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Lot Lizard
Songs like
Lot Lizard
by
Joshua Ray Walker
Based on a tempo of (+/- 10%) and a similar genre
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Arlo McKinley
Suicidal Saturday Night
119 bpm • F Maj • 03:55 • -7.37db
25% Popularity • 47% Danceability • 55% Energy • 40% Liveness
0% Instrumentalness • 59% Positiveness
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Dylan Earl
Cold as the Rockies
119 bpm • D Maj • 04:04 • -10.85db
10% Popularity • 36% Danceability • 42% Energy • 32% Liveness
0% Instrumentalness • 47% Positiveness
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Joshua Ray Walker
Lot Lizard
119 bpm • B Maj • 04:18 • -9.89db
39% Popularity • 62% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Brent Cobb
No Place Left to Leave
119 bpm • E Maj • 04:04 • -7.15db
44% Popularity • 67% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
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Pat Reedy
Highway Bound
119 bpm • A Maj • 01:50 • -3.43db
32% Popularity • 63% Danceability • 86% Energy • 14% Liveness
0% Instrumentalness • 91% Positiveness
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Riddy Arman
Barbed Wire
119 bpm • A Maj • 03:23 • -8.7db
21% Popularity • 52% Danceability • 41% Energy • 5% Liveness
0% Instrumentalness • 26% Positiveness
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Summer Dean
You're Lucky She's Lonely
119 bpm • E Maj • 03:26 • -10.66db
53% Popularity • 56% Danceability • 33% Energy • 38% Liveness
0% Instrumentalness • 36% Positiveness
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Jason Eady
Burn It Down
119 bpm • A min • 02:26 • -10.53db
30% Popularity • 88% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
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Luke Bell
Hold Me
119 bpm • C Maj • 03:15 • -6.8db
27% Popularity • 60% Danceability • 76% Energy • 11% Liveness
1% Instrumentalness • 91% Positiveness
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Arlo McKinley
Back Home
118 bpm • G Maj • 03:59 • -7.95db
23% Popularity • 53% Danceability • 51% Energy • 24% Liveness
1% Instrumentalness • 39% Positiveness
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The Local Honeys
Dumbass, Nebraska
120 bpm • G# Maj • 03:03 • -8.14db
20% Popularity • 60% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 26% Positiveness
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Abby Hamilton
Big Time
118 bpm • A Maj • 02:39 • -7.5db
30% Popularity • 46% Danceability • 32% Energy • 22% Liveness
0% Instrumentalness • 36% Positiveness
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TK & The Holy Know-Nothings
She Wonders
118 bpm • C Maj • 04:12 • -6.61db
8% Popularity • 59% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Summer Dean
Queen of The Clowns
120 bpm • C Maj • 03:10 • -8.32db
33% Popularity • 73% Danceability • 44% Energy • 29% Liveness
0% Instrumentalness • 66% Positiveness
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Justin Wells
Another Night Lonely
118 bpm • C Maj • 04:17 • -10.82db
13% Popularity • 58% Danceability • 28% Energy • 37% Liveness
0% Instrumentalness • 29% Positiveness
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Paul Cauthen
Country Coming Down
120 bpm • C Maj • 03:11 • -12.44db
37% Popularity • 68% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Jaime Wyatt
Neon Cross
118 bpm • B Maj • 04:24 • -4.92db
32% Popularity • 55% Danceability • 83% Energy • 36% Liveness
0% Instrumentalness • 57% Positiveness
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Brennen Leigh
Running Out Of Hope, Arkansas - Acoustic
118 bpm • D# Maj • 02:03 • -9.9db
36% Popularity • 59% Danceability • 43% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
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John R. Miller
Insomnia Blues
120 bpm • E Maj • 04:00 • -10.5db
25% Popularity • 72% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 75% Positiveness
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Joshua Ray Walker
Keep
118 bpm • G Maj • 03:45 • -8.15db
12% Popularity • 60% Danceability • 45% Energy • 19% Liveness
0% Instrumentalness • 51% Positiveness
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Sarah Shook & the Disarmers
Road That Leads To You
117 bpm • G Maj • 02:36 • -5.5db
28% Popularity • 63% Danceability • 82% Energy • 23% Liveness
0% Instrumentalness • 72% Positiveness
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Charlie Marie
El Paso
121 bpm • A Maj • 03:19 • -6.24db
16% Popularity • 70% Danceability • 53% Energy • 33% Liveness
0% Instrumentalness • 58% Positiveness
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Pony Bradshaw
Calico Jim
117 bpm • F# Maj • 04:24 • -11.12db
34% Popularity • 69% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
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Summer Dean
Unladylike
121 bpm • G Maj • 03:20 • -12.36db
