Songs like Lost In The Harbour - Live by Tom Waits
Based on a tempo of (+/- 10%) and a similar genre
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Billy Bragg
Ought To Be Satisfied Now
75 bpm • B min • 03:30 • -8.11db
15% Popularity • 65% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
15% Popularity • 65% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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The Magnetic Fields
Papa Was a Rodeo
75 bpm • G Maj • 05:01 • -8.93db
40% Popularity • 56% Danceability • 48% Energy • 12% Liveness
1% Instrumentalness • 51% Positiveness
40% Popularity • 56% Danceability • 48% Energy • 12% Liveness
1% Instrumentalness • 51% Positiveness
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John Prine
Summer's End
74 bpm • D Maj • 03:29 • -17.7db
51% Popularity • 44% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
51% Popularity • 44% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Warren Zevon
Mohammed's Radio
74 bpm • G Maj • 03:43 • -13.75db
39% Popularity • 64% Danceability • 28% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
39% Popularity • 64% Danceability • 28% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
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Townes Van Zandt
If I Needed You
76 bpm • B Maj • 03:44 • -17db
52% Popularity • 62% Danceability • 32% Energy • 8% Liveness
3% Instrumentalness • 68% Positiveness
52% Popularity • 62% Danceability • 32% Energy • 8% Liveness
3% Instrumentalness • 68% Positiveness
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Tom Waits
Black Wings - 2023 Remaster
74 bpm • B min • 04:37 • -16.91db
30% Popularity • 56% Danceability • 30% Energy • 12% Liveness
1% Instrumentalness • 41% Positiveness
30% Popularity • 56% Danceability • 30% Energy • 12% Liveness
1% Instrumentalness • 41% Positiveness
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Billy Bragg
Walt Whitman's Niece
76 bpm • A Maj • 03:53 • -5.86db
37% Popularity • 44% Danceability • 78% Energy • 18% Liveness
0% Instrumentalness • 84% Positiveness
37% Popularity • 44% Danceability • 78% Energy • 18% Liveness
0% Instrumentalness • 84% Positiveness
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Ron Sexsmith
Secret Heart
77 bpm • C Maj • 03:15 • -12.72db
39% Popularity • 54% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
39% Popularity • 54% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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C.W. Stoneking
The Zombie
77 bpm • A min • 03:53 • -17db
35% Popularity • 60% Danceability • 38% Energy • 11% Liveness
91% Instrumentalness • 76% Positiveness
35% Popularity • 60% Danceability • 38% Energy • 11% Liveness
91% Instrumentalness • 76% Positiveness
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John Martyn
Cocain
77 bpm • F Maj • 02:54 • -11.82db
37% Popularity • 60% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
37% Popularity • 60% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
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Townes Van Zandt
None but the Rain
76 bpm • A min • 02:23 • -18.69db
38% Popularity • 53% Danceability • 12% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
38% Popularity • 53% Danceability • 12% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
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T Bone Burnett
Dope Island
73 bpm • A Maj • 04:14 • -9.37db
13% Popularity • 64% Danceability • 49% Energy • 17% Liveness
16% Instrumentalness • 20% Positiveness
13% Popularity • 64% Danceability • 49% Energy • 17% Liveness
16% Instrumentalness • 20% Positiveness
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Iggy Pop
I Want To Go To The Beach
77 bpm • E Maj • 02:52 • -13.7db
34% Popularity • 54% Danceability • 28% Energy • 14% Liveness
34% Instrumentalness • 33% Positiveness
34% Popularity • 54% Danceability • 28% Energy • 14% Liveness
34% Instrumentalness • 33% Positiveness
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Tom Waits
Jesus Gonna Be Here - 2023 Remaster
77 bpm • C Maj • 03:21 • -14.13db
32% Popularity • 46% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
32% Popularity • 46% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Gene Clark
Silver Raven
78 bpm • E min • 04:53 • -17.46db
29% Popularity • 37% Danceability • 26% Energy • 10% Liveness
1% Instrumentalness • 34% Positiveness
29% Popularity • 37% Danceability • 26% Energy • 10% Liveness
1% Instrumentalness • 34% Positiveness
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John Martyn
Singin' In The Rain
73 bpm • F Maj • 01:28 • -22db
47% Popularity • 59% Danceability • 12% Energy • 11% Liveness
41% Instrumentalness • 41% Positiveness
47% Popularity • 59% Danceability • 12% Energy • 11% Liveness
