Songs like Lost Without Your Love by Bread
Based on a tempo of (+/- 10%) and a similar genre
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Bread
Lost Without Your Love
146 bpm • A# Maj • 02:56 • -11.48db
60% Popularity • 27% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
60% Popularity • 27% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Pennypenpen
im a one man band
146 bpm • G# Maj • 03:31 • -7.6db
6% Popularity • 73% Danceability • 75% Energy • 4% Liveness
0% Instrumentalness • 33% Positiveness
6% Popularity • 73% Danceability • 75% Energy • 4% Liveness
0% Instrumentalness • 33% Positiveness
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John Denver
Annie's Song
146 bpm • D Maj • 03:00 • -10.88db
71% Popularity • 30% Danceability • 30% Energy • 37% Liveness
0% Instrumentalness • 46% Positiveness
71% Popularity • 30% Danceability • 30% Energy • 37% Liveness
0% Instrumentalness • 46% Positiveness
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Morris Albert
Feelings
146 bpm • E min • 04:05 • -11.58db
50% Popularity • 24% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
50% Popularity • 24% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Dan Hill
14 Today
146 bpm • A Maj • 04:33 • -10.55db
21% Popularity • 44% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
21% Popularity • 44% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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England Dan & John Ford Coley
Broken Hearted Me
147 bpm • A# Maj • 03:56 • -16db
50% Popularity • 55% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
50% Popularity • 55% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Chicago
I Don't Wanna Live Without Your Love
145 bpm • C Maj • 03:54 • -6.72db
49% Popularity • 43% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
49% Popularity • 43% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Bread
He's a Good Lad
145 bpm • G Maj • 03:00 • -13.16db
28% Popularity • 36% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
28% Popularity • 36% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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John Denver
Sunshine On My Shoulders
147 bpm • A# Maj • 05:11 • -13.89db
61% Popularity • 32% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
61% Popularity • 32% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Peter Cetera
Glory of Love
145 bpm • F Maj • 04:18 • -7.94db
73% Popularity • 52% Danceability • 61% Energy • 28% Liveness
0% Instrumentalness • 33% Positiveness
73% Popularity • 52% Danceability • 61% Energy • 28% Liveness
0% Instrumentalness • 33% Positiveness
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REO Speedwagon
In My Dreams
145 bpm • B Maj • 04:30 • -15.22db
59% Popularity • 62% Danceability • 38% Energy • 30% Liveness
0% Instrumentalness • 46% Positiveness
59% Popularity • 62% Danceability • 38% Energy • 30% Liveness
0% Instrumentalness • 46% Positiveness
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Mary MacGregor
Just the Way You Are
145 bpm • G Maj • 03:30 • -6db
42% Popularity • 35% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
42% Popularity • 35% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Seals and Crofts
This Day Belongs to Me
147 bpm • D Maj • 02:47 • -11.86db
30% Popularity • 53% Danceability • 60% Energy • 19% Liveness
0% Instrumentalness • 42% Positiveness
30% Popularity • 53% Danceability • 60% Energy • 19% Liveness
0% Instrumentalness • 42% Positiveness
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Bread
Games of Magic
147 bpm • B min • 03:10 • -16.79db
40% Popularity • 34% Danceability • 23% Energy • 6% Liveness
0% Instrumentalness • 40% Positiveness
40% Popularity • 34% Danceability • 23% Energy • 6% Liveness
0% Instrumentalness • 40% Positiveness
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Neil Sedaka
Should've Never Let You Go
145 bpm • A# Maj • 04:18 • -10.94db
33% Popularity • 30% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
33% Popularity • 30% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
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Debbie Gibson
Lost in Your Eyes
145 bpm • G Maj • 03:35 • -8.59db
65% Popularity • 51% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
65% Popularity • 51% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Dan Fogelberg
Part of the Plan
144 bpm • D Maj • 03:18 • -14db
42% Popularity • 65% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
42% Popularity • 65% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
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David Pomeranz
Got to Believe in Magic
147 bpm • A# Maj • 04:08 • -7db
60% Popularity • 48% Danceability • 57% Energy • 20% Liveness
0% Instrumentalness • 38% Positiveness
60% Popularity • 48% Danceability • 57% Energy • 20% Liveness
0% Instrumentalness • 38% Positiveness
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Bobby Vinton
This Time I Know It's Real
148 bpm • C Maj • 03:45 • -11db
31% Popularity • 40% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
31% Popularity • 40% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Bread
Down on My Knees
145 bpm • E Maj • 02:44 • -9.33db
31% Popularity • 62% Danceability • 89% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
31% Popularity • 62% Danceability • 89% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
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Phil Collins
A Groovy Kind of Love
144 bpm • D Maj • 03:30 • -9.63db
66% Popularity • 45% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
66% Popularity • 45% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Paul McCrane
Is It Okay If I Call You Mine?
