 13% Energy • 9% Liveness
83% Instrumentalness • 5% Positiveness
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Alicia de Larrocha
Albeniz: Suite Espanola: II. Cataluna
75 bpm • C min • 02:30 • -25.13db
4% Popularity • 39% Danceability • 6% Energy • 7% Liveness
85% Instrumentalness • 25% Positiveness
4% Popularity • 39% Danceability • 6% Energy • 7% Liveness
85% Instrumentalness • 25% Positiveness
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AntonÃn Dvořák
Evening Songs, B. 61: No. 8, You Little,...
74 bpm • A Maj • 01:40 • -27.96db
33% Popularity • 44% Danceability • 5% Energy • 8% Liveness
85% Instrumentalness • 14% Positiveness
33% Popularity • 44% Danceability • 5% Energy • 8% Liveness
85% Instrumentalness • 14% Positiveness
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Gabriel Fauré
8 pièces brèves, Op. 84: 5. Improvisat...
74 bpm • C# Maj • 01:43 • -29db
26% Popularity • 27% Danceability • 3% Energy • 12% Liveness
89% Instrumentalness • 6% Positiveness
26% Popularity • 27% Danceability • 3% Energy • 12% Liveness
89% Instrumentalness • 6% Positiveness
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Bedřich Smetana
6 Album Leaves, Op. 2, JB 1:51: No. 6, A...
74 bpm • D# Maj • 02:46 • -33db
26% Popularity • 36% Danceability • 1% Energy • 8% Liveness
95% Instrumentalness • 3% Positiveness
26% Popularity • 36% Danceability • 1% Energy • 8% Liveness
95% Instrumentalness • 3% Positiveness
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Camille Saint-Saëns
Saint-Saëns: Piano Concerto No. 5 in F ...
76 bpm • C Maj • 05:56 • -14.35db
19% Popularity • 35% Danceability • 36% Energy • 8% Liveness
92% Instrumentalness • 24% Positiveness
19% Popularity • 35% Danceability • 36% Energy • 8% Liveness
92% Instrumentalness • 24% Positiveness
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Sergei Rachmaninoff
Etudes-tableaux, Op. 33: No. 5 in D Mino...
76 bpm • D min • 03:38 • -23.26db
26% Popularity • 33% Danceability • 12% Energy • 6% Liveness
91% Instrumentalness • 8% Positiveness
26% Popularity • 33% Danceability • 12% Energy • 6% Liveness
91% Instrumentalness • 8% Positiveness
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Alicia de Larrocha
Albeniz: Iberia, Cuarto Cuaderno: II. Je...
76 bpm • C Maj • 08:37 • -30.29db
2% Popularity • 16% Danceability • 3% Energy • 12% Liveness
93% Instrumentalness • 10% Positiveness
2% Popularity • 16% Danceability • 3% Energy • 12% Liveness
93% Instrumentalness • 10% Positiveness
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Maurice Ravel
Piano Concerto in G Major, M. 83: 2. Ada...
74 bpm • E Maj • 10:06 • -34.54db
1% Popularity • 13% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
1% Popularity • 13% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
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Federico Mompou
Impresiones intimas: 7. Cuna
74 bpm • A Maj • 02:36 • -28.35db
6% Popularity • 37% Danceability • 1% Energy • 6% Liveness
94% Instrumentalness • 6% Positiveness
6% Popularity • 37% Danceability • 1% Energy • 6% Liveness
94% Instrumentalness • 6% Positiveness
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Alexander Scriabin
4 Pieces, Op. 51: IV. Danse languide
74 bpm • D# Maj • 01:24 • -40.61db
45% Popularity • 42% Danceability • 0% Energy • 10% Liveness
95% Instrumentalness • 12% Positiveness
45% Popularity • 42% Danceability • 0% Energy • 10% Liveness
95% Instrumentalness • 12% Positiveness
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Frédéric Chopin
Piano Sonata No. 3 in B Minor, Op. 58: I...
