Songs like Love and Lovers by RAME
Based on a tempo of (+/- 10%) and a similar genre
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ARTEMIS
Nocturno
121 bpm • C Maj • 05:27 • -16.97db
38% Popularity • 46% Danceability • 14% Energy • 12% Liveness
94% Instrumentalness • 23% Positiveness
38% Popularity • 46% Danceability • 14% Energy • 12% Liveness
94% Instrumentalness • 23% Positiveness
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RAME
Love and Lovers
121 bpm • G Maj • 06:06 • -11.12db
0% Popularity • 40% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
0% Popularity • 40% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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The Collective
Monsieur Petit
121 bpm • C min • 03:01 • -17.22db
46% Popularity • 30% Danceability • 19% Energy • 10% Liveness
96% Instrumentalness • 30% Positiveness
46% Popularity • 30% Danceability • 19% Energy • 10% Liveness
96% Instrumentalness • 30% Positiveness
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Carajas KS
Carolina Blue
121 bpm • C# min • 01:56 • -15.43db
15% Popularity • 72% Danceability • 30% Energy • 10% Liveness
84% Instrumentalness • 36% Positiveness
15% Popularity • 72% Danceability • 30% Energy • 10% Liveness
84% Instrumentalness • 36% Positiveness
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Søren Bebe Trio
Heimat
121 bpm • C Maj • 08:06 • -15.82db
8% Popularity • 47% Danceability • 25% Energy • 12% Liveness
90% Instrumentalness • 23% Positiveness
8% Popularity • 47% Danceability • 25% Energy • 12% Liveness
90% Instrumentalness • 23% Positiveness
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Airelle Besson
O Grande Amor
121 bpm • F Maj • 04:38 • -19.68db
31% Popularity • 57% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 36% Positiveness
31% Popularity • 57% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 36% Positiveness
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Selma Savolainen
Intense Ways to Recover
121 bpm • C# Maj • 03:52 • -12.79db
7% Popularity • 48% Danceability • 25% Energy • 39% Liveness
0% Instrumentalness • 23% Positiveness
7% Popularity • 48% Danceability • 25% Energy • 39% Liveness
0% Instrumentalness • 23% Positiveness
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Gabriel Alegria Afro-Peruvian Sextet
Puerto Pimentel
121 bpm • D min • 06:41 • -13.78db
7% Popularity • 62% Danceability • 28% Energy • 10% Liveness
92% Instrumentalness • 31% Positiveness
7% Popularity • 62% Danceability • 28% Energy • 10% Liveness
92% Instrumentalness • 31% Positiveness
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Flash Pig
Angkor Wat Theme I
121 bpm • D# Maj • 04:01 • -19.89db
15% Popularity • 34% Danceability • 15% Energy • 10% Liveness
27% Instrumentalness • 9% Positiveness
15% Popularity • 34% Danceability • 15% Energy • 10% Liveness
27% Instrumentalness • 9% Positiveness
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Marc Copland
Cantaloupe Island
121 bpm • F min • 08:19 • -17.17db
14% Popularity • 57% Danceability • 36% Energy • 12% Liveness
87% Instrumentalness • 43% Positiveness
14% Popularity • 57% Danceability • 36% Energy • 12% Liveness
87% Instrumentalness • 43% Positiveness
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Igor Zakus
Dream
121 bpm • C Maj • 05:45 • -13.9db
9% Popularity • 55% Danceability • 13% Energy • 9% Liveness
91% Instrumentalness • 12% Positiveness
9% Popularity • 55% Danceability • 13% Energy • 9% Liveness
91% Instrumentalness • 12% Positiveness
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Ari Hoenig
Stablemates
120 bpm • C# Maj • 06:18 • -13.44db
10% Popularity • 46% Danceability • 16% Energy • 60% Liveness
27% Instrumentalness • 14% Positiveness
10% Popularity • 46% Danceability • 16% Energy • 60% Liveness
27% Instrumentalness • 14% Positiveness
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Matthew Stevens
Baron
121 bpm • E min • 02:14 • -8db
