Songs like Love Divine ("Blaenwern") (Royal duty) by The Choir Of Westminster Abbey
Based on a tempo of (+/- 10%) and a similar genre
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Albert Ketèlbey
Bells across the Meadows
136 bpm • D# Maj • 05:12 • -27db
17% Popularity • 15% Danceability • 4% Energy • 17% Liveness
61% Instrumentalness • 4% Positiveness
17% Popularity • 15% Danceability • 4% Energy • 17% Liveness
61% Instrumentalness • 4% Positiveness
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Antonio Vivaldi
Gloria: Gloria in excelsis Deo
136 bpm • C# Maj • 02:19 • -15.84db
28% Popularity • 44% Danceability • 38% Energy • 18% Liveness
42% Instrumentalness • 35% Positiveness
28% Popularity • 44% Danceability • 38% Energy • 18% Liveness
42% Instrumentalness • 35% Positiveness
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Sir Henry Wood
Fantasia on British Sea Songs: Fantasia ...
136 bpm • A Maj • 02:05 • -22.88db
26% Popularity • 41% Danceability • 13% Energy • 34% Liveness
27% Instrumentalness • 84% Positiveness
26% Popularity • 41% Danceability • 13% Energy • 34% Liveness
27% Instrumentalness • 84% Positiveness
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Giovanni Bernardino Nanino
Haec dies
136 bpm • A# Maj • 02:16 • -22.07db
2% Popularity • 23% Danceability • 16% Energy • 17% Liveness
50% Instrumentalness • 37% Positiveness
2% Popularity • 23% Danceability • 16% Energy • 17% Liveness
50% Instrumentalness • 37% Positiveness
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Josef Rheinberger
J. G. Rheinberger: Abendlied
135 bpm • F Maj • 03:23 • -30db
18% Popularity • 16% Danceability • 3% Energy • 6% Liveness
38% Instrumentalness • 3% Positiveness
18% Popularity • 16% Danceability • 3% Energy • 6% Liveness
38% Instrumentalness • 3% Positiveness
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J. Christopher Pardini
Toccata on Amazing Grace
136 bpm • C Maj • 04:18 • -16.7db
16% Popularity • 15% Danceability • 18% Energy • 11% Liveness
90% Instrumentalness • 6% Positiveness
16% Popularity • 15% Danceability • 18% Energy • 11% Liveness
90% Instrumentalness • 6% Positiveness
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Sergei Rachmaninoff
Sergei Rachmaninoff: Bogoróditse Dévo
135 bpm • F Maj • 02:49 • -24db
24% Popularity • 18% Danceability • 11% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
24% Popularity • 18% Danceability • 11% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
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The Tallis Scholars
Allegri: Miserere - 01. Miserere Mei, De...
135 bpm • A# Maj • 01:12 • -27db
41% Popularity • 19% Danceability • 10% Energy • 16% Liveness
39% Instrumentalness • 3% Positiveness
41% Popularity • 19% Danceability • 10% Energy • 16% Liveness
39% Instrumentalness • 3% Positiveness
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Benjamin Britten
Choral Dances from 'Gloriana': Concord
137 bpm • G min • 02:09 • -29.07db
16% Popularity • 15% Danceability • 2% Energy • 9% Liveness
30% Instrumentalness • 4% Positiveness
16% Popularity • 15% Danceability • 2% Energy • 9% Liveness
30% Instrumentalness • 4% Positiveness
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Robert Lucas Pearsall
Tu es Petrus
137 bpm • D# Maj • 02:48 • -29db
19% Popularity • 15% Danceability • 6% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
19% Popularity • 15% Danceability • 6% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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James MacMillan
O Radiant Dawn
135 bpm • C min • 04:54 • -24.84db
23% Popularity • 18% Danceability • 7% Energy • 11% Liveness
28% Instrumentalness • 3% Positiveness
23% Popularity • 18% Danceability • 7% Energy • 11% Liveness
28% Instrumentalness • 3% Positiveness
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Maurice Duruflé
Requiem, Op. 9 (1961 version): In Paradi...
