Songs like Lose Blaetter, Op. 13: XII. Choral by Max Reger
Based on a tempo of (+/- 10%) and a similar genre
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Edvard Grieg
Peer Gynt Suite No. 2, Op. 55: I. The Ab...
135 bpm • G min • 05:01 • -18.19db
25% Popularity • 15% Danceability • 7% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
25% Popularity • 15% Danceability • 7% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
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Carl Philipp Emanuel Bach
Magnificat, Wq. 215: Magnificat, Wq. 215...
135 bpm • C# Maj • 02:53 • -18.05db
24% Popularity • 37% Danceability • 27% Energy • 10% Liveness
17% Instrumentalness • 59% Positiveness
24% Popularity • 37% Danceability • 27% Energy • 10% Liveness
17% Instrumentalness • 59% Positiveness
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Francis Poulenc
Piano Concerto in C-Sharp Minor, FP 146:...
135 bpm • G# Maj • 09:40 • -22.85db
25% Popularity • 26% Danceability • 9% Energy • 12% Liveness
83% Instrumentalness • 6% Positiveness
25% Popularity • 26% Danceability • 9% Energy • 12% Liveness
83% Instrumentalness • 6% Positiveness
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Max Reger
52 Chorale Preludes, Op. 67, Vol. 1: No....
135 bpm • G Maj • 02:48 • -19.81db
1% Popularity • 15% Danceability • 5% Energy • 14% Liveness
89% Instrumentalness • 11% Positiveness
1% Popularity • 15% Danceability • 5% Energy • 14% Liveness
89% Instrumentalness • 11% Positiveness
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Gustav Holst
Japanese Suite, Op. 33: I. Prelude: Song...
134 bpm • A# Maj • 02:30 • -29db
46% Popularity • 16% Danceability • 1% Energy • 8% Liveness
86% Instrumentalness • 3% Positiveness
46% Popularity • 16% Danceability • 1% Energy • 8% Liveness
86% Instrumentalness • 3% Positiveness
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Carl Maria von Weber
7 Variations on the Air Vien qua, Dorina...
134 bpm • C Maj • 01:17 • -34db
58% Popularity • 22% Danceability • 1% Energy • 7% Liveness
80% Instrumentalness • 22% Positiveness
58% Popularity • 22% Danceability • 1% Energy • 7% Liveness
80% Instrumentalness • 22% Positiveness
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Edvard Grieg
Holberg Suite, Op. 40: I. Präludium (Al...
135 bpm • G Maj • 03:00 • -22.57db
44% Popularity • 23% Danceability • 6% Energy • 12% Liveness
95% Instrumentalness • 27% Positiveness
44% Popularity • 23% Danceability • 6% Energy • 12% Liveness
95% Instrumentalness • 27% Positiveness
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Wolfgang Amadeus Mozart
Divertimento in D Major, K. 136, "Salzbu...
137 bpm • D Maj • 04:10 • -21db
41% Popularity • 43% Danceability • 15% Energy • 11% Liveness
90% Instrumentalness • 46% Positiveness
41% Popularity • 43% Danceability • 15% Energy • 11% Liveness
90% Instrumentalness • 46% Positiveness
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Johann Christian Bach
Viola Concerto in C Minor: II. Adagio mo...
133 bpm • G# Maj • 05:05 • -19.1db
24% Popularity • 18% Danceability • 15% Energy • 10% Liveness
86% Instrumentalness • 6% Positiveness
24% Popularity • 18% Danceability • 15% Energy • 10% Liveness
86% Instrumentalness • 6% Positiveness
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Carl Philipp Emanuel Bach
Sinfonia In D Major, Wq. 183/1, H. 663 :...
137 bpm • D# Maj • 01:38 • -32.89db
42% Popularity • 21% Danceability • 1% Energy • 23% Liveness
93% Instrumentalness • 13% Positiveness
42% Popularity • 21% Danceability • 1% Energy • 23% Liveness
93% Instrumentalness • 13% Positiveness
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Gustav Holst
Symphony in F Major, Op. 8, "The Cotswol...
133 bpm • G Maj • 08:34 • -20.26db
16% Popularity • 16% Danceability • 6% Energy • 13% Liveness
91% Instrumentalness • 3% Positiveness
16% Popularity • 16% Danceability • 6% Energy • 13% Liveness
91% Instrumentalness • 3% Positiveness
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Charles Koechlin
Pelleas et Melisande, Op. 80 (arr. C. Ko...
137 bpm • A min • 00:59 • -38.07db
32% Popularity • 18% Danceability • 1% Energy • 9% Liveness
1% Instrumentalness • 17% Positiveness
32% Popularity • 18% Danceability • 1% Energy • 9% Liveness
1% Instrumentalness • 17% Positiveness
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Felix Mendelssohn
Overture to "A Midsummer Night's Dream",...