26% Popularity • 58% Danceability • 63% Energy • 11% Liveness
91% Instrumentalness • 57% Positiveness
26% Popularity • 58% Danceability • 63% Energy • 11% Liveness
91% Instrumentalness • 57% Positiveness
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Esbjörn Svensson Trio
Viaticum
120 bpm • F min • 06:50 • -18.56db
2% Popularity • 64% Danceability • 23% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
2% Popularity • 64% Danceability • 23% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Anamaría Oramas
Ancestral
122 bpm • G# Maj • 05:28 • -13.8db
8% Popularity • 64% Danceability • 32% Energy • 9% Liveness
46% Instrumentalness • 29% Positiveness
8% Popularity • 64% Danceability • 32% Energy • 9% Liveness
46% Instrumentalness • 29% Positiveness
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Joshua Redman
Beauty Has It Hard
122 bpm • C# Maj • 07:00 • -10.6db
20% Popularity • 49% Danceability • 33% Energy • 8% Liveness
31% Instrumentalness • 18% Positiveness
20% Popularity • 49% Danceability • 33% Energy • 8% Liveness
31% Instrumentalness • 18% Positiveness
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Johan Lindvall Trio
This Is Not About You
120 bpm • F# min • 03:50 • -26.03db
37% Popularity • 54% Danceability • 8% Energy • 8% Liveness
91% Instrumentalness • 12% Positiveness
37% Popularity • 54% Danceability • 8% Energy • 8% Liveness
91% Instrumentalness • 12% Positiveness
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Capcom Sound Team
Assignment Ada End Roll~tarde
122 bpm • D Maj • 01:24 • -14.91db
14% Popularity • 54% Danceability • 48% Energy • 11% Liveness
91% Instrumentalness • 34% Positiveness
14% Popularity • 54% Danceability • 48% Energy • 11% Liveness
91% Instrumentalness • 34% Positiveness
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Amanda Gardier
The Incarcerated Artist and His Muse
120 bpm • B min • 05:29 • -14.05db
13% Popularity • 48% Danceability • 28% Energy • 12% Liveness
87% Instrumentalness • 17% Positiveness
13% Popularity • 48% Danceability • 28% Energy • 12% Liveness
87% Instrumentalness • 17% Positiveness
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Brad Mehldau
Hey Joe
120 bpm • A Maj • 06:24 • -14.03db
24% Popularity • 49% Danceability • 39% Energy • 14% Liveness
89% Instrumentalness • 50% Positiveness
24% Popularity • 49% Danceability • 39% Energy • 14% Liveness
89% Instrumentalness • 50% Positiveness
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RAME
Incompreso
120 bpm • D# Maj • 02:04 • -8.84db
0% Popularity • 56% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
0% Popularity • 56% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
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don Marsh V
Marshland IV: Rays
120 bpm • A Maj • 07:24 • -13.04db
8% Popularity • 35% Danceability • 28% Energy • 14% Liveness
92% Instrumentalness • 12% Positiveness
8% Popularity • 35% Danceability • 28% Energy • 14% Liveness
92% Instrumentalness • 12% Positiveness
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Michael Wollny
Mühlrad
122 bpm • C# Maj • 03:52 • -14.97db
8% Popularity • 52% Danceability • 33% Energy • 10% Liveness
85% Instrumentalness • 20% Positiveness
8% Popularity • 52% Danceability • 33% Energy • 10% Liveness
85% Instrumentalness • 20% Positiveness
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Bobo Stenson Trio
Kalimba Impressions
120 bpm • A Maj • 03:12 • -22db
35% Popularity • 45% Danceability • 21% Energy • 9% Liveness
90% Instrumentalness • 31% Positiveness
35% Popularity • 45% Danceability • 21% Energy • 9% Liveness
90% Instrumentalness • 31% Positiveness
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Abdullah Ibrahim
Joan - Cape Town Flower
120 bpm • A# Maj • 03:38 • -22.36db
18% Popularity • 49% Danceability • 7% Energy • 11% Liveness
86% Instrumentalness • 19% Positiveness
18% Popularity • 49% Danceability • 7% Energy • 11% Liveness