41% Instrumentalness • 41% Positiveness
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Patti Smith
Free Money
78 bpm • A min • 03:52 • -8db
43% Popularity • 34% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 45% Positiveness
43% Popularity • 34% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 45% Positiveness
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Dan Hicks & His Hot Licks
I'll Tell You Why That Is
72 bpm • C Maj • 05:17 • -8.88db
11% Popularity • 61% Danceability • 48% Energy • 30% Liveness
3% Instrumentalness • 33% Positiveness
11% Popularity • 61% Danceability • 48% Energy • 30% Liveness
3% Instrumentalness • 33% Positiveness
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Warren Zevon
My Shit's Fucked Up
71 bpm • D min • 02:45 • -14.02db
47% Popularity • 76% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
47% Popularity • 76% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Tom Waits
Dirt In The Ground - 2023 Remaster
78 bpm • F min • 04:07 • -18.7db
32% Popularity • 27% Danceability • 14% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
32% Popularity • 27% Danceability • 14% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
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PJ Harvey
C'mon Billy
79 bpm • D min • 02:47 • -8db
51% Popularity • 56% Danceability • 50% Energy • 22% Liveness
0% Instrumentalness • 63% Positiveness
51% Popularity • 56% Danceability • 50% Energy • 22% Liveness
0% Instrumentalness • 63% Positiveness
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Joni Mitchell
California
71 bpm • E Maj • 03:50 • -9.01db
51% Popularity • 46% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
51% Popularity • 46% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
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Willard Grant Conspiracy
River in the Pines
71 bpm • E min • 04:45 • -7.06db
16% Popularity • 23% Danceability • 48% Energy • 32% Liveness
0% Instrumentalness • 29% Positiveness
16% Popularity • 23% Danceability • 48% Energy • 32% Liveness
0% Instrumentalness • 29% Positiveness
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Kate & Anna McGarrigle
Blues in D
80 bpm • D Maj • 02:43 • -13.78db
21% Popularity • 53% Danceability • 16% Energy • 9% Liveness
14% Instrumentalness • 40% Positiveness
21% Popularity • 53% Danceability • 16% Energy • 9% Liveness
14% Instrumentalness • 40% Positiveness
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Warren Zevon
Accidentally Like a Martyr
71 bpm • F Maj • 03:42 • -9db
40% Popularity • 58% Danceability • 48% Energy • 7% Liveness
4% Instrumentalness • 37% Positiveness
40% Popularity • 58% Danceability • 48% Energy • 7% Liveness
4% Instrumentalness • 37% Positiveness
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Tom Waits
Virginia Avenue
71 bpm • D# Maj • 03:09 • -9.65db
40% Popularity • 52% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
40% Popularity • 52% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Fairport Convention
Meet On The Ledge
70 bpm • D Maj • 02:50 • -11.9db
32% Popularity • 50% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
32% Popularity • 50% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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Phil Ochs
When I'm Gone
80 bpm • D# Maj • 04:13 • -19.04db
41% Popularity • 40% Danceability • 9% Energy • 72% Liveness
0% Instrumentalness • 24% Positiveness
41% Popularity • 40% Danceability • 9% Energy • 72% Liveness
0% Instrumentalness • 24% Positiveness
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Tim Buckley
Pleasant Street/You Keep Me Hanging On
80 bpm • D min • 07:58 • -15.38db
16% Popularity • 27% Danceability • 32% Energy • 69% Liveness
0% Instrumentalness • 18% Positiveness
16% Popularity • 27% Danceability • 32% Energy • 69% Liveness
0% Instrumentalness • 18% Positiveness
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RodrÃguez
Silver Words?
70 bpm • E Maj • 02:04 • -6.25db
49% Popularity • 49% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
49% Popularity • 49% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Warren Zevon
Roland the Headless Thompson Gunner
80 bpm • D Maj • 03:49 • -9db
46% Popularity • 68% Danceability • 44% Energy • 10% Liveness
3% Instrumentalness • 55% Positiveness
46% Popularity • 68% Danceability • 44% Energy • 10% Liveness
3% Instrumentalness • 55% Positiveness
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Bonnie Prince Billy
The Eagle And The Hawk
80 bpm • A# min • 01:46 • -17db
22% Popularity • 48% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
22% Popularity • 48% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
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Tom Waits
Jitterbug Boy (Sharing A Curbstone With ...