74 bpm • E Maj • 02:40 • -33.31db
34% Popularity • 30% Danceability • 3% Energy • 13% Liveness
92% Instrumentalness • 11% Positiveness
34% Popularity • 30% Danceability • 3% Energy • 13% Liveness
92% Instrumentalness • 11% Positiveness
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Modest Mussorgsky
Pictures at an Exhibition: Promenade. Mo...
74 bpm • G# Maj • 01:02 • -35.84db
46% Popularity • 43% Danceability • 0% Energy • 11% Liveness
91% Instrumentalness • 68% Positiveness
46% Popularity • 43% Danceability • 0% Energy • 11% Liveness
91% Instrumentalness • 68% Positiveness
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Alicia de Larrocha
Albeniz: Tango
76 bpm • G Maj • 02:50 • -33db
18% Popularity • 41% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 12% Positiveness
18% Popularity • 41% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 12% Positiveness
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Sergei Prokofiev
Music for Children, Op. 65: No. 12. The ...
74 bpm • G Maj • 01:32 • -33.74db
24% Popularity • 37% Danceability • 3% Energy • 6% Liveness
94% Instrumentalness • 19% Positiveness
24% Popularity • 37% Danceability • 3% Energy • 6% Liveness
94% Instrumentalness • 19% Positiveness
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Wolfgang Amadeus Mozart
Piano Sonata No. 12 in F Major, K. 332: ...
73 bpm • A# Maj • 04:34 • -29.9db
4% Popularity • 44% Danceability • 3% Energy • 8% Liveness
93% Instrumentalness • 33% Positiveness
4% Popularity • 44% Danceability • 3% Energy • 8% Liveness
93% Instrumentalness • 33% Positiveness
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Alexander Scriabin
2 Poèmes, Op. 32: 1. Poème In F Sharp
73 bpm • F# Maj • 03:22 • -39.02db
18% Popularity • 18% Danceability • 0% Energy • 8% Liveness
95% Instrumentalness • 6% Positiveness
18% Popularity • 18% Danceability • 0% Energy • 8% Liveness
95% Instrumentalness • 6% Positiveness
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Claude Debussy
Petite suite pour piano (Quatre mains), ...
73 bpm • G Maj • 03:24 • -29.18db
10% Popularity • 37% Danceability • 3% Energy • 13% Liveness
91% Instrumentalness • 9% Positiveness
10% Popularity • 37% Danceability • 3% Energy • 13% Liveness
91% Instrumentalness • 9% Positiveness
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Garrick Ohlsson
Polonaise in B flat minor 'Adieu'
77 bpm • A# min • 04:46 • -20.52db
16% Popularity • 31% Danceability • 14% Energy • 31% Liveness
89% Instrumentalness • 10% Positiveness
16% Popularity • 31% Danceability • 14% Energy • 31% Liveness
89% Instrumentalness • 10% Positiveness
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Alicia de Larrocha
Albeniz: Iberia, Tercer Cuaderno: III. L...
76 bpm • C# Maj • 06:13 • -15.62db
2% Popularity • 40% Danceability • 28% Energy • 12% Liveness
86% Instrumentalness • 25% Positiveness
2% Popularity • 40% Danceability • 28% Energy • 12% Liveness
86% Instrumentalness • 25% Positiveness
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Ingrid Haebler
Piano Sonata in F Major, KV332: II. Adag...
73 bpm • A# Maj • 04:34 • -28db
13% Popularity • 36% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 21% Positiveness
13% Popularity • 36% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 21% Positiveness
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Sergei Prokofiev
Visions Fugitives, Op. 22: 17. Poetico
73 bpm • F# Maj • 01:04 • -38.72db
25% Popularity • 28% Danceability • 3% Energy • 5% Liveness
93% Instrumentalness • 4% Positiveness
25% Popularity • 28% Danceability • 3% Energy • 5% Liveness
93% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Saint-Saëns: Valse nonchalante in D-Fla...