86% Instrumentalness • 19% Positiveness
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Jeremy Hababou
Désir
122 bpm • F min • 03:25 • -15.47db
17% Popularity • 34% Danceability • 39% Energy • 10% Liveness
95% Instrumentalness • 19% Positiveness
17% Popularity • 34% Danceability • 39% Energy • 10% Liveness
95% Instrumentalness • 19% Positiveness
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Kjetil Mulelid Trio
Endless
122 bpm • G# Maj • 05:01 • -12.98db
8% Popularity • 29% Danceability • 48% Energy • 13% Liveness
96% Instrumentalness • 36% Positiveness
8% Popularity • 29% Danceability • 48% Energy • 13% Liveness
96% Instrumentalness • 36% Positiveness
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6th Street Jazz
A Night in Brooklyn
120 bpm • A# min • 03:35 • -15.85db
21% Popularity • 60% Danceability • 24% Energy • 11% Liveness
87% Instrumentalness • 24% Positiveness
21% Popularity • 60% Danceability • 24% Energy • 11% Liveness
87% Instrumentalness • 24% Positiveness
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Karin Hammar
Nadar com tartarugas
122 bpm • E min • 06:28 • -18.1db
7% Popularity • 42% Danceability • 22% Energy • 11% Liveness
95% Instrumentalness • 16% Positiveness
7% Popularity • 42% Danceability • 22% Energy • 11% Liveness
95% Instrumentalness • 16% Positiveness
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Gaige Myers
This Could Be Love
119 bpm • C Maj • 03:26 • -15.84db
45% Popularity • 30% Danceability • 10% Energy • 10% Liveness
82% Instrumentalness • 7% Positiveness
45% Popularity • 30% Danceability • 10% Energy • 10% Liveness
82% Instrumentalness • 7% Positiveness
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Jon Lloyd Quartet
River
123 bpm • A min • 07:55 • -17.99db
9% Popularity • 46% Danceability • 24% Energy • 20% Liveness
93% Instrumentalness • 20% Positiveness
9% Popularity • 46% Danceability • 24% Energy • 20% Liveness
93% Instrumentalness • 20% Positiveness
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Abdullah Ibrahim
Someday Soon Sweet Samba
123 bpm • D Maj • 04:45 • -17.35db
25% Popularity • 46% Danceability • 59% Energy • 41% Liveness
88% Instrumentalness • 70% Positiveness
25% Popularity • 46% Danceability • 59% Energy • 41% Liveness
88% Instrumentalness • 70% Positiveness
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RAME
Rame
119 bpm • D Maj • 06:36 • -15.67db
0% Popularity • 53% Danceability • 24% Energy • 7% Liveness
30% Instrumentalness • 19% Positiveness
0% Popularity • 53% Danceability • 24% Energy • 7% Liveness
30% Instrumentalness • 19% Positiveness
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Little North
Sunyata
123 bpm • F# min • 06:55 • -18.84db
8% Popularity • 36% Danceability • 30% Energy • 8% Liveness
91% Instrumentalness • 7% Positiveness
8% Popularity • 36% Danceability • 30% Energy • 8% Liveness
91% Instrumentalness • 7% Positiveness
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Kim Oki
Undecided Relationship
123 bpm • A min • 09:19 • -16.57db
22% Popularity • 44% Danceability • 8% Energy • 7% Liveness
57% Instrumentalness • 11% Positiveness
22% Popularity • 44% Danceability • 8% Energy • 7% Liveness
57% Instrumentalness • 11% Positiveness
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Viadrus Trio
Karma Tune
123 bpm • C min • 04:43 • -14.81db
12% Popularity • 51% Danceability • 46% Energy • 7% Liveness
94% Instrumentalness • 17% Positiveness
12% Popularity • 51% Danceability • 46% Energy • 7% Liveness
94% Instrumentalness • 17% Positiveness
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Tommie Blayne
Puppy Eyes
119 bpm • A# Maj • 03:31 • -15.74db
46% Popularity • 34% Danceability • 17% Energy • 11% Liveness
88% Instrumentalness • 23% Positiveness
46% Popularity • 34% Danceability • 17% Energy • 11% Liveness
88% Instrumentalness • 23% Positiveness
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Zim Ngqawana
Abaphantsi (Ancestory Suite): Sad Afrika...
