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Love, Cold Beer, Cheap Smoke
Songs like
Love, Cold Beer, Cheap Smoke
by
Elvie Shane
Based on a tempo of (+/- 10%) and a similar genre
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Elvie Shane
Nothin’ Lasts Forever
122 bpm • F# Maj • 03:09 • -3.83db
22% Popularity • 57% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Kolby Cooper
Every Single Kiss
122 bpm • A# Maj • 03:26 • -3.79db
51% Popularity • 51% Danceability • 84% Energy • 33% Liveness
0% Instrumentalness • 34% Positiveness
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HIXTAPE
Redneck Tendencies (HARDY Trace Adkins, ...
122 bpm • E Maj • 02:52 • -5db
52% Popularity • 64% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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Trey Lewis
Dicked Down in Dallas
122 bpm • F# Maj • 03:21 • -4.69db
70% Popularity • 51% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Austin Burke
Changed Everything
122 bpm • F# Maj • 03:46 • -6.51db
35% Popularity • 66% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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Drew Green
She Got That
122 bpm • C Maj • 02:37 • -5.48db
49% Popularity • 66% Danceability • 64% Energy • 20% Liveness
0% Instrumentalness • 47% Positiveness
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Elvie Shane
Love, Cold Beer, Cheap Smoke
122 bpm • A Maj • 03:19 • -3.75db
39% Popularity • 69% Danceability • 92% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
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Kameron Marlowe
Fool Me Again
123 bpm • G Maj • 03:32 • -6.67db
44% Popularity • 55% Danceability • 49% Energy • 28% Liveness
0% Instrumentalness • 40% Positiveness
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Luke Combs
Memories Are Made Of
121 bpm • D Maj • 03:36 • -6.19db
58% Popularity • 69% Danceability • 72% Energy • 29% Liveness
0% Instrumentalness • 37% Positiveness
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Trey Lewis
Dicked Down in Dallas - Remix
122 bpm • C# Maj • 03:42 • -5.51db
51% Popularity • 55% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Canaan Smith
Catch Me If You Can
123 bpm • A min • 02:49 • -5db
38% Popularity • 61% Danceability • 84% Energy • 33% Liveness
0% Instrumentalness • 71% Positiveness
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Brian Kelley
See You Next Summer
121 bpm • G# Maj • 02:37 • -4.35db
57% Popularity • 65% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Corey Kent
Rust
121 bpm • C# min • 02:49 • -4.88db
62% Popularity • 47% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
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Chayce Beckham
Can't Do Without Me
123 bpm • C# Maj • 03:21 • -3.6db
48% Popularity • 60% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Elvie Shane
Does Heaven Have A Creek
124 bpm • C Maj • 04:20 • -5.45db
32% Popularity • 60% Danceability • 56% Energy • 36% Liveness
0% Instrumentalness • 38% Positiveness
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Chase Rice
Bad Day To Be A Cold Beer
124 bpm • E Maj • 03:03 • -4.28db
43% Popularity • 66% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Danielle Bradbery
Stop Draggin' Your Boots
124 bpm • D Maj • 02:44 • -5.96db
53% Popularity • 46% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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HARDY
TRUCK
120 bpm • D Maj • 03:38 • -3.7db
61% Popularity • 58% Danceability • 89% Energy • 24% Liveness
0% Instrumentalness • 45% Positiveness
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Ian Munsick
Humble
120 bpm • E Maj • 03:40 • -4.68db
47% Popularity • 76% Danceability • 81% Energy • 25% Liveness
0% Instrumentalness • 91% Positiveness
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Dillon Carmichael
Son Of A
124 bpm • C Maj • 03:13 • -7.54db
46% Popularity • 61% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Jameson Rodgers
Midnight Daydream
120 bpm • E Maj • 03:09 • -5.76db
56% Popularity • 62% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Elvie Shane
Keep On Strummin’
120 bpm • C Maj • 03:13 • -3.68db
24% Popularity • 63% Danceability • 91% Energy • 17% Liveness
0% Instrumentalness • 73% Positiveness
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Walker Montgomery
Out of Nowhere
120 bpm • D# Maj • 02:52 • -2.67db
38% Popularity • 61% Danceability • 95% Energy • 20% Liveness
0% Instrumentalness • 62% Positiveness
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Dylan Marlowe
When I Look Back
120 bpm • B Maj • 02:59 • -5db
49% Popularity • 57% Danceability • 87% Energy • 24% Liveness