72 bpm • D# Maj • 03:43 • -15.28db
26% Popularity • 38% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
26% Popularity • 38% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
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Karen Dalton
Sweet Substitute
81 bpm • A# Maj • 02:43 • -19db
37% Popularity • 59% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
37% Popularity • 59% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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John Cale
Big White Cloud
70 bpm • E Maj • 03:29 • -7db
34% Popularity • 34% Danceability • 66% Energy • 69% Liveness
0% Instrumentalness • 41% Positiveness
34% Popularity • 34% Danceability • 66% Energy • 69% Liveness
0% Instrumentalness • 41% Positiveness
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Van Morrison
Astral Weeks - 1999 Remaster
81 bpm • A Maj • 07:06 • -14.81db
50% Popularity • 45% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
50% Popularity • 45% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
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Blaze Foley
Clay Pigeons
81 bpm • F# Maj • 03:00 • -14.62db
51% Popularity • 39% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
51% Popularity • 39% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Bonnie Prince Billy
I Gave You
81 bpm • G min • 02:38 • -13.13db
30% Popularity • 45% Danceability • 19% Energy • 10% Liveness
1% Instrumentalness • 23% Positiveness
30% Popularity • 45% Danceability • 19% Energy • 10% Liveness
1% Instrumentalness • 23% Positiveness
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Joan Baez
Love Is Just A Four-Letter Word
81 bpm • G Maj • 04:27 • -15.34db
39% Popularity • 52% Danceability • 26% Energy • 20% Liveness
0% Instrumentalness • 65% Positiveness
39% Popularity • 52% Danceability • 26% Energy • 20% Liveness
0% Instrumentalness • 65% Positiveness
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Tom Waits
Georgia Lee
80 bpm • C# Maj • 04:24 • -10.47db
30% Popularity • 35% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
30% Popularity • 35% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Tindersticks
What Are You Fighting For?
81 bpm • E Maj • 04:09 • -17db
38% Popularity • 70% Danceability • 19% Energy • 9% Liveness
55% Instrumentalness • 37% Positiveness
38% Popularity • 70% Danceability • 19% Energy • 9% Liveness
55% Instrumentalness • 37% Positiveness
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Townes Van Zandt
Fare Thee Well, Miss Carousel
81 bpm • E Maj • 05:22 • -13.55db
46% Popularity • 55% Danceability • 41% Energy • 5% Liveness
0% Instrumentalness • 57% Positiveness
46% Popularity • 55% Danceability • 41% Energy • 5% Liveness
0% Instrumentalness • 57% Positiveness
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Billy Bragg
Another Man's Done Gone
69 bpm • G Maj • 01:36 • -10.32db
40% Popularity • 58% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
40% Popularity • 58% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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The Byrds
Lay Lady Lay - Alternative Version
82 bpm • C Maj • 03:17 • -9.27db
44% Popularity • 63% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
44% Popularity • 63% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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Tim Buckley
Song to the Siren - Take 7
68 bpm • E Maj • 03:28 • -21db
50% Popularity • 58% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
50% Popularity • 58% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Tom Waits
The Black Rider - 2023 Remaster
82 bpm • C Maj • 03:20 • -12db
24% Popularity • 33% Danceability • 49% Energy • 20% Liveness
0% Instrumentalness • 49% Positiveness
24% Popularity • 33% Danceability • 49% Energy • 20% Liveness
0% Instrumentalness • 49% Positiveness
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Bert Jansch
Katie Cruel
82 bpm • C# min • 02:59 • -9.5db
22% Popularity • 48% Danceability • 43% Energy • 12% Liveness
5% Instrumentalness • 38% Positiveness
22% Popularity • 48% Danceability • 43% Energy • 12% Liveness
5% Instrumentalness • 38% Positiveness
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Karen Dalton
In The Evening (It's So Hard To Tell Who...