144 bpm • A min • 02:41 • -20.71db
55% Popularity • 62% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
55% Popularity • 62% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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James Ingram
Just Once - New Version
144 bpm • C Maj • 04:29 • -7.49db
66% Popularity • 62% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
66% Popularity • 62% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Gloria Estefan And Miami Sound Machine
Anything for You
144 bpm • F# Maj • 03:41 • -13.1db
47% Popularity • 58% Danceability • 40% Energy • 4% Liveness
0% Instrumentalness • 29% Positiveness
47% Popularity • 58% Danceability • 40% Energy • 4% Liveness
0% Instrumentalness • 29% Positiveness
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Peter Cetera
You're the Inspiration
143 bpm • A# Maj • 04:06 • -7.61db
56% Popularity • 64% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 41% Positiveness
56% Popularity • 64% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 41% Positiveness
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Bread
Just Like Yesterday
148 bpm • C Maj • 02:15 • -13.41db
43% Popularity • 43% Danceability • 39% Energy • 11% Liveness
3% Instrumentalness • 48% Positiveness
43% Popularity • 43% Danceability • 39% Energy • 11% Liveness
3% Instrumentalness • 48% Positiveness
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City Boy
Speechless
143 bpm • D# Maj • 03:35 • -12.45db
40% Popularity • 38% Danceability • 20% Energy • 5% Liveness
0% Instrumentalness • 19% Positiveness
40% Popularity • 38% Danceability • 20% Energy • 5% Liveness
0% Instrumentalness • 19% Positiveness
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Andy Gibb
(Our Love) Don't Throw It All Away
143 bpm • F Maj • 04:10 • -13.19db
57% Popularity • 35% Danceability • 34% Energy • 64% Liveness
0% Instrumentalness • 21% Positiveness
57% Popularity • 35% Danceability • 34% Energy • 64% Liveness
0% Instrumentalness • 21% Positiveness
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Eddie Rabbitt
You Don't Love Me Anymore - 2008 Version
143 bpm • A Maj • 03:22 • -10.99db
39% Popularity • 49% Danceability • 44% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
39% Popularity • 49% Danceability • 44% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
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Christopher Cross
Sailing
150 bpm • D Maj • 04:16 • -13.2db
69% Popularity • 47% Danceability • 38% Energy • 36% Liveness
0% Instrumentalness • 18% Positiveness
69% Popularity • 47% Danceability • 38% Energy • 36% Liveness
0% Instrumentalness • 18% Positiveness
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Joshua Kadison
Beautiful In My Eyes
142 bpm • D# Maj • 04:09 • -10.05db
58% Popularity • 58% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
58% Popularity • 58% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Bread
Baby I'm-a Want You
144 bpm • G# Maj • 02:30 • -16.53db
66% Popularity • 61% Danceability • 29% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
66% Popularity • 61% Danceability • 29% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
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Rex Smith
You Take My Breath Away - Mono Version
142 bpm • B Maj • 03:17 • -8db
48% Popularity • 31% Danceability • 60% Energy • 52% Liveness
0% Instrumentalness • 27% Positiveness
48% Popularity • 31% Danceability • 60% Energy • 52% Liveness
0% Instrumentalness • 27% Positiveness
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Commodores
Three Times A Lady
151 bpm • G# Maj • 03:35 • -17.29db
54% Popularity • 36% Danceability • 13% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
54% Popularity • 36% Danceability • 13% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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Chicago
Hard to Say I'm Sorry / Get Away - 2006 ...