0% Instrumentalness • 37% Positiveness
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Kip Moore
Fire On Wheels
120 bpm • G Maj • 02:36 • -4.59db
50% Popularity • 71% Danceability • 86% Energy • 21% Liveness
0% Instrumentalness • 82% Positiveness
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Granger Smith
That’s Why I Love Dirt Roads
120 bpm • F Maj • 03:39 • -5.74db
46% Popularity • 55% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Riley Green
Jesus And Wranglers
124 bpm • E Maj • 03:03 • -5.25db
49% Popularity • 58% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
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Graham Barham
BREAK IT IN A BAR
120 bpm • B min • 03:39 • -5.69db
64% Popularity • 58% Danceability • 85% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
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The Reklaws
11 Beers
120 bpm • G Maj • 03:24 • -3db
43% Popularity • 59% Danceability • 94% Energy • 33% Liveness
0% Instrumentalness • 82% Positiveness
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Canaan Smith
Mason Jars & Fireflies
120 bpm • B min • 03:07 • -5.65db
35% Popularity • 61% Danceability • 87% Energy • 37% Liveness
0% Instrumentalness • 58% Positiveness
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HARDY
UNAPOLOGETICALLY COUNTRY AS HELL
124 bpm • C# Maj • 03:55 • -4.96db
63% Popularity • 54% Danceability • 65% Energy • 33% Liveness
0% Instrumentalness • 62% Positiveness
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Shane Profitt
How It Oughta Be
120 bpm • G# Maj • 03:08 • -4db
49% Popularity • 54% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Randy Houser
Country Round Here Tonight
119 bpm • F min • 03:36 • -6db
50% Popularity • 67% Danceability • 83% Energy • 22% Liveness
0% Instrumentalness • 66% Positiveness
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Corey Kent
Highways
125 bpm • A Maj • 03:24 • -6db
53% Popularity • 56% Danceability • 85% Energy • 34% Liveness
0% Instrumentalness • 37% Positiveness
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Elvie Shane
Appalachian Alchemy
125 bpm • G min • 02:45 • -4.81db
29% Popularity • 64% Danceability • 81% Energy • 5% Liveness
0% Instrumentalness • 78% Positiveness
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Travis Denning
Strawberry Wine And A Cheap Six Pack
126 bpm • G# Maj • 03:32 • -4db
44% Popularity • 62% Danceability • 88% Energy • 15% Liveness
0% Instrumentalness • 78% Positiveness
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Muscadine Bloodline
Damn I Need a Dirt Road
126 bpm • B Maj • 03:28 • -7db
50% Popularity • 53% Danceability • 70% Energy • 18% Liveness
0% Instrumentalness • 55% Positiveness
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Nate Smith
Sleeve
126 bpm • C Maj • 04:21 • -6db
58% Popularity • 70% Danceability • 79% Energy • 17% Liveness
0% Instrumentalness • 29% Positiveness
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Marty Heddin
Game Changer
126 bpm • E Maj • 03:37 • -7.85db
39% Popularity • 68% Danceability • 48% Energy • 28% Liveness
0% Instrumentalness • 29% Positiveness
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Morgan Wallen
Neon Eyes
126 bpm • B min • 03:46 • -5.26db
65% Popularity • 58% Danceability • 84% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
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Colin Stough
I Still Talk To Jesus
126 bpm • D# Maj • 03:52 • -8.61db
43% Popularity • 64% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Chris Young
Young Love & Saturday Nights
126 bpm • A Maj • 03:16 • -5.3db
50% Popularity • 53% Danceability • 85% Energy • 31% Liveness
0% Instrumentalness • 49% Positiveness
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George Birge
That Drink
118 bpm • B min • 02:52 • -4.48db
38% Popularity • 61% Danceability • 91% Energy • 30% Liveness
0% Instrumentalness • 76% Positiveness
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Elvie Shane
215634
126 bpm • G Maj • 04:38 • -5.38db
29% Popularity • 61% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
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Brian Kelley
Beach Cowboy
118 bpm • A min • 02:18 • -5.89db
47% Popularity • 75% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Travis Denning
Call It Country
127 bpm • C# Maj • 02:31 • -3.55db
48% Popularity • 61% Danceability • 94% Energy • 26% Liveness
0% Instrumentalness • 65% Positiveness
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Kameron Marlowe
Over Now
117 bpm • C# Maj • 03:41 • -4.31db
60% Popularity • 56% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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HIXTAPE