73 bpm • C# Maj • 04:01 • -25db
12% Popularity • 24% Danceability • 8% Energy • 16% Liveness
93% Instrumentalness • 5% Positiveness
12% Popularity • 24% Danceability • 8% Energy • 16% Liveness
93% Instrumentalness • 5% Positiveness
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Wilhelm Kempff
Menuet in G Minor (trans. W. Kempff)
73 bpm • G min • 03:13 • -33db
52% Popularity • 44% Danceability • 1% Energy • 11% Liveness
89% Instrumentalness • 8% Positiveness
52% Popularity • 44% Danceability • 1% Energy • 11% Liveness
89% Instrumentalness • 8% Positiveness
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Mily Balakirev
Balakirev : Islamey
73 bpm • D Maj • 07:57 • -19db
23% Popularity • 24% Danceability • 18% Energy • 25% Liveness
86% Instrumentalness • 11% Positiveness
23% Popularity • 24% Danceability • 18% Energy • 25% Liveness
86% Instrumentalness • 11% Positiveness
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Ludwig van Beethoven
Piano Sonata No. 17 in D Minor, Op. 31 N...
77 bpm • A# Maj • 08:25 • -27.98db
25% Popularity • 45% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 7% Positiveness
25% Popularity • 45% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 7% Positiveness
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Edvard Grieg
Piano Concerto in A minor, Op. 16: II. A...
77 bpm • C# Maj • 07:14 • -28db
23% Popularity • 22% Danceability • 1% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
23% Popularity • 22% Danceability • 1% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice (Orphée et Eurydice) ...
73 bpm • F Maj • 01:37 • -27.52db
51% Popularity • 45% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 36% Positiveness
51% Popularity • 45% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 36% Positiveness
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Francis Poulenc
8 Improvisations, FP 63: No. 8 in A Mino...
77 bpm • F Maj • 01:17 • -25.93db
21% Popularity • 44% Danceability • 12% Energy • 11% Liveness
88% Instrumentalness • 47% Positiveness
21% Popularity • 44% Danceability • 12% Energy • 11% Liveness
88% Instrumentalness • 47% Positiveness
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Johannes Brahms
Intermezzi, Op. 117: No. 1 in E-Flat Maj...
73 bpm • D# Maj • 05:43 • -36.94db
25% Popularity • 36% Danceability • 0% Energy • 8% Liveness
94% Instrumentalness • 7% Positiveness
25% Popularity • 36% Danceability • 0% Energy • 8% Liveness
94% Instrumentalness • 7% Positiveness
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Isaac Albéniz
Suite española No. 1, Op. 47: Cataluña...
73 bpm • C min • 02:35 • -27db
11% Popularity • 28% Danceability • 3% Energy • 8% Liveness
88% Instrumentalness • 6% Positiveness
11% Popularity • 28% Danceability • 3% Energy • 8% Liveness
88% Instrumentalness • 6% Positiveness
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Federico Mompou
Preludio VII a Alicia de Larrocha
73 bpm • G min • 02:15 • -32.49db
6% Popularity • 53% Danceability • 2% Energy • 10% Liveness
95% Instrumentalness • 24% Positiveness
6% Popularity • 53% Danceability • 2% Energy • 10% Liveness
95% Instrumentalness • 24% Positiveness
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Pyotr Ilyich Tchaikovsky
Children's Album, Op. 39, TH 141: 21. Sw...
73 bpm • C Maj • 02:40 • -34.94db
26% Popularity • 40% Danceability • 0% Energy • 6% Liveness
91% Instrumentalness • 35% Positiveness
26% Popularity • 40% Danceability • 0% Energy • 6% Liveness
91% Instrumentalness • 35% Positiveness
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Felix Mendelssohn
Gondellied (Barcarolle) in A Major (1837...
72 bpm • A Maj • 02:30 • -31.25db
24% Popularity • 35% Danceability • 1% Energy • 9% Liveness
90% Instrumentalness • 14% Positiveness
24% Popularity • 35% Danceability • 1% Energy • 9% Liveness
90% Instrumentalness • 14% Positiveness
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Edvard Grieg
Lyric Pieces Book IV, Op. 47: No. 2 Albu...
