Songs like Love Divine, All Loves Excelling by St. Olaf Choral Ensembles
Based on a tempo of (+/- 10%) and a similar genre
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Jesuit Music Ministry
Take and Receive (Medley)
77 bpm • F Maj • 11:26 • -14.1db
10% Popularity • 14% Danceability • 30% Energy • 18% Liveness
3% Instrumentalness • 11% Positiveness
10% Popularity • 14% Danceability • 30% Energy • 18% Liveness
3% Instrumentalness • 11% Positiveness
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Adolphe Adam
O, Holy Night
77 bpm • D# Maj • 02:34 • -15.71db
8% Popularity • 16% Danceability • 25% Energy • 11% Liveness
40% Instrumentalness • 8% Positiveness
8% Popularity • 16% Danceability • 25% Energy • 11% Liveness
40% Instrumentalness • 8% Positiveness
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Harold Darke
In the Bleak Midwinter
77 bpm • G Maj • 04:35 • -27.62db
6% Popularity • 15% Danceability • 5% Energy • 8% Liveness
19% Instrumentalness • 6% Positiveness
6% Popularity • 15% Danceability • 5% Energy • 8% Liveness
19% Instrumentalness • 6% Positiveness
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St. Olaf Choral Ensembles
Love Divine, All Loves Excelling
77 bpm • F Maj • 04:45 • -22.18db
4% Popularity • 7% Danceability • 16% Energy • 13% Liveness
94% Instrumentalness • 12% Positiveness
4% Popularity • 7% Danceability • 16% Energy • 13% Liveness
94% Instrumentalness • 12% Positiveness
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Tomás Luis de Victoria
O Magnum Mysterium - Live
77 bpm • A min • 03:35 • -18.84db
8% Popularity • 12% Danceability • 24% Energy • 69% Liveness
0% Instrumentalness • 8% Positiveness
8% Popularity • 12% Danceability • 24% Energy • 69% Liveness
0% Instrumentalness • 8% Positiveness
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George Martin
Psalm 23: The Lord is my Shepherd
77 bpm • A Maj • 02:07 • -26.51db
7% Popularity • 25% Danceability • 21% Energy • 22% Liveness
0% Instrumentalness • 7% Positiveness
7% Popularity • 25% Danceability • 21% Energy • 22% Liveness
0% Instrumentalness • 7% Positiveness
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John Bacchus Dykes
The King of love my shepherd is
77 bpm • G Maj • 02:59 • -25.04db
9% Popularity • 22% Danceability • 12% Energy • 25% Liveness
49% Instrumentalness • 12% Positiveness
9% Popularity • 22% Danceability • 12% Energy • 25% Liveness
49% Instrumentalness • 12% Positiveness
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Alessandro Scarlatti
Exultate Deo
77 bpm • C Maj • 03:46 • -17.4db
9% Popularity • 18% Danceability • 19% Energy • 9% Liveness
89% Instrumentalness • 9% Positiveness
9% Popularity • 18% Danceability • 19% Energy • 9% Liveness
89% Instrumentalness • 9% Positiveness
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The University Of Utah Singers
Prayer Of St. Francis
77 bpm • D Maj • 04:40 • -27.12db
3% Popularity • 20% Danceability • 3% Energy • 7% Liveness
7% Instrumentalness • 7% Positiveness
3% Popularity • 20% Danceability • 3% Energy • 7% Liveness
7% Instrumentalness • 7% Positiveness
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St. Olaf Choral Ensembles
Alleluia from "Brazilian Psalm"
77 bpm • G# min • 02:42 • -27.89db
0% Popularity • 16% Danceability • 7% Energy • 16% Liveness
0% Instrumentalness • 23% Positiveness
0% Popularity • 16% Danceability • 7% Energy • 16% Liveness
0% Instrumentalness • 23% Positiveness
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Michael Praetorius
Praetorius: In dulci jubilo
77 bpm • F Maj • 01:01 • -24.99db
17% Popularity • 9% Danceability • 18% Energy • 16% Liveness
59% Instrumentalness • 5% Positiveness
17% Popularity • 9% Danceability • 18% Energy • 16% Liveness
59% Instrumentalness • 5% Positiveness
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Tomás Luis de Victoria
De Victoria: O magnum mysterium
77 bpm • G# min • 04:06 • -30.21db
8% Popularity • 13% Danceability • 6% Energy • 8% Liveness
83% Instrumentalness • 5% Positiveness
8% Popularity • 13% Danceability • 6% Energy • 8% Liveness
83% Instrumentalness • 5% Positiveness
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Bob Chilcott
Good King Wenceslas
77 bpm • G# Maj • 02:58 • -20.01db
21% Popularity • 17% Danceability • 13% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
21% Popularity • 17% Danceability • 13% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Choir of St Mary's Cathedral, Edinburgh
The Day Thou Gavest
77 bpm • G# Maj • 03:19 • -25.95db
12% Popularity • 16% Danceability • 5% Energy • 19% Liveness
0% Instrumentalness • 17% Positiveness
12% Popularity • 16% Danceability • 5% Energy • 19% Liveness
0% Instrumentalness • 17% Positiveness
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John Bacchus Dykes
Holy, Holy, Holy - Voice
77 bpm • E Maj • 03:46 • -17.18db
10% Popularity • 19% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
10% Popularity • 19% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Patricia Van Ness
The Nine Orders of the Angels: II. Archa...