137 bpm • E Maj • 06:22 • -23.46db
27% Popularity • 28% Danceability • 8% Energy • 9% Liveness
73% Instrumentalness • 13% Positiveness
27% Popularity • 28% Danceability • 8% Energy • 9% Liveness
73% Instrumentalness • 13% Positiveness
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Joseph Haydn
Cello Concerto No. 1 in C Major, Hob. VI...
138 bpm • C Maj • 09:05 • -19.03db
30% Popularity • 30% Danceability • 9% Energy • 7% Liveness
92% Instrumentalness • 30% Positiveness
30% Popularity • 30% Danceability • 9% Energy • 7% Liveness
92% Instrumentalness • 30% Positiveness
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Wolfgang Amadeus Mozart
Clarinet Quintet in A Major, K. 581: I. ...
132 bpm • A Maj • 09:09 • -20.14db
24% Popularity • 27% Danceability • 5% Energy • 6% Liveness
36% Instrumentalness • 15% Positiveness
24% Popularity • 27% Danceability • 5% Energy • 6% Liveness
36% Instrumentalness • 15% Positiveness
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George Frideric Handel
Water Music, Suite No. 2, HWV 349: No. 1...
132 bpm • C# Maj • 03:43 • -16.46db
41% Popularity • 52% Danceability • 24% Energy • 10% Liveness
27% Instrumentalness • 69% Positiveness
41% Popularity • 52% Danceability • 24% Energy • 10% Liveness
27% Instrumentalness • 69% Positiveness
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Ralph Vaughan Williams
Vaughan Williams: Tuba Concerto in F Min...
131 bpm • G Maj • 05:10 • -25.37db
11% Popularity • 16% Danceability • 6% Energy • 9% Liveness
89% Instrumentalness • 14% Positiveness
11% Popularity • 16% Danceability • 6% Energy • 9% Liveness
89% Instrumentalness • 14% Positiveness
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Arcangelo Corelli
Concerto Grosso In D Major, Op. 6, No. 1...
131 bpm • A Maj • 01:21 • -15db
60% Popularity • 41% Danceability • 25% Energy • 29% Liveness
89% Instrumentalness • 26% Positiveness
60% Popularity • 41% Danceability • 25% Energy • 29% Liveness
89% Instrumentalness • 26% Positiveness
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Max Reger
Cello Suite in A minor, Op. 131c, No. 3:...
131 bpm • A Maj • 08:13 • -14.49db
0% Popularity • 35% Danceability • 18% Energy • 12% Liveness
87% Instrumentalness • 23% Positiveness
0% Popularity • 35% Danceability • 18% Energy • 12% Liveness
87% Instrumentalness • 23% Positiveness
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Pyotr Ilyich Tchaikovsky
Symphony No. 5 in E Minor, Op. 64: III. ...
139 bpm • A Maj • 05:57 • -29.47db
36% Popularity • 23% Danceability • 5% Energy • 15% Liveness
85% Instrumentalness • 22% Positiveness
36% Popularity • 23% Danceability • 5% Energy • 15% Liveness
85% Instrumentalness • 22% Positiveness
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Joseph Haydn
Concerto pour Violoncelle et Orchestre e...
131 bpm • C Maj • 08:12 • -23.05db
45% Popularity • 20% Danceability • 7% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
45% Popularity • 20% Danceability • 7% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
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George Frideric Handel
Water Music, Suite No. 1, HWV 348: I. Ov...
138 bpm • E Maj • 03:12 • -21.04db
39% Popularity • 34% Danceability • 18% Energy • 10% Liveness
69% Instrumentalness • 56% Positiveness
39% Popularity • 34% Danceability • 18% Energy • 10% Liveness
69% Instrumentalness • 56% Positiveness
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Henry Purcell
Abdelazar Suite, Z. 570: VI. Air
131 bpm • G min • 01:08 • -19db
59% Popularity • 54% Danceability • 21% Energy • 24% Liveness
94% Instrumentalness • 72% Positiveness
59% Popularity • 54% Danceability • 21% Energy • 24% Liveness
94% Instrumentalness • 72% Positiveness
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Franz Danzi
Overture in D Major, P. 228: II. Andanti...