135 bpm • F# Maj • 03:14 • -27.06db
11% Popularity • 16% Danceability • 1% Energy • 8% Liveness
97% Instrumentalness • 3% Positiveness
11% Popularity • 16% Danceability • 1% Energy • 8% Liveness
97% Instrumentalness • 3% Positiveness
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Healey Willan
Rise up, my love, my fair one, Op. 314
137 bpm • C# Maj • 02:22 • -37db
28% Popularity • 15% Danceability • 1% Energy • 7% Liveness
47% Instrumentalness • 3% Positiveness
28% Popularity • 15% Danceability • 1% Energy • 7% Liveness
47% Instrumentalness • 3% Positiveness
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Sergei Rachmaninoff
Vespers, Op. 37: Rejoice, O Virgin
137 bpm • F# Maj • 02:23 • -28.15db
15% Popularity • 15% Danceability • 4% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
15% Popularity • 15% Danceability • 4% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Herbert Sumsion
Magnificat in A Major
137 bpm • F# min • 05:02 • -27db
8% Popularity • 17% Danceability • 5% Energy • 11% Liveness
91% Instrumentalness • 5% Positiveness
8% Popularity • 17% Danceability • 5% Energy • 11% Liveness
91% Instrumentalness • 5% Positiveness
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Anton Bruckner
Os justi meditabitur sapientiam, WAB 30
135 bpm • C Maj • 05:25 • -24.13db
11% Popularity • 16% Danceability • 3% Energy • 8% Liveness
27% Instrumentalness • 3% Positiveness
11% Popularity • 16% Danceability • 3% Energy • 8% Liveness
27% Instrumentalness • 3% Positiveness
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James MacMillan
A Special Appeal
135 bpm • E min • 06:35 • -19.74db
4% Popularity • 18% Danceability • 22% Energy • 8% Liveness
74% Instrumentalness • 3% Positiveness
4% Popularity • 18% Danceability • 22% Energy • 8% Liveness
74% Instrumentalness • 3% Positiveness
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Henry Lawes
Psalm 8: Psalm VIII
137 bpm • A# Maj • 02:43 • -27.25db
23% Popularity • 20% Danceability • 8% Energy • 24% Liveness
61% Instrumentalness • 6% Positiveness
23% Popularity • 20% Danceability • 8% Energy • 24% Liveness
61% Instrumentalness • 6% Positiveness
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Blackburn Cathedral Choir
Brewer: Nunc Dimittis in D
135 bpm • D Maj • 03:07 • -25db
13% Popularity • 16% Danceability • 10% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
13% Popularity • 16% Danceability • 10% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
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The Tallis Scholars
Tallis: Spem in Alium - 1. Spem in Alium
138 bpm • D Maj • 05:04 • -20db
34% Popularity • 15% Danceability • 14% Energy • 24% Liveness
0% Instrumentalness • 3% Positiveness
34% Popularity • 15% Danceability • 14% Energy • 24% Liveness
0% Instrumentalness • 3% Positiveness
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Dan Forrest
Jubilate Deo: I. Jubilate Deo (Oh Be Joy...
138 bpm • D Maj • 08:56 • -13db
13% Popularity • 28% Danceability • 36% Energy • 36% Liveness
0% Instrumentalness • 14% Positiveness
13% Popularity • 28% Danceability • 36% Energy • 36% Liveness
0% Instrumentalness • 14% Positiveness
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The King's Singers
Spem In Alium (Tallis)
138 bpm • A# Maj • 08:31 • -18.66db
16% Popularity • 15% Danceability • 17% Energy • 8% Liveness
50% Instrumentalness • 7% Positiveness
16% Popularity • 15% Danceability • 17% Energy • 8% Liveness
50% Instrumentalness • 7% Positiveness
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James MacMillan
Who Shall Separate Us?
134 bpm • E Maj • 03:03 • -21.89db
7% Popularity • 16% Danceability • 20% Energy • 12% Liveness
20% Instrumentalness • 4% Positiveness
7% Popularity • 16% Danceability • 20% Energy • 12% Liveness
20% Instrumentalness • 4% Positiveness
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Josef Rheinberger
3 Sacred Songs, Op. 69: No. 3, Abendlied...
134 bpm • F Maj • 03:24 • -22db
15% Popularity • 17% Danceability • 20% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
15% Popularity • 17% Danceability • 20% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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Eric Whitacre
Whitacre: Five Hebrew Love Songs: Kalá ...