78 bpm • E min • 03:15 • -30.08db
11% Popularity • 23% Danceability • 4% Energy • 7% Liveness
3% Instrumentalness • 3% Positiveness
11% Popularity • 23% Danceability • 4% Energy • 7% Liveness
3% Instrumentalness • 3% Positiveness
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Traditional Carol
The First Noel
76 bpm • D Maj • 05:09 • -16.65db
9% Popularity • 11% Danceability • 17% Energy • 10% Liveness
10% Instrumentalness • 12% Positiveness
9% Popularity • 11% Danceability • 17% Energy • 10% Liveness
10% Instrumentalness • 12% Positiveness
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Johann Sebastian Bach
Break forth, O beauteous heavenly light
76 bpm • G Maj • 01:15 • -22.93db
16% Popularity • 23% Danceability • 20% Energy • 13% Liveness
1% Instrumentalness • 13% Positiveness
16% Popularity • 23% Danceability • 20% Energy • 13% Liveness
1% Instrumentalness • 13% Positiveness
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Choir of King's College, Cambridge
The Three Kings
78 bpm • G# Maj • 02:45 • -25.96db
19% Popularity • 31% Danceability • 12% Energy • 11% Liveness
3% Instrumentalness • 20% Positiveness
19% Popularity • 31% Danceability • 12% Energy • 11% Liveness
3% Instrumentalness • 20% Positiveness
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Benedictines of Mary, Queen of Apostles
Like The Dawning
76 bpm • A Maj • 03:07 • -19.1db
15% Popularity • 22% Danceability • 13% Energy • 13% Liveness
28% Instrumentalness • 17% Positiveness
15% Popularity • 22% Danceability • 13% Energy • 13% Liveness
28% Instrumentalness • 17% Positiveness
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Edward Miller
When I survey the wondrous Cross
78 bpm • D# Maj • 03:25 • -27.09db
16% Popularity • 16% Danceability • 9% Energy • 18% Liveness
0% Instrumentalness • 7% Positiveness
16% Popularity • 16% Danceability • 9% Energy • 18% Liveness
0% Instrumentalness • 7% Positiveness
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John Henry Hopkins
We Three Kings of Orient Are
76 bpm • G Maj • 02:09 • -25.08db
7% Popularity • 16% Danceability • 14% Energy • 18% Liveness
0% Instrumentalness • 26% Positiveness
7% Popularity • 16% Danceability • 14% Energy • 18% Liveness
0% Instrumentalness • 26% Positiveness
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Johann Georg Ebeling
All my heart this night rejoices
76 bpm • G# Maj • 02:16 • -25.55db
7% Popularity • 23% Danceability • 7% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
7% Popularity • 23% Danceability • 7% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
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Sir David Willcocks
Gabriel's Message (arr. David Willcocks)
78 bpm • A min • 02:49 • -32db
25% Popularity • 24% Danceability • 2% Energy • 12% Liveness
68% Instrumentalness • 9% Positiveness
25% Popularity • 24% Danceability • 2% Energy • 12% Liveness
68% Instrumentalness • 9% Positiveness
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Traditional
What Child Is This?