78 bpm • D min • 03:32 • -28.64db
25% Popularity • 36% Danceability • 4% Energy • 12% Liveness
90% Instrumentalness • 6% Positiveness
25% Popularity • 36% Danceability • 4% Energy • 12% Liveness
90% Instrumentalness • 6% Positiveness
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Ignacy Jan Paderewski
Paderewski: Miscellanea, Op. 16: No. 4, ...
78 bpm • A# Maj • 04:17 • -37db
21% Popularity • 22% Danceability • 0% Energy • 6% Liveness
88% Instrumentalness • 9% Positiveness
21% Popularity • 22% Danceability • 0% Energy • 6% Liveness
88% Instrumentalness • 9% Positiveness
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Baldassare Galuppi
Sonata No. 5 in C Major: 3. Allegro assa...
78 bpm • G Maj • 02:33 • -23db
18% Popularity • 31% Danceability • 12% Energy • 17% Liveness
93% Instrumentalness • 44% Positiveness
18% Popularity • 31% Danceability • 12% Energy • 17% Liveness
93% Instrumentalness • 44% Positiveness
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Robert Schumann
3 Romanzen, Op. 28: No. 2 in F Sharp Maj...
72 bpm • F# Maj • 03:29 • -29.53db
15% Popularity • 26% Danceability • 1% Energy • 13% Liveness
90% Instrumentalness • 10% Positiveness
15% Popularity • 26% Danceability • 1% Energy • 13% Liveness
90% Instrumentalness • 10% Positiveness
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Edward Elgar
Sonatina in G Major: I. Andantino
72 bpm • G Maj • 02:26 • -38db
25% Popularity • 37% Danceability • 0% Energy • 6% Liveness
96% Instrumentalness • 28% Positiveness
25% Popularity • 37% Danceability • 0% Energy • 6% Liveness
96% Instrumentalness • 28% Positiveness
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Lang Lang
12 Variations in C Major on "Ah, vous di...
72 bpm • C Maj • 02:29 • -30.89db
28% Popularity • 39% Danceability • 1% Energy • 5% Liveness
93% Instrumentalness • 24% Positiveness
28% Popularity • 39% Danceability • 1% Energy • 5% Liveness
93% Instrumentalness • 24% Positiveness
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Claude Debussy
Debussy: Valse romantique, CD 79, L. 71
72 bpm • F min • 03:30 • -21.31db
4% Popularity • 31% Danceability • 9% Energy • 10% Liveness
90% Instrumentalness • 5% Positiveness
4% Popularity • 31% Danceability • 9% Energy • 10% Liveness
90% Instrumentalness • 5% Positiveness
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Franz Liszt
6 Etudes d'exécution transcendante d'ap...
78 bpm • E Maj • 02:01 • -27.03db
16% Popularity • 38% Danceability • 10% Energy • 12% Liveness
92% Instrumentalness • 74% Positiveness
16% Popularity • 38% Danceability • 10% Energy • 12% Liveness
92% Instrumentalness • 74% Positiveness
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Sergei Rachmaninoff
Rachmaninov: 10 Preludes, Op. 23: No. 4 ...
78 bpm • D Maj • 04:36 • -27.93db
21% Popularity • 28% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 7% Positiveness
21% Popularity • 28% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 7% Positiveness
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Hélène Grimaud
Sonata No. 2, Op. 36: I. Allegro agitato
78 bpm • C# Maj • 07:12 • -25.61db
13% Popularity • 19% Danceability • 6% Energy • 15% Liveness
90% Instrumentalness • 7% Positiveness
13% Popularity • 19% Danceability • 6% Energy • 15% Liveness
90% Instrumentalness • 7% Positiveness
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Cyprien Katsaris
Goodbye, Mr. Rachmaninov - World Premier...
72 bpm • C min • 04:43 • -21db
23% Popularity • 28% Danceability • 14% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
23% Popularity • 28% Danceability • 14% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
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Johann Ludwig Krebs
Krebs: Keyboard Partita No. 6 in E-Flat ...
