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Lose the War
Songs like
Lose the War
by
Sandra Lynn
Based on a tempo of (+/- 10%) and a similar genre
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Matt Ferranti
Make It to the Bedroom
99 bpm • G Maj • 02:47 • -8.7db
16% Popularity • 61% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Hudson Moore
Bronco
98 bpm • A# min • 02:50 • -4.35db
18% Popularity • 34% Danceability • 90% Energy • 25% Liveness
0% Instrumentalness • 70% Positiveness
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Sandra Lynn
Lose the War
99 bpm • C# Maj • 03:12 • -5.34db
13% Popularity • 51% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 15% Positiveness
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Christie Huff
Halfway Fell
100 bpm • A# Maj • 03:00 • -6.62db
11% Popularity • 63% Danceability • 66% Energy • 29% Liveness
0% Instrumentalness • 79% Positiveness
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Waterloo Revival
Like I Miss You
98 bpm • E Maj • 02:45 • -7db
22% Popularity • 66% Danceability • 61% Energy • 20% Liveness
0% Instrumentalness • 73% Positiveness
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Haley Mae Campbell
Asking for a Friend
100 bpm • F# Maj • 03:11 • -5.95db
10% Popularity • 61% Danceability • 76% Energy • 13% Liveness
1% Instrumentalness • 60% Positiveness
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Post Monroe
Lucky One
98 bpm • C Maj • 02:47 • -5.3db
12% Popularity • 46% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Mitchell Tenpenny
Alcohol You Later - Acoustic
100 bpm • D Maj • 03:13 • -6.12db
24% Popularity • 66% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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The Sisterhood Band
Bullet
100 bpm • A Maj • 03:34 • -3.57db
8% Popularity • 60% Danceability • 88% Energy • 51% Liveness
0% Instrumentalness • 50% Positiveness
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Stephanie Quayle
If I Was a Cowboy
100 bpm • F Maj • 03:01 • -4.85db
17% Popularity • 67% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
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Smithfield
Me No You
98 bpm • C# min • 02:56 • -3.37db
20% Popularity • 66% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Matt Martin
Never Gets Old
98 bpm • G Maj • 02:38 • -6.3db
9% Popularity • 60% Danceability • 72% Energy • 42% Liveness
0% Instrumentalness • 60% Positiveness
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Post Monroe
Coke & Rum
100 bpm • C Maj • 02:48 • -6.36db
17% Popularity • 60% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Tyler Dial
Truth In The Way
100 bpm • C# min • 03:12 • -7.21db
11% Popularity • 66% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Presley Phillips
Last Rodeo
98 bpm • B Maj • 03:17 • -5.52db
13% Popularity • 61% Danceability • 55% Energy • 39% Liveness
0% Instrumentalness • 41% Positiveness
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Ben Chase
All over It
100 bpm • B Maj • 03:37 • -4.35db
9% Popularity • 59% Danceability • 92% Energy • 37% Liveness
0% Instrumentalness • 76% Positiveness
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Lauren Alaina
Seen You In Your Hometown
100 bpm • G# Maj • 03:18 • -5.29db
27% Popularity • 64% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Emily Ann Roberts
I've Got Forever
98 bpm • C# min • 03:29 • -2.58db
25% Popularity • 55% Danceability • 88% Energy • 25% Liveness
0% Instrumentalness • 43% Positiveness
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Jabe Burgess
Everything but Us
100 bpm • C# Maj • 02:56 • -6.24db
12% Popularity • 57% Danceability • 56% Energy • 22% Liveness
0% Instrumentalness • 71% Positiveness
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Abi
A Day Without
97 bpm • G min • 02:50 • -3.95db
8% Popularity • 61% Danceability • 91% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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ALISSA GRIFFITH
Unfold
101 bpm • B min • 02:54 • -3.39db
10% Popularity • 72% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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Madison Kozak
OMG ILY
97 bpm • C Maj • 02:37 • -4.61db
9% Popularity • 68% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Josh Kerr
Still Our Town
97 bpm • G# Maj • 03:38 • -5.11db
9% Popularity • 64% Danceability • 80% Energy • 5% Liveness
0% Instrumentalness • 47% Positiveness
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Haley & Michaels
Taking Off
102 bpm • E min • 02:40 • -5.45db
11% Popularity • 55% Danceability • 94% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
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Sandra Lynn
America the Beautiful
101 bpm • E Maj • 02:11 • -7.28db
1% Popularity • 34% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Garrett Jacobs
Young Love
102 bpm • F# Maj • 02:58 • -6.05db
18% Popularity • 64% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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ALISSA GRIFFITH
Glasses
102 bpm • G min • 03:38 • -7.25db
21% Popularity • 62% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Tyler Jordan
Why Her?