76 bpm • D Maj • 01:20 • -33.76db
18% Popularity • 22% Danceability • 2% Energy • 10% Liveness
11% Instrumentalness • 6% Positiveness
18% Popularity • 22% Danceability • 2% Energy • 10% Liveness
11% Instrumentalness • 6% Positiveness
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William Crotch
Psalm 47
76 bpm • D Maj • 02:50 • -25.51db
17% Popularity • 21% Danceability • 9% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
17% Popularity • 21% Danceability • 9% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
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Josquin des Prez
Plainchant : Ave Maria
76 bpm • B Maj • 01:25 • -37.65db
12% Popularity • 13% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
12% Popularity • 13% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Benedictines of Mary, Queen of Apostles
Angelus Ad Virginem
76 bpm • A Maj • 03:10 • -17.69db
17% Popularity • 25% Danceability • 14% Energy • 18% Liveness
10% Instrumentalness • 31% Positiveness
17% Popularity • 25% Danceability • 14% Energy • 18% Liveness
10% Instrumentalness • 31% Positiveness
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Glenn L. Rudolph
The Dream Isaiah Saw
78 bpm • A min • 05:52 • -15.11db
9% Popularity • 12% Danceability • 36% Energy • 67% Liveness
81% Instrumentalness • 18% Positiveness
9% Popularity • 12% Danceability • 36% Energy • 67% Liveness
81% Instrumentalness • 18% Positiveness
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Ralph Vaughan Williams
O taste and see
78 bpm • E min • 01:31 • -38.15db
23% Popularity • 16% Danceability • 1% Energy • 9% Liveness
50% Instrumentalness • 10% Positiveness
23% Popularity • 16% Danceability • 1% Energy • 9% Liveness
50% Instrumentalness • 10% Positiveness
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Henry Purcell
Thou knowest, Lord, the secret of our he...
76 bpm • A# Maj • 02:08 • -29.04db
29% Popularity • 22% Danceability • 2% Energy • 8% Liveness
35% Instrumentalness • 4% Positiveness
29% Popularity • 22% Danceability • 2% Energy • 8% Liveness
35% Instrumentalness • 4% Positiveness
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John Rutter
A Gaelic Blessing
76 bpm • A Maj • 02:06 • -23.2db
9% Popularity • 19% Danceability • 19% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
9% Popularity • 19% Danceability • 19% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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Choir of King's College, Cambridge
As With Gladness Men Of Old
78 bpm • G# Maj • 03:23 • -21.59db
11% Popularity • 20% Danceability • 16% Energy • 28% Liveness
0% Instrumentalness • 22% Positiveness
11% Popularity • 20% Danceability • 16% Energy • 28% Liveness
0% Instrumentalness • 22% Positiveness
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Musica Sacra Chamber Chorale
O Come Emmanuel
78 bpm • E min • 05:51 • -29db
13% Popularity • 10% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
13% Popularity • 10% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Craig Courtney
None Other Lamb
76 bpm • D Maj • 03:23 • -24.29db
18% Popularity • 20% Danceability • 8% Energy • 9% Liveness
82% Instrumentalness • 4% Positiveness
18% Popularity • 20% Danceability • 8% Energy • 9% Liveness
82% Instrumentalness • 4% Positiveness
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Traditional Carol
O Little Town of Bethlehem
78 bpm • F Maj • 06:40 • -19.05db
8% Popularity • 8% Danceability • 10% Energy • 13% Liveness
11% Instrumentalness • 6% Positiveness
8% Popularity • 8% Danceability • 10% Energy • 13% Liveness
11% Instrumentalness • 6% Positiveness
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The Cathedral Singers
Night of Silence / Silent Night
78 bpm • A Maj • 04:17 • -14.37db
22% Popularity • 15% Danceability • 23% Energy • 9% Liveness
44% Instrumentalness • 12% Positiveness
22% Popularity • 15% Danceability • 23% Energy • 9% Liveness
44% Instrumentalness • 12% Positiveness
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Giovanni Gabrieli
O magnum mysterium
76 bpm • D min • 04:34 • -22.68db
13% Popularity • 7% Danceability • 12% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
13% Popularity • 7% Danceability • 12% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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John Rutter
Feel the Spirit: II. Steal away
76 bpm • D Maj • 04:21 • -26.7db
9% Popularity • 11% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 11% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
The Crown of Roses
75 bpm • E min • 02:37 • -25.22db
8% Popularity • 16% Danceability • 7% Energy • 7% Liveness
0% Instrumentalness • 8% Positiveness
8% Popularity • 16% Danceability • 7% Energy • 7% Liveness
0% Instrumentalness • 8% Positiveness
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Samuel Sebastian Wesley
Psalm 20 "The Lord Hear Thee in the Day ...