131 bpm • F Maj • 01:33 • -25.51db
17% Popularity • 32% Danceability • 5% Energy • 15% Liveness
84% Instrumentalness • 40% Positiveness
17% Popularity • 32% Danceability • 5% Energy • 15% Liveness
84% Instrumentalness • 40% Positiveness
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Robert Schumann
3 Romanzen, Op. 94: I. Nicht schnell
139 bpm • A min • 03:30 • -22db
18% Popularity • 23% Danceability • 7% Energy • 8% Liveness
89% Instrumentalness • 15% Positiveness
18% Popularity • 23% Danceability • 7% Energy • 8% Liveness
89% Instrumentalness • 15% Positiveness
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Domenico Scarlatti
Sonata in E Major, Kk. 20: Presto
130 bpm • E Maj • 03:31 • -28db
33% Popularity • 58% Danceability • 5% Energy • 11% Liveness
86% Instrumentalness • 35% Positiveness
33% Popularity • 58% Danceability • 5% Energy • 11% Liveness
86% Instrumentalness • 35% Positiveness
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Jean-Philippe Rameau
Les Boréades, RCT 31, Acte IV, Scène I...
130 bpm • C# Maj • 07:01 • -19db
35% Popularity • 16% Danceability • 14% Energy • 16% Liveness
19% Instrumentalness • 4% Positiveness
35% Popularity • 16% Danceability • 14% Energy • 16% Liveness
19% Instrumentalness • 4% Positiveness
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AntonÃn Dvořák
Symphony No. 8 in G Minor, Op. 88, B. 16...
130 bpm • G Maj • 06:59 • -25db
33% Popularity • 22% Danceability • 6% Energy • 34% Liveness
75% Instrumentalness • 29% Positiveness
33% Popularity • 22% Danceability • 6% Energy • 34% Liveness
75% Instrumentalness • 29% Positiveness
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Felix Mendelssohn
Overture to "A Midsummer Night's Dream",...
140 bpm • E Maj • 05:54 • -23db
35% Popularity • 24% Danceability • 4% Energy • 7% Liveness
69% Instrumentalness • 5% Positiveness
35% Popularity • 24% Danceability • 4% Energy • 7% Liveness
69% Instrumentalness • 5% Positiveness
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Max Reger
Cello Suite in G Major, Op. 131c, No. 1:...
130 bpm • G Maj • 03:49 • -11.89db
1% Popularity • 61% Danceability • 26% Energy • 10% Liveness
91% Instrumentalness • 59% Positiveness
1% Popularity • 61% Danceability • 26% Energy • 10% Liveness
91% Instrumentalness • 59% Positiveness
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Samuel Coleridge-Taylor
Petite Suite de Concert, Op. 77: III. Un...
140 bpm • A Maj • 03:40 • -28.62db
22% Popularity • 22% Danceability • 3% Energy • 10% Liveness
14% Instrumentalness • 4% Positiveness
22% Popularity • 22% Danceability • 3% Energy • 10% Liveness
14% Instrumentalness • 4% Positiveness
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Francis Poulenc
Trio for Piano, Oboe and Bassoon: III. R...
130 bpm • C# Maj • 03:27 • -16db
11% Popularity • 56% Danceability • 28% Energy • 11% Liveness
90% Instrumentalness • 57% Positiveness
11% Popularity • 56% Danceability • 28% Energy • 11% Liveness
90% Instrumentalness • 57% Positiveness
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Johannes Brahms
Ein deutsches Requiem, Op. 45: 4. Chor: ...
130 bpm • D# Maj • 05:34 • -25db
29% Popularity • 16% Danceability • 6% Energy • 9% Liveness
79% Instrumentalness • 9% Positiveness
29% Popularity • 16% Danceability • 6% Energy • 9% Liveness
79% Instrumentalness • 9% Positiveness
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Daniel Barenboim
Bach, JS : Well-Tempered Clavier Book 1 ...
129 bpm • D min • 01:46 • -28.77db
54% Popularity • 25% Danceability • 6% Energy • 9% Liveness
89% Instrumentalness • 17% Positiveness
54% Popularity • 25% Danceability • 6% Energy • 9% Liveness
89% Instrumentalness • 17% Positiveness
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Felix Mendelssohn
Octet In E Flat, Op. 20, MWV R20: 4. Pre...
141 bpm • A# Maj • 06:16 • -18.54db
14% Popularity • 38% Danceability • 25% Energy • 10% Liveness
82% Instrumentalness • 43% Positiveness
14% Popularity • 38% Danceability • 25% Energy • 10% Liveness
82% Instrumentalness • 43% Positiveness
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Claude Debussy
6 Épigraphes antiques, L. 131: No. 1. P...
129 bpm • D min • 02:38 • -28.49db
8% Popularity • 18% Danceability • 3% Energy • 6% Liveness
96% Instrumentalness • 5% Positiveness
8% Popularity • 18% Danceability • 3% Energy • 6% Liveness
96% Instrumentalness • 5% Positiveness
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Edvard Grieg
Holberg Suite, Op. 40: V. Rigaudon (Alle...
