Songs like Loud and Heavy by Cody Jinks
Based on a tempo of (+/- 10%) and a similar genre
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Whitey Morgan and the 78's
Sinner
82 bpm • G Maj • 04:01 • -3.34db
48% Popularity • 56% Danceability • 62% Energy • 5% Liveness
23% Instrumentalness • 52% Positiveness
48% Popularity • 56% Danceability • 62% Energy • 5% Liveness
23% Instrumentalness • 52% Positiveness
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Brothers Osborne
I'm Not For Everyone
82 bpm • G Maj • 02:52 • -4.87db
65% Popularity • 59% Danceability • 74% Energy • 21% Liveness
0% Instrumentalness • 64% Positiveness
65% Popularity • 59% Danceability • 74% Energy • 21% Liveness
0% Instrumentalness • 64% Positiveness
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Carson Jeffrey
Ranch Girl Dream
82 bpm • F# Maj • 03:43 • -7.31db
48% Popularity • 48% Danceability • 49% Energy • 37% Liveness
2% Instrumentalness • 27% Positiveness
48% Popularity • 48% Danceability • 49% Energy • 37% Liveness
2% Instrumentalness • 27% Positiveness
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Kolton Moore & the Clever Few
Dear Mom
82 bpm • C# Maj • 03:45 • -11.31db
55% Popularity • 53% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
55% Popularity • 53% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Tyler Childers
Whitehouse Road (OurVinyl Sessions)
82 bpm • C Maj • 04:28 • -8.66db
65% Popularity • 54% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
65% Popularity • 54% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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William Clark Green
She Likes the Beatles
82 bpm • G Maj • 04:16 • -4.29db
52% Popularity • 21% Danceability • 59% Energy • 21% Liveness
0% Instrumentalness • 34% Positiveness
52% Popularity • 21% Danceability • 59% Energy • 21% Liveness
0% Instrumentalness • 34% Positiveness
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Whitey Morgan and the 78's
Me and the Whiskey
82 bpm • D Maj • 04:32 • -5.45db
55% Popularity • 39% Danceability • 83% Energy • 13% Liveness
14% Instrumentalness • 55% Positiveness
55% Popularity • 39% Danceability • 83% Energy • 13% Liveness
14% Instrumentalness • 55% Positiveness
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Whiskey Myers
Trailer We Call Home
82 bpm • E Maj • 03:39 • -13.02db
57% Popularity • 52% Danceability • 20% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
57% Popularity • 52% Danceability • 20% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
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Koe Wetzel
February 28, 2016
82 bpm • G Maj • 03:53 • -6.65db
65% Popularity • 27% Danceability • 56% Energy • 41% Liveness
0% Instrumentalness • 31% Positiveness
65% Popularity • 27% Danceability • 56% Energy • 41% Liveness
0% Instrumentalness • 31% Positiveness
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Jason Aldean
Fly over States
82 bpm • G Maj • 03:38 • -3.27db
64% Popularity • 49% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
64% Popularity • 49% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Tyler Childers
Lady May
81 bpm • D# Maj • 03:03 • -13.29db
76% Popularity • 54% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
76% Popularity • 54% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Colter Wall
Sleeping on the Blacktop
83 bpm • D min • 03:12 • -14.51db
76% Popularity • 58% Danceability • 31% Energy • 11% Liveness
21% Instrumentalness • 47% Positiveness
76% Popularity • 58% Danceability • 31% Energy • 11% Liveness
21% Instrumentalness • 47% Positiveness
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Gary Allan
Right Where I Need To Be
83 bpm • C# Maj • 03:02 • -4.79db
65% Popularity • 52% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
65% Popularity • 52% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Cody Johnson
Work Boots
83 bpm • D Maj • 02:49 • -5.12db
59% Popularity • 64% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 58% Positiveness
59% Popularity • 64% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 58% Positiveness
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Kody West
Green
81 bpm • F Maj • 03:36 • -4.9db
56% Popularity • 48% Danceability • 73% Energy • 39% Liveness
0% Instrumentalness • 38% Positiveness
56% Popularity • 48% Danceability • 73% Energy • 39% Liveness
0% Instrumentalness • 38% Positiveness
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Ryan Bingham
Wolves
83 bpm • G Maj • 04:32 • -7db
52% Popularity • 52% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
52% Popularity • 52% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Wyatt Flores