Goin’ Nowhere
127 bpm • F Maj • 03:09 • -4.06db
55% Popularity • 64% Danceability • 93% Energy • 19% Liveness
0% Instrumentalness • 77% Positiveness
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Dylan Schneider
Ruin This Town
117 bpm • E min • 02:55 • -3.01db
26% Popularity • 56% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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Jade Eagleson
Shakin' In Them Boots
117 bpm • F# Maj • 02:49 • -3.3db
46% Popularity • 59% Danceability • 93% Energy • 73% Liveness
0% Instrumentalness • 84% Positiveness
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Riley Green
I Hope She's Drinkin' Tonight
128 bpm • C# min • 03:08 • -5db
60% Popularity • 55% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Elvie Shane
Forgotten Man
128 bpm • A Maj • 03:38 • -3.17db
30% Popularity • 48% Danceability • 93% Energy • 5% Liveness
0% Instrumentalness • 27% Positiveness
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HARDY
WHERE TO FIND ME
128 bpm • G# Maj • 03:54 • -5.11db
49% Popularity • 59% Danceability • 81% Energy • 28% Liveness
0% Instrumentalness • 81% Positiveness
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Tyler Braden
What Do They Know
128 bpm • C# Maj • 03:52 • -5.98db
38% Popularity • 51% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Conner Smith
Take It Slow
116 bpm • F Maj • 02:43 • -4db
63% Popularity • 59% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Brooks & Dunn
Red Dirt Road - with Cody Johnson
128 bpm • E Maj • 03:56 • -7.8db
54% Popularity • 60% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Ben Gallaher
Still a Few Cowboys Left
129 bpm • G# min • 03:14 • -5.88db
46% Popularity • 49% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Elvie Shane
Jonesin'
116 bpm • B Maj • 03:10 • -4.71db
29% Popularity • 60% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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HARDY
ALL SHE LEFT WAS ME
116 bpm • D Maj • 02:41 • -4.57db
54% Popularity • 61% Danceability • 80% Energy • 42% Liveness
0% Instrumentalness • 81% Positiveness
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Tyler Braden
What I See
115 bpm • E Maj • 03:52 • -6.88db
41% Popularity • 64% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Kameron Marlowe
Burn 'Em All
115 bpm • B min • 03:06 • -4.89db
55% Popularity • 65% Danceability • 87% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
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A Thousand Horses
A Song to Remember
115 bpm • C# min • 03:11 • -6.37db
38% Popularity • 55% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
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Jackson Dean
Fearless - The Echo
130 bpm • D Maj • 03:36 • -6db
57% Popularity • 54% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Elvie Shane
County Roads
116 bpm • G# Maj • 03:11 • -3.1db
55% Popularity • 65% Danceability • 82% Energy • 40% Liveness
0% Instrumentalness • 51% Positiveness
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Dusty Black
Them Boots
115 bpm • B Maj • 02:35 • -3.61db
48% Popularity • 56% Danceability • 86% Energy • 19% Liveness
0% Instrumentalness • 64% Positiveness
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HARDY
SO CLOSE
128 bpm • C Maj • 03:45 • -4.38db
44% Popularity • 54% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Kameron Marlowe
Leavin' to Me
130 bpm • G Maj • 03:28 • -7.14db
52% Popularity • 69% Danceability • 34% Energy • 19% Liveness
0% Instrumentalness • 23% Positiveness
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Chayce Beckham
Keeping Me Up All Night
130 bpm • A Maj • 03:29 • -4.43db
56% Popularity • 51% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Jackson Dean
Fearless
130 bpm • D Maj • 03:35 • -6.63db
60% Popularity • 55% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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Florida Georgia Line
Long Live
130 bpm • G Maj • 02:33 • -3.55db
61% Popularity • 61% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Elvie Shane
County Roads (Live At The Basement East)
116 bpm • G Maj • 03:30 • -2.47db
20% Popularity • 59% Danceability • 94% Energy • 96% Liveness
0% Instrumentalness • 44% Positiveness
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Matt Stell
Breakin' in Boots
114 bpm • C Maj • 02:35 • -4.24db
68% Popularity • 59% Danceability • 80% Energy • 20% Liveness
0% Instrumentalness • 62% Positiveness
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Corey Kent
Boys Growing Up
114 bpm • F# Maj • 03:38 • -6db
47% Popularity • 58% Danceability • 68% Energy • 36% Liveness
0% Instrumentalness • 40% Positiveness