75 bpm • D min • 02:37 • -20.64db
10% Popularity • 21% Danceability • 18% Energy • 9% Liveness
4% Instrumentalness • 5% Positiveness
10% Popularity • 21% Danceability • 18% Energy • 9% Liveness
4% Instrumentalness • 5% Positiveness
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Anonymous
Gabriel's Message
75 bpm • A# min • 02:57 • -30.17db
10% Popularity • 15% Danceability • 7% Energy • 12% Liveness
85% Instrumentalness • 6% Positiveness
10% Popularity • 15% Danceability • 7% Energy • 12% Liveness
85% Instrumentalness • 6% Positiveness
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Mirla Greenwood Thayne
When He Comes Again
75 bpm • F Maj • 04:51 • -27.4db
20% Popularity • 7% Danceability • 8% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
20% Popularity • 7% Danceability • 8% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Anton Bruckner
Virga Jesse, WAB 52: Virga jesse floruit...
75 bpm • E Maj • 04:03 • -25.31db
8% Popularity • 12% Danceability • 6% Energy • 8% Liveness
3% Instrumentalness • 4% Positiveness
8% Popularity • 12% Danceability • 6% Energy • 8% Liveness
3% Instrumentalness • 4% Positiveness
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Concordia Publishing House
God Loves Me Dearly
79 bpm • D Maj • 01:14 • -16.31db
3% Popularity • 69% Danceability • 12% Energy • 16% Liveness
1% Instrumentalness • 78% Positiveness
3% Popularity • 69% Danceability • 12% Energy • 16% Liveness
1% Instrumentalness • 78% Positiveness
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Traditional
I Wonder as I Wander (arr. S. Pilkington...
79 bpm • F min • 03:58 • -26db
18% Popularity • 13% Danceability • 8% Energy • 14% Liveness
3% Instrumentalness • 4% Positiveness
18% Popularity • 13% Danceability • 8% Energy • 14% Liveness
3% Instrumentalness • 4% Positiveness
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Rob Gardner
The Manger of Bethlehem
79 bpm • E Maj • 03:33 • -13.75db
14% Popularity • 25% Danceability • 12% Energy • 7% Liveness
0% Instrumentalness • 11% Positiveness
14% Popularity • 25% Danceability • 12% Energy • 7% Liveness
0% Instrumentalness • 11% Positiveness
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The Sixteen
Alma Redemptoris Mater a 5
79 bpm • D# Maj • 05:51 • -24.41db
22% Popularity • 18% Danceability • 16% Energy • 11% Liveness
3% Instrumentalness • 4% Positiveness
22% Popularity • 18% Danceability • 16% Energy • 11% Liveness
3% Instrumentalness • 4% Positiveness
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Thomas Tallis
Glory to thee, my God, this night
79 bpm • G# Maj • 02:44 • -30.38db
21% Popularity • 17% Danceability • 7% Energy • 7% Liveness
0% Instrumentalness • 7% Positiveness
21% Popularity • 17% Danceability • 7% Energy • 7% Liveness
0% Instrumentalness • 7% Positiveness
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Stellenbosch University Choir
Hodie Christus Natus Est
79 bpm • A# min • 03:06 • -20.04db
8% Popularity • 17% Danceability • 22% Energy • 26% Liveness
10% Instrumentalness • 12% Positiveness
8% Popularity • 17% Danceability • 22% Energy • 26% Liveness
10% Instrumentalness • 12% Positiveness
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Johann Sebastian Bach
Herz und Mund und Tat und Leben, BWV 147...