124 bpm • C Maj • 02:08 • -18.59db
22% Popularity • 64% Danceability • 7% Energy • 12% Liveness
61% Instrumentalness • 38% Positiveness
22% Popularity • 64% Danceability • 7% Energy • 12% Liveness
61% Instrumentalness • 38% Positiveness
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GURLS
Oui
124 bpm • F# Maj • 03:55 • -13.96db
9% Popularity • 60% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
9% Popularity • 60% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Espen Eriksen Trio
In The Mountains
124 bpm • G# Maj • 09:26 • -14.34db
10% Popularity • 47% Danceability • 29% Energy • 10% Liveness
87% Instrumentalness • 25% Positiveness
10% Popularity • 47% Danceability • 29% Energy • 10% Liveness
87% Instrumentalness • 25% Positiveness
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Lisa Marie Simmons
The Last Supper
124 bpm • G min • 07:18 • -16.18db
11% Popularity • 46% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
11% Popularity • 46% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Søren Dahl Jeppesen
Pipe Dreams
118 bpm • B min • 04:54 • -17.91db
7% Popularity • 47% Danceability • 20% Energy • 8% Liveness
15% Instrumentalness • 19% Positiveness
7% Popularity • 47% Danceability • 20% Energy • 8% Liveness
15% Instrumentalness • 19% Positiveness
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Antonio Monasterio Ensamble
Niños del Faro
118 bpm • G min • 06:41 • -8.31db
9% Popularity • 32% Danceability • 60% Energy • 11% Liveness
75% Instrumentalness • 26% Positiveness
9% Popularity • 32% Danceability • 60% Energy • 11% Liveness
75% Instrumentalness • 26% Positiveness
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Erlend Skomsvoll Trio
Ambivertilismer
124 bpm • F min • 06:19 • -19.1db
10% Popularity • 75% Danceability • 22% Energy • 11% Liveness
91% Instrumentalness • 73% Positiveness
10% Popularity • 75% Danceability • 22% Energy • 11% Liveness
91% Instrumentalness • 73% Positiveness
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Sophie Alour
Tout nu
118 bpm • G Maj • 04:26 • -12.99db
11% Popularity • 45% Danceability • 17% Energy • 12% Liveness
66% Instrumentalness • 9% Positiveness
11% Popularity • 45% Danceability • 17% Energy • 12% Liveness
66% Instrumentalness • 9% Positiveness
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Morten Schantz
Hidden Island
124 bpm • C min • 06:55 • -18.49db
34% Popularity • 54% Danceability • 19% Energy • 12% Liveness
88% Instrumentalness • 21% Positiveness
34% Popularity • 54% Danceability • 19% Energy • 12% Liveness
88% Instrumentalness • 21% Positiveness
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Billy Bang
Yo! Ho Chi Minh Is in the House
125 bpm • A min • 10:25 • -7.44db
10% Popularity • 48% Danceability • 59% Energy • 13% Liveness
1% Instrumentalness • 40% Positiveness
10% Popularity • 48% Danceability • 59% Energy • 13% Liveness
1% Instrumentalness • 40% Positiveness
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Eliane Elias
To Each His Dulcinea
124 bpm • A# Maj • 05:42 • -13db
9% Popularity • 41% Danceability • 56% Energy • 10% Liveness
94% Instrumentalness • 57% Positiveness
9% Popularity • 41% Danceability • 56% Energy • 10% Liveness
94% Instrumentalness • 57% Positiveness
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Harold López-Nussa
Hialeah
118 bpm • C# Maj • 03:32 • -12.65db
20% Popularity • 39% Danceability • 54% Energy • 12% Liveness
86% Instrumentalness • 74% Positiveness
20% Popularity • 39% Danceability • 54% Energy • 12% Liveness
86% Instrumentalness • 74% Positiveness
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Jo-Yu Chen
Wolfgang Amadeus Mozart: Twinkle Twinkle...
