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Love and Happiness
Songs like
Love and Happiness
by
Monty Alexander
Based on a tempo of (+/- 10%) and a similar genre
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Ruby Rushton
Moonlight Woman
92 bpm • C Maj • 09:04 • -16.52db
21% Popularity • 62% Danceability • 24% Energy • 18% Liveness
85% Instrumentalness • 63% Positiveness
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Wynton Kelly Trio
Escapade
92 bpm • A# min • 02:48 • -17db
32% Popularity • 64% Danceability • 45% Energy • 11% Liveness
1% Instrumentalness • 80% Positiveness
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The Elder Statesman
Montreux Sunrise
92 bpm • C# min • 03:41 • -11.01db
38% Popularity • 70% Danceability • 46% Energy • 25% Liveness
0% Instrumentalness • 44% Positiveness
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The Poets Of Rhythm
Strokin' the Grits
92 bpm • G Maj • 04:15 • -9.63db
28% Popularity • 79% Danceability • 48% Energy • 10% Liveness
86% Instrumentalness • 84% Positiveness
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Lafayette Afro Rock Band
Azeta
92 bpm • G# Maj • 06:24 • -7.4db
25% Popularity • 54% Danceability • 85% Energy • 10% Liveness
87% Instrumentalness • 72% Positiveness
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Idris Muhammad
Express Yourself
92 bpm • G# Maj • 05:25 • -15.32db
22% Popularity • 68% Danceability • 54% Energy • 28% Liveness
5% Instrumentalness • 96% Positiveness
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The RH Factor
Hardgroove
92 bpm • E min • 05:31 • -10.76db
35% Popularity • 60% Danceability • 57% Energy • 14% Liveness
91% Instrumentalness • 65% Positiveness
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Fred Wesley & The Horny Horns
Four Play
93 bpm • A Maj • 08:00 • -9.2db
27% Popularity • 77% Danceability • 51% Energy • 7% Liveness
82% Instrumentalness • 82% Positiveness
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Monty Alexander
Love and Happiness
92 bpm • F Maj • 05:21 • -18db
35% Popularity • 53% Danceability • 37% Energy • 10% Liveness
56% Instrumentalness • 47% Positiveness
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Gene Harris & The Three Sounds
Book Of Slim
91 bpm • D min • 03:23 • -9.07db
41% Popularity • 68% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 76% Positiveness
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The Meters
The Look of Love
93 bpm • G min • 03:33 • -13.15db
30% Popularity • 70% Danceability • 32% Energy • 11% Liveness
83% Instrumentalness • 30% Positiveness
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Roy Ayers Ubiquity
The Black Five
93 bpm • C min • 03:57 • -14db
19% Popularity • 63% Danceability • 53% Energy • 8% Liveness
82% Instrumentalness • 95% Positiveness
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St Germain
Land Of...
91 bpm • A# min • 07:47 • -7db
45% Popularity • 78% Danceability • 64% Energy • 8% Liveness
88% Instrumentalness • 50% Positiveness
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Voilaaa
Bark
93 bpm • D Maj • 06:21 • -11db
32% Popularity • 87% Danceability • 56% Energy • 5% Liveness
6% Instrumentalness • 91% Positiveness
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Eddie Henderson
The Kumquat Kids
93 bpm • A min • 04:30 • -8db
21% Popularity • 65% Danceability • 75% Energy • 4% Liveness
7% Instrumentalness • 89% Positiveness
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Lalo Schifrin
Tabu
91 bpm • F min • 04:32 • -17db
13% Popularity • 56% Danceability • 42% Energy • 10% Liveness
88% Instrumentalness • 58% Positiveness
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Idris Ackamoor
Rhapsody In Berlin
91 bpm • B min • 06:21 • -4db
24% Popularity • 58% Danceability • 86% Energy • 15% Liveness
47% Instrumentalness • 69% Positiveness
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Roy Ayers Ubiquity