141 bpm • E Maj • 05:04 • -7.07db
71% Popularity • 40% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 23% Positiveness
71% Popularity • 40% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 23% Positiveness
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Electric Light Orchestra
Midnight Blue
141 bpm • F Maj • 04:17 • -13.12db
51% Popularity • 56% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
51% Popularity • 56% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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David Pomeranz
The Old Songs
141 bpm • B Maj • 04:10 • -8db
56% Popularity • 52% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
56% Popularity • 52% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
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Bread
Hooked on You
148 bpm • B Maj • 02:21 • -12.08db
46% Popularity • 35% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
46% Popularity • 35% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Leif Garrett
I Was Looking For Someone To Love
141 bpm • D Maj • 02:59 • -16.29db
39% Popularity • 47% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
39% Popularity • 47% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Paul Davis
I Go Crazy
141 bpm • E min • 03:53 • -8.66db
54% Popularity • 53% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 27% Positiveness
54% Popularity • 53% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 27% Positiveness
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Richard Carpenter
Something In Your Eyes
140 bpm • C Maj • 04:12 • -15.32db
45% Popularity • 36% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
45% Popularity • 36% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Maxine Nightingale
Lead Me On
141 bpm • C# Maj • 02:45 • -11db
38% Popularity • 42% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
38% Popularity • 42% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
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Mary MacGregor
Mama
140 bpm • A# Maj • 03:18 • -8db
41% Popularity • 34% Danceability • 45% Energy • 36% Liveness
0% Instrumentalness • 27% Positiveness
41% Popularity • 34% Danceability • 45% Energy • 36% Liveness
0% Instrumentalness • 27% Positiveness
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Bread
She Was My Lady
148 bpm • G Maj • 02:51 • -11.96db
25% Popularity • 43% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
25% Popularity • 43% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
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Michael Bolton
How Am I Supposed to Live Without You
140 bpm • A# Maj • 04:15 • -12.21db
70% Popularity • 54% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
70% Popularity • 54% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Seals and Crofts
Ruby Jean and Billie Lee
152 bpm • G Maj • 04:09 • -14.13db
28% Popularity • 32% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
28% Popularity • 32% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
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Styx
First Time
153 bpm • C Maj • 04:23 • -12.54db
38% Popularity • 26% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
38% Popularity • 26% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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John Springer
I'll Have Love This Time
140 bpm • F Maj • 03:52 • -19.7db
3% Popularity • 43% Danceability • 17% Energy • 5% Liveness
0% Instrumentalness • 16% Positiveness
3% Popularity • 43% Danceability • 17% Energy • 5% Liveness
0% Instrumentalness • 16% Positiveness
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Diana Ross
Theme From Mahogany (Do You Know Where Y...
140 bpm • C min • 03:22 • -15.17db
52% Popularity • 33% Danceability • 31% Energy • 13% Liveness
3% Instrumentalness • 30% Positiveness
52% Popularity • 33% Danceability • 31% Energy • 13% Liveness
3% Instrumentalness • 30% Positiveness
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Bread
Guitar Man
143 bpm • E min • 03:46 • -13.27db
66% Popularity • 55% Danceability • 51% Energy • 44% Liveness
0% Instrumentalness • 51% Positiveness
66% Popularity • 55% Danceability • 51% Energy • 44% Liveness
0% Instrumentalness • 51% Positiveness
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Gino Vannelli
I Just Wanna Stop
139 bpm • A Maj • 03:38 • -13.45db
61% Popularity • 58% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 67% Positiveness
61% Popularity • 58% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 67% Positiveness
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Billy Joel
Just the Way You Are
139 bpm • G Maj • 04:50 • -8.91db
71% Popularity • 59% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
71% Popularity • 59% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Ambrosia
Biggest Part of Me
153 bpm • A# Maj • 05:24 • -8.05db
65% Popularity • 50% Danceability • 72% Energy • 35% Liveness
0% Instrumentalness • 88% Positiveness
65% Popularity • 50% Danceability • 72% Energy • 35% Liveness
0% Instrumentalness • 88% Positiveness
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Roberta Flack
Making Love
139 bpm • F Maj • 03:44 • -17db
38% Popularity • 45% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
38% Popularity • 45% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
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Sheena Easton
Almost Over You
139 bpm • G# Maj • 03:41 • -10.67db
56% Popularity • 34% Danceability • 27% Energy • 24% Liveness
0% Instrumentalness • 30% Positiveness
56% Popularity • 34% Danceability • 27% Energy • 24% Liveness
0% Instrumentalness • 30% Positiveness
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Bread
Fly Away
149 bpm • E min • 03:07 • -9.52db
33% Popularity • 36% Danceability • 57% Energy • 20% Liveness
