Songs like Loser Geek Whatever by Will Roland
Based on a tempo of (+/- 10%) and a similar genre
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Caitlin Kinnunen
You Happened
130 bpm • C Maj • 03:14 • -5.7db
32% Popularity • 79% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
32% Popularity • 79% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
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Lilli Cooper
Chop to the Top
130 bpm • C Maj • 02:26 • -6.35db
34% Popularity • 80% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
34% Popularity • 80% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
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Katherine Lynn-Rose
Fight Like a Girl
130 bpm • A min • 03:02 • -16.29db
38% Popularity • 76% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
38% Popularity • 76% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
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Jeremy Jordan
Live Again
130 bpm • B min • 02:49 • -7.44db
26% Popularity • 66% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
26% Popularity • 66% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Will Roland
Loser Geek Whatever
130 bpm • G min • 05:58 • -8db
33% Popularity • 52% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
33% Popularity • 52% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Leslie Kritzer
Day-O (The Banana Boat Song) - Act 1 Fin...
130 bpm • C Maj • 03:44 • -7.09db
49% Popularity • 61% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
49% Popularity • 61% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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Karen Olivo
It Won't Be Long Now - Radio Edit
130 bpm • D Maj • 03:01 • -8.92db
27% Popularity • 53% Danceability • 38% Energy • 17% Liveness
0% Instrumentalness • 39% Positiveness
27% Popularity • 53% Danceability • 38% Energy • 17% Liveness
0% Instrumentalness • 39% Positiveness
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Rob Rokicki
Try - Bonus Track
130 bpm • D Maj • 03:36 • -6db
39% Popularity • 41% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
39% Popularity • 41% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
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Thomas Sanders
Crofters: The Musical
131 bpm • F Maj • 02:22 • -9.75db
25% Popularity • 58% Danceability • 33% Energy • 38% Liveness
0% Instrumentalness • 74% Positiveness
25% Popularity • 58% Danceability • 33% Energy • 38% Liveness
0% Instrumentalness • 74% Positiveness
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Heidi Blickenstaff
Today and Ev'ry Day
129 bpm • A Maj • 06:57 • -8db
25% Popularity • 50% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
25% Popularity • 50% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Will Roland
Loser Geek Whatever
130 bpm • A# Maj • 05:54 • -8.71db
25% Popularity • 55% Danceability • 47% Energy • 20% Liveness
0% Instrumentalness • 11% Positiveness
25% Popularity • 55% Danceability • 47% Energy • 20% Liveness
0% Instrumentalness • 11% Positiveness
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StarKid Productions
Feast or Famine
131 bpm • C min • 02:50 • -9db
43% Popularity • 63% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
43% Popularity • 63% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
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Anthony Warlow
Transformation
131 bpm • A min • 04:47 • -13.81db
35% Popularity • 42% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
35% Popularity • 42% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Phillipa Soo
Best of Wives and Best of Women
132 bpm • F Maj • 00:47 • -16.83db
59% Popularity • 65% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
59% Popularity • 65% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Jeremy Jordan
The Legend Of Sleepy Hollow
131 bpm • F min • 03:38 • -7db
13% Popularity • 55% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
13% Popularity • 55% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Krystina Alabado
Goosebumps (Reprise)
132 bpm • G Maj • 02:50 • -10.53db
21% Popularity • 72% Danceability • 36% Energy • 5% Liveness
0% Instrumentalness • 24% Positiveness
21% Popularity • 72% Danceability • 36% Energy • 5% Liveness
0% Instrumentalness • 24% Positiveness
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Thomas Borchert
The Man I Used to Be
132 bpm • C Maj • 03:09 • -10db
30% Popularity • 26% Danceability • 39% Energy • 15% Liveness
22% Instrumentalness • 5% Positiveness
30% Popularity • 26% Danceability • 39% Energy • 15% Liveness
22% Instrumentalness • 5% Positiveness
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Andy Karl
Nobody Cares
132 bpm • G Maj • 05:13 • -5.32db
31% Popularity • 48% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
31% Popularity • 48% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
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Thomas Sanders
Recipe for Me
128 bpm • G# Maj • 05:42 • -8.78db
30% Popularity • 41% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
30% Popularity • 41% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
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Kelsey Grammer
Play - Original Broadway Cast Recording
128 bpm • D Maj • 04:33 • -7.24db
29% Popularity • 76% Danceability • 64% Energy • 73% Liveness
0% Instrumentalness • 73% Positiveness
29% Popularity • 76% Danceability • 64% Energy • 73% Liveness
0% Instrumentalness • 73% Positiveness
