Songs like Lose the War (Morgan Page Remix) by Sandra Lynn
Based on a tempo of (+/- 10%) and a similar genre
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Sandra Lynn
Lose the War (Morgan Page Remix)
116 bpm • C# Maj • 03:10 • -3.59db
3% Popularity • 63% Danceability • 74% Energy • 27% Liveness
0% Instrumentalness • 36% Positiveness
3% Popularity • 63% Danceability • 74% Energy • 27% Liveness
0% Instrumentalness • 36% Positiveness
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Walker County
Time Machines - Studio A Session
116 bpm • C# Maj • 04:06 • -8.81db
7% Popularity • 58% Danceability • 56% Energy • 20% Liveness
0% Instrumentalness • 20% Positiveness
7% Popularity • 58% Danceability • 56% Energy • 20% Liveness
0% Instrumentalness • 20% Positiveness
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Logan Brill
I Wish You Loved Me
117 bpm • C Maj • 03:00 • -9.46db
21% Popularity • 52% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
21% Popularity • 52% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Natalie Pearson
I Wonder What You Kiss Like
117 bpm • C# Maj • 03:28 • -5.3db
16% Popularity • 58% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
16% Popularity • 58% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Chad Brownlee
Back In The Game
117 bpm • B Maj • 03:03 • -4.46db
20% Popularity • 66% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
20% Popularity • 66% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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RaeLynn
Praying For Rain
117 bpm • F# Maj • 04:55 • -8.41db
17% Popularity • 64% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
17% Popularity • 64% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
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Cash Campbell
Don't Wanna Think About It - Acoustic
115 bpm • A Maj • 04:17 • -10.85db
12% Popularity • 65% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
12% Popularity • 65% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Carly Pearce
I Hope You’re Happy Now - Acoustic
118 bpm • A# Maj • 03:16 • -5.55db
34% Popularity • 67% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
34% Popularity • 67% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Chevel Shepherd
Southern Boy
114 bpm • C Maj • 03:11 • -3.16db
16% Popularity • 67% Danceability • 83% Energy • 10% Liveness
1% Instrumentalness • 67% Positiveness
16% Popularity • 67% Danceability • 83% Energy • 10% Liveness
1% Instrumentalness • 67% Positiveness
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Abby Anderson
Naked Truth
114 bpm • A Maj • 03:03 • -4.35db
22% Popularity • 71% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
22% Popularity • 71% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Chad Brownlee
This Old Guitar
115 bpm • B Maj • 03:43 • -7.64db
13% Popularity • 62% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
13% Popularity • 62% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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RaeLynn
Insecure
114 bpm • C# Maj • 03:18 • -5.83db
32% Popularity • 67% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
32% Popularity • 67% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
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Tenille Arts
Bridges Burn
118 bpm • C Maj • 03:09 • -3.7db
24% Popularity • 65% Danceability • 77% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
24% Popularity • 65% Danceability • 77% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
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Ryan Robinette
What I Wasn't Lookin' for
113 bpm • F# Maj • 03:07 • -3.5db
28% Popularity • 55% Danceability • 69% Energy • 23% Liveness
0% Instrumentalness • 48% Positiveness
28% Popularity • 55% Danceability • 69% Energy • 23% Liveness
0% Instrumentalness • 48% Positiveness
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Brandon Lay
Walkaway Joe
119 bpm • E Maj • 03:34 • -8.12db
17% Popularity • 73% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
17% Popularity • 73% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
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Laci Kaye Booth
Don't Call Me
113 bpm • B Maj • 05:00 • -5.43db
23% Popularity • 72% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
23% Popularity • 72% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
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Thompson Square
Stuck in My Head
119 bpm • D Maj • 03:39 • -4.26db
11% Popularity • 58% Danceability • 94% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
11% Popularity • 58% Danceability • 94% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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RaeLynn
Praying for Rain
117 bpm • C# Maj • 04:09 • -7db
34% Popularity • 68% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
34% Popularity • 68% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Tenille Arts
Mad Crazy Love
112 bpm • D# Maj • 04:06 • -6.82db
22% Popularity • 69% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
22% Popularity • 69% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Ryan Hurd
Mississippi to Me
120 bpm • C# min • 03:27 • -6.73db
24% Popularity • 50% Danceability • 77% Energy • 28% Liveness
0% Instrumentalness • 28% Positiveness
24% Popularity • 50% Danceability • 77% Energy • 28% Liveness
0% Instrumentalness • 28% Positiveness