Losing Sleep
81 bpm • B min • 03:28 • -6db
67% Popularity • 70% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
67% Popularity • 70% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
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Zach Top
There's the Sun
83 bpm • F Maj • 03:25 • -7.24db
45% Popularity • 64% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
45% Popularity • 64% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Ian Munsick
Horses Are Faster
81 bpm • A Maj • 04:07 • -6.29db
62% Popularity • 31% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
62% Popularity • 31% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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The Red Clay Strays
Good Godly Woman
83 bpm • G Maj • 02:27 • -7db
63% Popularity • 44% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
63% Popularity • 44% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Riley Green
Bury Me In Dixie
83 bpm • C# Maj • 03:08 • -9.03db
60% Popularity • 69% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
60% Popularity • 69% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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Turnpike Troubadours
Down Here
80 bpm • G Maj • 03:09 • -2.61db
50% Popularity • 49% Danceability • 82% Energy • 30% Liveness
1% Instrumentalness • 79% Positiveness
50% Popularity • 49% Danceability • 82% Energy • 30% Liveness
1% Instrumentalness • 79% Positiveness
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Cody Jinks
Somewhere in the Middle
84 bpm • A# Maj • 05:00 • -5.06db
58% Popularity • 59% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
58% Popularity • 59% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Whiskey Myers
Guitar Picker
84 bpm • G Maj • 03:28 • -6.01db
49% Popularity • 56% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
49% Popularity • 56% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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David Allan Coe
The Ride
84 bpm • F Maj • 03:10 • -12.37db
62% Popularity • 67% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
62% Popularity • 67% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
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Cody Johnson
Human
84 bpm • D Maj • 03:41 • -7.28db
68% Popularity • 40% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
68% Popularity • 40% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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William Clark Green
The One I Was Then
80 bpm • D Maj • 03:37 • -10db
43% Popularity • 46% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
43% Popularity • 46% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Flatland Cavalry
Coyote (The Ballad of Roy Johnson)
80 bpm • F# min • 04:27 • -8.3db
38% Popularity • 49% Danceability • 46% Energy • 32% Liveness
0% Instrumentalness • 61% Positiveness
38% Popularity • 49% Danceability • 46% Energy • 32% Liveness
0% Instrumentalness • 61% Positiveness
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Tyler Childers
Whitehouse Road
84 bpm • C Maj • 04:40 • -5.5db
70% Popularity • 61% Danceability • 74% Energy • 19% Liveness
0% Instrumentalness • 88% Positiveness
70% Popularity • 61% Danceability • 74% Energy • 19% Liveness
0% Instrumentalness • 88% Positiveness
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Colter Wall
Motorcycle
85 bpm • G Maj • 02:17 • -13.05db
68% Popularity • 68% Danceability • 43% Energy • 10% Liveness
53% Instrumentalness • 62% Positiveness
68% Popularity • 68% Danceability • 43% Energy • 10% Liveness
53% Instrumentalness • 62% Positiveness
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Matt Mason
Where I've Been
85 bpm • G Maj • 03:08 • -9.87db
62% Popularity • 59% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
62% Popularity • 59% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Brent Cobb
Down In The Gulley
79 bpm • E min • 03:16 • -11.1db
50% Popularity • 68% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
50% Popularity • 68% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Easton Corbin
A Little More Country Than That
85 bpm • B Maj • 02:52 • -8.53db
61% Popularity • 64% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
61% Popularity • 64% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Cody Jinks
Always Running
85 bpm • C Maj • 04:25 • -7.18db
46% Popularity • 56% Danceability • 67% Energy • 20% Liveness
0% Instrumentalness • 43% Positiveness
46% Popularity • 56% Danceability • 67% Energy • 20% Liveness
0% Instrumentalness • 43% Positiveness
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Colby Acuff