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Ethan Slater
Hero is My Middle Name
128 bpm • F# Maj • 03:15 • -5.53db
38% Popularity • 75% Danceability • 81% Energy • 5% Liveness
0% Instrumentalness • 67% Positiveness
38% Popularity • 75% Danceability • 81% Energy • 5% Liveness
0% Instrumentalness • 67% Positiveness
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Krystina Alabado
Goosebumps
132 bpm • G Maj • 03:55 • -9.41db
31% Popularity • 74% Danceability • 42% Energy • 4% Liveness
0% Instrumentalness • 36% Positiveness
31% Popularity • 74% Danceability • 42% Energy • 4% Liveness
0% Instrumentalness • 36% Positiveness
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Bryce Ryness
What You Do to Me
133 bpm • G# Maj • 02:36 • -5.34db
15% Popularity • 69% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
15% Popularity • 69% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Andy Karl
Stuck
128 bpm • F# Maj • 03:34 • -8.19db
33% Popularity • 77% Danceability • 50% Energy • 68% Liveness
0% Instrumentalness • 88% Positiveness
33% Popularity • 77% Danceability • 50% Energy • 68% Liveness
0% Instrumentalness • 88% Positiveness
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Megan Hilty
Fragile Things
133 bpm • C# min • 02:29 • -8db
37% Popularity • 40% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
37% Popularity • 40% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
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Jay Armstrong Johnson
Caralee
133 bpm • B Maj • 02:28 • -7.68db
27% Popularity • 79% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
27% Popularity • 79% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
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Lauren Marcus
Upgrade
133 bpm • G# min • 03:48 • -6.91db
26% Popularity • 45% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
26% Popularity • 45% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Krystina Alabado
Top Ten
133 bpm • D Maj • 02:19 • -8.99db
22% Popularity • 61% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
22% Popularity • 61% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Sydney Parra
Shut up and Cheer
133 bpm • C Maj • 02:59 • -7db
20% Popularity • 68% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
20% Popularity • 68% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Neil Bartram
Person A
134 bpm • F Maj • 01:39 • -13.87db
19% Popularity • 76% Danceability • 34% Energy • 39% Liveness
0% Instrumentalness • 64% Positiveness
19% Popularity • 76% Danceability • 34% Energy • 39% Liveness
0% Instrumentalness • 64% Positiveness
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Alice Ripley
Bubble Boy
134 bpm • F Maj • 05:38 • -8db
9% Popularity • 52% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
9% Popularity • 52% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Stephanie Hsu
A Guy That I'd Kinda Be Into
134 bpm • D# Maj • 02:44 • -7.28db
50% Popularity • 50% Danceability • 47% Energy • 45% Liveness
0% Instrumentalness • 49% Positiveness
50% Popularity • 50% Danceability • 47% Energy • 45% Liveness
0% Instrumentalness • 49% Positiveness
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Jennifer Damiano
Perfect for You
126 bpm • D Maj • 02:03 • -12.95db
34% Popularity • 54% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
34% Popularity • 54% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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George Salazar
Norman
126 bpm • F Maj • 04:09 • -12.3db
13% Popularity • 56% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
13% Popularity • 56% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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James Roday
I've Heard It Both Ways
134 bpm • D Maj • 03:13 • -10.18db
31% Popularity • 65% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
31% Popularity • 65% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Christopher Fitzgerald
I Love You Like a Table
126 bpm • G# Maj • 01:56 • -5.46db
46% Popularity • 74% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
46% Popularity • 74% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
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Krystina Alabado
The Story of The Phantom
126 bpm • C# min • 05:13 • -8.83db
45% Popularity • 80% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
45% Popularity • 80% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Stephanie Hsu
A Guy That I'd Kinda Be Into
134 bpm • G# Maj • 02:44 • -7db
27% Popularity • 52% Danceability • 55% Energy • 29% Liveness
0% Instrumentalness • 54% Positiveness
27% Popularity • 52% Danceability • 55% Energy • 29% Liveness
0% Instrumentalness • 54% Positiveness
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StarKid Productions
Wiggle
134 bpm • C min • 03:53 • -10.25db
32% Popularity • 50% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
32% Popularity • 50% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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Neil Bartram
Relativity
135 bpm • A min • 03:56 • -8db
23% Popularity • 50% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
23% Popularity • 50% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
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Ethan Slater
Best Day Ever
135 bpm • G Maj • 04:19 • -9.21db
36% Popularity • 45% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
36% Popularity • 45% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Original StarKid Cast of The Trail To Oregon!