Red, Black and Green
93 bpm • A# min • 04:43 • -11db
15% Popularity • 66% Danceability • 66% Energy • 8% Liveness
3% Instrumentalness • 97% Positiveness
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Amir Bresler
Afro Golden Line
91 bpm • E min • 03:59 • -8.99db
37% Popularity • 55% Danceability • 62% Energy • 15% Liveness
93% Instrumentalness • 80% Positiveness
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Hailu Mergia
Yegle Nesh
93 bpm • A min • 03:17 • -7db
24% Popularity • 71% Danceability • 72% Energy • 44% Liveness
49% Instrumentalness • 95% Positiveness
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Menahan Street Band
Make the Road By Walking
91 bpm • A# min • 03:03 • -8.39db
50% Popularity • 62% Danceability • 76% Energy • 8% Liveness
6% Instrumentalness • 90% Positiveness
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Blue Mitchell
Granite and Concrete
93 bpm • A# min • 10:01 • -14.09db
5% Popularity • 66% Danceability • 60% Energy • 8% Liveness
70% Instrumentalness • 78% Positiveness
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Buckshot LeFonque
I Know Why The Caged Bird Sings
93 bpm • F Maj • 08:04 • -14db
28% Popularity • 71% Danceability • 63% Energy • 33% Liveness
7% Instrumentalness • 71% Positiveness
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The Olympians
Sirens of Jupiter
93 bpm • F min • 03:42 • -8.38db
47% Popularity • 55% Danceability • 71% Energy • 8% Liveness
11% Instrumentalness • 88% Positiveness
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The Sugarman 3
Got to Get Back to My Baby
91 bpm • C min • 04:40 • -6.38db
28% Popularity • 56% Danceability • 81% Energy • 23% Liveness
84% Instrumentalness • 96% Positiveness
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Lloyd Miller
Nava
93 bpm • D Maj • 04:54 • -10.07db
20% Popularity • 39% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Rusty Bryant
Fire Eater
94 bpm • D min • 09:36 • -11.73db
18% Popularity • 56% Danceability • 82% Energy • 5% Liveness
17% Instrumentalness • 69% Positiveness
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Jackie Mittoo
Get Up and Get It
94 bpm • A# min • 02:44 • -9.65db
27% Popularity • 70% Danceability • 65% Energy • 6% Liveness
91% Instrumentalness • 93% Positiveness
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Charles Kynard
El Toro Poo Poo
94 bpm • F Maj • 03:14 • -9.14db
17% Popularity • 55% Danceability • 81% Energy • 7% Liveness
94% Instrumentalness • 87% Positiveness
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Tom Scott And The L.A. Express
Sneakin' In The Back
94 bpm • G# Maj • 04:46 • -13.02db
30% Popularity • 75% Danceability • 37% Energy • 6% Liveness
82% Instrumentalness • 53% Positiveness
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Monty Alexander
No Woman, No Cry
90 bpm • C Maj • 06:09 • -21.56db
16% Popularity • 65% Danceability • 24% Energy • 18% Liveness
86% Instrumentalness • 27% Positiveness
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Weldon Irvine
What's Goin' On?
94 bpm • F Maj • 04:37 • -14.22db
19% Popularity • 65% Danceability • 41% Energy • 12% Liveness
86% Instrumentalness • 83% Positiveness
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Galt MacDermot
Farmland
94 bpm • F Maj • 02:57 • -6.87db
26% Popularity • 56% Danceability • 85% Energy • 12% Liveness
93% Instrumentalness • 82% Positiveness
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Lou Donaldson
Ode To Billie Joe
94 bpm • F Maj • 06:33 • -10.6db
26% Popularity • 62% Danceability • 56% Energy • 4% Liveness
36% Instrumentalness • 64% Positiveness
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Soel
Shining Pains (US)
90 bpm • F# Maj • 04:08 • -8.41db
24% Popularity • 69% Danceability • 70% Energy • 8% Liveness
51% Instrumentalness • 53% Positiveness
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Ike Quebec
Heavy Soul - Remastered 2004/Rudy Van Ge...