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Jana Kramer
Dammit
120 bpm • C Maj • 03:53 • -8db
36% Popularity • 57% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
36% Popularity • 57% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Jason Benoit
I Won't Go
120 bpm • F# Maj • 03:02 • -7.04db
12% Popularity • 71% Danceability • 74% Energy • 17% Liveness
0% Instrumentalness • 59% Positiveness
12% Popularity • 71% Danceability • 74% Energy • 17% Liveness
0% Instrumentalness • 59% Positiveness
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Maddie & Tae
Tourist In This Town
120 bpm • G# min • 03:25 • -5.5db
30% Popularity • 61% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
30% Popularity • 61% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Carly Pearce
Dashboard Jesus
120 bpm • F Maj • 03:11 • -4.57db
25% Popularity • 53% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
25% Popularity • 53% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
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Caleb Lee Hutchinson
Left of Me
120 bpm • F Maj • 04:44 • -3.92db
20% Popularity • 55% Danceability • 92% Energy • 33% Liveness
49% Instrumentalness • 60% Positiveness
20% Popularity • 55% Danceability • 92% Energy • 33% Liveness
49% Instrumentalness • 60% Positiveness
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Meghan Patrick
Small Town
120 bpm • E Maj • 03:30 • -6.7db
13% Popularity • 67% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
13% Popularity • 67% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Laci Kaye Booth
One More Dance
120 bpm • G# Maj • 03:11 • -2.54db
14% Popularity • 66% Danceability • 94% Energy • 15% Liveness
0% Instrumentalness • 91% Positiveness
14% Popularity • 66% Danceability • 94% Energy • 15% Liveness
0% Instrumentalness • 91% Positiveness
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Raleigh Keegan
didn't come here to talk
120 bpm • G Maj • 03:15 • -4.59db
14% Popularity • 67% Danceability • 81% Energy • 25% Liveness
0% Instrumentalness • 67% Positiveness
14% Popularity • 67% Danceability • 81% Energy • 25% Liveness
0% Instrumentalness • 67% Positiveness
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Sandra Lynn
Afterparty
120 bpm • C# Maj • 03:47 • -3.58db
1% Popularity • 52% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
1% Popularity • 52% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Jordan Brooker
All She Wants Is the Moon
120 bpm • G min • 03:33 • -7.71db
17% Popularity • 54% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
17% Popularity • 54% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Trisha Yearwood
Every Girl in This Town
112 bpm • G Maj • 02:59 • -7.25db
23% Popularity • 62% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
23% Popularity • 62% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Olivia Lane
She Fits
112 bpm • D Maj • 03:21 • -4.63db
11% Popularity • 65% Danceability • 78% Energy • 35% Liveness
0% Instrumentalness • 30% Positiveness
11% Popularity • 65% Danceability • 78% Energy • 35% Liveness
0% Instrumentalness • 30% Positiveness
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Granger Smith
You're In It (Acoustic)
112 bpm • G# min • 02:43 • -7.62db
23% Popularity • 85% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 74% Positiveness
23% Popularity • 85% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 74% Positiveness
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Raleigh Keegan
Feel Our Way Around
112 bpm • F# Maj • 03:57 • -7db
8% Popularity • 71% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
8% Popularity • 71% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Rachel Wammack
Closure
120 bpm • C Maj • 04:13 • -6db
8% Popularity • 42% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
8% Popularity • 42% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Post Monroe
Hell on Me
121 bpm • C Maj • 03:31 • -5db
13% Popularity • 52% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
13% Popularity • 52% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Cash Campbell
The in Between
121 bpm • B Maj • 03:40 • -4.84db
20% Popularity • 37% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
20% Popularity • 37% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
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Abby Anderson
Guy Like You
121 bpm • D# Maj • 02:45 • -5db
27% Popularity • 84% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
27% Popularity • 84% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
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Ross Ellis
Love Blind
122 bpm • D# Maj • 02:50 • -6.33db
17% Popularity • 50% Danceability • 44% Energy • 31% Liveness
0% Instrumentalness • 21% Positiveness
17% Popularity • 50% Danceability • 44% Energy • 31% Liveness
0% Instrumentalness • 21% Positiveness
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Laci Kaye Booth
Turn Around
122 bpm • G min • 03:18 • -3.29db
15% Popularity • 69% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
15% Popularity • 69% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Scotty McCreery
In Between - Acoustic
122 bpm • B Maj • 03:36 • -6.39db
24% Popularity • 70% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
24% Popularity • 70% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Tenille Arts
Wildfire and Whiskey
122 bpm • G# Maj • 03:22 • -3.49db
27% Popularity • 69% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