96 bpm • A# min • 03:47 • -7.01db
14% Popularity • 51% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Kerry Degman
You're My Person
102 bpm • D Maj • 02:40 • -8db
23% Popularity • 67% Danceability • 60% Energy • 37% Liveness
3% Instrumentalness • 53% Positiveness
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Chris Bandi
Only One
96 bpm • C# min • 02:59 • -5.99db
29% Popularity • 63% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
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Sarah Allison Turner
Save Me the Trouble
96 bpm • G# Maj • 03:56 • -4.18db
9% Popularity • 64% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
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Kelsey Lamb
Who's Counting
96 bpm • E Maj • 02:34 • -6.01db
21% Popularity • 59% Danceability • 80% Energy • 31% Liveness
0% Instrumentalness • 59% Positiveness
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Jana Kramer
Beautiful Lies
103 bpm • D Maj • 03:09 • -5.74db
35% Popularity • 60% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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The Roads Below
Good When It's Gone
95 bpm • C Maj • 03:18 • -9.56db
14% Popularity • 60% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 37% Positiveness
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Alyssa Micaela
On My Way
95 bpm • F# Maj • 03:05 • -3.5db
8% Popularity • 64% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Love and Theft
Gimme Tonight
95 bpm • C Maj • 02:41 • -4.6db
6% Popularity • 62% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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Lauren Alaina
Getting Good
94 bpm • B Maj • 03:21 • -5.18db
27% Popularity • 39% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Sykamore
Better Half
104 bpm • F Maj • 02:58 • -5.68db
10% Popularity • 58% Danceability • 64% Energy • 18% Liveness
0% Instrumentalness • 41% Positiveness
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Aaron Kessler
I'll Be Your Rebound
104 bpm • E Maj • 03:01 • -5.26db
13% Popularity • 60% Danceability • 86% Energy • 17% Liveness
0% Instrumentalness • 55% Positiveness
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Jana Kramer
Good Enough
104 bpm • F Maj • 02:48 • -6.78db
34% Popularity • 62% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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John King
Try Saying Goodbye
94 bpm • F Maj • 03:01 • -7.08db
28% Popularity • 54% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Leaving Austin
Into It
94 bpm • D# min • 02:49 • -3.87db
13% Popularity • 58% Danceability • 87% Energy • 4% Liveness
0% Instrumentalness • 44% Positiveness
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Abby Anderson
GOOD LORD
94 bpm • B Maj • 03:10 • -4.81db
30% Popularity • 68% Danceability • 85% Energy • 33% Liveness
0% Instrumentalness • 88% Positiveness
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Smithfield
The Rust
94 bpm • F Maj • 04:19 • -7.28db
13% Popularity • 55% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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CB30
That Moment When
94 bpm • E Maj • 03:03 • -4.82db
12% Popularity • 57% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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April Kry
While We're Young
94 bpm • G Maj • 03:13 • -3.68db
9% Popularity • 49% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
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Abby Christo
Cooler Than Me
94 bpm • C# Maj • 02:56 • -9.25db
11% Popularity • 54% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Post Monroe
No More
105 bpm • C Maj • 02:34 • -5.86db
9% Popularity • 57% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Emily Hackett
Gave Him Away
105 bpm • G Maj • 03:31 • -7.35db
10% Popularity • 38% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Garrett Jacobs
This Town Is You
105 bpm • G# min • 03:13 • -7.87db
12% Popularity • 64% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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Lindsay Ell
Workin' Out
105 bpm • C Maj • 02:52 • -5.24db
11% Popularity • 75% Danceability • 83% Energy • 28% Liveness
0% Instrumentalness • 81% Positiveness
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Alee
No One Like You
105 bpm • F Maj • 03:01 • -5.77db
22% Popularity • 55% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Stephanie Quayle
Whatcha Drinkin 'Bout - The Montana Sess...