90 bpm • F min • 06:51 • -12db
31% Popularity • 50% Danceability • 16% Energy • 12% Liveness
17% Instrumentalness • 36% Positiveness
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Azymuth
Partido Alto
94 bpm • F Maj • 04:10 • -16.67db
27% Popularity • 72% Danceability • 37% Energy • 7% Liveness
68% Instrumentalness • 73% Positiveness
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Maceo Parker
Chicken
94 bpm • G# Maj • 08:22 • -12.21db
32% Popularity • 68% Danceability • 61% Energy • 5% Liveness
84% Instrumentalness • 93% Positiveness
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Keith Mansfield
Morning Broadway
94 bpm • C Maj • 01:41 • -10db
33% Popularity • 76% Danceability • 53% Energy • 10% Liveness
35% Instrumentalness • 69% Positiveness
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Gene Harris & The Three Sounds
Put On Train
90 bpm • D# Maj • 05:51 • -10db
23% Popularity • 58% Danceability • 67% Energy • 12% Liveness
54% Instrumentalness • 75% Positiveness
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Monty Alexander
Let's Stay Together
89 bpm • F Maj • 09:26 • -16.33db
13% Popularity • 66% Danceability • 41% Energy • 17% Liveness
12% Instrumentalness • 40% Positiveness
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Ikebe Shakedown
Cover Your Tracks
95 bpm • D min • 03:43 • -7db
33% Popularity • 66% Danceability • 80% Energy • 31% Liveness
80% Instrumentalness • 93% Positiveness
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Buckshot LeFonque
The Blackwidow Blues
95 bpm • G Maj • 06:08 • -12db
17% Popularity • 71% Danceability • 66% Energy • 13% Liveness
22% Instrumentalness • 75% Positiveness
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Harlem Pop Trotters
Penwick
89 bpm • F Maj • 03:03 • -8.48db
24% Popularity • 64% Danceability • 48% Energy • 10% Liveness
89% Instrumentalness • 49% Positiveness
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Keith Mansfield
Morning Broadway
94 bpm • C Maj • 02:05 • -8.12db
42% Popularity • 76% Danceability • 62% Energy • 11% Liveness
79% Instrumentalness • 64% Positiveness
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The Howard Roberts Quartet
Deep Fry
89 bpm • C Maj • 02:27 • -17.07db
25% Popularity • 63% Danceability • 30% Energy • 8% Liveness
71% Instrumentalness • 56% Positiveness
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Bola Sete
Bettina
95 bpm • E min • 03:13 • -17db
35% Popularity • 56% Danceability • 26% Energy • 15% Liveness
77% Instrumentalness • 29% Positiveness
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Menahan Street Band
Montego Sunset
95 bpm • C Maj • 03:18 • -7.64db
41% Popularity • 76% Danceability • 72% Energy • 34% Liveness
94% Instrumentalness • 63% Positiveness
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Bobby Hutcherson
Montara
95 bpm • C Maj • 04:58 • -16.84db
37% Popularity • 72% Danceability • 27% Energy • 7% Liveness
83% Instrumentalness • 54% Positiveness
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Greyboy
Texas Twister
95 bpm • A# Maj • 05:21 • -12db
23% Popularity • 88% Danceability • 65% Energy • 6% Liveness
74% Instrumentalness • 94% Positiveness
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Charles Kynard
Sweetheart
89 bpm • F min • 07:56 • -18db
16% Popularity • 68% Danceability • 38% Energy • 6% Liveness
86% Instrumentalness • 93% Positiveness
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The Howard Roberts Quartet
Florence Of Arabia
95 bpm • F Maj • 01:44 • -15.31db
37% Popularity • 68% Danceability • 48% Energy • 6% Liveness
84% Instrumentalness • 83% Positiveness
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Nat Adderley Sextet
Fun In The Church
95 bpm • C Maj • 07:08 • -17.1db
8% Popularity • 78% Danceability • 36% Energy • 10% Liveness
6% Instrumentalness • 80% Positiveness
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The John Wright Trio
South Side Soul
89 bpm • C min • 05:00 • -18.3db
14% Popularity • 63% Danceability • 10% Energy • 12% Liveness
35% Instrumentalness • 19% Positiveness
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The Polyversal Souls
Sad Nile
95 bpm • A# min • 04:45 • -9.82db
31% Popularity • 68% Danceability • 57% Energy • 24% Liveness
28% Instrumentalness • 66% Positiveness
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Sivuca
Ain't No Sunshine
95 bpm • F min • 04:49 • -14.68db
39% Popularity • 62% Danceability • 57% Energy • 6% Liveness
25% Instrumentalness • 90% Positiveness
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Milt Jackson
Bossa Nova Do Marilla
88 bpm • C min • 07:08 • -21.75db
7% Popularity • 52% Danceability • 18% Energy • 11% Liveness