Dysentery World
135 bpm • C min • 02:10 • -6.77db
29% Popularity • 49% Danceability • 69% Energy • 22% Liveness
0% Instrumentalness • 66% Positiveness
29% Popularity • 49% Danceability • 69% Energy • 22% Liveness
0% Instrumentalness • 66% Positiveness
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![You're My Best Friend (And I Know I'm Not Yours) [feat. Pete Gardner] cover art](https://i.scdn.co/image/ab67616d00001e02aa3293e605dec5efa704caa3)
Crazy Ex-Girlfriend Cast
You're My Best Friend (And I Know I'm No...
135 bpm • G Maj • 01:22 • -6.59db
23% Popularity • 89% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
23% Popularity • 89% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Ryan McCartan
Freeze Your Brain
135 bpm • G# Maj • 02:53 • -8.2db
59% Popularity • 50% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 36% Positiveness
59% Popularity • 50% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 36% Positiveness
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36 Questions
Hear Me Out
135 bpm • A Maj • 03:35 • -9db
34% Popularity • 67% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
34% Popularity • 67% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Original StarKid Cast of Twisted
No One Remembers Achmed
125 bpm • F Maj • 03:39 • -8db
36% Popularity • 62% Danceability • 45% Energy • 30% Liveness
0% Instrumentalness • 50% Positiveness
36% Popularity • 62% Danceability • 45% Energy • 30% Liveness
0% Instrumentalness • 50% Positiveness
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Jodie Steele
Yo Girl
135 bpm • C# Maj • 01:44 • -11db
39% Popularity • 63% Danceability • 46% Energy • 33% Liveness
0% Instrumentalness • 48% Positiveness
39% Popularity • 63% Danceability • 46% Energy • 33% Liveness
0% Instrumentalness • 48% Positiveness
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CollegeHumor's Dropout
Business School - Extended
125 bpm • A Maj • 01:20 • -16db
24% Popularity • 61% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
24% Popularity • 61% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Original StarKid Cast of The Trail To Oregon!