79 bpm • G Maj • 02:49 • -29.76db
10% Popularity • 19% Danceability • 6% Energy • 27% Liveness
57% Instrumentalness • 28% Positiveness
10% Popularity • 19% Danceability • 6% Energy • 27% Liveness
57% Instrumentalness • 28% Positiveness
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Traditional
All Praise to Thee, My God, This Night
79 bpm • G Maj • 02:20 • -29.63db
10% Popularity • 13% Danceability • 3% Energy • 10% Liveness
6% Instrumentalness • 13% Positiveness
10% Popularity • 13% Danceability • 3% Energy • 10% Liveness
6% Instrumentalness • 13% Positiveness
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St. Olaf Choral Ensembles
Gloria
79 bpm • A# min • 03:39 • -30.65db
1% Popularity • 16% Danceability • 3% Energy • 13% Liveness
30% Instrumentalness • 12% Positiveness
1% Popularity • 16% Danceability • 3% Energy • 13% Liveness
30% Instrumentalness • 12% Positiveness
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Michael Praetorius
Lo, How a Rose E'er Blooming
75 bpm • F Maj • 03:26 • -44.87db
25% Popularity • 7% Danceability • 0% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
25% Popularity • 7% Danceability • 0% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
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Ben Ponniah
Seeing the Star
75 bpm • E Maj • 02:17 • -24.89db
26% Popularity • 15% Danceability • 8% Energy • 9% Liveness
28% Instrumentalness • 3% Positiveness
26% Popularity • 15% Danceability • 8% Energy • 9% Liveness
28% Instrumentalness • 3% Positiveness
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![Even When He Is Silent (Version for Mixed Choir) [Live] cover art](https://i.scdn.co/image/ab67616d00001e023dc9319132d24f333f161cf4)
The St. Olaf Choir
Even When He Is Silent (Version for Mixe...
79 bpm • C Maj • 05:39 • -31.89db
8% Popularity • 9% Danceability • 2% Energy • 8% Liveness
18% Instrumentalness • 3% Positiveness
8% Popularity • 9% Danceability • 2% Energy • 8% Liveness
18% Instrumentalness • 3% Positiveness
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Henry John Gauntlett
Once In Royal David’s City (Desc. by P...
75 bpm • G Maj • 04:38 • -22db
17% Popularity • 11% Danceability • 14% Energy • 39% Liveness
41% Instrumentalness • 5% Positiveness
17% Popularity • 11% Danceability • 14% Energy • 39% Liveness
41% Instrumentalness • 5% Positiveness
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Traditional
The First Noel
79 bpm • D Maj • 02:14 • -21.35db
15% Popularity • 15% Danceability • 13% Energy • 18% Liveness
42% Instrumentalness • 16% Positiveness
15% Popularity • 15% Danceability • 13% Energy • 18% Liveness
42% Instrumentalness • 16% Positiveness
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Guy Forbes
O Nata Lux
79 bpm • G# Maj • 03:55 • -28.79db
8% Popularity • 8% Danceability • 2% Energy • 9% Liveness
15% Instrumentalness • 3% Positiveness
8% Popularity • 8% Danceability • 2% Energy • 9% Liveness
15% Instrumentalness • 3% Positiveness
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William J. Kirkpatrick
Dear to the Heart of the Shepherd
79 bpm • E Maj • 06:17 • -17.11db
20% Popularity • 7% Danceability • 13% Energy • 12% Liveness
96% Instrumentalness • 3% Positiveness
20% Popularity • 7% Danceability • 13% Energy • 12% Liveness
96% Instrumentalness • 3% Positiveness
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Hubert Parry
O praise ye the Lord
79 bpm • A# Maj • 02:48 • -17.87db
10% Popularity • 11% Danceability • 29% Energy • 27% Liveness
59% Instrumentalness • 19% Positiveness
10% Popularity • 11% Danceability • 29% Energy • 27% Liveness
59% Instrumentalness • 19% Positiveness
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Choir of King's College, Cambridge
Hark! The Herald Angels Sing
75 bpm • G Maj • 03:04 • -23.71db
29% Popularity • 21% Danceability • 9% Energy • 18% Liveness
14% Instrumentalness • 10% Positiveness