78 bpm • D# Maj • 01:22 • -32.53db
23% Popularity • 46% Danceability • 4% Energy • 17% Liveness
97% Instrumentalness • 75% Positiveness
23% Popularity • 46% Danceability • 4% Energy • 17% Liveness
97% Instrumentalness • 75% Positiveness
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Antonio Soler
Soler: Piano Sonata in F-Sharp Minor, R....
78 bpm • F# min • 05:12 • -20.66db
2% Popularity • 44% Danceability • 21% Energy • 28% Liveness
92% Instrumentalness • 38% Positiveness
2% Popularity • 44% Danceability • 21% Energy • 28% Liveness
92% Instrumentalness • 38% Positiveness
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Alicia de Larrocha
Albeniz: Pvana: Capricho
78 bpm • E min • 03:32 • -29.08db
4% Popularity • 41% Danceability • 7% Energy • 8% Liveness
90% Instrumentalness • 10% Positiveness
4% Popularity • 41% Danceability • 7% Energy • 8% Liveness
90% Instrumentalness • 10% Positiveness
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Franz Liszt
Piano Concerto No. 1 in E-Flat Major, S....
79 bpm • B Maj • 09:33 • -24db
25% Popularity • 24% Danceability • 10% Energy • 25% Liveness
67% Instrumentalness • 4% Positiveness
25% Popularity • 24% Danceability • 10% Energy • 25% Liveness
67% Instrumentalness • 4% Positiveness
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Edvard Grieg
Lyric Pieces Book V, Op. 54: No. 4 Nottu...
72 bpm • D min • 04:04 • -29.45db
29% Popularity • 30% Danceability • 2% Energy • 6% Liveness
82% Instrumentalness • 4% Positiveness
29% Popularity • 30% Danceability • 2% Energy • 6% Liveness
82% Instrumentalness • 4% Positiveness
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Federico Mompou
Impresiones Ãntimas: 5. Pájaro triste
72 bpm • C# min • 02:41 • -32.1db
8% Popularity • 52% Danceability • 0% Energy • 8% Liveness
96% Instrumentalness • 30% Positiveness
8% Popularity • 52% Danceability • 0% Energy • 8% Liveness
96% Instrumentalness • 30% Positiveness
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Johannes Brahms
16 Waltzes, Op. 39: 15. Waltz in A Flat
72 bpm • G# Maj • 01:29 • -27db
40% Popularity • 49% Danceability • 4% Energy • 12% Liveness
90% Instrumentalness • 14% Positiveness
40% Popularity • 49% Danceability • 4% Energy • 12% Liveness
90% Instrumentalness • 14% Positiveness
► Preview
Alexander Scriabin
Prelude and Nocturne for Left Hand Alone...
71 bpm • F# min • 02:44 • -32.7db
4% Popularity • 31% Danceability • 1% Energy • 6% Liveness
88% Instrumentalness • 5% Positiveness
4% Popularity • 31% Danceability • 1% Energy • 6% Liveness
88% Instrumentalness • 5% Positiveness
► Preview
Anatoly Lyadov
Liadov : 3 Preludes Op.40 : No.2 in D mi...
71 bpm • C Maj • 01:21 • -34.03db
25% Popularity • 21% Danceability • 1% Energy • 18% Liveness
92% Instrumentalness • 6% Positiveness
25% Popularity • 21% Danceability • 1% Energy • 18% Liveness
92% Instrumentalness • 6% Positiveness
► Preview
Isaac Albéniz
Suite española No. 1, Op. 47: Aragón (...
79 bpm • F Maj • 04:23 • -25db
11% Popularity • 34% Danceability • 8% Energy • 8% Liveness
90% Instrumentalness • 31% Positiveness
11% Popularity • 34% Danceability • 8% Energy • 8% Liveness
90% Instrumentalness • 31% Positiveness
► Preview
Cécile Chaminade
6 Etudes de concert, Op. 35: II. Automne
79 bpm • C# Maj • 06:17 • -23db
9% Popularity • 27% Danceability • 4% Energy • 15% Liveness
84% Instrumentalness • 5% Positiveness
9% Popularity • 27% Danceability • 4% Energy • 15% Liveness
84% Instrumentalness • 5% Positiveness
► Preview
Ludwig van Beethoven
Piano Sonata No. 21 in C Major, Op. 53 "...