129 bpm • G Maj • 04:01 • -27.06db
29% Popularity • 38% Danceability • 3% Energy • 8% Liveness
63% Instrumentalness • 25% Positiveness
29% Popularity • 38% Danceability • 3% Energy • 8% Liveness
63% Instrumentalness • 25% Positiveness
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Gabriel Fauré
Fantaisie, Op. 79 (Orch. Louis Aubert)
128 bpm • C Maj • 05:30 • -26db
18% Popularity • 32% Danceability • 10% Energy • 13% Liveness
93% Instrumentalness • 20% Positiveness
18% Popularity • 32% Danceability • 10% Energy • 13% Liveness
93% Instrumentalness • 20% Positiveness
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Franz Ignaz Beck
Symphony in C Major, Op. 1, No. 6, (Call...
143 bpm • G Maj • 02:05 • -19db
31% Popularity • 52% Danceability • 22% Energy • 10% Liveness
75% Instrumentalness • 49% Positiveness
31% Popularity • 52% Danceability • 22% Energy • 10% Liveness
75% Instrumentalness • 49% Positiveness
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Camille Saint-Saëns
Calme des nuits, Op. 68, No. 1
128 bpm • E min • 04:13 • -40.65db
25% Popularity • 17% Danceability • 1% Energy • 9% Liveness
49% Instrumentalness • 3% Positiveness
25% Popularity • 17% Danceability • 1% Energy • 9% Liveness
49% Instrumentalness • 3% Positiveness
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Felix Mendelssohn
Violin Concerto in D Minor, MWV O3: I. A...
141 bpm • D min • 08:23 • -22.95db
10% Popularity • 36% Danceability • 12% Energy • 10% Liveness
29% Instrumentalness • 41% Positiveness
10% Popularity • 36% Danceability • 12% Energy • 10% Liveness
29% Instrumentalness • 41% Positiveness
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Max Reger
Serenade für Flöte, Violine und Viola ...
143 bpm • G Maj • 05:03 • -23.38db
3% Popularity • 43% Danceability • 4% Energy • 6% Liveness
10% Instrumentalness • 14% Positiveness
3% Popularity • 43% Danceability • 4% Energy • 6% Liveness
10% Instrumentalness • 14% Positiveness
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Anton Bruckner
Kronstorfer Messe in D Minor, WAB 146: I...
127 bpm • F Maj • 01:35 • -29.29db
34% Popularity • 17% Danceability • 2% Energy • 10% Liveness
22% Instrumentalness • 4% Positiveness
34% Popularity • 17% Danceability • 2% Energy • 10% Liveness
22% Instrumentalness • 4% Positiveness
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Clara Schumann
3 Romances, Op. 11: No. 1, Andante
127 bpm • D# min • 03:02 • -29db
54% Popularity • 31% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
54% Popularity • 31% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
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Ludwig van Beethoven
12 Variations on Handel's "See the Conqu...
127 bpm • G min • 01:02 • -33db
15% Popularity • 17% Danceability • 1% Energy • 9% Liveness
89% Instrumentalness • 6% Positiveness
15% Popularity • 17% Danceability • 1% Energy • 9% Liveness
89% Instrumentalness • 6% Positiveness
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Jean Sibelius
Sibelius: 13 Pieces, Op. 76: No. 2, Étu...
127 bpm • A min • 01:14 • -27db
43% Popularity • 41% Danceability • 8% Energy • 11% Liveness
88% Instrumentalness • 88% Positiveness
43% Popularity • 41% Danceability • 8% Energy • 11% Liveness
88% Instrumentalness • 88% Positiveness
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Felix Mendelssohn
Paulus: I. Teil: Ouvertüre
128 bpm • A Maj • 06:27 • -18.64db
19% Popularity • 23% Danceability • 19% Energy • 9% Liveness
95% Instrumentalness • 12% Positiveness
19% Popularity • 23% Danceability • 19% Energy • 9% Liveness
95% Instrumentalness • 12% Positiveness
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Max Reger
Cello Suite in G Major, Op. 131c, No. 1:...
143 bpm • G Maj • 04:03 • -17.9db
5% Popularity • 47% Danceability • 11% Energy • 10% Liveness
87% Instrumentalness • 33% Positiveness
5% Popularity • 47% Danceability • 11% Energy • 10% Liveness
87% Instrumentalness • 33% Positiveness
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Carl Maria von Weber
Weber: Clarinet Concerto No. 1 in F Mino...