0% Instrumentalness • 50% Positiveness
33% Popularity • 36% Danceability • 57% Energy • 20% Liveness
0% Instrumentalness • 50% Positiveness
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Dan Hill
Why Do We Always Hurt the Ones We Love
139 bpm • D Maj • 03:52 • -11db
41% Popularity • 52% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
41% Popularity • 52% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Michael Johnson
Doors
139 bpm • C# Maj • 03:12 • -17db
52% Popularity • 50% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
52% Popularity • 50% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Charlene
It Ain't Easy Comin' Down
139 bpm • A# Maj • 03:28 • -12db
41% Popularity • 43% Danceability • 47% Energy • 23% Liveness
0% Instrumentalness • 56% Positiveness
41% Popularity • 43% Danceability • 47% Energy • 23% Liveness
0% Instrumentalness • 56% Positiveness
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Seals and Crofts
King of Nothing
139 bpm • A Maj • 03:19 • -11db
30% Popularity • 58% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
30% Popularity • 58% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
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The 5th Dimension
If I Could Reach You
154 bpm • A# Maj • 03:10 • -15.74db
35% Popularity • 23% Danceability • 22% Energy • 12% Liveness
4% Instrumentalness • 16% Positiveness
35% Popularity • 23% Danceability • 22% Energy • 12% Liveness
4% Instrumentalness • 16% Positiveness
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Bread
I Say Again
141 bpm • E min • 02:52 • -17.7db
32% Popularity • 42% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
32% Popularity • 42% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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David Pack
I Just Can't Let Go
154 bpm • E Maj • 04:52 • -8db
47% Popularity • 54% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
47% Popularity • 54% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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Dan Hill
Sometimes Love Is Not Enough
139 bpm • A# Maj • 04:00 • -9.17db
32% Popularity • 40% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
32% Popularity • 40% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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Mary MacGregor
Don't Let Me Be Lonely Tonight
138 bpm • A# Maj • 03:23 • -5db
35% Popularity • 34% Danceability • 60% Energy • 39% Liveness
0% Instrumentalness • 28% Positiveness
35% Popularity • 34% Danceability • 60% Energy • 39% Liveness
0% Instrumentalness • 28% Positiveness
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Seals and Crofts
Diamond Girl
138 bpm • E min • 04:13 • -12db
53% Popularity • 57% Danceability • 39% Energy • 6% Liveness
0% Instrumentalness • 41% Positiveness
53% Popularity • 57% Danceability • 39% Energy • 6% Liveness
0% Instrumentalness • 41% Positiveness
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Neil Sedaka
The Hungry Years
138 bpm • C Maj • 04:06 • -11.06db
38% Popularity • 38% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
38% Popularity • 38% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Cher
After All (Love Theme From Chances Are)
138 bpm • E Maj • 04:04 • -13.1db
66% Popularity • 52% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
66% Popularity • 52% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Glenn Medeiros
Love Always Finds A Reason
138 bpm • D min • 04:33 • -15db
46% Popularity • 58% Danceability • 33% Energy • 18% Liveness
0% Instrumentalness • 33% Positiveness
46% Popularity • 58% Danceability • 33% Energy • 18% Liveness
0% Instrumentalness • 33% Positiveness
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Michael Johnson
Bluer Than Blue
138 bpm • G# Maj • 02:59 • -14.24db
64% Popularity • 36% Danceability • 25% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
64% Popularity • 36% Danceability • 25% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
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David Pomeranz
If You Walked Away
138 bpm • F# Maj • 04:11 • -8db
51% Popularity • 34% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
51% Popularity • 34% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Glenn Frey
Lover's Moon
138 bpm • G Maj • 04:11 • -19.64db
59% Popularity • 64% Danceability • 18% Energy • 7% Liveness
2% Instrumentalness • 44% Positiveness
59% Popularity • 64% Danceability • 18% Energy • 7% Liveness
2% Instrumentalness • 44% Positiveness
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Mary MacGregor
For a While
138 bpm • C Maj • 02:54 • -9.23db
45% Popularity • 57% Danceability • 47% Energy • 19% Liveness
0% Instrumentalness • 60% Positiveness
45% Popularity • 57% Danceability • 47% Energy • 19% Liveness
0% Instrumentalness • 60% Positiveness
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Frankie Valli
My Eyes Adored You
138 bpm • B min • 03:32 • -10.44db
61% Popularity • 46% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
61% Popularity • 46% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
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Bread
Aubrey
138 bpm • G Maj • 03:39 • -20.59db
61% Popularity • 33% Danceability • 9% Energy • 20% Liveness
0% Instrumentalness • 22% Positiveness
61% Popularity • 33% Danceability • 9% Energy • 20% Liveness
0% Instrumentalness • 22% Positiveness
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Diana Ross
Touch Me In The Morning
137 bpm • F# Maj • 03:27 • -7.21db
53% Popularity • 36% Danceability • 62% Energy • 5% Liveness
0% Instrumentalness • 60% Positiveness
53% Popularity • 36% Danceability • 62% Energy • 5% Liveness
0% Instrumentalness • 60% Positiveness
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Miami Sound Machine
Words Get In the Way
156 bpm • F Maj • 03:25 • -17.35db