125 bpm • C Maj • 04:12 • -15.57db
31% Popularity • 69% Danceability • 19% Energy • 9% Liveness
83% Instrumentalness • 40% Positiveness
31% Popularity • 69% Danceability • 19% Energy • 9% Liveness
83% Instrumentalness • 40% Positiveness
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Cecilie Strange
Where My Heart Lives
117 bpm • G Maj • 06:43 • -15.5db
7% Popularity • 44% Danceability • 21% Energy • 27% Liveness
6% Instrumentalness • 29% Positiveness
7% Popularity • 44% Danceability • 21% Energy • 27% Liveness
6% Instrumentalness • 29% Positiveness
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Avishai Darash
Kartana
117 bpm • G min • 05:29 • -14.48db
13% Popularity • 58% Danceability • 38% Energy • 11% Liveness
89% Instrumentalness • 33% Positiveness
13% Popularity • 58% Danceability • 38% Energy • 11% Liveness
89% Instrumentalness • 33% Positiveness
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Norah Jones
Fleurette Africaine (African Flower)
117 bpm • A# min • 05:21 • -16.2db
28% Popularity • 47% Danceability • 12% Energy • 11% Liveness
73% Instrumentalness • 20% Positiveness
28% Popularity • 47% Danceability • 12% Energy • 11% Liveness
73% Instrumentalness • 20% Positiveness
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Wojtek Mazolewski Quintet
Krakow
117 bpm • F min • 03:55 • -15.69db
9% Popularity • 43% Danceability • 20% Energy • 10% Liveness
79% Instrumentalness • 21% Positiveness
9% Popularity • 43% Danceability • 20% Energy • 10% Liveness
79% Instrumentalness • 21% Positiveness
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Thomas Sejthen Trio
Goodbye Charlie
126 bpm • B min • 02:23 • -33db
13% Popularity • 59% Danceability • 3% Energy • 11% Liveness
97% Instrumentalness • 32% Positiveness
13% Popularity • 59% Danceability • 3% Energy • 11% Liveness
97% Instrumentalness • 32% Positiveness
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George Kuntz Four
An Evening In Vienna
117 bpm • C min • 03:04 • -17.58db
38% Popularity • 34% Danceability • 9% Energy • 10% Liveness
1% Instrumentalness • 28% Positiveness
38% Popularity • 34% Danceability • 9% Energy • 10% Liveness
1% Instrumentalness • 28% Positiveness
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Gino Paoli
Sapore Di Sale
126 bpm • B min • 06:20 • -14.24db
20% Popularity • 41% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
20% Popularity • 41% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Emma Rawicz
Middle Ground
116 bpm • D Maj • 06:36 • -14.48db
17% Popularity • 42% Danceability • 31% Energy • 12% Liveness
94% Instrumentalness • 11% Positiveness
17% Popularity • 42% Danceability • 31% Energy • 12% Liveness
94% Instrumentalness • 11% Positiveness
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Jason Fabus Trio
That's All
116 bpm • G# Maj • 04:57 • -18.73db
24% Popularity • 62% Danceability • 5% Energy • 9% Liveness
30% Instrumentalness • 21% Positiveness
24% Popularity • 62% Danceability • 5% Energy • 9% Liveness
30% Instrumentalness • 21% Positiveness
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Jon Batiste
Looking at Life
126 bpm • F# min • 01:31 • -14.75db
38% Popularity • 63% Danceability • 25% Energy • 9% Liveness
92% Instrumentalness • 42% Positiveness
38% Popularity • 63% Danceability • 25% Energy • 9% Liveness
92% Instrumentalness • 42% Positiveness
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Kika Sprangers
Mind's Eye
126 bpm • A# min • 06:31 • -16.58db
9% Popularity • 42% Danceability • 27% Energy • 10% Liveness
66% Instrumentalness • 9% Positiveness
9% Popularity • 42% Danceability • 27% Energy • 10% Liveness
66% Instrumentalness • 9% Positiveness
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Avishai Cohen
Chacha Rom
126 bpm • F min • 03:23 • -14.72db
27% Popularity • 80% Danceability • 31% Energy • 9% Liveness
92% Instrumentalness • 71% Positiveness