68 bpm • A Maj • 04:33 • -27.17db
28% Popularity • 35% Danceability • 4% Energy • 9% Liveness
1% Instrumentalness • 11% Positiveness
28% Popularity • 35% Danceability • 4% Energy • 9% Liveness
1% Instrumentalness • 11% Positiveness
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The Velvet Underground
Pale Blue Eyes
83 bpm • F Maj • 05:39 • -18.76db
66% Popularity • 64% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
66% Popularity • 64% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Loudon Wainwright III
Be Careful There's a Baby in the House
83 bpm • A Maj • 03:16 • -17.67db
16% Popularity • 65% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
16% Popularity • 65% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Tim Buckley
Phantasmagoria in Two
82 bpm • G min • 04:41 • -16.39db
14% Popularity • 38% Danceability • 32% Energy • 18% Liveness
0% Instrumentalness • 24% Positiveness
14% Popularity • 38% Danceability • 32% Energy • 18% Liveness
0% Instrumentalness • 24% Positiveness
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Shilpa Ray
Pirate Jenny
83 bpm • C min • 07:30 • -6.56db
11% Popularity • 31% Danceability • 33% Energy • 6% Liveness
0% Instrumentalness • 24% Positiveness
11% Popularity • 31% Danceability • 33% Energy • 6% Liveness
0% Instrumentalness • 24% Positiveness
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Daniel Lanois
The Collection of Marie Claire
84 bpm • G min • 04:16 • -21.98db
14% Popularity • 37% Danceability • 5% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
14% Popularity • 37% Danceability • 5% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
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Donovan
To Sing for You
84 bpm • F# Maj • 02:42 • -14.56db
33% Popularity • 48% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
33% Popularity • 48% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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Joan Baez
House Of The Rising Sun
84 bpm • D min • 02:56 • -15db
46% Popularity • 39% Danceability • 1% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
46% Popularity • 39% Danceability • 1% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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John Lurie
River of Men
84 bpm • A# min • 01:10 • -16.14db
27% Popularity • 48% Danceability • 61% Energy • 43% Liveness
0% Instrumentalness • 33% Positiveness
27% Popularity • 48% Danceability • 61% Energy • 43% Liveness
0% Instrumentalness • 33% Positiveness
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Tim Buckley
Morning Glory
84 bpm • G# Maj • 02:51 • -13db
31% Popularity • 36% Danceability • 28% Energy • 5% Liveness
0% Instrumentalness • 38% Positiveness
31% Popularity • 36% Danceability • 28% Energy • 5% Liveness
0% Instrumentalness • 38% Positiveness
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Loudon Wainwright III
Glad to See You've Got Religion
67 bpm • C Maj • 03:53 • -10.98db
14% Popularity • 58% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
14% Popularity • 58% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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Billy Bragg
Tomorrow's Going to Be a Better Day
85 bpm • C# min • 03:10 • -14.64db
14% Popularity • 51% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
14% Popularity • 51% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Paul Simon
American Tune
85 bpm • C Maj • 03:45 • -16.04db
48% Popularity • 38% Danceability • 21% Energy • 19% Liveness
0% Instrumentalness • 22% Positiveness
48% Popularity • 38% Danceability • 21% Energy • 19% Liveness
0% Instrumentalness • 22% Positiveness
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RodrÃguez
Crucify Your Mind
85 bpm • A Maj • 02:32 • -7.77db
65% Popularity • 50% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
65% Popularity • 50% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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John Lurie
World of Adventure
66 bpm • C Maj • 00:41 • -23.71db
35% Popularity • 52% Danceability • 48% Energy • 65% Liveness
0% Instrumentalness • 54% Positiveness
35% Popularity • 52% Danceability • 48% Energy • 65% Liveness
0% Instrumentalness • 54% Positiveness
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Tim Buckley
Phantasmagoria in Two
84 bpm • B min • 03:28 • -12.53db
43% Popularity • 48% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
43% Popularity • 48% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Tom Waits
Gun Street Girl - 2023 Remaster
66 bpm • A# Maj • 04:36 • -13.92db
39% Popularity • 77% Danceability • 34% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
39% Popularity • 77% Danceability • 34% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