105 bpm • F min • 02:56 • -4.75db
9% Popularity • 80% Danceability • 80% Energy • 38% Liveness
0% Instrumentalness • 62% Positiveness
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Christie Huff
Love-Ish
105 bpm • C min • 03:27 • -5.22db
8% Popularity • 61% Danceability • 58% Energy • 26% Liveness
0% Instrumentalness • 26% Positiveness
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Rachel Wammack
Hard to Believe
105 bpm • G Maj • 03:26 • -4.95db
10% Popularity • 58% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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Hannah Ellis
Home And A Hometown
93 bpm • B Maj • 03:13 • -4.98db
23% Popularity • 37% Danceability • 78% Energy • 22% Liveness
0% Instrumentalness • 38% Positiveness
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Jenna Paulette
Blue Jeans
93 bpm • B Maj • 03:01 • -3.01db
20% Popularity • 48% Danceability • 88% Energy • 70% Liveness
0% Instrumentalness • 35% Positiveness
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Kylie Morgan
Boys Girl
93 bpm • C min • 02:44 • -4.19db
33% Popularity • 71% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Runaway June
Head Over Heels
93 bpm • E Maj • 03:09 • -4.91db
31% Popularity • 58% Danceability • 88% Energy • 22% Liveness
0% Instrumentalness • 70% Positiveness
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Sandra Lynn
Hey California
93 bpm • D Maj • 03:00 • -6.09db
3% Popularity • 71% Danceability • 70% Energy • 22% Liveness
0% Instrumentalness • 53% Positiveness
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Christie Huff
Slow
93 bpm • G# Maj • 03:40 • -6.96db
10% Popularity • 65% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Kelsey Lamb
Say It Again
93 bpm • D Maj • 02:40 • -6.67db
17% Popularity • 56% Danceability • 70% Energy • 26% Liveness
0% Instrumentalness • 56% Positiveness
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Angie K
Leave California
106 bpm • C# Maj • 03:02 • -9.85db
11% Popularity • 68% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
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Sarahbeth Taite
Up All Night
106 bpm • E Maj • 03:10 • -4.99db
11% Popularity • 68% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
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Sons of Daughters
I Picture You
106 bpm • F# Maj • 03:12 • -5.77db
17% Popularity • 53% Danceability • 85% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
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Lexie Hayden
Somewhere Drinking
92 bpm • E Maj • 03:25 • -4.94db
11% Popularity • 54% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Spencer Crandall
On My Way (Acoustic)
92 bpm • E Maj • 03:13 • -8.4db
20% Popularity • 67% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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neonPPL
ONElittleTOWN
92 bpm • A# Maj • 03:11 • -7.44db
15% Popularity • 71% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Angie K
Made to Live by the Water
92 bpm • E Maj • 03:26 • -5.12db
12% Popularity • 58% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
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Tenille Arts
Me and Don Henley
92 bpm • C min • 03:07 • -4.16db
17% Popularity • 58% Danceability • 80% Energy • 33% Liveness
0% Instrumentalness • 38% Positiveness
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Maddie & Tae
New Dog Old Tricks
92 bpm • B Maj • 03:09 • -4.88db
29% Popularity • 61% Danceability • 80% Energy • 32% Liveness
0% Instrumentalness • 61% Positiveness
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Livy Jeanne
Wrong for You
92 bpm • G# Maj • 02:45 • -5.38db
14% Popularity • 60% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
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Tana Matz
Love Me Like a Love Song
92 bpm • C Maj • 03:06 • -5.77db
15% Popularity • 63% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
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Haley & Michaels
Got You Covered
92 bpm • G# Maj • 02:59 • -5.05db
10% Popularity • 53% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
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Runaway June
We Were Rich (New Version)
107 bpm • B Maj • 03:37 • -6.16db
31% Popularity • 54% Danceability • 64% Energy • 23% Liveness
0% Instrumentalness • 30% Positiveness
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Nikita Karmen
Nightmare
107 bpm • C Maj • 02:52 • -4.92db