134 bpm • E min • 03:08 • -23.21db
25% Popularity • 26% Danceability • 8% Energy • 10% Liveness
19% Instrumentalness • 8% Positiveness
25% Popularity • 26% Danceability • 8% Energy • 10% Liveness
19% Instrumentalness • 8% Positiveness
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Choir of St Mary's Cathedral, Edinburgh
Be Thou My Vision
138 bpm • D# Maj • 03:08 • -24.9db
31% Popularity • 15% Danceability • 7% Energy • 13% Liveness
7% Instrumentalness • 19% Positiveness
31% Popularity • 15% Danceability • 7% Energy • 13% Liveness
7% Instrumentalness • 19% Positiveness
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Carl Rütti
Requiem: Introitus
134 bpm • E Maj • 09:28 • -29.71db
10% Popularity • 16% Danceability • 2% Energy • 12% Liveness
35% Instrumentalness • 3% Positiveness
10% Popularity • 16% Danceability • 2% Energy • 12% Liveness
35% Instrumentalness • 3% Positiveness
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Z. Randall Stroope
Amor de mi Alma
134 bpm • C# Maj • 06:16 • -25db
17% Popularity • 18% Danceability • 5% Energy • 14% Liveness
6% Instrumentalness • 4% Positiveness
17% Popularity • 18% Danceability • 5% Energy • 14% Liveness
6% Instrumentalness • 4% Positiveness
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Henry Francis Lyte
Abide With Me
138 bpm • D# Maj • 04:09 • -17.43db
7% Popularity • 18% Danceability • 24% Energy • 17% Liveness
3% Instrumentalness • 7% Positiveness
7% Popularity • 18% Danceability • 24% Energy • 17% Liveness
3% Instrumentalness • 7% Positiveness
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Philippe Rogier
Laboravi in gemitu meo
134 bpm • G Maj • 06:35 • -25.83db
27% Popularity • 17% Danceability • 9% Energy • 7% Liveness
10% Instrumentalness • 4% Positiveness
27% Popularity • 17% Danceability • 9% Energy • 7% Liveness
10% Instrumentalness • 4% Positiveness
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Edward Bairstow
Psalm 114, 'When Israel came out of Egyp...
134 bpm • G Maj • 02:11 • -19.01db
7% Popularity • 26% Danceability • 16% Energy • 14% Liveness
3% Instrumentalness • 4% Positiveness
7% Popularity • 26% Danceability • 16% Energy • 14% Liveness
3% Instrumentalness • 4% Positiveness
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Nikolay Kedrov
Otche nash (Our Father)
138 bpm • A# Maj • 03:14 • -34.01db
16% Popularity • 15% Danceability • 3% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
16% Popularity • 15% Danceability • 3% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
All-night Vigil, Op. 37, "Vespers": Hail...
139 bpm • F Maj • 03:06 • -30db
31% Popularity • 15% Danceability • 3% Energy • 7% Liveness
76% Instrumentalness • 4% Positiveness
31% Popularity • 15% Danceability • 3% Energy • 7% Liveness
76% Instrumentalness • 4% Positiveness
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Johann Kuhnau
Tristis Est Anima Mea
134 bpm • F min • 03:48 • -24.17db
10% Popularity • 20% Danceability • 13% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
10% Popularity • 20% Danceability • 13% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
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Giacomo Puccini
Madama Butterfly, Act 2: Humming Chorus
139 bpm • A# Maj • 03:17 • -31.99db
24% Popularity • 17% Danceability • 2% Energy • 9% Liveness
99% Instrumentalness • 4% Positiveness
24% Popularity • 17% Danceability • 2% Energy • 9% Liveness
99% Instrumentalness • 4% Positiveness
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Felice Anerio
Venite ad me omnes
133 bpm • A Maj • 03:14 • -22.89db
3% Popularity • 19% Danceability • 11% Energy • 7% Liveness
15% Instrumentalness • 6% Positiveness
3% Popularity • 19% Danceability • 11% Energy • 7% Liveness
15% Instrumentalness • 6% Positiveness
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Pavel Chesnokov
Spaseniye sodelal yesi posrede zemli (Sa...