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Blaze Foley
You'll Get Yours Aplenty
85 bpm • G Maj • 02:09 • -13.76db
44% Popularity • 59% Danceability • 23% Energy • 11% Liveness
40% Instrumentalness • 60% Positiveness
44% Popularity • 59% Danceability • 23% Energy • 11% Liveness
40% Instrumentalness • 60% Positiveness
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Scott Walker
30 Century Man
86 bpm • B min • 01:26 • -21.13db
50% Popularity • 50% Danceability • 13% Energy • 34% Liveness
0% Instrumentalness • 44% Positiveness
50% Popularity • 50% Danceability • 13% Energy • 34% Liveness
0% Instrumentalness • 44% Positiveness
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Warren Zevon
Accidentally Like a Martyr
86 bpm • G Maj • 03:06 • -8.53db
40% Popularity • 61% Danceability • 60% Energy • 29% Liveness
0% Instrumentalness • 45% Positiveness
40% Popularity • 61% Danceability • 60% Energy • 29% Liveness
0% Instrumentalness • 45% Positiveness
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Captain Beefheart & His Magic Band
Where There's Woman
86 bpm • G min • 02:08 • -10.3db
32% Popularity • 64% Danceability • 49% Energy • 20% Liveness
0% Instrumentalness • 84% Positiveness
32% Popularity • 64% Danceability • 49% Energy • 20% Liveness
0% Instrumentalness • 84% Positiveness
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Richard & Linda Thompson
Withered And Died
86 bpm • C Maj • 03:26 • -14.13db
28% Popularity • 46% Danceability • 21% Energy • 10% Liveness
1% Instrumentalness • 20% Positiveness
28% Popularity • 46% Danceability • 21% Energy • 10% Liveness
1% Instrumentalness • 20% Positiveness
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Tom Waits
Jersey Girl
86 bpm • D Maj • 05:11 • -14.14db
45% Popularity • 48% Danceability • 33% Energy • 8% Liveness
39% Instrumentalness • 24% Positiveness
45% Popularity • 48% Danceability • 33% Energy • 8% Liveness
39% Instrumentalness • 24% Positiveness
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The Handsome Family
My Sister's Tiny Hands
88 bpm • A min • 03:26 • -13.69db
22% Popularity • 61% Danceability • 31% Energy • 48% Liveness
1% Instrumentalness • 50% Positiveness
22% Popularity • 61% Danceability • 31% Energy • 48% Liveness
1% Instrumentalness • 50% Positiveness
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Cat Power
Ye Auld Triangle
88 bpm • G Maj • 04:25 • -13.63db
18% Popularity • 33% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
18% Popularity • 33% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Nico
The Fairest Of The Seasons
88 bpm • F# Maj • 04:06 • -13db
48% Popularity • 35% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
48% Popularity • 35% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Loudon Wainwright III
School Days
88 bpm • F Maj • 03:05 • -16.9db
27% Popularity • 53% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
27% Popularity • 53% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Captain Beefheart & His Magic Band
Her Eyes Are a Blue Million Miles
89 bpm • E min • 02:57 • -15.84db
46% Popularity • 79% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
46% Popularity • 79% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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Tom Waits
Mr. Siegal
87 bpm • A Maj • 05:14 • -12.35db
29% Popularity • 62% Danceability • 50% Energy • 24% Liveness
0% Instrumentalness • 87% Positiveness
29% Popularity • 62% Danceability • 50% Energy • 24% Liveness
0% Instrumentalness • 87% Positiveness
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Townes Van Zandt
Waiting Around to Die
90 bpm • F# min • 02:45 • -18.25db
55% Popularity • 55% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
55% Popularity • 55% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Michael Chapman
Kodak Ghosts - 2011 Remaster
90 bpm • F min • 03:20 • -12.43db
21% Popularity • 43% Danceability • 37% Energy • 11% Liveness
1% Instrumentalness • 24% Positiveness
21% Popularity • 43% Danceability • 37% Energy • 11% Liveness
1% Instrumentalness • 24% Positiveness
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Billy Bragg
Tea Bag Blues
90 bpm • C Maj • 03:59 • -7.88db
12% Popularity • 73% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
12% Popularity • 73% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Loudon Wainwright III
Your Mother And I
89 bpm • A Maj • 02:33 • -19.74db
30% Popularity • 66% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
30% Popularity • 66% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Karen Dalton
Are You Leaving for the Country
90 bpm • D Maj • 03:14 • -12.77db