69% Instrumentalness • 17% Positiveness
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Monty Alexander
Yellow Bird
88 bpm • A# min • 05:49 • -22.09db
9% Popularity • 68% Danceability • 20% Energy • 6% Liveness
91% Instrumentalness • 46% Positiveness
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Greyboy
Ruffneck Jazz
96 bpm • A# min • 04:47 • -13db
25% Popularity • 77% Danceability • 46% Energy • 12% Liveness
76% Instrumentalness • 73% Positiveness
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Ronnie Laws
Tidal Wave
96 bpm • A# Maj • 04:12 • -12.6db
36% Popularity • 36% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Kansas Smitty's
Sunnyland
96 bpm • C Maj • 04:29 • -6.89db
19% Popularity • 53% Danceability • 61% Energy • 5% Liveness
87% Instrumentalness • 51% Positiveness
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Anbessa Orchestra
Lions
96 bpm • A min • 04:51 • -4.61db
28% Popularity • 63% Danceability • 68% Energy • 33% Liveness
88% Instrumentalness • 80% Positiveness
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Woody Shaw
Sun Bath
88 bpm • A# min • 06:36 • -11db
8% Popularity • 62% Danceability • 51% Energy • 6% Liveness
57% Instrumentalness • 68% Positiveness
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Solsonics
Jazz In The Present Tense
96 bpm • G# Maj • 04:18 • -12db
30% Popularity • 76% Danceability • 51% Energy • 11% Liveness
75% Instrumentalness • 61% Positiveness
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Gary Burton
Las Vegas Tango
96 bpm • E min • 06:30 • -12.25db
25% Popularity • 37% Danceability • 48% Energy • 11% Liveness
67% Instrumentalness • 28% Positiveness
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Florian Pellissier Quintet
The Hipster
97 bpm • A# Maj • 05:28 • -12.25db
11% Popularity • 42% Danceability • 58% Energy • 15% Liveness
86% Instrumentalness • 76% Positiveness
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Ernest Ranglin
Congo Man
97 bpm • F min • 04:56 • -14db
34% Popularity • 66% Danceability • 52% Energy • 14% Liveness
89% Instrumentalness • 97% Positiveness
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Menahan Street Band
Home Again
97 bpm • F Maj • 03:22 • -8.1db
55% Popularity • 59% Danceability • 73% Energy • 25% Liveness
93% Instrumentalness • 75% Positiveness
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Lou Donaldson
Pot Belly
97 bpm • F Maj • 08:11 • -12.17db
22% Popularity • 62% Danceability • 47% Energy • 7% Liveness
36% Instrumentalness • 39% Positiveness
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The Headhunters
God Make Me Funky
97 bpm • D Maj • 09:39 • -8db
35% Popularity • 62% Danceability • 84% Energy • 6% Liveness
18% Instrumentalness • 85% Positiveness
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Eddie Henderson
Inside You
87 bpm • A# min • 04:52 • -10db
36% Popularity • 66% Danceability • 61% Energy • 8% Liveness
16% Instrumentalness • 96% Positiveness
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The Daktaris
Daktari Walk
87 bpm • A# min • 04:53 • -7db
19% Popularity • 73% Danceability • 57% Energy • 6% Liveness
80% Instrumentalness • 90% Positiveness
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Eddie Harris
Lovely Is Today
97 bpm • G min • 04:25 • -6.93db
11% Popularity • 52% Danceability • 66% Energy • 25% Liveness
85% Instrumentalness • 59% Positiveness
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Monty Alexander
No Woman No Cry
87 bpm • C Maj • 07:06 • -15.18db
29% Popularity • 54% Danceability • 43% Energy • 79% Liveness
93% Instrumentalness • 36% Positiveness
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Idris Muhammad
Crap Apple
97 bpm • A# Maj • 05:10 • -7db
30% Popularity • 89% Danceability • 66% Energy • 12% Liveness
39% Instrumentalness • 89% Positiveness
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Medeski, Martin & Wood
Chubb Sub
97 bpm • C# Maj • 05:22 • -10db
26% Popularity • 58% Danceability • 55% Energy • 11% Liveness
90% Instrumentalness • 74% Positiveness
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Billy Butler
The Twang Thang
98 bpm • A# Maj • 05:13 • -17.75db
20% Popularity • 69% Danceability • 25% Energy • 10% Liveness
74% Instrumentalness • 76% Positiveness
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Joe Thomas
Polarizer
98 bpm • G min • 05:33 • -12.01db
23% Popularity • 79% Danceability • 48% Energy • 6% Liveness
74% Instrumentalness • 96% Positiveness
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Lou Donaldson
Hamp's Hump
87 bpm • F Maj • 06:40 • -15db
24% Popularity • 74% Danceability • 37% Energy • 8% Liveness