133 bpm • D Maj • 03:35 • -27db
31% Popularity • 16% Danceability • 2% Energy • 6% Liveness
61% Instrumentalness • 4% Positiveness
31% Popularity • 16% Danceability • 2% Energy • 6% Liveness
61% Instrumentalness • 4% Positiveness
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Giovanni Battista Martini
In monte Oliveti, IGM 4
133 bpm • G min • 01:34 • -27.54db
47% Popularity • 23% Danceability • 3% Energy • 10% Liveness
81% Instrumentalness • 4% Positiveness
47% Popularity • 23% Danceability • 3% Energy • 10% Liveness
81% Instrumentalness • 4% Positiveness
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Stephen Paulus
The Road Home
133 bpm • F Maj • 03:56 • -28.22db
43% Popularity • 20% Danceability • 5% Energy • 12% Liveness
3% Instrumentalness • 5% Positiveness
43% Popularity • 20% Danceability • 5% Energy • 12% Liveness
3% Instrumentalness • 5% Positiveness
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John Tavener
Magnificat & Nunc dimittis "Collegium Re...
133 bpm • D Maj • 07:26 • -25.38db
4% Popularity • 19% Danceability • 15% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
4% Popularity • 19% Danceability • 15% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
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Vicente Lusitano
Regina caeli
139 bpm • G# Maj • 04:11 • -22.47db
29% Popularity • 18% Danceability • 13% Energy • 6% Liveness
0% Instrumentalness • 10% Positiveness
29% Popularity • 18% Danceability • 13% Energy • 6% Liveness
0% Instrumentalness • 10% Positiveness
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Arvo Pärt
De profundis
133 bpm • E min • 06:55 • -24.78db
17% Popularity • 16% Danceability • 6% Energy • 26% Liveness
56% Instrumentalness • 4% Positiveness
17% Popularity • 16% Danceability • 6% Energy • 26% Liveness
56% Instrumentalness • 4% Positiveness
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The Tallis Scholars
Tallis: Spem in Alium - 3. Respice
140 bpm • B min • 00:59 • -22db
40% Popularity • 14% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
40% Popularity • 14% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
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Kiev Chamber Choir
To Thee We Sing - S.Rachmaninoff Version
132 bpm • D# Maj • 03:21 • -21.33db
18% Popularity • 16% Danceability • 13% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
18% Popularity • 16% Danceability • 13% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Thomas Weelkes
Hosanna to the Son of David
132 bpm • A# min • 02:00 • -24.11db
17% Popularity • 19% Danceability • 15% Energy • 6% Liveness
7% Instrumentalness • 14% Positiveness
17% Popularity • 19% Danceability • 15% Energy • 6% Liveness
7% Instrumentalness • 14% Positiveness
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Ralph Vaughan Williams
Mass in G Minor: III. Credo
133 bpm • C Maj • 06:16 • -24.08db
7% Popularity • 18% Danceability • 13% Energy • 28% Liveness
5% Instrumentalness • 5% Positiveness
7% Popularity • 18% Danceability • 13% Energy • 28% Liveness
5% Instrumentalness • 5% Positiveness
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Giuseppe Ottavio Pitoni
Cantate Domino
140 bpm • A# Maj • 01:11 • -20.07db
24% Popularity • 20% Danceability • 16% Energy • 25% Liveness
39% Instrumentalness • 23% Positiveness
24% Popularity • 20% Danceability • 16% Energy • 25% Liveness
39% Instrumentalness • 23% Positiveness
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Johannes Brahms
Warum ist das Licht gegeben dem Mühseli...
132 bpm • D min • 05:17 • -24.56db
13% Popularity • 20% Danceability • 10% Energy • 10% Liveness
12% Instrumentalness • 4% Positiveness
13% Popularity • 20% Danceability • 10% Energy • 10% Liveness
12% Instrumentalness • 4% Positiveness
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Isaac Albéniz
Salmo VI del Oficio de difuntos
132 bpm • F min • 05:29 • -25db
9% Popularity • 16% Danceability • 8% Energy • 10% Liveness
1% Instrumentalness • 3% Positiveness
9% Popularity • 16% Danceability • 8% Energy • 10% Liveness
1% Instrumentalness • 3% Positiveness
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Johann Pachelbel
Canon & Gigue in D Major, P. 37: I. Cano...