27% Popularity • 80% Danceability • 31% Energy • 9% Liveness
92% Instrumentalness • 71% Positiveness
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Chivicke
Let Yoursef Go, Baby
126 bpm • G# Maj • 05:46 • -13.93db
10% Popularity • 66% Danceability • 21% Energy • 10% Liveness
27% Instrumentalness • 31% Positiveness
10% Popularity • 66% Danceability • 21% Energy • 10% Liveness
27% Instrumentalness • 31% Positiveness
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Tom Harrell
Fountain
116 bpm • F Maj • 06:03 • -16.43db
10% Popularity • 64% Danceability • 31% Energy • 10% Liveness
86% Instrumentalness • 34% Positiveness
10% Popularity • 64% Danceability • 31% Energy • 10% Liveness
86% Instrumentalness • 34% Positiveness
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Edson Ensemble
Heal Spell
116 bpm • A# Maj • 03:33 • -21.95db
19% Popularity • 63% Danceability • 5% Energy • 7% Liveness
74% Instrumentalness • 8% Positiveness
19% Popularity • 63% Danceability • 5% Energy • 7% Liveness
74% Instrumentalness • 8% Positiveness
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Phronesis
67000 MPH
127 bpm • A min • 06:04 • -13db
13% Popularity • 44% Danceability • 52% Energy • 24% Liveness
90% Instrumentalness • 47% Positiveness
13% Popularity • 44% Danceability • 52% Energy • 24% Liveness
90% Instrumentalness • 47% Positiveness
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Stefania Tallini
A Twin Thought
127 bpm • E min • 04:57 • -21db
14% Popularity • 44% Danceability • 22% Energy • 17% Liveness
85% Instrumentalness • 14% Positiveness
14% Popularity • 44% Danceability • 22% Energy • 17% Liveness
85% Instrumentalness • 14% Positiveness
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Michael Wollny
She Moved Through the Fair
127 bpm • G Maj • 03:33 • -16.31db
13% Popularity • 30% Danceability • 21% Energy • 11% Liveness
79% Instrumentalness • 4% Positiveness
13% Popularity • 30% Danceability • 21% Energy • 11% Liveness
79% Instrumentalness • 4% Positiveness
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Kyle Shepherd
A.I.
127 bpm • D# Maj • 04:21 • -20.89db
12% Popularity • 42% Danceability • 9% Energy • 17% Liveness
86% Instrumentalness • 18% Positiveness
12% Popularity • 42% Danceability • 9% Energy • 17% Liveness
86% Instrumentalness • 18% Positiveness
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Louis Matute
Hold Your Hand
116 bpm • D Maj • 04:03 • -17.98db
8% Popularity • 44% Danceability • 11% Energy • 12% Liveness
94% Instrumentalness • 19% Positiveness
8% Popularity • 44% Danceability • 11% Energy • 12% Liveness
94% Instrumentalness • 19% Positiveness
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Tord Gustavsen Quartet
The Embrace
127 bpm • D min • 04:58 • -15.1db
21% Popularity • 56% Danceability • 21% Energy • 9% Liveness
87% Instrumentalness • 24% Positiveness
21% Popularity • 56% Danceability • 21% Energy • 9% Liveness
87% Instrumentalness • 24% Positiveness
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Jacob Roved Quintet
A Short Moment
115 bpm • F min • 08:21 • -14db
8% Popularity • 52% Danceability • 31% Energy • 11% Liveness
96% Instrumentalness • 22% Positiveness
8% Popularity • 52% Danceability • 31% Energy • 11% Liveness
96% Instrumentalness • 22% Positiveness
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Shai Maestro
Invisible Thread
127 bpm • C min • 04:44 • -12.07db
9% Popularity • 42% Danceability • 48% Energy • 11% Liveness
87% Instrumentalness • 63% Positiveness
9% Popularity • 42% Danceability • 48% Energy • 11% Liveness
87% Instrumentalness • 63% Positiveness
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Chivicke
Love Away
127 bpm • A# min • 05:12 • -13.46db
13% Popularity • 30% Danceability • 18% Energy • 8% Liveness
1% Instrumentalness • 12% Positiveness
13% Popularity • 30% Danceability • 18% Energy • 8% Liveness
1% Instrumentalness • 12% Positiveness