When I See You Again
85 bpm • C# Maj • 02:58 • -12.71db
56% Popularity • 48% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
56% Popularity • 48% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Reckless Kelly
Wicked Twisted Road
85 bpm • A Maj • 03:25 • -10.26db
52% Popularity • 41% Danceability • 38% Energy • 8% Liveness
1% Instrumentalness • 45% Positiveness
52% Popularity • 41% Danceability • 38% Energy • 8% Liveness
1% Instrumentalness • 45% Positiveness
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Aaron Lewis
Sinner
79 bpm • G# Maj • 03:31 • -5.28db
48% Popularity • 49% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
48% Popularity • 49% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Turnpike Troubadours
Mean Old Sun
79 bpm • C Maj • 04:08 • -7.05db
54% Popularity • 48% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 37% Positiveness
54% Popularity • 48% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 37% Positiveness
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The Charlie Daniels Band
Simple Man
79 bpm • A Maj • 03:22 • -13.08db
61% Popularity • 59% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
61% Popularity • 59% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Wyatt Flores
Travelin’ kid
85 bpm • E Maj • 03:26 • -11db
55% Popularity • 46% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
55% Popularity • 46% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Tyler Childers
Follow You To Virgie (OurVinyl Sessions)
79 bpm • A# Maj • 03:22 • -8.82db
75% Popularity • 57% Danceability • 32% Energy • 32% Liveness
0% Instrumentalness • 51% Positiveness
75% Popularity • 57% Danceability • 32% Energy • 32% Liveness
0% Instrumentalness • 51% Positiveness
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Tanner Usrey
Take Me Home
79 bpm • G Maj • 03:29 • -8.05db
54% Popularity • 57% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
54% Popularity • 57% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Aaron Lewis
Northern Redneck
79 bpm • F# Maj • 03:39 • -5.52db
58% Popularity • 62% Danceability • 76% Energy • 36% Liveness
0% Instrumentalness • 61% Positiveness
58% Popularity • 62% Danceability • 76% Energy • 36% Liveness
0% Instrumentalness • 61% Positiveness
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Turnpike Troubadours
The Housefire
85 bpm • G Maj • 03:39 • -4.63db
53% Popularity • 48% Danceability • 69% Energy • 24% Liveness
0% Instrumentalness • 65% Positiveness
53% Popularity • 48% Danceability • 69% Energy • 24% Liveness
0% Instrumentalness • 65% Positiveness
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Parker McCollum
Rest Of My Life
86 bpm • G Maj • 02:54 • -7db
53% Popularity • 57% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
53% Popularity • 57% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Wyatt Flores
Please Don't Go
85 bpm • F# min • 03:01 • -7.49db
76% Popularity • 68% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
76% Popularity • 68% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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Casey Donahew
He Ain't a Cowboy
86 bpm • B min • 03:13 • -7.2db
54% Popularity • 68% Danceability • 78% Energy • 36% Liveness
0% Instrumentalness • 81% Positiveness
54% Popularity • 68% Danceability • 78% Energy • 36% Liveness
0% Instrumentalness • 81% Positiveness
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Jamey Johnson
High Cost Of Living
86 bpm • C Maj • 05:45 • -7.04db
58% Popularity • 63% Danceability • 60% Energy • 32% Liveness
0% Instrumentalness • 40% Positiveness
58% Popularity • 63% Danceability • 60% Energy • 32% Liveness
0% Instrumentalness • 40% Positiveness
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Cody Jinks
Ready for the Times to Get Better
86 bpm • C min • 02:56 • -8.13db
50% Popularity • 53% Danceability • 67% Energy • 13% Liveness
1% Instrumentalness • 58% Positiveness
50% Popularity • 53% Danceability • 67% Energy • 13% Liveness
1% Instrumentalness • 58% Positiveness
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Turnpike Troubadours
Good Lord Lorrie
79 bpm • G Maj • 05:01 • -6.76db
60% Popularity • 56% Danceability • 65% Energy • 30% Liveness
0% Instrumentalness • 58% Positiveness
60% Popularity • 56% Danceability • 65% Energy • 30% Liveness
0% Instrumentalness • 58% Positiveness
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Jon Pardi
Your Heart Or Mine
86 bpm • F min • 02:41 • -4db
76% Popularity • 64% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
76% Popularity • 64% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Hank Williams, Jr.