12% Popularity • 68% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Travis Denning
After A Few - Acoustic
107 bpm • A# min • 03:32 • -7.13db
30% Popularity • 68% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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Alee
Don’t Make Me Miss You
91 bpm • E Maj • 03:11 • -5.62db
15% Popularity • 61% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
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Abby Anderson
Flowers
91 bpm • A Maj • 03:04 • -5.32db
26% Popularity • 72% Danceability • 81% Energy • 30% Liveness
0% Instrumentalness • 75% Positiveness
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Julia Cole
Miss Love
91 bpm • F# Maj • 03:21 • -7.3db
12% Popularity • 65% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Hannah Ellis
Friends Like These
91 bpm • F# Maj • 03:24 • -5db
19% Popularity • 55% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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Olivia Lane
Quarter Life Crisis
91 bpm • F# Maj • 03:05 • -4.5db
17% Popularity • 61% Danceability • 84% Energy • 22% Liveness
0% Instrumentalness • 54% Positiveness
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Raleigh Keegan
who i wanna be
108 bpm • D Maj • 03:03 • -5.59db
9% Popularity • 76% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
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Faren Rachels
Free Drinks
108 bpm • F# Maj • 03:08 • -4.8db
13% Popularity • 63% Danceability • 73% Energy • 26% Liveness
0% Instrumentalness • 59% Positiveness
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Five Roses
Ain't No One Like You
108 bpm • G# Maj • 03:02 • -3db
11% Popularity • 61% Danceability • 81% Energy • 16% Liveness
0% Instrumentalness • 47% Positiveness
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Brandon Lay
Still Rock & Roll
108 bpm • G# Maj • 03:47 • -5.09db
28% Popularity • 69% Danceability • 82% Energy • 29% Liveness
0% Instrumentalness • 65% Positiveness
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Haley Mae Campbell
Oughta Be
108 bpm • C# Maj • 03:08 • -5.8db
11% Popularity • 54% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Drew Baldridge
When I Fall
108 bpm • G min • 03:18 • -5.5db
23% Popularity • 68% Danceability • 74% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
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Jaden Michaels
Behave
90 bpm • F# Maj • 03:31 • -4.88db
18% Popularity • 43% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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John Gurney
Drink I Think
90 bpm • F min • 02:57 • -6.2db
20% Popularity • 63% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
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Madeline Merlo
Neon Love
90 bpm • F# min • 03:09 • -5.76db
33% Popularity • 66% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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Temecula Road
Fades
90 bpm • C# Maj • 03:07 • -4db
24% Popularity • 64% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Josh Kerr
Oklahoma
90 bpm • E Maj • 03:26 • -11.01db
14% Popularity • 55% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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Walker County
Someone's Someone
90 bpm • F# Maj • 02:51 • -6db
21% Popularity • 63% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
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East Adelaide
You Don't Get To Love Me
90 bpm • B min • 04:11 • -5.71db
9% Popularity • 55% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Lindsay Ell
get oveR you
90 bpm • E Maj • 03:04 • -5.13db
13% Popularity • 67% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
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Andrew Hyatt
Didn't Know Me
90 bpm • C Maj • 02:43 • -6.4db
30% Popularity • 51% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Carly Pearce
Heart’s Going Out Of Its Mind
90 bpm • F Maj • 02:50 • -4db
30% Popularity • 59% Danceability • 75% Energy • 24% Liveness
0% Instrumentalness • 65% Positiveness
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Brandon Ratcliff
Number in My Phone
90 bpm • D Maj • 02:53 • -4.26db
22% Popularity • 60% Danceability • 83% Energy • 28% Liveness
0% Instrumentalness • 40% Positiveness
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Cash Campbell
The Woman in It
90 bpm • G min • 02:48 • -7.39db
10% Popularity • 62% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Lose the War