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Quiet Tree
Bleu Foncé
127 bpm • B Maj • 06:14 • -17.58db
8% Popularity • 46% Danceability • 37% Energy • 15% Liveness
86% Instrumentalness • 57% Positiveness
8% Popularity • 46% Danceability • 37% Energy • 15% Liveness
86% Instrumentalness • 57% Positiveness
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Per Thornberg
Figures and Movement
115 bpm • C Maj • 04:03 • -12.65db
8% Popularity • 47% Danceability • 48% Energy • 11% Liveness
86% Instrumentalness • 56% Positiveness
8% Popularity • 47% Danceability • 48% Energy • 11% Liveness
86% Instrumentalness • 56% Positiveness
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SOIL & “PIMP” SESSIONS
Hanaguruma
115 bpm • C min • 02:12 • -12db
7% Popularity • 59% Danceability • 26% Energy • 12% Liveness
84% Instrumentalness • 42% Positiveness
7% Popularity • 59% Danceability • 26% Energy • 12% Liveness
84% Instrumentalness • 42% Positiveness
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Flash Pig
Yumeji's Theme
115 bpm • C min • 03:35 • -15.22db
19% Popularity • 59% Danceability • 16% Energy • 15% Liveness
6% Instrumentalness • 19% Positiveness
19% Popularity • 59% Danceability • 16% Energy • 15% Liveness
6% Instrumentalness • 19% Positiveness
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Ethan Iverson
For Ellen Raskin
115 bpm • G Maj • 04:49 • -20.85db
8% Popularity • 55% Danceability • 30% Energy • 12% Liveness
91% Instrumentalness • 13% Positiveness
8% Popularity • 55% Danceability • 30% Energy • 12% Liveness
91% Instrumentalness • 13% Positiveness
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Jacques Loussier Trio
Gnossienne No. 3
115 bpm • A min • 04:24 • -19.57db
21% Popularity • 52% Danceability • 22% Energy • 11% Liveness
89% Instrumentalness • 15% Positiveness
21% Popularity • 52% Danceability • 22% Energy • 11% Liveness
89% Instrumentalness • 15% Positiveness
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Brad Mehldau Trio
Everything in Its Right Place
127 bpm • G# Maj • 06:55 • -15.77db
32% Popularity • 50% Danceability • 32% Energy • 11% Liveness
88% Instrumentalness • 17% Positiveness
32% Popularity • 50% Danceability • 32% Energy • 11% Liveness
88% Instrumentalness • 17% Positiveness
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Oilly Wallace
Christina
115 bpm • C Maj • 02:21 • -12.48db
9% Popularity • 42% Danceability • 4% Energy • 11% Liveness
12% Instrumentalness • 15% Positiveness
9% Popularity • 42% Danceability • 4% Energy • 11% Liveness
12% Instrumentalness • 15% Positiveness
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Avishai Cohen
Gesture #2
115 bpm • D min • 03:35 • -19.7db
9% Popularity • 35% Danceability • 19% Energy • 14% Liveness
95% Instrumentalness • 26% Positiveness
9% Popularity • 35% Danceability • 19% Energy • 14% Liveness
95% Instrumentalness • 26% Positiveness
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Dario Carnovale
Navi
115 bpm • C min • 04:20 • -18.62db
8% Popularity • 50% Danceability • 33% Energy • 11% Liveness
81% Instrumentalness • 61% Positiveness
8% Popularity • 50% Danceability • 33% Energy • 11% Liveness
81% Instrumentalness • 61% Positiveness
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Caris Hermes
Abeyance
115 bpm • F min • 06:54 • -21.08db
18% Popularity • 49% Danceability • 13% Energy • 7% Liveness
67% Instrumentalness • 12% Positiveness
18% Popularity • 49% Danceability • 13% Energy • 7% Liveness
67% Instrumentalness • 12% Positiveness
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Joshua Redman
Doll Is Mine
115 bpm • C# Maj • 05:55 • -15.61db
8% Popularity • 62% Danceability • 11% Energy • 12% Liveness
78% Instrumentalness • 12% Positiveness
8% Popularity • 62% Danceability • 11% Energy • 12% Liveness
78% Instrumentalness • 12% Positiveness
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Oscar Giunta Supertrío!