26% Popularity • 53% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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Ian Noe
Mountain Saint
117 bpm • C# min • 03:06 • -10.6db
31% Popularity • 69% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Gabe Lee
Heart Don't Break
121 bpm • G# Maj • 04:18 • -11.08db
22% Popularity • 61% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
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Brennen Leigh
If Tommy Duncan's Voice Was Booze
121 bpm • D Maj • 03:16 • -11.39db
36% Popularity • 68% Danceability • 32% Energy • 17% Liveness
0% Instrumentalness • 76% Positiveness
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Josh Morningstar
Must Be the Whiskey
117 bpm • E min • 03:30 • -6db
30% Popularity • 59% Danceability • 46% Energy • 19% Liveness
0% Instrumentalness • 50% Positiveness
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Joshua Ray Walker
Pale Hands
121 bpm • C Maj • 03:30 • -7.89db
13% Popularity • 64% Danceability • 50% Energy • 12% Liveness
1% Instrumentalness • 37% Positiveness
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Vincent Neil Emerson
Hang Your Head Down Low
122 bpm • D min • 03:51 • -6.62db
30% Popularity • 60% Danceability • 76% Energy • 10% Liveness
1% Instrumentalness • 64% Positiveness
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Ian Noe
Barbara's Song
121 bpm • D Maj • 03:25 • -9.18db
34% Popularity • 62% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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Jesse Daniel
Clayton Was a Cowboy
122 bpm • C# Maj • 03:31 • -8.59db
36% Popularity • 68% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
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American Aquarium
The Luckier You Get
122 bpm • G Maj • 03:01 • -5.26db
45% Popularity • 68% Danceability • 82% Energy • 32% Liveness
0% Instrumentalness • 90% Positiveness
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Willi Carlisle
Vanlife
122 bpm • A# Maj • 04:46 • -6.25db
31% Popularity • 60% Danceability • 77% Energy • 20% Liveness
0% Instrumentalness • 62% Positiveness
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Caleb Caudle
Stack of Tomorrows
116 bpm • C# min • 02:28 • -6.71db
30% Popularity • 66% Danceability • 68% Energy • 22% Liveness
0% Instrumentalness • 65% Positiveness
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Jeremy Pinnell
Wanna Do Something
116 bpm • A Maj • 02:50 • -6.85db
36% Popularity • 70% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Ian Noe
Appalachia Haze
116 bpm • E min • 03:53 • -11.2db
29% Popularity • 47% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Charlie Marie
Ramble on Man
122 bpm • A# Maj • 03:21 • -4.86db
9% Popularity • 63% Danceability • 78% Energy • 21% Liveness
0% Instrumentalness • 78% Positiveness
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John R. Miller
Borrowed Time
122 bpm • E Maj • 05:02 • -7.75db
23% Popularity • 59% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
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Summer Dean
The Biggest Life Worth Living Is the Sma...
116 bpm • C Maj • 03:23 • -7.21db
21% Popularity • 65% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
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Justin Wells
Walls Fall Down
122 bpm • G Maj • 04:09 • -8.01db
14% Popularity • 57% Danceability • 62% Energy • 28% Liveness
0% Instrumentalness • 45% Positiveness
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Gabe Lee
Ol' Smokey
122 bpm • A Maj • 04:26 • -6.4db
15% Popularity • 64% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
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Jesse Daniel
Hell Bent
122 bpm • G Maj • 02:33 • -2.67db
19% Popularity • 55% Danceability • 90% Energy • 38% Liveness
2% Instrumentalness • 79% Positiveness
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Dylan Earl
Fever
116 bpm • C Maj • 03:36 • -8db
15% Popularity • 50% Danceability • 67% Energy • 29% Liveness
0% Instrumentalness • 65% Positiveness
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Riddy Arman
Herding Song
116 bpm • A Maj • 02:07 • -9.83db
17% Popularity • 61% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Otis Gibbs
The Darker Side of Me
115 bpm • E Maj • 04:22 • -11db
30% Popularity • 64% Danceability • 54% Energy • 35% Liveness
3% Instrumentalness • 68% Positiveness
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The Wilder Blue
Excuse Me
123 bpm • A Maj • 01:07 • -12.52db
45% Popularity • 70% Danceability • 51% Energy • 67% Liveness
2% Instrumentalness • 72% Positiveness
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Eric Bolander
The Wind
115 bpm • F# Maj • 04:03 • -12.49db
22% Popularity • 69% Danceability • 20% Energy • 11% Liveness
3% Instrumentalness • 9% Positiveness
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Arlo McKinley
We Were Alright
115 bpm • E Maj • 04:00 • -9.85db
