Songs like Love in Vain - Take 1 by Robert Johnson
Based on a tempo of (+/- 10%) and a similar genre
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Bessie Smith
Nobody Knows You When You're Down and Ou...
90 bpm • E Maj • 02:56 • -12.1db
40% Popularity • 60% Danceability • 4% Energy • 18% Liveness
0% Instrumentalness • 19% Positiveness
40% Popularity • 60% Danceability • 4% Energy • 18% Liveness
0% Instrumentalness • 19% Positiveness
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Robert Johnson
Love in Vain - Take 1
90 bpm • G# Maj • 02:23 • -19db
33% Popularity • 74% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
33% Popularity • 74% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Ma Rainey
Stack O' Lee Blues
90 bpm • G min • 02:52 • -8.69db
12% Popularity • 55% Danceability • 28% Energy • 27% Liveness
1% Instrumentalness • 54% Positiveness
12% Popularity • 55% Danceability • 28% Energy • 27% Liveness
1% Instrumentalness • 54% Positiveness
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Sleepy John Estes
Liquor Store Blues
90 bpm • C Maj • 02:29 • -9.41db
21% Popularity • 67% Danceability • 38% Energy • 26% Liveness
0% Instrumentalness • 70% Positiveness
21% Popularity • 67% Danceability • 38% Energy • 26% Liveness
0% Instrumentalness • 70% Positiveness
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Johnny Shines
Travelling Back Home
89 bpm • E min • 03:58 • -17.28db
31% Popularity • 50% Danceability • 13% Energy • 6% Liveness
0% Instrumentalness • 36% Positiveness
31% Popularity • 50% Danceability • 13% Energy • 6% Liveness
0% Instrumentalness • 36% Positiveness
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Arthur "Big Boy" Crudup
My Mama Don't Allow Me
91 bpm • D Maj • 03:10 • -11db
22% Popularity • 62% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
22% Popularity • 62% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Tampa Red
Mean and Evil Blues
91 bpm • G Maj • 02:53 • -10.19db
17% Popularity • 75% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
17% Popularity • 75% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Robert Johnson
Milkcow's Calf Blues - Take 2
92 bpm • A# Maj • 02:19 • -17.91db
12% Popularity • 71% Danceability • 5% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
12% Popularity • 71% Danceability • 5% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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Charley Patton
Devil Sent the Rain Blues
92 bpm • C Maj • 03:05 • -14.79db
20% Popularity • 52% Danceability • 18% Energy • 27% Liveness
77% Instrumentalness • 33% Positiveness
20% Popularity • 52% Danceability • 18% Energy • 27% Liveness
77% Instrumentalness • 33% Positiveness
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Papa Charlie's Boys
You Can't Play Me Cheap
92 bpm • D min • 02:52 • -14.09db
21% Popularity • 69% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
21% Popularity • 69% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Johnny Shines
Evening Sun
89 bpm • F# min • 02:32 • -10db
21% Popularity • 48% Danceability • 48% Energy • 34% Liveness
60% Instrumentalness • 66% Positiveness
21% Popularity • 48% Danceability • 48% Energy • 34% Liveness
60% Instrumentalness • 66% Positiveness
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David "Honeyboy" Edwards
Crossroads
92 bpm • A Maj • 03:26 • -8.6db
17% Popularity • 54% Danceability • 36% Energy • 31% Liveness
7% Instrumentalness • 31% Positiveness
17% Popularity • 54% Danceability • 36% Energy • 31% Liveness
7% Instrumentalness • 31% Positiveness
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Rory Block
Mississippi Blues
88 bpm • C# min • 03:35 • -13.93db
11% Popularity • 60% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
11% Popularity • 60% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
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Robert Johnson
Honeymoon Blues
92 bpm • A# Maj • 02:15 • -15.28db
12% Popularity • 66% Danceability • 8% Energy • 18% Liveness
0% Instrumentalness • 51% Positiveness
12% Popularity • 66% Danceability • 8% Energy • 18% Liveness
0% Instrumentalness • 51% Positiveness
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Barbecue Bob
Barbecue Blues
93 bpm • B Maj • 03:12 • -11db
15% Popularity • 58% Danceability • 40% Energy • 19% Liveness
0% Instrumentalness • 64% Positiveness
15% Popularity • 58% Danceability • 40% Energy • 19% Liveness
0% Instrumentalness • 64% Positiveness
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Blind Boy Fuller
I Crave My Pig Meat
93 bpm • F Maj • 02:51 • -13.28db
10% Popularity • 62% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
10% Popularity • 62% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
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Johnny Shines
The Wind Is Blowin'
89 bpm • A Maj • 03:40 • -14.38db
21% Popularity • 59% Danceability • 14% Energy • 5% Liveness
0% Instrumentalness • 73% Positiveness
21% Popularity • 59% Danceability • 14% Energy • 5% Liveness
0% Instrumentalness • 73% Positiveness
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Leroy Carr
When the Sun Goes Down
93 bpm • A# Maj • 02:59 • -15db
17% Popularity • 50% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
17% Popularity • 50% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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Tampa Red
You Missed a Good Man
87 bpm • G# Maj • 03:34 • -14.23db
17% Popularity • 75% Danceability • 26% Energy • 13% Liveness
5% Instrumentalness • 77% Positiveness
17% Popularity • 75% Danceability • 26% Energy • 13% Liveness
5% Instrumentalness • 77% Positiveness
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Robert Johnson
Come On In My Kitchen - Take 2
88 bpm • F# min • 02:49 • -16db
29% Popularity • 62% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
29% Popularity • 62% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Arthur "Big Boy" Crudup
That's All Right
93 bpm • A# Maj • 02:24 • -17db
32% Popularity • 66% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
32% Popularity • 66% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
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Slim Harpo
I'm Gonna Miss You (Like The Devil) - Si...