49% Popularity • 67% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
49% Popularity • 67% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Dionne Warwick
I'll Never Fall in Love Again
137 bpm • C# Maj • 02:54 • -13.81db
59% Popularity • 68% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
59% Popularity • 68% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Peabo Bryson
Love Always Finds a Way
137 bpm • E Maj • 04:49 • -14db
46% Popularity • 58% Danceability • 32% Energy • 23% Liveness
0% Instrumentalness • 22% Positiveness
46% Popularity • 58% Danceability • 32% Energy • 23% Liveness
0% Instrumentalness • 22% Positiveness
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Christopher Cross
Arthur's Theme (Best That You Can Do)
137 bpm • A Maj • 03:54 • -11db
71% Popularity • 53% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
71% Popularity • 53% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
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Bread
Live in Your Love
156 bpm • D# Maj • 02:46 • -12.31db
32% Popularity • 28% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
32% Popularity • 28% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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Player
Baby Come Back
156 bpm • F min • 04:15 • -10db
69% Popularity • 65% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
69% Popularity • 65% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Chicago
Wishing You Were Here - 2002 Remaster
136 bpm • D min • 04:35 • -10.76db
43% Popularity • 43% Danceability • 48% Energy • 26% Liveness
2% Instrumentalness • 32% Positiveness
43% Popularity • 43% Danceability • 48% Energy • 26% Liveness
2% Instrumentalness • 32% Positiveness
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England Dan & John Ford Coley
It's Sad to Belong - Single Version
136 bpm • D# Maj • 02:53 • -16.46db
66% Popularity • 52% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
66% Popularity • 52% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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REO Speedwagon
Can't Fight This Feeling
156 bpm • A Maj • 04:54 • -11.02db
73% Popularity • 41% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
73% Popularity • 41% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Arthur John
Between the Moon and New York City
136 bpm • B min • 03:52 • -10db
48% Popularity • 53% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
48% Popularity • 53% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Bread
It Don't Matter to Me (Single Version)
157 bpm • D Maj • 02:49 • -12.28db
28% Popularity • 37% Danceability • 46% Energy • 26% Liveness
0% Instrumentalness • 25% Positiveness
28% Popularity • 37% Danceability • 46% Energy • 26% Liveness
0% Instrumentalness • 25% Positiveness
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Paul Young
Oh Girl
136 bpm • A Maj • 03:36 • -7db
52% Popularity • 57% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
52% Popularity • 57% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Ric Segreto
Don't Know What to Say - Don't Know What...
135 bpm • D Maj • 02:45 • -15db
68% Popularity • 67% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
68% Popularity • 67% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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John Springer
You Know Me
157 bpm • F min • 07:10 • -14.22db
1% Popularity • 37% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
1% Popularity • 37% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Dan Fogelberg
Leader of the Band / Washington Post Mar...
135 bpm • G# Maj • 04:48 • -21db
35% Popularity • 61% Danceability • 9% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
35% Popularity • 61% Danceability • 9% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
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B.J. Thomas
I Just Can't Help Believing
134 bpm • F Maj • 02:57 • -9db
38% Popularity • 55% Danceability • 46% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
38% Popularity • 55% Danceability • 46% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
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Bread
She's the Only One
135 bpm • D Maj • 02:57 • -10.9db
33% Popularity • 50% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
33% Popularity • 50% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
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America
I Need You
134 bpm • G Maj • 03:03 • -10db
59% Popularity • 53% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
59% Popularity • 53% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
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George Benson
In Your Eyes
134 bpm • A Maj • 03:20 • -16.04db
58% Popularity • 55% Danceability • 24% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
58% Popularity • 55% Danceability • 24% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
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John Springer
Jesus Is A Friend Of Mine
135 bpm • A# Maj • 04:34 • -13.46db
7% Popularity • 39% Danceability • 24% Energy • 6% Liveness
0% Instrumentalness • 22% Positiveness
7% Popularity • 39% Danceability • 24% Energy • 6% Liveness
0% Instrumentalness • 22% Positiveness
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Dan Fogelberg
Longer
158 bpm • G Maj • 03:15 • -24.71db
62% Popularity • 31% Danceability • 4% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
62% Popularity • 31% Danceability • 4% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
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Michael Johnson
Bluer Than Blue
134 bpm • G Maj • 03:05 • -15.21db
47% Popularity • 41% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
47% Popularity • 41% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