141 bpm • D Maj • 04:59 • -42db
12% Popularity • 18% Danceability • 0% Energy • 11% Liveness
96% Instrumentalness • 10% Positiveness
12% Popularity • 18% Danceability • 0% Energy • 11% Liveness
96% Instrumentalness • 10% Positiveness
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Giuseppe Verdi
Il Trovatore / Act 2: "Vedi! le fosche n...
130 bpm • G Maj • 02:50 • -13.47db
39% Popularity • 44% Danceability • 35% Energy • 51% Liveness
2% Instrumentalness • 52% Positiveness
39% Popularity • 44% Danceability • 35% Energy • 51% Liveness
2% Instrumentalness • 52% Positiveness
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Niels Gade
Morgensang af Elverskud
131 bpm • G Maj • 02:12 • -20.41db
14% Popularity • 21% Danceability • 18% Energy • 11% Liveness
17% Instrumentalness • 4% Positiveness
14% Popularity • 21% Danceability • 18% Energy • 11% Liveness
17% Instrumentalness • 4% Positiveness
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Philip Stopford
Ave verum
142 bpm • F# min • 03:35 • -27.27db
28% Popularity • 14% Danceability • 9% Energy • 13% Liveness
2% Instrumentalness • 4% Positiveness
28% Popularity • 14% Danceability • 9% Energy • 13% Liveness
2% Instrumentalness • 4% Positiveness
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Herbert Howells
Requiem: Salvator Mundi
130 bpm • G Maj • 02:19 • -30.35db
24% Popularity • 17% Danceability • 2% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
24% Popularity • 17% Danceability • 2% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
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Sir Ivor Atkins
Psalm 149, 'O sing unto the Lord'
142 bpm • C# Maj • 02:13 • -23.74db
7% Popularity • 26% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
7% Popularity • 26% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
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Lesley Garrett
In trutina
130 bpm • D Maj • 02:09 • -19.07db
9% Popularity • 21% Danceability • 11% Energy • 10% Liveness
40% Instrumentalness • 6% Positiveness
9% Popularity • 21% Danceability • 11% Energy • 10% Liveness
40% Instrumentalness • 6% Positiveness
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James MacMillan
Mass of St Edward the Confessor: I. Kyri...
129 bpm • A min • 03:04 • -29.88db
5% Popularity • 16% Danceability • 4% Energy • 9% Liveness
30% Instrumentalness • 3% Positiveness
5% Popularity • 16% Danceability • 4% Energy • 9% Liveness
30% Instrumentalness • 3% Positiveness
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James Turle
Psalm 39: I said, I will take heed to my...
129 bpm • D Maj • 04:40 • -37.05db
1% Popularity • 20% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
1% Popularity • 20% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Philip Stopford
There Is No Rose
130 bpm • A# Maj • 03:27 • -27db
12% Popularity • 22% Danceability • 5% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
12% Popularity • 22% Danceability • 5% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
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Pavel Chesnokov
Salvation Is Created, Op. 25 No. 5
129 bpm • D Maj • 04:17 • -29.94db
34% Popularity • 16% Danceability • 2% Energy • 7% Liveness
51% Instrumentalness • 3% Positiveness
34% Popularity • 16% Danceability • 2% Energy • 7% Liveness
51% Instrumentalness • 3% Positiveness
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Charles Villiers Stanford
Psalm 148, 'O praise the Lord of heaven'
130 bpm • G# Maj • 03:22 • -23.81db
6% Popularity • 24% Danceability • 17% Energy • 27% Liveness
0% Instrumentalness • 15% Positiveness
6% Popularity • 24% Danceability • 17% Energy • 27% Liveness
0% Instrumentalness • 15% Positiveness
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Arcangelo Corelli
Concerto grosso in G Minor, Op. 6 No. 8,...