21% Popularity • 54% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
21% Popularity • 54% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Tom Waits
Cold Water
88 bpm • A Maj • 05:23 • -8.62db
33% Popularity • 41% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
33% Popularity • 41% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Dan Reeder
A Whiter Shade of Pale
91 bpm • E Maj • 03:36 • -16db
29% Popularity • 64% Danceability • 12% Energy • 17% Liveness
0% Instrumentalness • 67% Positiveness
29% Popularity • 64% Danceability • 12% Energy • 17% Liveness
0% Instrumentalness • 67% Positiveness
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C.W. Stoneking
Jungle Lullaby
91 bpm • C Maj • 04:46 • -11.1db
28% Popularity • 49% Danceability • 23% Energy • 13% Liveness
1% Instrumentalness • 23% Positiveness
28% Popularity • 49% Danceability • 23% Energy • 13% Liveness
1% Instrumentalness • 23% Positiveness
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Fairport Convention
Matty Groves
91 bpm • D Maj • 08:09 • -14db
41% Popularity • 41% Danceability • 52% Energy • 9% Liveness
14% Instrumentalness • 74% Positiveness
41% Popularity • 41% Danceability • 52% Energy • 9% Liveness
14% Instrumentalness • 74% Positiveness
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Woody Guthrie
The House of the Rising Sun
92 bpm • D Maj • 02:58 • -11.69db
21% Popularity • 47% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
21% Popularity • 47% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Kurt Weill
Mack The Knife from The Threepenny Opera
91 bpm • G Maj • 04:53 • -11.76db
13% Popularity • 50% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
13% Popularity • 50% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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Tom Waits
Time - 2023 Remaster
88 bpm • D Maj • 03:55 • -24.05db
46% Popularity • 34% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
46% Popularity • 34% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Joe Strummer
Long Shadow
92 bpm • G Maj • 03:34 • -9.6db
29% Popularity • 70% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
29% Popularity • 70% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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C.W. Stoneking
Early In The Mornin'
91 bpm • F Maj • 03:36 • -9.78db
27% Popularity • 79% Danceability • 22% Energy • 6% Liveness
0% Instrumentalness • 38% Positiveness
27% Popularity • 79% Danceability • 22% Energy • 6% Liveness
0% Instrumentalness • 38% Positiveness
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Townes Van Zandt
Kathleen
92 bpm • C# min • 02:47 • -17.31db
35% Popularity • 43% Danceability • 12% Energy • 5% Liveness
0% Instrumentalness • 33% Positiveness
35% Popularity • 43% Danceability • 12% Energy • 5% Liveness
0% Instrumentalness • 33% Positiveness
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Ry Cooder
Billy the Kid
92 bpm • G Maj • 03:48 • -12.86db
21% Popularity • 79% Danceability • 29% Energy • 18% Liveness
0% Instrumentalness • 82% Positiveness
21% Popularity • 79% Danceability • 29% Energy • 18% Liveness
0% Instrumentalness • 82% Positiveness
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Loudon Wainwright III
Me and My Friend the Cat
93 bpm • A Maj • 03:21 • -13.61db
12% Popularity • 60% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
12% Popularity • 60% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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Tom Waits
The Piano Has Been Drinking (Not Me) (An...
89 bpm • F# Maj • 03:40 • -13.97db
37% Popularity • 38% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
37% Popularity • 38% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Jackson C. Frank
Don't Look Back
93 bpm • G# Maj • 02:57 • -9.08db
29% Popularity • 29% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
29% Popularity • 29% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Gillian Welch
Caleb Meyer
93 bpm • G# Maj • 03:01 • -6.96db
22% Popularity • 68% Danceability • 55% Energy • 6% Liveness
3% Instrumentalness • 66% Positiveness
22% Popularity • 68% Danceability • 55% Energy • 6% Liveness
3% Instrumentalness • 66% Positiveness
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The Velvet Underground
All Tomorrow's Parties
94 bpm • D Maj • 05:59 • -14db
47% Popularity • 33% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
47% Popularity • 33% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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John Martyn
Over The Hill
94 bpm • A min • 02:52 • -13.01db
50% Popularity • 61% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
50% Popularity • 61% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