79 bpm • C Maj • 11:06 • -24.84db
21% Popularity • 26% Danceability • 13% Energy • 16% Liveness
90% Instrumentalness • 10% Positiveness
21% Popularity • 26% Danceability • 13% Energy • 16% Liveness
90% Instrumentalness • 10% Positiveness
► Preview
Gabriel Fauré
Dolly Suite, Op. 56: II. Mi-a-ou
71 bpm • F Maj • 02:11 • -25.15db
24% Popularity • 39% Danceability • 7% Energy • 7% Liveness
93% Instrumentalness • 24% Positiveness
24% Popularity • 39% Danceability • 7% Energy • 7% Liveness
93% Instrumentalness • 24% Positiveness
► Preview
AntonÃn Dvořák
8 Humoresques, Op. 101, B. 187: No. 8. P...
79 bpm • F# Maj • 02:52 • -13.63db
12% Popularity • 38% Danceability • 22% Energy • 9% Liveness
90% Instrumentalness • 18% Positiveness
12% Popularity • 38% Danceability • 22% Energy • 9% Liveness
90% Instrumentalness • 18% Positiveness
► Preview
Claude Debussy
Préludes - Book 2, L.123: 8. Ondine
79 bpm • C# min • 03:29 • -33db
29% Popularity • 26% Danceability • 3% Energy • 7% Liveness
96% Instrumentalness • 3% Positiveness
29% Popularity • 26% Danceability • 3% Energy • 7% Liveness
96% Instrumentalness • 3% Positiveness
► Preview
Sergei Rachmaninoff
5 Morceaux de fantaisie, Op. 3: No. 1 El...
71 bpm • D# min • 04:44 • -27.5db
11% Popularity • 27% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 10% Positiveness
11% Popularity • 27% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 10% Positiveness
► Preview
Enrique Granados
2 Danzas españolas: Danza lenta
71 bpm • D Maj • 04:06 • -28.71db
0% Popularity • 27% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
0% Popularity • 27% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Franz Schubert
Six German Dances, D820: No. 2
79 bpm • G# Maj • 01:33 • -30.33db
39% Popularity • 34% Danceability • 3% Energy • 7% Liveness
90% Instrumentalness • 8% Positiveness
39% Popularity • 34% Danceability • 3% Energy • 7% Liveness
90% Instrumentalness • 8% Positiveness
► Preview
Alicia de Larrocha
Albeniz: Iberia, Primer Cuaderno: I. Evo...
79 bpm • A# min • 05:31 • -21db
5% Popularity • 28% Danceability • 7% Energy • 20% Liveness
90% Instrumentalness • 4% Positiveness
5% Popularity • 28% Danceability • 7% Energy • 20% Liveness
90% Instrumentalness • 4% Positiveness
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Federico Mompou
Impresiones intimas: 3. Planys III
71 bpm • A# min • 01:09 • -27.3db
12% Popularity • 42% Danceability • 5% Energy • 10% Liveness
84% Instrumentalness • 20% Positiveness
12% Popularity • 42% Danceability • 5% Energy • 10% Liveness
84% Instrumentalness • 20% Positiveness
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Gabriel Fauré
Nocturne No. 1 in E Flat Minor, Op. 33, ...
71 bpm • G# min • 07:39 • -26.75db
15% Popularity • 32% Danceability • 3% Energy • 9% Liveness
91% Instrumentalness • 8% Positiveness
15% Popularity • 32% Danceability • 3% Energy • 9% Liveness
91% Instrumentalness • 8% Positiveness
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Carl Czerny
The School of Velocity, Op. 299: No. 7 i...