If Heaven Ain't A Lot Like Dixie
78 bpm • F Maj • 02:44 • -8.98db
60% Popularity • 73% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
60% Popularity • 73% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
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Ty Myers
Tie That Binds
78 bpm • A Maj • 04:16 • -9.08db
59% Popularity • 55% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
59% Popularity • 55% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Gavin Adcock
Ain't No Cure
78 bpm • C# Maj • 03:07 • -5.88db
66% Popularity • 66% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
66% Popularity • 66% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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Casey Donahew
What Cowboys Do
78 bpm • F Maj • 03:50 • -3.97db
48% Popularity • 50% Danceability • 79% Energy • 32% Liveness
0% Instrumentalness • 40% Positiveness
48% Popularity • 50% Danceability • 79% Energy • 32% Liveness
0% Instrumentalness • 40% Positiveness
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Cody Hibbard
Dying Breed
78 bpm • B Maj • 03:31 • -4.98db
53% Popularity • 47% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
53% Popularity • 47% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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Jarrod Morris
Coyote
78 bpm • B min • 04:01 • -7.16db
49% Popularity • 47% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
49% Popularity • 47% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Red Shahan
303
87 bpm • G# Maj • 02:47 • -5.22db
47% Popularity • 61% Danceability • 56% Energy • 20% Liveness
0% Instrumentalness • 78% Positiveness
47% Popularity • 61% Danceability • 56% Energy • 20% Liveness
0% Instrumentalness • 78% Positiveness
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Flatland Cavalry
One I Want
87 bpm • G Maj • 03:51 • -7.95db
54% Popularity • 52% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
54% Popularity • 52% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
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Tyler Childers
Feathered Indians
87 bpm • G Maj • 03:44 • -6.71db
79% Popularity • 54% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
79% Popularity • 54% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Zach Top
Use Me
87 bpm • G Maj • 03:56 • -6.68db
44% Popularity • 42% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
44% Popularity • 42% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Riley Green
Georgia Time
77 bpm • F# Maj • 03:41 • -6.23db
64% Popularity • 59% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
64% Popularity • 59% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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Cody Jinks
Tell'em What It's Like
77 bpm • C# Maj • 03:09 • -4db
41% Popularity • 48% Danceability • 63% Energy • 37% Liveness
0% Instrumentalness • 40% Positiveness
41% Popularity • 48% Danceability • 63% Energy • 37% Liveness
0% Instrumentalness • 40% Positiveness
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Bryan Martin
Wolves Cry
77 bpm • F# Maj • 02:43 • -5.72db
72% Popularity • 64% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
72% Popularity • 64% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Koe Wetzel
Creeps
88 bpm • F Maj • 03:44 • -4.97db
60% Popularity • 57% Danceability • 85% Energy • 26% Liveness
0% Instrumentalness • 28% Positiveness
60% Popularity • 57% Danceability • 85% Energy • 26% Liveness
0% Instrumentalness • 28% Positiveness
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Whitey Morgan and the 78's
Bad News
88 bpm • D Maj • 05:17 • -7.1db
56% Popularity • 67% Danceability • 66% Energy • 7% Liveness
1% Instrumentalness • 49% Positiveness
56% Popularity • 67% Danceability • 66% Energy • 7% Liveness
1% Instrumentalness • 49% Positiveness
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![Luckenbach, Texas (Back to the Basics of Love) [feat. Nik Lee] cover art](https://i.scdn.co/image/ab67616d00001e020347f932a468c3d0dad2e25d)
Paul Cauthen
Luckenbach, Texas (Back to the Basics of...
88 bpm • G Maj • 05:17 • -3.67db
29% Popularity • 68% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
29% Popularity • 68% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Whiskey Myers
Reckoning
77 bpm • F# min • 04:29 • -6.4db
55% Popularity • 44% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
55% Popularity • 44% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Treaty Oak Revival
No Vacancy
76 bpm • C Maj • 04:04 • -4db
71% Popularity • 43% Danceability • 78% Energy • 22% Liveness
0% Instrumentalness • 41% Positiveness
71% Popularity • 43% Danceability • 78% Energy • 22% Liveness
0% Instrumentalness • 41% Positiveness
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Bryan Martin
Lost
77 bpm • A# min • 03:19 • -6.06db
56% Popularity • 30% Danceability • 73% Energy • 21% Liveness
0% Instrumentalness • 28% Positiveness
56% Popularity • 30% Danceability • 73% Energy • 21% Liveness
0% Instrumentalness • 28% Positiveness
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Shane Smith & the Saints
Cocaine Habit
88 bpm • F# min • 04:22 • -6.06db
53% Popularity • 42% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
53% Popularity • 42% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Luke Combs
Can I Get an Outlaw
76 bpm • B Maj • 03:58 • -5.49db
63% Popularity • 54% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
63% Popularity • 54% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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Turnpike Troubadours
Pay No Rent
76 bpm • E Maj • 04:01 • -6.01db
58% Popularity • 45% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
58% Popularity • 45% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Flatland Cavalry
Some Things Never Change
89 bpm • D Maj • 03:20 • -5.27db
52% Popularity • 48% Danceability • 71% Energy • 32% Liveness
0% Instrumentalness • 54% Positiveness
52% Popularity • 48% Danceability • 71% Energy • 32% Liveness
0% Instrumentalness • 54% Positiveness
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Cody Johnson
Long Haired Country Boy
89 bpm • F# Maj • 04:17 • -4.88db
53% Popularity • 54% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
53% Popularity • 54% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Hank Williams, Jr.