129 bpm • D# Maj • 01:55 • -24.66db
46% Popularity • 17% Danceability • 6% Energy • 12% Liveness
95% Instrumentalness • 8% Positiveness
46% Popularity • 17% Danceability • 6% Energy • 12% Liveness
95% Instrumentalness • 8% Positiveness
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The Glasgow Phoenix Choir
All in the April Evening
144 bpm • D# Maj • 03:27 • -24.14db
8% Popularity • 20% Danceability • 16% Energy • 13% Liveness
46% Instrumentalness • 9% Positiveness
8% Popularity • 20% Danceability • 16% Energy • 13% Liveness
46% Instrumentalness • 9% Positiveness
► Preview
Antonio Vivaldi
Gloria in D Major, RV 589: 1. Gloria in ...
128 bpm • C# Maj • 02:21 • -13.47db
24% Popularity • 46% Danceability • 32% Energy • 15% Liveness
43% Instrumentalness • 27% Positiveness
24% Popularity • 46% Danceability • 32% Energy • 15% Liveness
43% Instrumentalness • 27% Positiveness
► Preview
Philip Stopford
For the Beauty of the Earth (Version for...
143 bpm • G# Maj • 03:21 • -25.26db
13% Popularity • 19% Danceability • 11% Energy • 12% Liveness
43% Instrumentalness • 6% Positiveness
13% Popularity • 19% Danceability • 11% Energy • 12% Liveness
43% Instrumentalness • 6% Positiveness
► Preview
Samuel Barber
Agnus Dei
128 bpm • A# min • 08:38 • -25.02db
12% Popularity • 19% Danceability • 6% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
12% Popularity • 19% Danceability • 6% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
► Preview
William Croft
Burial Sentences: II. I Know That My Red...
144 bpm • C min • 01:10 • -23.05db
19% Popularity • 18% Danceability • 12% Energy • 26% Liveness
0% Instrumentalness • 5% Positiveness
19% Popularity • 18% Danceability • 12% Energy • 26% Liveness
0% Instrumentalness • 5% Positiveness
► Preview
Maurice Duruflé
Notre Pere, Op. 14
128 bpm • F Maj • 01:25 • -26.8db
25% Popularity • 25% Danceability • 6% Energy • 9% Liveness
46% Instrumentalness • 8% Positiveness
25% Popularity • 25% Danceability • 6% Energy • 9% Liveness
46% Instrumentalness • 8% Positiveness
► Preview
Sergei Rachmaninoff
All-night Vigil, Op. 37, "Vespers": Resu...
128 bpm • D min • 01:35 • -22.99db
26% Popularity • 19% Danceability • 8% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
26% Popularity • 19% Danceability • 8% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
► Preview
Sir Henry Wood
Fantasia on British Sea Songs (excerpts)...
145 bpm • A Maj • 02:17 • -26.16db
21% Popularity • 39% Danceability • 8% Energy • 38% Liveness
1% Instrumentalness • 77% Positiveness
21% Popularity • 39% Danceability • 8% Energy • 38% Liveness
1% Instrumentalness • 77% Positiveness
► Preview
Rivertree Singers Festival Chorus
Jubilate Deo: VI. Alleluia (Song of the ...
145 bpm • C Maj • 05:26 • -13.03db
10% Popularity • 13% Danceability • 30% Energy • 50% Liveness
93% Instrumentalness • 5% Positiveness
10% Popularity • 13% Danceability • 30% Energy • 50% Liveness
93% Instrumentalness • 5% Positiveness
► Preview
John Bennet
Weep, O mine eyes
127 bpm • G# min • 02:44 • -25.16db
22% Popularity • 17% Danceability • 4% Energy • 10% Liveness
2% Instrumentalness • 4% Positiveness
22% Popularity • 17% Danceability • 4% Energy • 10% Liveness
2% Instrumentalness • 4% Positiveness
► Preview
Nikolay Kedrov
Otche Nash (Our Father)
127 bpm • C Maj • 03:04 • -37db
14% Popularity • 17% Danceability • 3% Energy • 8% Liveness
35% Instrumentalness • 4% Positiveness
14% Popularity • 17% Danceability • 3% Energy • 8% Liveness
35% Instrumentalness • 4% Positiveness
► Preview
Ronald Binge
Scottish Rhapsody
127 bpm • G Maj • 06:26 • -22.64db
11% Popularity • 31% Danceability • 11% Energy • 5% Liveness
95% Instrumentalness • 20% Positiveness
11% Popularity • 31% Danceability • 11% Energy • 5% Liveness
95% Instrumentalness • 20% Positiveness
► Preview
Anton Bruckner
Kronstorfer Messe in D Minor, WAB 146: I...