79 bpm • G Maj • 01:14 • -26.29db
24% Popularity • 43% Danceability • 5% Energy • 12% Liveness
90% Instrumentalness • 44% Positiveness
24% Popularity • 43% Danceability • 5% Energy • 12% Liveness
90% Instrumentalness • 44% Positiveness
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Edward Elgar
Variations on an Original Theme, Op. 36,...
79 bpm • D# Maj • 03:25 • -22.71db
12% Popularity • 51% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 21% Positiveness
12% Popularity • 51% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 21% Positiveness
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Robert Schumann
Carnaval, Op. 9: 18. Promenade
71 bpm • C# Maj • 02:42 • -19.39db
10% Popularity • 45% Danceability • 6% Energy • 9% Liveness
90% Instrumentalness • 12% Positiveness
10% Popularity • 45% Danceability • 6% Energy • 9% Liveness
90% Instrumentalness • 12% Positiveness
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Franz Liszt
Piano Concerto No. 1 in E-Flat Major, S....
80 bpm • D# Maj • 04:09 • -19.76db
24% Popularity • 31% Danceability • 21% Energy • 11% Liveness
85% Instrumentalness • 24% Positiveness
24% Popularity • 31% Danceability • 21% Energy • 11% Liveness
85% Instrumentalness • 24% Positiveness
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George Frideric Handel
Sarabande Variations : Variation X
80 bpm • D min • 01:24 • -15.55db
18% Popularity • 36% Danceability • 28% Energy • 9% Liveness
77% Instrumentalness • 9% Positiveness
18% Popularity • 36% Danceability • 28% Energy • 9% Liveness
77% Instrumentalness • 9% Positiveness
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Benjamin Frith
Nocturne No. 16 In F Major, H. 62: Noctu...
71 bpm • F Maj • 04:55 • -35.64db
18% Popularity • 32% Danceability • 0% Energy • 7% Liveness
92% Instrumentalness • 6% Positiveness
18% Popularity • 32% Danceability • 0% Energy • 7% Liveness
92% Instrumentalness • 6% Positiveness
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JoaquÃn Turina
Rapsodia sinfonica
71 bpm • F min • 09:07 • -22.52db
2% Popularity • 17% Danceability • 11% Energy • 6% Liveness
72% Instrumentalness • 4% Positiveness
2% Popularity • 17% Danceability • 11% Energy • 6% Liveness
72% Instrumentalness • 4% Positiveness
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Karol Szymanowski
9 Preludes, Op. 1: No. 2 in D Minor. And...
70 bpm • D# Maj • 03:43 • -25db
28% Popularity • 48% Danceability • 2% Energy • 7% Liveness
94% Instrumentalness • 7% Positiveness
28% Popularity • 48% Danceability • 2% Energy • 7% Liveness
94% Instrumentalness • 7% Positiveness
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Alexander Scriabin
Piano Concerto in F sharp minor, Op. 20:...
80 bpm • F# min • 10:45 • -22.12db
16% Popularity • 16% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 6% Positiveness
16% Popularity • 16% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 6% Positiveness
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Ottorino Respighi
3 Preludi Sopra Melodie Gregoriane, P. 1...
70 bpm • G# min • 05:19 • -28.17db
33% Popularity • 43% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 19% Positiveness
33% Popularity • 43% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 19% Positiveness
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Pyotr Ilyich Tchaikovsky
Nocturne No. 1, Op. 10
70 bpm • F Maj • 04:37 • -28.92db
8% Popularity • 32% Danceability • 2% Energy • 8% Liveness
89% Instrumentalness • 4% Positiveness
8% Popularity • 32% Danceability • 2% Energy • 8% Liveness
89% Instrumentalness • 4% Positiveness
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Christoph Willibald Gluck
Melodie from "Orfeo ed Euridice", Wq. 30...
70 bpm • D min • 03:52 • -31.87db
27% Popularity • 34% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 7% Positiveness
27% Popularity • 34% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 7% Positiveness
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Frédéric Chopin
Preludes, Op. 28: No. 23 in F Major, Mod...