78% Instrumentalness • 60% Positiveness
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Akalé Wubé
Nèstanèt
87 bpm • A min • 04:41 • -7.34db
16% Popularity • 65% Danceability • 49% Energy • 6% Liveness
93% Instrumentalness • 91% Positiveness
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Weldon Irvine
Walk That Walk, Talk That Talk
98 bpm • F min • 07:50 • -9db
30% Popularity • 66% Danceability • 76% Energy • 7% Liveness
60% Instrumentalness • 95% Positiveness
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Monty Alexander
Bye-Ya
87 bpm • C# Maj • 05:55 • -10.08db
4% Popularity • 80% Danceability • 46% Energy • 5% Liveness
80% Instrumentalness • 62% Positiveness
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Willis Jackson
Nuther'n Like Thuther'n
98 bpm • C Maj • 07:37 • -13.44db
20% Popularity • 52% Danceability • 46% Energy • 5% Liveness
73% Instrumentalness • 87% Positiveness
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The Juju Orchestra
Kind Of Latin Rhythm
98 bpm • A# min • 07:21 • -6.03db
43% Popularity • 76% Danceability • 80% Energy • 24% Liveness
86% Instrumentalness • 92% Positiveness
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Lou Donaldson
It's Your Thing
87 bpm • C min • 08:59 • -12db
28% Popularity • 70% Danceability • 47% Energy • 10% Liveness
80% Instrumentalness • 57% Positiveness
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Colman Brothers
Mr DG
98 bpm • A# min • 04:16 • -11.19db
27% Popularity • 70% Danceability • 78% Energy • 16% Liveness
93% Instrumentalness • 56% Positiveness
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Kamasi Washington
Maceo & Miles
98 bpm • E min • 07:45 • -12.27db
18% Popularity • 85% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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Chico Hamilton
Abdullah And Abraham
98 bpm • G Maj • 04:16 • -12db
23% Popularity • 47% Danceability • 58% Energy • 11% Liveness
91% Instrumentalness • 26% Positiveness
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Akalé Wubé
Jawa Jawa
86 bpm • A# min • 05:43 • -9.43db
32% Popularity • 37% Danceability • 55% Energy • 11% Liveness
69% Instrumentalness • 61% Positiveness
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Nil's Jazz Ensemble
Reflexiones
86 bpm • G min • 03:57 • -10db
19% Popularity • 52% Danceability • 65% Energy • 16% Liveness
27% Instrumentalness • 81% Positiveness
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Monty Alexander
Stir It Up
98 bpm • A Maj • 05:15 • -20.52db
23% Popularity • 74% Danceability • 30% Energy • 11% Liveness
84% Instrumentalness • 92% Positiveness
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Charles Kynard
Little Ghetto Boy
98 bpm • F min • 03:06 • -8.5db
18% Popularity • 68% Danceability • 63% Energy • 21% Liveness
68% Instrumentalness • 96% Positiveness
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The Rugged Nuggets
Tsunami
98 bpm • D min • 03:22 • -12.28db
30% Popularity • 66% Danceability • 43% Energy • 11% Liveness
91% Instrumentalness • 37% Positiveness
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Bob James
Nautilus
98 bpm • A min • 05:05 • -14.18db
40% Popularity • 50% Danceability • 53% Energy • 15% Liveness
1% Instrumentalness • 76% Positiveness
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Art Blakey
Cubano Chant (Art Blakey & the Jazz Mess...
98 bpm • A# min • 04:00 • -13.89db
16% Popularity • 59% Danceability • 60% Energy • 7% Liveness
9% Instrumentalness • 96% Positiveness
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Takuya Kuroda
Rising Son
86 bpm • C# Maj • 04:43 • -10db
39% Popularity • 83% Danceability • 39% Energy • 8% Liveness
88% Instrumentalness • 91% Positiveness
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Monty Alexander
Rhythm-a-Ning
98 bpm • F min • 05:36 • -9.43db
7% Popularity • 72% Danceability • 48% Energy • 13% Liveness
63% Instrumentalness • 70% Positiveness
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Cortex
La rue
98 bpm • C Maj • 04:27 • -9.45db
46% Popularity • 58% Danceability • 86% Energy • 10% Liveness
64% Instrumentalness • 96% Positiveness
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Jack Trombey
Underlay No.3
99 bpm • G# Maj • 04:02 • -7.83db
31% Popularity • 65% Danceability • 84% Energy • 8% Liveness
82% Instrumentalness • 52% Positiveness
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René Costy
Ostinato Bass
99 bpm • G Maj • 03:08 • -11.12db
37% Popularity • 76% Danceability • 56% Energy • 11% Liveness
93% Instrumentalness • 86% Positiveness
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Love and Happiness