29% Popularity • 54% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Dylan Earl
Blessing in Disguise
114 bpm • D Maj • 04:31 • -9.9db
14% Popularity • 40% Danceability • 46% Energy • 37% Liveness
0% Instrumentalness • 17% Positiveness
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Sierra Ferrell
Silver Dollar
124 bpm • C Maj • 02:05 • -8.96db
54% Popularity • 68% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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Nate Fredrick
The Dreamer
124 bpm • A# Maj • 04:36 • -8.01db
12% Popularity • 67% Danceability • 63% Energy • 11% Liveness
4% Instrumentalness • 55% Positiveness
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David Quinn
Let Me Die with My Boots On
124 bpm • C Maj • 03:24 • -6.38db
15% Popularity • 73% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
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Garrett T. Capps
Sunday Sun
124 bpm • D Maj • 03:46 • -8.16db
12% Popularity • 55% Danceability • 55% Energy • 18% Liveness
1% Instrumentalness • 52% Positiveness
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Aaron McDonnell
Tell the Devil
124 bpm • E Maj • 03:42 • -9.8db
18% Popularity • 60% Danceability • 64% Energy • 29% Liveness
4% Instrumentalness • 20% Positiveness
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Jeremy Pinnell
Ballad of 1892
124 bpm • D Maj • 03:05 • -8.81db
47% Popularity • 80% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
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Town Mountain
Lines in the Levee
124 bpm • F Maj • 03:40 • -5.27db
30% Popularity • 63% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
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Joshua Ray Walker
Love Songs
124 bpm • A Maj • 02:55 • -5.52db
15% Popularity • 56% Danceability • 78% Energy • 6% Liveness
0% Instrumentalness • 83% Positiveness
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Emily Nenni
Canyon
124 bpm • D Maj • 03:02 • -8.32db
29% Popularity • 59% Danceability • 53% Energy • 35% Liveness
0% Instrumentalness • 74% Positiveness
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Justin Wells
Still No Rain
114 bpm • A# Maj • 03:21 • -10.8db
31% Popularity • 65% Danceability • 52% Energy • 10% Liveness
3% Instrumentalness • 49% Positiveness
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Ian Noe
That Kind of Life
124 bpm • F Maj • 03:20 • -10.67db
31% Popularity • 61% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Jeremy Pinnell
I'm Alright With This
114 bpm • A Maj • 03:59 • -8.24db
30% Popularity • 89% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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John Moreland
Nobody Gives a Damn About Songs Anymore
114 bpm • D# Maj • 03:15 • -9.59db
31% Popularity • 57% Danceability • 57% Energy • 18% Liveness
9% Instrumentalness • 79% Positiveness
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Bella White
Broke (When I Realized)
114 bpm • B Maj • 03:38 • -12.32db
36% Popularity • 69% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Willi Carlisle
The Down and Back
125 bpm • E Maj • 01:45 • -5.98db
33% Popularity • 65% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Summer Dean
I Go
114 bpm • A Maj • 02:21 • -10.35db
29% Popularity • 66% Danceability • 31% Energy • 32% Liveness
0% Instrumentalness • 43% Positiveness
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JP Harris
When I Quit Drinking
125 bpm • G Maj • 03:56 • -7.6db
29% Popularity • 66% Danceability • 61% Energy • 11% Liveness
2% Instrumentalness • 48% Positiveness
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Jeremy Pinnell
The Way Country Sounds
114 bpm • A Maj • 03:56 • -8.5db
24% Popularity • 73% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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Paul Cauthen
Angel
125 bpm • C Maj • 04:18 • -9.69db
41% Popularity • 70% Danceability • 54% Energy • 11% Liveness
3% Instrumentalness • 49% Positiveness
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Jesse Daniel
Think I'll Stay
125 bpm • G# Maj • 03:36 • -7db
34% Popularity • 72% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
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Emily Nenni
Gates Of Hell
125 bpm • G Maj • 03:18 • -6.34db
26% Popularity • 63% Danceability • 71% Energy • 12% Liveness
1% Instrumentalness • 58% Positiveness
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Rattlesnake Milk
Lovers
113 bpm • E min • 04:28 • -6.76db
24% Popularity • 49% Danceability • 61% Energy • 12% Liveness
29% Instrumentalness • 17% Positiveness
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Justin Wells
So Far Away
125 bpm • C min • 02:53 • -11.3db
22% Popularity • 64% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 19% Positiveness
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Jeremy Pinnell
Never Thought of No One
114 bpm • C Maj • 03:53 • -6.63db