Naked in a Lake
125 bpm • E Maj • 04:20 • -6.78db
25% Popularity • 51% Danceability • 64% Energy • 24% Liveness
0% Instrumentalness • 31% Positiveness
25% Popularity • 51% Danceability • 64% Energy • 24% Liveness
0% Instrumentalness • 31% Positiveness
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Taylor Trensch
Obvious - Bonus Track
135 bpm • G Maj • 04:14 • -8.85db
36% Popularity • 52% Danceability • 31% Energy • 32% Liveness
0% Instrumentalness • 21% Positiveness
36% Popularity • 52% Danceability • 31% Energy • 32% Liveness
0% Instrumentalness • 21% Positiveness
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Sophia Anne Caruso
Dead Mom
135 bpm • D Maj • 03:04 • -6.55db
60% Popularity • 53% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
60% Popularity • 53% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Kimiko Glenn
Separate Ways
136 bpm • G Maj • 02:08 • -14.44db
29% Popularity • 36% Danceability • 9% Energy • 6% Liveness
0% Instrumentalness • 21% Positiveness
29% Popularity • 36% Danceability • 9% Energy • 6% Liveness
0% Instrumentalness • 21% Positiveness
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Kate Wetherhead
Don't Wanna Be Here
136 bpm • C Maj • 02:40 • -11.01db
31% Popularity • 70% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
31% Popularity • 70% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
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Write Out Loud
Android Ashley
136 bpm • E Maj • 04:19 • -12db
29% Popularity • 85% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
29% Popularity • 85% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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George Salazar
Song of the Brown Buffalo
124 bpm • D Maj • 03:26 • -9db
20% Popularity • 66% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
20% Popularity • 66% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Hunter Parrish
All for the Best
136 bpm • G Maj • 03:16 • -10.76db
39% Popularity • 61% Danceability • 42% Energy • 19% Liveness
0% Instrumentalness • 72% Positiveness
39% Popularity • 61% Danceability • 42% Energy • 19% Liveness
0% Instrumentalness • 72% Positiveness
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36 Questions
Answer 36
136 bpm • A Maj • 03:06 • -11.28db
31% Popularity • 62% Danceability • 29% Energy • 9% Liveness
1% Instrumentalness • 11% Positiveness
31% Popularity • 62% Danceability • 29% Energy • 9% Liveness
1% Instrumentalness • 11% Positiveness
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Original Cast of Starship
Beauty
124 bpm • C min • 03:16 • -6db
25% Popularity • 80% Danceability • 66% Energy • 53% Liveness
0% Instrumentalness • 70% Positiveness
25% Popularity • 80% Danceability • 66% Energy • 53% Liveness
0% Instrumentalness • 70% Positiveness
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Original Broadway Cast of Sing Street
Girls
124 bpm • D Maj • 02:57 • -8db
20% Popularity • 85% Danceability • 62% Energy • 5% Liveness
0% Instrumentalness • 86% Positiveness
20% Popularity • 85% Danceability • 62% Energy • 5% Liveness
0% Instrumentalness • 86% Positiveness
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Idina Menzel
I Hate You
136 bpm • A# min • 04:42 • -12db
21% Popularity • 41% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
21% Popularity • 41% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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StarKid Productions
Tickle-Me Wiggly Jingle
124 bpm • G# Maj • 02:46 • -8db
33% Popularity • 75% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
33% Popularity • 75% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
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Jose Llana
Go with the Flow
124 bpm • A min • 03:44 • -8.54db
26% Popularity • 65% Danceability • 76% Energy • 20% Liveness
0% Instrumentalness • 79% Positiveness
26% Popularity • 65% Danceability • 76% Energy • 20% Liveness
0% Instrumentalness • 79% Positiveness
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Mike Faist
Disappear
137 bpm • G# Maj • 04:35 • -6.65db
51% Popularity • 45% Danceability • 63% Energy • 23% Liveness
0% Instrumentalness • 30% Positiveness
51% Popularity • 45% Danceability • 63% Energy • 23% Liveness
0% Instrumentalness • 30% Positiveness
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Company of SpongeBob SquarePants, The New Musical
Bikini Bottom Day
137 bpm • A Maj • 06:12 • -7.25db
42% Popularity • 56% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
42% Popularity • 56% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Will Roland
More Than Survive (Reprise)
137 bpm • C Maj • 00:46 • -9.73db
24% Popularity • 46% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
24% Popularity • 46% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
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John Tartaglia
Purpose
137 bpm • G Maj • 02:28 • -8db
15% Popularity • 49% Danceability • 51% Energy • 5% Liveness
0% Instrumentalness • 59% Positiveness
15% Popularity • 49% Danceability • 51% Energy • 5% Liveness
0% Instrumentalness • 59% Positiveness
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Zachary Levi
She Loves Me
124 bpm • G# Maj • 02:50 • -8.24db
32% Popularity • 53% Danceability • 48% Energy • 4% Liveness
0% Instrumentalness • 45% Positiveness
32% Popularity • 53% Danceability • 48% Energy • 4% Liveness
0% Instrumentalness • 45% Positiveness
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Adam Pascal
Hot Stuff
137 bpm • A# min • 02:49 • -4.75db
20% Popularity • 66% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
20% Popularity • 66% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Ashley Park
What's Wrong With Me?