127 bpm • F Maj • 01:35 • -29.29db
34% Popularity • 17% Danceability • 2% Energy • 10% Liveness
22% Instrumentalness • 4% Positiveness
34% Popularity • 17% Danceability • 2% Energy • 10% Liveness
22% Instrumentalness • 4% Positiveness
► Preview
Antonio Lotti
Crucifixus
127 bpm • C min • 03:29 • -25.68db
21% Popularity • 18% Danceability • 10% Energy • 8% Liveness
45% Instrumentalness • 3% Positiveness
21% Popularity • 18% Danceability • 10% Energy • 8% Liveness
45% Instrumentalness • 3% Positiveness
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Johannes Brahms
The St. Anthony Chorale
127 bpm • A# Maj • 01:17 • -29.22db
20% Popularity • 21% Danceability • 1% Energy • 11% Liveness
97% Instrumentalness • 30% Positiveness
20% Popularity • 21% Danceability • 1% Energy • 11% Liveness
97% Instrumentalness • 30% Positiveness
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Dan Forrest
Requiem for the Living: V. Lux Aeterna
127 bpm • A Maj • 08:54 • -18.24db
18% Popularity • 17% Danceability • 19% Energy • 71% Liveness
76% Instrumentalness • 3% Positiveness
18% Popularity • 17% Danceability • 19% Energy • 71% Liveness
76% Instrumentalness • 3% Positiveness
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Mouret
Mouret: Rondeau ("Masterpiece Theater" T...
146 bpm • D Maj • 02:10 • -20.03db
15% Popularity • 26% Danceability • 10% Energy • 29% Liveness
93% Instrumentalness • 49% Positiveness
15% Popularity • 26% Danceability • 10% Energy • 29% Liveness
93% Instrumentalness • 49% Positiveness
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Herbert Howells
Requiem: Requiem aeternam I
126 bpm • E min • 03:47 • -35db
21% Popularity • 17% Danceability • 1% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
21% Popularity • 17% Danceability • 1% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
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Anton Bruckner
Os justi, WAB 30
127 bpm • C Maj • 04:41 • -27.01db
14% Popularity • 17% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 3% Positiveness
14% Popularity • 17% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 3% Positiveness
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Giacomo Carissimi
Jephte: Plorate, filii Israel
127 bpm • F# Maj • 05:00 • -24db
26% Popularity • 21% Danceability • 8% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
26% Popularity • 21% Danceability • 8% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
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Rivertree Singers Festival Chorus
Jubilate Deo: I. Jubilate Deo...
146 bpm • D Maj • 08:38 • -14.38db
14% Popularity • 28% Danceability • 31% Energy • 12% Liveness
3% Instrumentalness • 26% Positiveness
14% Popularity • 28% Danceability • 31% Energy • 12% Liveness
3% Instrumentalness • 26% Positiveness
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William P. Rowlands
Love Divine, All Loves Excelling (Blaenw...
126 bpm • F# Maj • 03:21 • -19.48db
4% Popularity • 18% Danceability • 19% Energy • 10% Liveness
95% Instrumentalness • 13% Positiveness
4% Popularity • 18% Danceability • 19% Energy • 10% Liveness
95% Instrumentalness • 13% Positiveness
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Eric Whitacre
Whitacre: Three Songs Of Faith: I Thank ...
126 bpm • C Maj • 06:56 • -27.52db
18% Popularity • 17% Danceability • 6% Energy • 11% Liveness
23% Instrumentalness • 3% Positiveness
18% Popularity • 17% Danceability • 6% Energy • 11% Liveness
23% Instrumentalness • 3% Positiveness
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Jean Mouton
Nesciens mater
126 bpm • G Maj • 06:51 • -30.95db
14% Popularity • 17% Danceability • 4% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
14% Popularity • 17% Danceability • 4% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
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Dan Forrest
Good Night, Dear Heart
126 bpm • B Maj • 03:59 • -27.84db
29% Popularity • 18% Danceability • 6% Energy • 11% Liveness
26% Instrumentalness • 3% Positiveness
29% Popularity • 18% Danceability • 6% Energy • 11% Liveness
26% Instrumentalness • 3% Positiveness
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Sir Walter Galpin Alcock
Psalm 91, 'Whoso dwelleth under the defe...