29% Popularity • 21% Danceability • 9% Energy • 18% Liveness
14% Instrumentalness • 10% Positiveness
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The Cathedral Singers
Away in a Manger
79 bpm • G Maj • 02:55 • -16.82db
18% Popularity • 21% Danceability • 19% Energy • 10% Liveness
16% Instrumentalness • 7% Positiveness
18% Popularity • 21% Danceability • 19% Energy • 10% Liveness
16% Instrumentalness • 7% Positiveness
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John Rutter
Candlelight Carol
75 bpm • F# Maj • 04:10 • -25.41db
14% Popularity • 13% Danceability • 8% Energy • 9% Liveness
37% Instrumentalness • 5% Positiveness
14% Popularity • 13% Danceability • 8% Energy • 9% Liveness
37% Instrumentalness • 5% Positiveness
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Herbert Howells
A Spotless Rose
79 bpm • F# min • 03:41 • -31db
21% Popularity • 10% Danceability • 8% Energy • 11% Liveness
26% Instrumentalness • 6% Positiveness
21% Popularity • 10% Danceability • 8% Energy • 11% Liveness
26% Instrumentalness • 6% Positiveness
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Thomas Williams
Thy Strong Word (Tune: Ebenezer) (arr. M...
79 bpm • F min • 06:35 • -16.69db
10% Popularity • 17% Danceability • 18% Energy • 9% Liveness
44% Instrumentalness • 12% Positiveness
10% Popularity • 17% Danceability • 18% Energy • 9% Liveness
44% Instrumentalness • 12% Positiveness
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Healey Willan
The 3 Kings: The Three Kings
79 bpm • D Maj • 02:56 • -25db
10% Popularity • 22% Danceability • 6% Energy • 10% Liveness
16% Instrumentalness • 3% Positiveness
10% Popularity • 22% Danceability • 6% Energy • 10% Liveness
16% Instrumentalness • 3% Positiveness
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Anonymous
Bethlehem, of Noblest Cities
79 bpm • F# Maj • 02:51 • -24.58db
2% Popularity • 14% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
2% Popularity • 14% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
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Henry John Gauntlett
Once in Royal David’s City
79 bpm • F Maj • 03:08 • -29db
7% Popularity • 13% Danceability • 4% Energy • 8% Liveness
2% Instrumentalness • 4% Positiveness
7% Popularity • 13% Danceability • 4% Energy • 8% Liveness
2% Instrumentalness • 4% Positiveness
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Robert Shaw
O Come, Emmanuel
75 bpm • E min • 02:49 • -30.22db
9% Popularity • 21% Danceability • 4% Energy • 26% Liveness
23% Instrumentalness • 5% Positiveness
9% Popularity • 21% Danceability • 4% Energy • 26% Liveness
23% Instrumentalness • 5% Positiveness
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Sir David Willcocks
While Shepherds Watched Their Flocks (ar...
75 bpm • F Maj • 02:29 • -28db
20% Popularity • 15% Danceability • 8% Energy • 11% Liveness
28% Instrumentalness • 26% Positiveness
20% Popularity • 15% Danceability • 8% Energy • 11% Liveness
28% Instrumentalness • 26% Positiveness
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James MacMillan
O Radiant Dawn
80 bpm • C min • 03:26 • -21.71db
14% Popularity • 18% Danceability • 13% Energy • 16% Liveness
0% Instrumentalness • 4% Positiveness
14% Popularity • 18% Danceability • 13% Energy • 16% Liveness
0% Instrumentalness • 4% Positiveness
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St. Olaf Choral Ensembles
Once in Royal David's City
75 bpm • F Maj • 03:59 • -23.7db
0% Popularity • 10% Danceability • 9% Energy • 12% Liveness
82% Instrumentalness • 17% Positiveness
0% Popularity • 10% Danceability • 9% Energy • 12% Liveness
82% Instrumentalness • 17% Positiveness
► Preview
![Beautiful Savior (Arr. F.M. Christiansen for Choir) [Live] cover art](https://i.scdn.co/image/ab67616d00001e0295da9e5836b23be1a353b03d)
Traditional
Beautiful Savior (Arr. F.M. Christiansen...