123 bpm • C Maj • 02:04 • -10.43db
50% Popularity • 37% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
50% Popularity • 37% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Alan Zachary
In Love With You
137 bpm • C Maj • 03:53 • -6db
29% Popularity • 55% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
29% Popularity • 55% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Janet Dacal
Welcome to Wonderland
137 bpm • E min • 03:27 • -8.88db
36% Popularity • 75% Danceability • 64% Energy • 55% Liveness
0% Instrumentalness • 61% Positiveness
36% Popularity • 75% Danceability • 64% Energy • 55% Liveness
0% Instrumentalness • 61% Positiveness
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Chris McCarrell
Killer Quest!
123 bpm • A Maj • 03:05 • -6.21db
40% Popularity • 74% Danceability • 55% Energy • 20% Liveness
0% Instrumentalness • 58% Positiveness
40% Popularity • 74% Danceability • 55% Energy • 20% Liveness
0% Instrumentalness • 58% Positiveness
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Dave Clemons
Murder, Murder!
138 bpm • A min • 06:05 • -9.38db
31% Popularity • 59% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
31% Popularity • 59% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
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Company of SpongeBob SquarePants, The New Musical
Finale: Bikini Bottom Day Reprise
138 bpm • A Maj • 02:03 • -6.35db
32% Popularity • 40% Danceability • 75% Energy • 5% Liveness
0% Instrumentalness • 74% Positiveness
32% Popularity • 40% Danceability • 75% Energy • 5% Liveness
0% Instrumentalness • 74% Positiveness
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Stark Sands
Step One
138 bpm • C# Maj • 02:48 • -5db
34% Popularity • 60% Danceability • 86% Energy • 16% Liveness
0% Instrumentalness • 77% Positiveness
34% Popularity • 60% Danceability • 86% Energy • 16% Liveness
0% Instrumentalness • 77% Positiveness
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Emma Hunton
Oh, Biology
122 bpm • F# Maj • 03:40 • -4.57db
31% Popularity • 64% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
31% Popularity • 64% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Erika Henningsen
Stupid With Love
122 bpm • C Maj • 02:55 • -7.22db
52% Popularity • 80% Danceability • 49% Energy • 5% Liveness
0% Instrumentalness • 68% Positiveness
52% Popularity • 80% Danceability • 49% Energy • 5% Liveness
0% Instrumentalness • 68% Positiveness
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Chris McCarrell
Good Kid
138 bpm • G# Maj • 03:24 • -6.81db
48% Popularity • 61% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
48% Popularity • 61% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Andrew Kober
Fell in Love with Crazy
122 bpm • F# Maj • 02:54 • -9.61db
15% Popularity • 71% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
15% Popularity • 71% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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James Snyder
I'm Infected
122 bpm • E min • 03:28 • -6.51db
23% Popularity • 59% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
23% Popularity • 59% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
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Casey Likes
The Star Of Kennedy High
139 bpm • G min • 05:54 • -5.19db
8% Popularity • 51% Danceability • 73% Energy • 23% Liveness
0% Instrumentalness • 54% Positiveness
8% Popularity • 51% Danceability • 73% Energy • 23% Liveness
0% Instrumentalness • 54% Positiveness
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James Barry
Rock Star
122 bpm • B min • 02:26 • -3.69db
20% Popularity • 60% Danceability • 92% Energy • 3% Liveness
0% Instrumentalness • 74% Positiveness
20% Popularity • 60% Danceability • 92% Energy • 3% Liveness
0% Instrumentalness • 74% Positiveness
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Stephanie Hsu
I Love Play Rehearsal
122 bpm • F Maj • 02:55 • -11db
34% Popularity • 57% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
34% Popularity • 57% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Frankenstein World Premiere Cast
The Modern Prometheus
139 bpm • D min • 03:11 • -6db
26% Popularity • 38% Danceability • 72% Energy • 39% Liveness