125 bpm • E Maj • 04:21 • -23.21db
13% Popularity • 27% Danceability • 13% Energy • 10% Liveness
9% Instrumentalness • 4% Positiveness
13% Popularity • 27% Danceability • 13% Energy • 10% Liveness
9% Instrumentalness • 4% Positiveness
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George Macfarren
Psalm 93 "Dominus regnavit"
125 bpm • C Maj • 01:48 • -26.73db
1% Popularity • 22% Danceability • 12% Energy • 11% Liveness
87% Instrumentalness • 8% Positiveness
1% Popularity • 22% Danceability • 12% Energy • 11% Liveness
87% Instrumentalness • 8% Positiveness
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Antonio Vivaldi
Vivaldi: Gloria in D Major, RV 589: I. G...
125 bpm • A Maj • 02:23 • -11db
20% Popularity • 45% Danceability • 46% Energy • 19% Liveness
88% Instrumentalness • 39% Positiveness
20% Popularity • 45% Danceability • 46% Energy • 19% Liveness
88% Instrumentalness • 39% Positiveness
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Rivertree Singers Festival Chorus
Jubilate Deo: VII. ...Omnis Terra!
148 bpm • D Maj • 06:58 • -12.53db
12% Popularity • 30% Danceability • 59% Energy • 67% Liveness
7% Instrumentalness • 24% Positiveness
12% Popularity • 30% Danceability • 59% Energy • 67% Liveness
7% Instrumentalness • 24% Positiveness
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Nordic Chamber Choir - Nicol Matt
La Rose Complete
125 bpm • C# Maj • 04:10 • -33.25db
13% Popularity • 17% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
13% Popularity • 17% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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The Choir Of Waltham Abbey
Brahms: How Lovely are Thy Dwellings
125 bpm • D# Maj • 05:19 • -24db
9% Popularity • 21% Danceability • 9% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
9% Popularity • 21% Danceability • 9% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
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Johannes Brahms
Ein deutsches Requiem (A German Requiem)...
124 bpm • D# Maj • 05:11 • -20.94db
23% Popularity • 21% Danceability • 11% Energy • 11% Liveness
45% Instrumentalness • 7% Positiveness
23% Popularity • 21% Danceability • 11% Energy • 11% Liveness
45% Instrumentalness • 7% Positiveness
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Eric Coates
London Suite: 3. Knightsbridge (March)
124 bpm • C Maj • 04:12 • -16db
25% Popularity • 33% Danceability • 25% Energy • 13% Liveness
95% Instrumentalness • 29% Positiveness
25% Popularity • 33% Danceability • 25% Energy • 13% Liveness
95% Instrumentalness • 29% Positiveness
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Sally Beamish
In the Stillness
125 bpm • A min • 02:19 • -31.93db
18% Popularity • 17% Danceability • 3% Energy • 12% Liveness
65% Instrumentalness • 4% Positiveness
18% Popularity • 17% Danceability • 3% Energy • 12% Liveness
65% Instrumentalness • 4% Positiveness
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Antonio Vivaldi
Gloria: Laudamus te
123 bpm • F# Maj • 02:09 • -21db
23% Popularity • 44% Danceability • 14% Energy • 32% Liveness
1% Instrumentalness • 70% Positiveness
23% Popularity • 44% Danceability • 14% Energy • 32% Liveness
1% Instrumentalness • 70% Positiveness
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Charles Villiers Stanford
Psalm 150, 'O praise God in His holiness...
124 bpm • C# Maj • 02:09 • -16.75db
10% Popularity • 27% Danceability • 27% Energy • 8% Liveness
4% Instrumentalness • 12% Positiveness
10% Popularity • 27% Danceability • 27% Energy • 8% Liveness
4% Instrumentalness • 12% Positiveness