80 bpm • C# Maj • 01:41 • -26.84db
11% Popularity • 10% Danceability • 12% Energy • 10% Liveness
65% Instrumentalness • 4% Positiveness
11% Popularity • 10% Danceability • 12% Energy • 10% Liveness
65% Instrumentalness • 4% Positiveness
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Thomas Olivers
Helmsley "Lo! He Comes with Clouds Desce...
80 bpm • G Maj • 04:48 • -16.05db
15% Popularity • 16% Danceability • 18% Energy • 24% Liveness
32% Instrumentalness • 15% Positiveness
15% Popularity • 16% Danceability • 18% Energy • 24% Liveness
32% Instrumentalness • 15% Positiveness
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The Tabernacle Choir at Temple Square
Lo, How a Rose E'er Blooming
80 bpm • D Maj • 03:10 • -19.22db
11% Popularity • 12% Danceability • 15% Energy • 14% Liveness
30% Instrumentalness • 4% Positiveness
11% Popularity • 12% Danceability • 15% Energy • 14% Liveness
30% Instrumentalness • 4% Positiveness
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Worcester Cathedral Choir
O Little One Sweet - Arr. J. S. Bach
80 bpm • A# Maj • 01:58 • -31.34db
21% Popularity • 16% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
21% Popularity • 16% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
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John Rutter
The very best time of year
80 bpm • D Maj • 03:47 • -29.12db
6% Popularity • 13% Danceability • 5% Energy • 9% Liveness
24% Instrumentalness • 8% Positiveness
6% Popularity • 13% Danceability • 5% Energy • 9% Liveness
24% Instrumentalness • 8% Positiveness
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St. Olaf Choral Ensembles
O Magnum Mysterium
74 bpm • F Maj • 02:04 • -32.74db
0% Popularity • 24% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
0% Popularity • 24% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Johann Sebastian Bach
Advent Responsory
80 bpm • D# Maj • 03:51 • -33.66db
2% Popularity • 11% Danceability • 3% Energy • 35% Liveness
82% Instrumentalness • 3% Positiveness
2% Popularity • 11% Danceability • 3% Energy • 35% Liveness
82% Instrumentalness • 3% Positiveness
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Traditional
Traditional: Il est né, le divin Enfant...
74 bpm • G# Maj • 02:48 • -20.78db
2% Popularity • 36% Danceability • 20% Energy • 12% Liveness
91% Instrumentalness • 34% Positiveness
2% Popularity • 36% Danceability • 20% Energy • 12% Liveness
91% Instrumentalness • 34% Positiveness
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The Choir Of Westminster Abbey
Let All the World in Every Corner Sing (...
74 bpm • D Maj • 01:45 • -15db
12% Popularity • 25% Danceability • 26% Energy • 10% Liveness
6% Instrumentalness • 33% Positiveness
12% Popularity • 25% Danceability • 26% Energy • 10% Liveness
6% Instrumentalness • 33% Positiveness
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John Bacchus Dykes
Holy, Holy, Holy!
80 bpm • D Maj • 03:27 • -24.21db
9% Popularity • 12% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
9% Popularity • 12% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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John Pearson
Behold the Wounds in Jesus' Hands
74 bpm • D Maj • 06:14 • -21db
20% Popularity • 14% Danceability • 9% Energy • 8% Liveness
6% Instrumentalness • 4% Positiveness
20% Popularity • 14% Danceability • 9% Energy • 8% Liveness
6% Instrumentalness • 4% Positiveness
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Chanticleer
Tallis: If Ye Love Me
74 bpm • F# Maj • 02:22 • -32.42db
10% Popularity • 20% Danceability • 2% Energy • 11% Liveness
45% Instrumentalness • 5% Positiveness
10% Popularity • 20% Danceability • 2% Energy • 11% Liveness
45% Instrumentalness • 5% Positiveness
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Joseph Mohr
Silent Night
80 bpm • A# Maj • 03:14 • -26.49db
15% Popularity • 17% Danceability • 4% Energy • 9% Liveness
52% Instrumentalness • 4% Positiveness
15% Popularity • 17% Danceability • 4% Energy • 9% Liveness
52% Instrumentalness • 4% Positiveness
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Benjamin Britten
Gloriana, Op. 53: Choral Dances: No. 5. ...