127 bpm • F Maj • 06:20 • -21.52db
11% Popularity • 37% Danceability • 12% Energy • 10% Liveness
58% Instrumentalness • 21% Positiveness
11% Popularity • 37% Danceability • 12% Energy • 10% Liveness
58% Instrumentalness • 21% Positiveness
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Fanny Mendelssohn
Schwanenlied
143 bpm • G min • 02:30 • -21.42db
48% Popularity • 24% Danceability • 11% Energy • 11% Liveness
94% Instrumentalness • 18% Positiveness
48% Popularity • 24% Danceability • 11% Energy • 11% Liveness
94% Instrumentalness • 18% Positiveness
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César Franck
Franck: Prélude, fugue et variation, Op...
127 bpm • B min • 04:21 • -34.47db
25% Popularity • 45% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 34% Positiveness
25% Popularity • 45% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 34% Positiveness
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![Bach - Prelude and Fugue in D Major, P. 158 (after J.S. Bach's BWV 532): Prelude: Allegro - Meno mosso - Alla breve [Allegro] - Adagio - cover art](https://i.scdn.co/image/ab67616d00001e02dac7aec44f97ddfc1968d1af)
Ottorino Respighi
Bach - Prelude and Fugue in D Major, P. ...
143 bpm • D Maj • 04:20 • -22.91db
25% Popularity • 17% Danceability • 9% Energy • 21% Liveness
87% Instrumentalness • 16% Positiveness
25% Popularity • 17% Danceability • 9% Energy • 21% Liveness
87% Instrumentalness • 16% Positiveness
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Georg Philipp Telemann
Viola Concerto in G Major, TWV 51:G9: I....
144 bpm • G Maj • 03:44 • -21.35db
45% Popularity • 20% Danceability • 10% Energy • 40% Liveness
73% Instrumentalness • 11% Positiveness
45% Popularity • 20% Danceability • 10% Energy • 40% Liveness
73% Instrumentalness • 11% Positiveness
► Preview
Johann Nepomuk Hummel
Hummel: Trumpet Concerto In E Flat - Iii...
144 bpm • D# Maj • 03:44 • -18.13db
45% Popularity • 50% Danceability • 25% Energy • 12% Liveness
93% Instrumentalness • 72% Positiveness
45% Popularity • 50% Danceability • 25% Energy • 12% Liveness
93% Instrumentalness • 72% Positiveness
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Emmanuel Chabrier
Suite pastorale: II. Danse villageoise
126 bpm • A Maj • 04:33 • -24db
11% Popularity • 48% Danceability • 5% Energy • 3% Liveness
84% Instrumentalness • 42% Positiveness
11% Popularity • 48% Danceability • 5% Energy • 3% Liveness
84% Instrumentalness • 42% Positiveness
► Preview
Bedřich Smetana
The Bartered Bride: Overture
145 bpm • F Maj • 06:35 • -19.47db
27% Popularity • 33% Danceability • 23% Energy • 7% Liveness
86% Instrumentalness • 20% Positiveness
27% Popularity • 33% Danceability • 23% Energy • 7% Liveness
86% Instrumentalness • 20% Positiveness
► Preview
Dmitri Shostakovich
Cello Concerto No. 1, Op. 107: 1. Allegr...
126 bpm • G min • 05:59 • -24db
43% Popularity • 46% Danceability • 16% Energy • 9% Liveness
82% Instrumentalness • 37% Positiveness
43% Popularity • 46% Danceability • 16% Energy • 9% Liveness
82% Instrumentalness • 37% Positiveness
► Preview
Fanny Mendelssohn
Notturno in G Minor
125 bpm • G min • 04:40 • -27db
33% Popularity • 40% Danceability • 5% Energy • 7% Liveness
87% Instrumentalness • 7% Positiveness
33% Popularity • 40% Danceability • 5% Energy • 7% Liveness
87% Instrumentalness • 7% Positiveness
► Preview
Cologne Chamber Orchestra
Overture (Suite) In G Minor, TWV 55: G4:...
146 bpm • G min • 01:31 • -15db
54% Popularity • 51% Danceability • 42% Energy • 27% Liveness
91% Instrumentalness • 97% Positiveness
54% Popularity • 51% Danceability • 42% Energy • 27% Liveness
91% Instrumentalness • 97% Positiveness
► Preview
Sergei Rachmaninoff
Symphony No. 2: II. Allegro molto
146 bpm • F Maj • 09:49 • -26db
32% Popularity • 27% Danceability • 10% Energy • 22% Liveness
87% Instrumentalness • 13% Positiveness
32% Popularity • 27% Danceability • 10% Energy • 22% Liveness
87% Instrumentalness • 13% Positiveness
► Preview
Benjamin Britten
Soirees musicales, Op. 9: I. March
124 bpm • A# Maj • 01:27 • -24db
44% Popularity • 41% Danceability • 11% Energy • 9% Liveness
70% Instrumentalness • 27% Positiveness
44% Popularity • 41% Danceability • 11% Energy • 9% Liveness
70% Instrumentalness • 27% Positiveness
► Preview
Jean Sibelius
Symphony No. 2 in D Major, Op. 43: I. Al...