0% Instrumentalness • 56% Positiveness
26% Popularity • 38% Danceability • 72% Energy • 39% Liveness
0% Instrumentalness • 56% Positiveness
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Caitlin Kinnunen
Unruly Heart
139 bpm • F Maj • 03:57 • -7.77db
34% Popularity • 41% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
34% Popularity • 41% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Thomas Sanders
A Gay Disney Prince
121 bpm • F Maj • 03:48 • -12.46db
19% Popularity • 47% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
19% Popularity • 47% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Sherie Rene Scott
Lovesick
121 bpm • F# Maj • 03:16 • -6.85db
28% Popularity • 84% Danceability • 62% Energy • 4% Liveness
0% Instrumentalness • 93% Positiveness
28% Popularity • 84% Danceability • 62% Energy • 4% Liveness
0% Instrumentalness • 93% Positiveness
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Raymond J. Lee
Take Me
140 bpm • F Maj • 03:47 • -9.2db
0% Popularity • 63% Danceability • 45% Energy • 30% Liveness
0% Instrumentalness • 42% Positiveness
0% Popularity • 63% Danceability • 45% Energy • 30% Liveness
0% Instrumentalness • 42% Positiveness
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Rob Rokicki
The Wittlest Minotaur - Bonus Track
140 bpm • C Maj • 01:11 • -6db
30% Popularity • 75% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 75% Positiveness
30% Popularity • 75% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 75% Positiveness
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Will Roland
Loser Geek Whatever (Acoustic)
121 bpm • D Maj • 06:02 • -10.95db
15% Popularity • 58% Danceability • 21% Energy • 27% Liveness
0% Instrumentalness • 25% Positiveness
15% Popularity • 58% Danceability • 21% Energy • 27% Liveness
0% Instrumentalness • 25% Positiveness
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Mallory Bechtel
Hiding In Your Hands - Bonus Track
121 bpm • C# Maj • 04:07 • -6.07db
33% Popularity • 79% Danceability • 33% Energy • 5% Liveness
0% Instrumentalness • 33% Positiveness
33% Popularity • 79% Danceability • 33% Energy • 5% Liveness
0% Instrumentalness • 33% Positiveness
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Krystina Alabado
The Trapdoor
140 bpm • G min • 01:29 • -14.59db
17% Popularity • 34% Danceability • 21% Energy • 19% Liveness
0% Instrumentalness • 35% Positiveness
17% Popularity • 34% Danceability • 21% Energy • 19% Liveness
0% Instrumentalness • 35% Positiveness
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Anthony Crivello
My Dead Gay Son
121 bpm • C# Maj • 03:42 • -6.42db
52% Popularity • 67% Danceability • 63% Energy • 32% Liveness
0% Instrumentalness • 74% Positiveness
52% Popularity • 67% Danceability • 63% Energy • 32% Liveness
0% Instrumentalness • 74% Positiveness
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H.M.B. Cast
Rogues Are We (Reprise)
140 bpm • A# Maj • 02:11 • -14.03db
25% Popularity • 73% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
25% Popularity • 73% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
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Kasie Gasparini
Two Little Lines
140 bpm • F Maj • 04:40 • -7.15db
23% Popularity • 68% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
23% Popularity • 68% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Megan Hilty
Becky Apples
121 bpm • C# Maj • 02:18 • -7db
35% Popularity • 61% Danceability • 60% Energy • 37% Liveness
0% Instrumentalness • 43% Positiveness
35% Popularity • 61% Danceability • 60% Energy • 37% Liveness
0% Instrumentalness • 43% Positiveness
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Curtis Holbrook
Bikini Bottom Boogie
140 bpm • E Maj • 02:10 • -4.87db
33% Popularity • 56% Danceability • 98% Energy • 44% Liveness
0% Instrumentalness • 37% Positiveness
33% Popularity • 56% Danceability • 98% Energy • 44% Liveness
0% Instrumentalness • 37% Positiveness
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Krystina Alabado
The Mad Ones
121 bpm • D Maj • 06:58 • -5.77db
27% Popularity • 50% Danceability • 50% Energy • 18% Liveness
0% Instrumentalness • 35% Positiveness
27% Popularity • 50% Danceability • 50% Energy • 18% Liveness
0% Instrumentalness • 35% Positiveness