70 bpm • F Maj • 01:11 • -38db
26% Popularity • 30% Danceability • 3% Energy • 6% Liveness
53% Instrumentalness • 9% Positiveness
26% Popularity • 30% Danceability • 3% Energy • 6% Liveness
53% Instrumentalness • 9% Positiveness
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Felix Mendelssohn
Lieder ohne Worte (Songs without Words),...
70 bpm • C min • 02:23 • -26.22db
25% Popularity • 21% Danceability • 7% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
25% Popularity • 21% Danceability • 7% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
French Suite No. 2 in C minor, BWV 813: ...
70 bpm • D# Maj • 01:23 • -29db
39% Popularity • 36% Danceability • 6% Energy • 17% Liveness
95% Instrumentalness • 79% Positiveness
39% Popularity • 36% Danceability • 6% Energy • 17% Liveness
95% Instrumentalness • 79% Positiveness
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Sergei Rachmaninoff
10 Préludes, Op. 23: No. 4. Andante can...
70 bpm • D Maj • 04:58 • -29db
25% Popularity • 24% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 6% Positiveness
25% Popularity • 24% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 6% Positiveness
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AntonÃn Dvořák
Piano Quintet In A, Op. 81, B. 155: 3. S...
70 bpm • A Maj • 04:13 • -23.86db
22% Popularity • 22% Danceability • 5% Energy • 25% Liveness
66% Instrumentalness • 23% Positiveness
22% Popularity • 22% Danceability • 5% Energy • 25% Liveness
66% Instrumentalness • 23% Positiveness
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Bedřich Smetana
Album Leaf for Kateřina Kolářová in ...
70 bpm • B Maj • 01:57 • -30.77db
55% Popularity • 29% Danceability • 3% Energy • 8% Liveness
89% Instrumentalness • 7% Positiveness
55% Popularity • 29% Danceability • 3% Energy • 8% Liveness
89% Instrumentalness • 7% Positiveness
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Aram Khachaturian
Piano Concerto in D Flat Major: 3. Alleg...
81 bpm • C# Maj • 10:32 • -19db
6% Popularity • 31% Danceability • 23% Energy • 11% Liveness
88% Instrumentalness • 8% Positiveness
6% Popularity • 31% Danceability • 23% Energy • 11% Liveness
88% Instrumentalness • 8% Positiveness
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Wilhelm Kempff
Orfeo ed Euridice, Act II Scene 2: Balle...
81 bpm • F Maj • 04:45 • -33.57db
37% Popularity • 29% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
37% Popularity • 29% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
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Frédéric Chopin
Mazurka No. 4 in E flat minor Op. 6 No. ...
81 bpm • G# min • 01:02 • -34.04db
35% Popularity • 27% Danceability • 3% Energy • 12% Liveness
87% Instrumentalness • 28% Positiveness
35% Popularity • 27% Danceability • 3% Energy • 12% Liveness
87% Instrumentalness • 28% Positiveness
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Alexander Scriabin
Piano Sonata No. 2, in G-Sharp Minor Op....
81 bpm • E Maj • 10:05 • -27.57db
13% Popularity • 27% Danceability • 1% Energy • 10% Liveness
87% Instrumentalness • 7% Positiveness
13% Popularity • 27% Danceability • 1% Energy • 10% Liveness
87% Instrumentalness • 7% Positiveness
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Ludwig van Beethoven
11 Bagatelles, Op. 119: 4. Andante canta...
81 bpm • A Maj • 01:42 • -27.99db
37% Popularity • 34% Danceability • 6% Energy • 10% Liveness
93% Instrumentalness • 35% Positiveness
37% Popularity • 34% Danceability • 6% Energy • 10% Liveness
93% Instrumentalness • 35% Positiveness
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Joseph Haydn
Sonata in D Major, Hob. XVI:37: II. Larg...
70 bpm • D min • 03:50 • -33.14db
23% Popularity • 34% Danceability • 0% Energy • 10% Liveness
96% Instrumentalness • 31% Positiveness
23% Popularity • 34% Danceability • 0% Energy • 10% Liveness
96% Instrumentalness • 31% Positiveness