124 bpm • D Maj • 09:48 • -21db
19% Popularity • 27% Danceability • 15% Energy • 11% Liveness
80% Instrumentalness • 4% Positiveness
19% Popularity • 27% Danceability • 15% Energy • 11% Liveness
80% Instrumentalness • 4% Positiveness
► Preview
Joseph Haydn
Haydn: Cello Concerto No. 1 in C Major, ...
124 bpm • F Maj • 08:31 • -23.81db
30% Popularity • 21% Danceability • 8% Energy • 11% Liveness
89% Instrumentalness • 9% Positiveness
30% Popularity • 21% Danceability • 8% Energy • 11% Liveness
89% Instrumentalness • 9% Positiveness
► Preview
Gabriel Fauré
Fauré: Requiem, Op. 48: VII. In Paradis...
147 bpm • D Maj • 03:27 • -29.15db
34% Popularity • 12% Danceability • 3% Energy • 9% Liveness
95% Instrumentalness • 3% Positiveness
34% Popularity • 12% Danceability • 3% Energy • 9% Liveness
95% Instrumentalness • 3% Positiveness
► Preview
Gustav Holst
Brook Green Suite: I. Prelude
123 bpm • F Maj • 01:35 • -20db
50% Popularity • 24% Danceability • 15% Energy • 9% Liveness
94% Instrumentalness • 21% Positiveness
50% Popularity • 24% Danceability • 15% Energy • 9% Liveness
94% Instrumentalness • 21% Positiveness
► Preview
Hector Berlioz
Symphonie fantastique, Op. 14: Marche au...
148 bpm • A# Maj • 07:11 • -17.76db
43% Popularity • 35% Danceability • 21% Energy • 8% Liveness
92% Instrumentalness • 33% Positiveness
43% Popularity • 35% Danceability • 21% Energy • 8% Liveness
92% Instrumentalness • 33% Positiveness
► Preview
Dame Ethel Smyth
Serenade in D Major: II. Scherzo. Allegr...
148 bpm • G Maj • 06:09 • -25db
36% Popularity • 28% Danceability • 6% Energy • 6% Liveness
89% Instrumentalness • 10% Positiveness
36% Popularity • 28% Danceability • 6% Energy • 6% Liveness
89% Instrumentalness • 10% Positiveness
► Preview
Jean Sibelius
Sibelius: Symphony No. 5 in E-Flat Major...
149 bpm • G# Maj • 09:53 • -24.78db
27% Popularity • 12% Danceability • 6% Energy • 15% Liveness
87% Instrumentalness • 6% Positiveness
27% Popularity • 12% Danceability • 6% Energy • 15% Liveness
87% Instrumentalness • 6% Positiveness
► Preview
Joseph Haydn
Symphony No. 49 in F Minor, Hob. I:49 'L...
124 bpm • F min • 04:00 • -20.99db
10% Popularity • 25% Danceability • 6% Energy • 12% Liveness
64% Instrumentalness • 10% Positiveness
10% Popularity • 25% Danceability • 6% Energy • 12% Liveness
64% Instrumentalness • 10% Positiveness
► Preview
Max Reger
Variation 5: Quasi presto
122 bpm • A min • 01:33 • -25.2db
16% Popularity • 32% Danceability • 8% Energy • 30% Liveness
2% Instrumentalness • 20% Positiveness
16% Popularity • 32% Danceability • 8% Energy • 30% Liveness
2% Instrumentalness • 20% Positiveness
► Preview
Franz Liszt
Piano Concerto No. 1 in E Flat Major, S....
120 bpm • G# min • 05:31 • -20.41db
28% Popularity • 34% Danceability • 12% Energy • 12% Liveness
65% Instrumentalness • 4% Positiveness
28% Popularity • 34% Danceability • 12% Energy • 12% Liveness
65% Instrumentalness • 4% Positiveness
► Preview
Domenico Scarlatti
Keyboard Sonata in C Major, Kk. 159
120 bpm • C Maj • 02:23 • -27db
52% Popularity • 57% Danceability • 20% Energy • 10% Liveness
82% Instrumentalness • 71% Positiveness
52% Popularity • 57% Danceability • 20% Energy • 10% Liveness
82% Instrumentalness • 71% Positiveness
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Gioachino Rossini
Petite messe solennelle: Kyrie
120 bpm • C Maj • 06:17 • -29db
29% Popularity • 18% Danceability • 4% Energy • 19% Liveness
80% Instrumentalness • 4% Positiveness
29% Popularity • 18% Danceability • 4% Energy • 19% Liveness
80% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Violin Concerto No. 3 in G Major, K. 216...