80 bpm • G Maj • 00:56 • -24.21db
10% Popularity • 38% Danceability • 17% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
10% Popularity • 38% Danceability • 17% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
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St. Thomas Choir Of Men And Boys
Psalm 24: The Earth Is The Lord's (Bamby...
81 bpm • D# Maj • 03:21 • -25.99db
8% Popularity • 21% Danceability • 12% Energy • 17% Liveness
8% Instrumentalness • 4% Positiveness
8% Popularity • 21% Danceability • 12% Energy • 17% Liveness
8% Instrumentalness • 4% Positiveness
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St. Olaf Choral Ensembles
A Christmas Carol
80 bpm • F Maj • 05:01 • -23.4db
1% Popularity • 10% Danceability • 7% Energy • 9% Liveness
90% Instrumentalness • 5% Positiveness
1% Popularity • 10% Danceability • 7% Energy • 9% Liveness
90% Instrumentalness • 5% Positiveness
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Hector Berlioz
L'enfance du Christ, Op. 25, Pt. II, "La...
81 bpm • E Maj • 03:42 • -27.71db
9% Popularity • 12% Danceability • 5% Energy • 24% Liveness
16% Instrumentalness • 7% Positiveness
9% Popularity • 12% Danceability • 5% Energy • 24% Liveness
16% Instrumentalness • 7% Positiveness
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Traditional Song
Hymn: Jesu, Redémptor Ómnium
74 bpm • G min • 04:22 • -21db
10% Popularity • 20% Danceability • 13% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
10% Popularity • 20% Danceability • 13% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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Traditional
Good Christian Men, Rejoice
73 bpm • F# Maj • 01:28 • -35.05db
8% Popularity • 33% Danceability • 3% Energy • 27% Liveness
0% Instrumentalness • 39% Positiveness
8% Popularity • 33% Danceability • 3% Energy • 27% Liveness
0% Instrumentalness • 39% Positiveness
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Clement Cotterill Scholefield
The Day Thou Gavest
81 bpm • G# Maj • 02:43 • -24.04db
9% Popularity • 8% Danceability • 13% Energy • 13% Liveness
88% Instrumentalness • 11% Positiveness
9% Popularity • 8% Danceability • 13% Energy • 13% Liveness
88% Instrumentalness • 11% Positiveness
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The Tabernacle Choir at Temple Square
Here We Come A-Caroling
73 bpm • D Maj • 03:00 • -9.84db
9% Popularity • 23% Danceability • 50% Energy • 10% Liveness
1% Instrumentalness • 31% Positiveness
9% Popularity • 23% Danceability • 50% Energy • 10% Liveness
1% Instrumentalness • 31% Positiveness
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St. Olaf Choral Ensembles
In Thee is Gladness
81 bpm • D Maj • 03:27 • -29.66db
1% Popularity • 26% Danceability • 2% Energy • 11% Liveness
1% Instrumentalness • 6% Positiveness
1% Popularity • 26% Danceability • 2% Energy • 11% Liveness
1% Instrumentalness • 6% Positiveness
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John Rutter
Of the Father's love begotten
81 bpm • E Maj • 03:13 • -15.89db
4% Popularity • 15% Danceability • 24% Energy • 21% Liveness
85% Instrumentalness • 11% Positiveness
4% Popularity • 15% Danceability • 24% Energy • 21% Liveness
85% Instrumentalness • 11% Positiveness
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Ralph Vaughan Williams
Kingsfold "I Heard the Voice of Jesus Sa...
73 bpm • G Maj • 02:56 • -21.33db
20% Popularity • 18% Danceability • 10% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
20% Popularity • 18% Danceability • 10% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
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trad Blaenwern
Love Divine, All Loves Excelling (Hymn)
81 bpm • G Maj • 03:42 • -17.36db
17% Popularity • 10% Danceability • 22% Energy • 9% Liveness
99% Instrumentalness • 7% Positiveness
17% Popularity • 10% Danceability • 22% Energy • 9% Liveness
99% Instrumentalness • 7% Positiveness