27% Popularity • 69% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Caleb Lee Hutchinson
Belle of the Bar
110 bpm • F Maj • 03:11 • -6db
17% Popularity • 53% Danceability • 71% Energy • 11% Liveness
1% Instrumentalness • 36% Positiveness
17% Popularity • 53% Danceability • 71% Energy • 11% Liveness
1% Instrumentalness • 36% Positiveness
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Hunter Brothers
Lost (Acoustic)
110 bpm • C# Maj • 02:39 • -5.46db
32% Popularity • 63% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
32% Popularity • 63% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Krystal Keith
Anyone Else
110 bpm • G# Maj • 03:24 • -3.13db
25% Popularity • 58% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
25% Popularity • 58% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Brett Young
The Ship And The Bottle
110 bpm • D# Maj • 04:29 • -8.78db
34% Popularity • 62% Danceability • 61% Energy • 12% Liveness
1% Instrumentalness • 34% Positiveness
34% Popularity • 62% Danceability • 61% Energy • 12% Liveness
1% Instrumentalness • 34% Positiveness
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Clare Dunn
My Love
110 bpm • G Maj • 03:15 • -2.17db
22% Popularity • 69% Danceability • 89% Energy • 21% Liveness
0% Instrumentalness • 60% Positiveness
22% Popularity • 69% Danceability • 89% Energy • 21% Liveness
0% Instrumentalness • 60% Positiveness
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Renee Blair
Here I Am
110 bpm • D Maj • 03:42 • -4.1db
9% Popularity • 61% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
9% Popularity • 61% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Austin Burke
Love You Most
110 bpm • A min • 03:19 • -6.43db
22% Popularity • 65% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
22% Popularity • 65% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Whitney Duncan
All She Wants
110 bpm • A Maj • 03:24 • -3.91db
12% Popularity • 50% Danceability • 89% Energy • 36% Liveness
0% Instrumentalness • 59% Positiveness
12% Popularity • 50% Danceability • 89% Energy • 36% Liveness
0% Instrumentalness • 59% Positiveness
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Jordan Brooker
You Are
110 bpm • F Maj • 03:33 • -7.1db
17% Popularity • 57% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
17% Popularity • 57% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Carly Pearce
Greener Grass
123 bpm • C# Maj • 04:04 • -5.35db
23% Popularity • 54% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
23% Popularity • 54% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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Josh Dorr
Ready or Not
109 bpm • G# Maj • 04:14 • -5db
28% Popularity • 58% Danceability • 73% Energy • 27% Liveness
0% Instrumentalness • 44% Positiveness
28% Popularity • 58% Danceability • 73% Energy • 27% Liveness
0% Instrumentalness • 44% Positiveness
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Renee Blair
Better Off
110 bpm • A min • 02:55 • -7.43db
18% Popularity • 69% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
18% Popularity • 69% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
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Kelleigh Bannen
The Optimist
122 bpm • G# Maj • 03:59 • -8.15db
14% Popularity • 41% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
14% Popularity • 41% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Curtis Grimes
Heaven Sent
124 bpm • C# Maj • 04:30 • -7.43db
25% Popularity • 58% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
25% Popularity • 58% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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American Young
Soundtrack Of Your Life
124 bpm • C Maj • 03:55 • -4.73db
4% Popularity • 57% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
4% Popularity • 57% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Five Roses
Ain't No One Like You
108 bpm • G# Maj • 03:02 • -3db
10% Popularity • 61% Danceability • 81% Energy • 16% Liveness
0% Instrumentalness • 47% Positiveness
10% Popularity • 61% Danceability • 81% Energy • 16% Liveness
0% Instrumentalness • 47% Positiveness
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Brandon Lay
Still Rock & Roll
108 bpm • G# Maj • 03:47 • -5.09db
28% Popularity • 69% Danceability • 82% Energy • 29% Liveness
0% Instrumentalness • 65% Positiveness
28% Popularity • 69% Danceability • 82% Energy • 29% Liveness
0% Instrumentalness • 65% Positiveness
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Faren Rachels
Free Drinks
108 bpm • F# Maj • 03:08 • -4.8db
13% Popularity • 63% Danceability • 73% Energy • 26% Liveness
0% Instrumentalness • 59% Positiveness
13% Popularity • 63% Danceability • 73% Energy • 26% Liveness
0% Instrumentalness • 59% Positiveness
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Kelleigh Bannen
Church Clothes
124 bpm • F Maj • 04:02 • -6db
19% Popularity • 64% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
19% Popularity • 64% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Runaway June
Blue Roses
125 bpm • A Maj • 03:25 • -8.63db
19% Popularity • 50% Danceability • 24% Energy • 15% Liveness
0% Instrumentalness • 11% Positiveness
19% Popularity • 50% Danceability • 24% Energy • 15% Liveness
0% Instrumentalness • 11% Positiveness
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Maddie & Tae
After The Storm Blows Through - Acoustic...