A Country Boy Can Survive
75 bpm • G Maj • 04:15 • -9.35db
64% Popularity • 69% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
64% Popularity • 69% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Southall
Keystone Clan
90 bpm • E Maj • 02:31 • -10.43db
50% Popularity • 51% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
50% Popularity • 51% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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Cody Jinks
Last Call for the Blues
75 bpm • C Maj • 05:38 • -5.88db
43% Popularity • 67% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
43% Popularity • 67% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
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Whiskey Myers
Broken Window Serenade
75 bpm • E min • 05:46 • -6.67db
71% Popularity • 55% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 44% Positiveness
71% Popularity • 55% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 44% Positiveness
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Randy Rogers Band
Fuzzy
75 bpm • C min • 03:20 • -5.46db
45% Popularity • 48% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
45% Popularity • 48% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Cody Johnson
With You I Am
75 bpm • G Maj • 03:40 • -6.22db
70% Popularity • 56% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
70% Popularity • 56% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
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Travis Tritt
Modern Day Bonnie and Clyde
90 bpm • A min • 04:44 • -5db
56% Popularity • 65% Danceability • 87% Energy • 28% Liveness
0% Instrumentalness • 92% Positiveness
56% Popularity • 65% Danceability • 87% Energy • 28% Liveness
0% Instrumentalness • 92% Positiveness
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The Lowdown Drifters
Alright
90 bpm • C Maj • 03:20 • -10.39db
57% Popularity • 57% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
57% Popularity • 57% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
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Chris LeDoux
This Cowboy's Hat
90 bpm • F# min • 04:05 • -14.84db
58% Popularity • 49% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
58% Popularity • 49% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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Whiskey Myers
Bar, Guitar and a Honky Tonk Crowd
90 bpm • C Maj • 03:17 • -5.67db
60% Popularity • 60% Danceability • 65% Energy • 19% Liveness
0% Instrumentalness • 61% Positiveness
60% Popularity • 60% Danceability • 65% Energy • 19% Liveness
0% Instrumentalness • 61% Positiveness
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Montgomery Gentry
Where I Come From
90 bpm • C# Maj • 03:21 • -4.2db
67% Popularity • 62% Danceability • 85% Energy • 28% Liveness
0% Instrumentalness • 48% Positiveness
67% Popularity • 62% Danceability • 85% Energy • 28% Liveness
0% Instrumentalness • 48% Positiveness
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Hank Williams, Jr.
The Conversation
90 bpm • B min • 03:52 • -17.7db
53% Popularity • 71% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
53% Popularity • 71% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
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Cody Jinks
We're Gonna Dance
74 bpm • C# Maj • 03:31 • -6.94db
40% Popularity • 41% Danceability • 72% Energy • 8% Liveness
44% Instrumentalness • 44% Positiveness
40% Popularity • 41% Danceability • 72% Energy • 8% Liveness
44% Instrumentalness • 44% Positiveness
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The Lowdown Drifters
Fire in Her Eyes
90 bpm • E Maj • 03:14 • -6.76db
57% Popularity • 67% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
57% Popularity • 67% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Cody Johnson
Welcome to the Show
91 bpm • F# Maj • 02:40 • -3.83db
68% Popularity • 59% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
68% Popularity • 59% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Whiskey Myers
Ballad Of A Southern Man
74 bpm • G Maj • 03:40 • -6.57db
65% Popularity • 60% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
65% Popularity • 60% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Kody West
The Prayer
73 bpm • F Maj • 03:55 • -7.3db
50% Popularity • 63% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
50% Popularity • 63% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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Colter Wall
Caroline
74 bpm • B Maj • 02:53 • -15.26db
65% Popularity • 50% Danceability • 18% Energy • 11% Liveness
27% Instrumentalness • 50% Positiveness
65% Popularity • 50% Danceability • 18% Energy • 11% Liveness
27% Instrumentalness • 50% Positiveness
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Casey Donahew
White Trash Story
92 bpm • E Maj • 03:40 • -7db
54% Popularity • 67% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
54% Popularity • 67% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
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Tyler Childers
Coal
92 bpm • D# Maj • 03:21 • -12.84db
72% Popularity • 56% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
72% Popularity • 56% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Cody Jinks
Think Like You Think
92 bpm • G# Maj • 03:29 • -3.16db
42% Popularity • 49% Danceability • 84% Energy • 38% Liveness
0% Instrumentalness • 50% Positiveness
42% Popularity • 49% Danceability • 84% Energy • 38% Liveness
0% Instrumentalness • 50% Positiveness
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Hank Williams, Jr.
Midnight Rider
92 bpm • G Maj • 02:49 • -8.79db
50% Popularity • 60% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
50% Popularity • 60% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
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DERYL DODD
Loveletters and Cigarettes
73 bpm • G# Maj • 04:16 • -7.64db
22% Popularity • 51% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
22% Popularity • 51% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