119 bpm • G Maj • 09:20 • -19.93db
32% Popularity • 46% Danceability • 10% Energy • 25% Liveness
67% Instrumentalness • 39% Positiveness
32% Popularity • 46% Danceability • 10% Energy • 25% Liveness
67% Instrumentalness • 39% Positiveness
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Franz Schubert
Winterreise, Op. 89, D. 911: No. 21, Tau...
119 bpm • A Maj • 01:24 • -35.9db
56% Popularity • 31% Danceability • 1% Energy • 7% Liveness
82% Instrumentalness • 12% Positiveness
56% Popularity • 31% Danceability • 1% Energy • 7% Liveness
82% Instrumentalness • 12% Positiveness
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Pietro Locatelli
Concerto Grosso in D Major, Op. 1, No. 5...
119 bpm • D Maj • 01:17 • -15db
52% Popularity • 40% Danceability • 12% Energy • 12% Liveness
10% Instrumentalness • 60% Positiveness
52% Popularity • 40% Danceability • 12% Energy • 12% Liveness
10% Instrumentalness • 60% Positiveness
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AntonÃn Dvořák
8 Slavonic Dances, Op. 46, B.83: No. 4 i...
119 bpm • F Maj • 07:15 • -16.22db
26% Popularity • 32% Danceability • 10% Energy • 6% Liveness
89% Instrumentalness • 10% Positiveness
26% Popularity • 32% Danceability • 10% Energy • 6% Liveness
89% Instrumentalness • 10% Positiveness
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Edvard Grieg
Piano Concerto in A Minor, Op. 16: III. ...
119 bpm • F Maj • 09:32 • -19db
30% Popularity • 44% Danceability • 15% Energy • 29% Liveness
88% Instrumentalness • 10% Positiveness
30% Popularity • 44% Danceability • 15% Energy • 29% Liveness
88% Instrumentalness • 10% Positiveness
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Ralph Vaughan Williams
Concerto Grosso: Intrada
154 bpm • G Maj • 01:52 • -15db
21% Popularity • 40% Danceability • 21% Energy • 11% Liveness
94% Instrumentalness • 50% Positiveness
21% Popularity • 40% Danceability • 21% Energy • 11% Liveness
94% Instrumentalness • 50% Positiveness
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Fanny Mendelssohn
Schluss
118 bpm • C Maj • 02:15 • -34db
51% Popularity • 27% Danceability • 3% Energy • 6% Liveness
86% Instrumentalness • 28% Positiveness
51% Popularity • 27% Danceability • 3% Energy • 6% Liveness
86% Instrumentalness • 28% Positiveness
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Camille Saint-Saëns
Symphony No. 3 In C Minor, Op. 78 "Organ...
118 bpm • G# Maj • 10:24 • -22db
32% Popularity • 20% Danceability • 9% Energy • 18% Liveness
83% Instrumentalness • 4% Positiveness
32% Popularity • 20% Danceability • 9% Energy • 18% Liveness
83% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
A Midsummer Night's Dream, Op. 61: Scher...
118 bpm • G min • 04:59 • -28.98db
18% Popularity • 49% Danceability • 13% Energy • 20% Liveness
91% Instrumentalness • 50% Positiveness
18% Popularity • 49% Danceability • 13% Energy • 20% Liveness
91% Instrumentalness • 50% Positiveness
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Claude Debussy
Debussy: Petite suite, CD 71, L. 65: IV....
117 bpm • D Maj • 02:49 • -17db
22% Popularity • 35% Danceability • 27% Energy • 11% Liveness
78% Instrumentalness • 45% Positiveness
22% Popularity • 35% Danceability • 27% Energy • 11% Liveness
78% Instrumentalness • 45% Positiveness
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Franz Liszt
Von der Wiege bis zum Grabe, S107/R424
118 bpm • A min • 04:47 • -31db
21% Popularity • 17% Danceability • 2% Energy • 13% Liveness
41% Instrumentalness • 4% Positiveness
21% Popularity • 17% Danceability • 2% Energy • 13% Liveness
41% Instrumentalness • 4% Positiveness
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Johannes Brahms
Variations on a Theme of Schumann, Op. 2...
117 bpm • D# Maj • 01:32 • -38.17db
9% Popularity • 17% Danceability • 0% Energy • 11% Liveness
80% Instrumentalness • 4% Positiveness
9% Popularity • 17% Danceability • 0% Energy • 11% Liveness
80% Instrumentalness • 4% Positiveness
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Arcangelo Corelli
Sonata in D Major, No. 1: III. Allegro
117 bpm • G# Maj • 01:05 • -15.54db
59% Popularity • 41% Danceability • 36% Energy • 11% Liveness
7% Instrumentalness • 44% Positiveness
59% Popularity • 41% Danceability • 36% Energy • 11% Liveness
7% Instrumentalness • 44% Positiveness
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Camille Saint-Saëns
Symphony No. 3 In C Minor, Op. 78 "Organ...