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Dillon Carmichael
Big Truck
114 bpm • A Maj • 03:11 • -4db
35% Popularity • 71% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Pecos & the Rooftops
Last Night's Lashes
114 bpm • G# Maj • 03:25 • -6.57db
54% Popularity • 60% Danceability • 84% Energy • 20% Liveness
0% Instrumentalness • 74% Positiveness
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HARDY
BROKE BOY
131 bpm • D Maj • 03:52 • -3.97db
49% Popularity • 64% Danceability • 89% Energy • 17% Liveness
0% Instrumentalness • 88% Positiveness
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Tyler Braden
Thank Me for That
131 bpm • C Maj • 03:41 • -2.94db
53% Popularity • 54% Danceability • 90% Energy • 26% Liveness
0% Instrumentalness • 48% Positiveness
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HIXTAPE
Beer With My Buddies
131 bpm • C# Maj • 03:09 • -4.51db
48% Popularity • 60% Danceability • 91% Energy • 30% Liveness
0% Instrumentalness • 93% Positiveness
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Frank Foster
Good Ol' Girl
132 bpm • D# Maj • 03:49 • -8.67db
40% Popularity • 60% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Dillon Carmichael
I Do For You
113 bpm • D Maj • 02:54 • -5.19db
36% Popularity • 66% Danceability • 66% Energy • 9% Liveness
2% Instrumentalness • 68% Positiveness
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Corey Kent
Something's Gonna Kill Me
113 bpm • E min • 03:03 • -5.77db
68% Popularity • 66% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Travis Denning
Roads That Go Nowhere
132 bpm • F Maj • 03:18 • -6.22db
53% Popularity • 65% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Matt Mason
Feather in Her Halo
132 bpm • G min • 03:36 • -5.85db
54% Popularity • 56% Danceability • 69% Energy • 31% Liveness
0% Instrumentalness • 44% Positiveness
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HARDY
SIGNED, SOBER YOU
132 bpm • C Maj • 03:28 • -7.97db
59% Popularity • 54% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Sean Stemaly
Z71
132 bpm • G Maj • 02:51 • -5db
63% Popularity • 50% Danceability • 88% Energy • 6% Liveness
0% Instrumentalness • 36% Positiveness
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Dillon Carmichael
Drinkin' Problems
112 bpm • C Maj • 03:06 • -4.4db
40% Popularity • 71% Danceability • 93% Energy • 38% Liveness
0% Instrumentalness • 96% Positiveness
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Elvie Shane
Heartbreaks & Headaches
112 bpm • C Maj • 03:24 • -3.94db
22% Popularity • 75% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
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Kameron Marlowe
Giving You Up - Acoustic
134 bpm • G Maj • 03:52 • -6.18db
55% Popularity • 68% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Cody Johnson
Made a Home
134 bpm • C# Maj • 03:25 • -5.64db
45% Popularity • 54% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Zach Bryan
If She Wants a Cowboy
134 bpm • G Maj • 03:12 • -3db
65% Popularity • 55% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Trey Lewis
Whole Lotta Nothin
134 bpm • F# Maj • 03:13 • -6.14db
37% Popularity • 55% Danceability • 55% Energy • 20% Liveness
0% Instrumentalness • 51% Positiveness
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Luke Combs
Middle of Somewhere
134 bpm • D Maj • 03:20 • -5.59db
55% Popularity • 56% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Craig Morgan
How You Make A Man
134 bpm • D Maj • 03:51 • -6.39db
40% Popularity • 62% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Kameron Marlowe
Sober as a Drunk
134 bpm • B Maj • 03:30 • -3db
50% Popularity • 55% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Riley Green
Get That Man A Beer
134 bpm • E Maj • 03:22 • -4.67db
60% Popularity • 56% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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Sam Grow
Song About You
111 bpm • A# Maj • 03:01 • -4.3db
54% Popularity • 57% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Kolby Cooper
Fall
135 bpm • G# Maj • 03:26 • -5.35db
52% Popularity • 32% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Luke Combs
Call Me
134 bpm • G Maj • 03:20 • -4.57db
61% Popularity • 53% Danceability • 78% Energy • 32% Liveness
0% Instrumentalness • 58% Positiveness
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Adam Sanders
Make Em Wanna Change
110 bpm • F# Maj • 03:18 • -4.5db
36% Popularity • 62% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Restless Road
Bar Friends
110 bpm • D Maj • 03:06 • -4.5db
39% Popularity • 54% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Love, Cold Beer, Cheap Smoke