125 bpm • C Maj • 03:48 • -5.69db
11% Popularity • 51% Danceability • 24% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
11% Popularity • 51% Danceability • 24% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
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Logan Brill
World Still Round
107 bpm • C Maj • 03:42 • -3.39db
18% Popularity • 70% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 45% Positiveness
18% Popularity • 70% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 45% Positiveness
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Nikita Karmen
Nightmare
107 bpm • C Maj • 02:52 • -4.92db
12% Popularity • 68% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
12% Popularity • 68% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Travis Denning
After A Few - Acoustic
107 bpm • A# min • 03:32 • -7.13db
30% Popularity • 68% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
30% Popularity • 68% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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Thompson Square
A Love Like This
126 bpm • C# Maj • 03:20 • -4db
32% Popularity • 65% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
32% Popularity • 65% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Runaway June
We Were Rich
107 bpm • B Maj • 03:38 • -6.66db
32% Popularity • 57% Danceability • 65% Energy • 23% Liveness
0% Instrumentalness • 33% Positiveness
32% Popularity • 57% Danceability • 65% Energy • 23% Liveness
0% Instrumentalness • 33% Positiveness
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April Kry
I Feel at Home
126 bpm • D Maj • 04:05 • -4.7db
20% Popularity • 52% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
20% Popularity • 52% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Ryan Kinder
Still Believe in Crazy Love
106 bpm • G# Maj • 03:56 • -6.6db
35% Popularity • 57% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
35% Popularity • 57% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Sons of Daughters
Ain’t Gonna Be Lonely Long
106 bpm • G min • 03:55 • -5.87db
23% Popularity • 58% Danceability • 80% Energy • 36% Liveness
0% Instrumentalness • 62% Positiveness
23% Popularity • 58% Danceability • 80% Energy • 36% Liveness
0% Instrumentalness • 62% Positiveness
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James Dupre
Another Love Song
127 bpm • F# Maj • 02:45 • -6.07db
17% Popularity • 67% Danceability • 73% Energy • 28% Liveness
0% Instrumentalness • 60% Positiveness
17% Popularity • 67% Danceability • 73% Energy • 28% Liveness
0% Instrumentalness • 60% Positiveness
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Ashland Craft
Your Place Or Mine
127 bpm • G# min • 03:44 • -6.66db
24% Popularity • 58% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
24% Popularity • 58% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Runaway June
We Were Rich (New Version)
107 bpm • B Maj • 03:37 • -6.16db
30% Popularity • 54% Danceability • 64% Energy • 23% Liveness
0% Instrumentalness • 30% Positiveness
30% Popularity • 54% Danceability • 64% Energy • 23% Liveness
0% Instrumentalness • 30% Positiveness
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RaeLynn
Dirty Word
127 bpm • G# Maj • 02:34 • -3.13db
25% Popularity • 72% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
25% Popularity • 72% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
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Micah Cheatham
Where Are You Now?