Black Hole Sun
127 bpm • G min • 08:13 • -12.84db
10% Popularity • 44% Danceability • 40% Energy • 14% Liveness
91% Instrumentalness • 16% Positiveness
10% Popularity • 44% Danceability • 40% Energy • 14% Liveness
91% Instrumentalness • 16% Positiveness
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Yaniv Taubenhouse
Prayer
127 bpm • B min • 10:11 • -15.77db
1% Popularity • 46% Danceability • 38% Energy • 10% Liveness
93% Instrumentalness • 49% Positiveness
1% Popularity • 46% Danceability • 38% Energy • 10% Liveness
93% Instrumentalness • 49% Positiveness
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Avishai Cohen
Gershon Beat
128 bpm • B min • 04:11 • -18.47db
17% Popularity • 70% Danceability • 30% Energy • 11% Liveness
92% Instrumentalness • 74% Positiveness
17% Popularity • 70% Danceability • 30% Energy • 11% Liveness
92% Instrumentalness • 74% Positiveness
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Tingvall Trio
Movie
128 bpm • G# Maj • 04:40 • -19.59db
13% Popularity • 52% Danceability • 37% Energy • 11% Liveness
80% Instrumentalness • 32% Positiveness
13% Popularity • 52% Danceability • 37% Energy • 11% Liveness
80% Instrumentalness • 32% Positiveness
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Enrico Rava
Retrato em branco e preto
115 bpm • D# Maj • 07:30 • -16.28db
11% Popularity • 45% Danceability • 20% Energy • 9% Liveness
73% Instrumentalness • 16% Positiveness
11% Popularity • 45% Danceability • 20% Energy • 9% Liveness
73% Instrumentalness • 16% Positiveness
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Esbjörn Svensson Trio
Tide Of Trepidation
128 bpm • A min • 07:12 • -15.67db
2% Popularity • 64% Danceability • 46% Energy • 8% Liveness
87% Instrumentalness • 71% Positiveness
2% Popularity • 64% Danceability • 46% Energy • 8% Liveness
87% Instrumentalness • 71% Positiveness
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Mary Halvorson
Ultramarine
128 bpm • C# Maj • 08:16 • -13.17db
19% Popularity • 47% Danceability • 37% Energy • 12% Liveness
88% Instrumentalness • 29% Positiveness
19% Popularity • 47% Danceability • 37% Energy • 12% Liveness
88% Instrumentalness • 29% Positiveness
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Ben Flocks
Polkadots and Moonbeams
115 bpm • F Maj • 04:51 • -13.78db
7% Popularity • 55% Danceability • 16% Energy • 11% Liveness
53% Instrumentalness • 13% Positiveness
7% Popularity • 55% Danceability • 16% Energy • 11% Liveness
53% Instrumentalness • 13% Positiveness
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Ben Allison
Swan Song
128 bpm • C# min • 06:10 • -15.75db
8% Popularity • 54% Danceability • 11% Energy • 11% Liveness
90% Instrumentalness • 38% Positiveness
8% Popularity • 54% Danceability • 11% Energy • 11% Liveness
90% Instrumentalness • 38% Positiveness
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Karl Wallmyr
Eda i Smeda
115 bpm • D Maj • 04:43 • -14.62db
10% Popularity • 42% Danceability • 12% Energy • 11% Liveness
69% Instrumentalness • 14% Positiveness
10% Popularity • 42% Danceability • 12% Energy • 11% Liveness
69% Instrumentalness • 14% Positiveness
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David Aubaile
Camel caldo
128 bpm • C Maj • 06:36 • -11.35db
10% Popularity • 44% Danceability • 40% Energy • 9% Liveness
88% Instrumentalness • 47% Positiveness
10% Popularity • 44% Danceability • 40% Energy • 9% Liveness
88% Instrumentalness • 47% Positiveness
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Kerem Görsev
Cash or Credit
128 bpm • C Maj • 04:26 • -13.6db
13% Popularity • 53% Danceability • 44% Energy • 22% Liveness
93% Instrumentalness • 46% Positiveness
13% Popularity • 53% Danceability • 44% Energy • 22% Liveness
93% Instrumentalness • 46% Positiveness