117 bpm • F min • 07:28 • -22db
30% Popularity • 31% Danceability • 17% Energy • 12% Liveness
90% Instrumentalness • 33% Positiveness
30% Popularity • 31% Danceability • 17% Energy • 12% Liveness
90% Instrumentalness • 33% Positiveness
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Ottorino Respighi
Gli uccelli (The Birds), P. 154: V. Il c...
117 bpm • A Maj • 04:22 • -20.39db
42% Popularity • 26% Danceability • 7% Energy • 33% Liveness
44% Instrumentalness • 14% Positiveness
42% Popularity • 26% Danceability • 7% Energy • 33% Liveness
44% Instrumentalness • 14% Positiveness
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Alfred Schnittke
Suite in the Old Style: II. Ballet
117 bpm • D Maj • 02:14 • -16.27db
8% Popularity • 65% Danceability • 31% Energy • 14% Liveness
87% Instrumentalness • 92% Positiveness
8% Popularity • 65% Danceability • 31% Energy • 14% Liveness
87% Instrumentalness • 92% Positiveness
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Peter Warlock
Capriol Suite: 4. Bransles
156 bpm • G Maj • 01:59 • -19.75db
31% Popularity • 40% Danceability • 22% Energy • 24% Liveness
94% Instrumentalness • 89% Positiveness
31% Popularity • 40% Danceability • 22% Energy • 24% Liveness
94% Instrumentalness • 89% Positiveness
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Antonio Vivaldi
Concerto for Strings in A Minor, RV 161:...
115 bpm • A min • 01:38 • -15db
56% Popularity • 51% Danceability • 36% Energy • 14% Liveness
96% Instrumentalness • 67% Positiveness
56% Popularity • 51% Danceability • 36% Energy • 14% Liveness
96% Instrumentalness • 67% Positiveness
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Gioachino Rossini
Petite messe solennelle: I. Kyrie. Kyrie...
116 bpm • C Maj • 02:32 • -28.98db
30% Popularity • 22% Danceability • 4% Energy • 6% Liveness
87% Instrumentalness • 14% Positiveness
30% Popularity • 22% Danceability • 4% Energy • 6% Liveness
87% Instrumentalness • 14% Positiveness
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Max Bruch
Scottish Fantasy for Violin and Orchestr...
115 bpm • G Maj • 06:32 • -11.41db
22% Popularity • 38% Danceability • 24% Energy • 13% Liveness
15% Instrumentalness • 12% Positiveness
22% Popularity • 38% Danceability • 24% Energy • 13% Liveness
15% Instrumentalness • 12% Positiveness
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Joseph Haydn
Haydn: Mass in D Minor, Hob. XXII:11 "Ne...
115 bpm • G min • 04:26 • -15db
30% Popularity • 42% Danceability • 31% Energy • 15% Liveness
33% Instrumentalness • 9% Positiveness
30% Popularity • 42% Danceability • 31% Energy • 15% Liveness
33% Instrumentalness • 9% Positiveness
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Dmitri Shostakovich
Piano Concerto No. 2 in F Major, Op. 102...
160 bpm • A# Maj • 06:53 • -16db
29% Popularity • 42% Danceability • 30% Energy • 9% Liveness
90% Instrumentalness • 33% Positiveness
29% Popularity • 42% Danceability • 30% Energy • 9% Liveness
90% Instrumentalness • 33% Positiveness
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Felix Mendelssohn
Lieder ohne Worte, Op. 67: No. 4 Presto ...
159 bpm • C Maj • 01:55 • -18db
10% Popularity • 45% Danceability • 31% Energy • 15% Liveness
84% Instrumentalness • 61% Positiveness
10% Popularity • 45% Danceability • 31% Energy • 15% Liveness
84% Instrumentalness • 61% Positiveness
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Alexander Borodin
Borodin - String Quartet No.2 in D major...
164 bpm • D Maj • 08:45 • -17db
23% Popularity • 19% Danceability • 15% Energy • 22% Liveness
56% Instrumentalness • 21% Positiveness
23% Popularity • 19% Danceability • 15% Energy • 22% Liveness
56% Instrumentalness • 21% Positiveness
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Camille Saint-Saëns
Clarinet Sonata in E-Flat Major, Op. 167...
165 bpm • D# Maj • 04:25 • -29db
29% Popularity • 15% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 8% Positiveness
29% Popularity • 15% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 8% Positiveness