127 bpm • C min • 03:59 • -4.76db
7% Popularity • 56% Danceability • 84% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
7% Popularity • 56% Danceability • 84% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
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Sons of Daughters
I Picture You
106 bpm • F# Maj • 03:12 • -5.77db
17% Popularity • 53% Danceability • 85% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
17% Popularity • 53% Danceability • 85% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
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Gwen Sebastian
Oh Cowboy
128 bpm • A Maj • 03:55 • -9.12db
11% Popularity • 46% Danceability • 31% Energy • 35% Liveness
0% Instrumentalness • 29% Positiveness
11% Popularity • 46% Danceability • 31% Energy • 35% Liveness
0% Instrumentalness • 29% Positiveness
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Sandra Lynn
You Belong
128 bpm • F Maj • 04:01 • -4.91db
1% Popularity • 64% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
1% Popularity • 64% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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Trent Harmon
My Somebody
128 bpm • B Maj • 03:26 • -5.69db
16% Popularity • 62% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
16% Popularity • 62% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Rachel Wammack
Hard to Believe
105 bpm • G Maj • 03:26 • -4.95db
10% Popularity • 58% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
10% Popularity • 58% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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Christie Huff
Love-Ish
105 bpm • C min • 03:27 • -5.22db
8% Popularity • 61% Danceability • 58% Energy • 26% Liveness
0% Instrumentalness • 26% Positiveness
8% Popularity • 61% Danceability • 58% Energy • 26% Liveness
0% Instrumentalness • 26% Positiveness
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Farewell Angelina
If It Ain't With You
128 bpm • G Maj • 04:20 • -6db
22% Popularity • 60% Danceability • 58% Energy • 27% Liveness
0% Instrumentalness • 26% Positiveness
22% Popularity • 60% Danceability • 58% Energy • 27% Liveness
0% Instrumentalness • 26% Positiveness
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Chase Rice
On Tonight (UK Edition)
128 bpm • C# Maj • 03:40 • -4.99db
27% Popularity • 57% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
27% Popularity • 57% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Sandra Lynn
Bar Hoppin'
128 bpm • E Maj • 03:06 • -3.7db
11% Popularity • 61% Danceability • 91% Energy • 12% Liveness
0% Instrumentalness • 87% Positiveness
11% Popularity • 61% Danceability • 91% Energy • 12% Liveness
0% Instrumentalness • 87% Positiveness
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Alee
No One Like You
105 bpm • F Maj • 03:01 • -5.77db
22% Popularity • 55% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
22% Popularity • 55% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Stephanie Quayle
Whatcha Drinkin 'Bout
105 bpm • G# Maj • 02:46 • -1.57db
23% Popularity • 72% Danceability • 92% Energy • 15% Liveness
0% Instrumentalness • 92% Positiveness
23% Popularity • 72% Danceability • 92% Energy • 15% Liveness
0% Instrumentalness • 92% Positiveness
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Emily Hackett
Gave Him Away
105 bpm • G Maj • 03:31 • -7.35db
10% Popularity • 38% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
10% Popularity • 38% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Post Monroe
No More
105 bpm • C Maj • 02:34 • -5.86db
9% Popularity • 57% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
9% Popularity • 57% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Kelby Costner
Hold On
129 bpm • E Maj • 03:39 • -9.18db
14% Popularity • 53% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
14% Popularity • 53% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Jana Kramer
Good Enough
104 bpm • F Maj • 02:48 • -6.78db
34% Popularity • 62% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
34% Popularity • 62% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Sykamore
Better Half
104 bpm • F Maj • 02:58 • -5.68db
10% Popularity • 58% Danceability • 64% Energy • 18% Liveness
0% Instrumentalness • 41% Positiveness
10% Popularity • 58% Danceability • 64% Energy • 18% Liveness
0% Instrumentalness • 41% Positiveness
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Stephanie Quayle
Whatcha Drinkin 'Bout - The Montana Sess...
105 bpm • F min • 02:56 • -4.75db
9% Popularity • 80% Danceability • 80% Energy • 38% Liveness
0% Instrumentalness • 62% Positiveness
9% Popularity • 80% Danceability • 80% Energy • 38% Liveness
0% Instrumentalness • 62% Positiveness
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Jessica Mitchell
Somebody Gonna Get Hurt - Radio Version
130 bpm • G# Maj • 03:34 • -6.51db
9% Popularity • 54% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
9% Popularity • 54% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Adam Sanders
Prayed for Me
130 bpm • G# Maj • 04:21 • -11.01db
13% Popularity • 47% Danceability • 45% Energy • 42% Liveness
0% Instrumentalness • 38% Positiveness
13% Popularity • 47% Danceability • 45% Energy • 42% Liveness
0% Instrumentalness • 38% Positiveness
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Alyssa Micaela
Cowboys Like That
130 bpm • C# Maj • 03:17 • -5.9db
16% Popularity • 53% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
16% Popularity • 53% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Haley Mae Campbell
Anything but Yellow
130 bpm • F Maj • 03:00 • -6.04db
21% Popularity • 68% Danceability • 73% Energy • 5% Liveness
0% Instrumentalness • 50% Positiveness
21% Popularity • 68% Danceability • 73% Energy • 5% Liveness
0% Instrumentalness • 50% Positiveness
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Maddie & Tae
One Heart To Another
130 bpm • F# Maj • 03:38 • -7.5db
31% Popularity • 64% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
31% Popularity • 64% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