17% Popularity • 62% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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Dylan Earl
One More Time
113 bpm • G Maj • 03:15 • -8.78db
19% Popularity • 52% Danceability • 52% Energy • 19% Liveness
6% Instrumentalness • 36% Positiveness
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Arlo McKinley
Gone for Good
113 bpm • A Maj • 03:11 • -5.97db
23% Popularity • 56% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Emily Nenni
Hurt All Over
113 bpm • G Maj • 03:33 • -7.79db
33% Popularity • 48% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 60% Positiveness
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TK & The Holy Know-Nothings
Serenity Prayer
126 bpm • E Maj • 04:50 • -5.29db
22% Popularity • 73% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
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Joshua Ray Walker
Dallas Lights
126 bpm • G Maj • 03:57 • -8.17db
21% Popularity • 50% Danceability • 61% Energy • 10% Liveness
21% Instrumentalness • 66% Positiveness
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Ian Noe
Off This Mountaintop
113 bpm • C Maj • 03:32 • -10db
44% Popularity • 70% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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Dylan Earl
Learning (What Leaving Means)
113 bpm • C Maj • 02:58 • -7.99db
22% Popularity • 61% Danceability • 59% Energy • 17% Liveness
0% Instrumentalness • 75% Positiveness
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South Texas Tweek
Count on Me
112 bpm • E Maj • 03:02 • -8.17db
29% Popularity • 68% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
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The Local Honeys
Cigarette Trees
126 bpm • A# Maj • 02:43 • -8.86db
38% Popularity • 67% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
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Bella White
Not To Blame
126 bpm • D Maj • 02:55 • -9.56db
44% Popularity • 60% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 75% Positiveness
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Jeremy Pinnell
Rodeo
112 bpm • C Maj • 03:10 • -7.17db
20% Popularity • 68% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Riddy Arman
Too Late to Write a Love Song
112 bpm • G Maj • 03:14 • -5.33db
35% Popularity • 62% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 36% Positiveness
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Nick Shoulders
G for Jesus
112 bpm • D Maj • 03:07 • -9.18db
36% Popularity • 73% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
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Dylan Earl
Draw the Line
112 bpm • D Maj • 03:16 • -9.21db
10% Popularity • 54% Danceability • 59% Energy • 17% Liveness
0% Instrumentalness • 82% Positiveness
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The Local Honeys
The Junkman
112 bpm • G Maj • 02:39 • -9.03db
28% Popularity • 75% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Joshua Ray Walker
See You Next Time
112 bpm • G Maj • 02:47 • -11.34db
12% Popularity • 56% Danceability • 48% Energy • 9% Liveness
1% Instrumentalness • 68% Positiveness
► Preview
Jeremy Pinnell
Best I Could Do
112 bpm • F Maj • 04:01 • -7.82db
20% Popularity • 81% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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John Fullbright
Where We Belong
112 bpm • D Maj • 03:02 • -12.71db
12% Popularity • 64% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Town Mountain
Unsung Heroes
112 bpm • F# Maj • 04:36 • -9.24db
23% Popularity • 57% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
► Preview
Arlo McKinley
Stealing Dark from the Night Sky
112 bpm • A Maj • 04:47 • -9.38db
27% Popularity • 61% Danceability • 40% Energy • 10% Liveness
1% Instrumentalness • 36% Positiveness
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Jason Eady
Once Upon a Time in New Orleans
127 bpm • A min • 03:57 • -11.4db
16% Popularity • 68% Danceability • 51% Energy • 11% Liveness
15% Instrumentalness • 63% Positiveness
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John R. Miller
Half Ton Van
127 bpm • D Maj • 03:26 • -6.45db
27% Popularity • 60% Danceability • 70% Energy • 32% Liveness
0% Instrumentalness • 52% Positiveness
► Preview
Gabe Lee
Kinda Man
127 bpm • G Maj • 03:19 • -5db
17% Popularity • 61% Danceability • 84% Energy • 39% Liveness
0% Instrumentalness • 66% Positiveness
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Emily Nenni
In The Mornin’
111 bpm • D Maj • 02:41 • -5.61db
39% Popularity • 76% Danceability • 72% Energy • 11% Liveness
1% Instrumentalness • 52% Positiveness
► Preview
Jaime Wyatt
Goodbye Queen
111 bpm • B Maj • 03:17 • -4.63db
26% Popularity • 65% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
► Preview
Pony Bradshaw
Sawtoothed Jericho
111 bpm • F# Maj • 04:59 • -11.62db
44% Popularity • 67% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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