87 bpm • D Maj • 02:20 • -11.77db
37% Popularity • 63% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 87% Positiveness
37% Popularity • 63% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 87% Positiveness
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Big Joe Turner
S.K. Blues, Pt. 1
87 bpm • A# Maj • 03:01 • -9.96db
25% Popularity • 62% Danceability • 27% Energy • 31% Liveness
0% Instrumentalness • 61% Positiveness
25% Popularity • 62% Danceability • 27% Energy • 31% Liveness
0% Instrumentalness • 61% Positiveness
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Robert Petway
Catfish Blues (Alternate Take)
93 bpm • C# Maj • 02:54 • -9db
13% Popularity • 68% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
13% Popularity • 68% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
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Tommy Johnson
Canned Heat Blues
93 bpm • D Maj • 03:39 • -13db
22% Popularity • 74% Danceability • 22% Energy • 16% Liveness
0% Instrumentalness • 69% Positiveness
22% Popularity • 74% Danceability • 22% Energy • 16% Liveness
0% Instrumentalness • 69% Positiveness
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Robert Johnson
Last Fair Deal Gone Down
92 bpm • A min • 02:39 • -13.89db
25% Popularity • 62% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
25% Popularity • 62% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Blind Lemon Jefferson
Dry Southern Blues
87 bpm • D# Maj • 02:53 • -12.96db
14% Popularity • 64% Danceability • 24% Energy • 27% Liveness
0% Instrumentalness • 78% Positiveness
14% Popularity • 64% Danceability • 24% Energy • 27% Liveness
0% Instrumentalness • 78% Positiveness
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Kokomo Arnold
Back Door Blues
87 bpm • F# Maj • 03:25 • -16.17db
9% Popularity • 76% Danceability • 12% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
9% Popularity • 76% Danceability • 12% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
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Big Joe Williams
Saturday Night Women
93 bpm • C Maj • 03:42 • -15.23db
10% Popularity • 57% Danceability • 26% Energy • 14% Liveness
1% Instrumentalness • 46% Positiveness
10% Popularity • 57% Danceability • 26% Energy • 14% Liveness
1% Instrumentalness • 46% Positiveness
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Howlin' Wolf
Moanin' At Midnight
93 bpm • B min • 02:56 • -13.98db
40% Popularity • 36% Danceability • 51% Energy • 12% Liveness
1% Instrumentalness • 76% Positiveness
40% Popularity • 36% Danceability • 51% Energy • 12% Liveness
1% Instrumentalness • 76% Positiveness
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Sonny Boy Williamson I
Rainy Day Blues
93 bpm • A# Maj • 03:18 • -16db
7% Popularity • 52% Danceability • 15% Energy • 22% Liveness
1% Instrumentalness • 72% Positiveness
7% Popularity • 52% Danceability • 15% Energy • 22% Liveness
1% Instrumentalness • 72% Positiveness
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Robert Johnson
Kind Hearted Woman Blues - Take 2
88 bpm • G# min • 02:49 • -14.38db
22% Popularity • 62% Danceability • 17% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
22% Popularity • 62% Danceability • 17% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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Paul Geremia
Devil Got My Woman
94 bpm • G Maj • 04:29 • -14.16db
16% Popularity • 49% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
16% Popularity • 49% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Charley Patton
You're Gonna Need Somebody When You Die
94 bpm • F# min • 02:55 • -13.85db
11% Popularity • 66% Danceability • 11% Energy • 12% Liveness
1% Instrumentalness • 41% Positiveness
11% Popularity • 66% Danceability • 11% Energy • 12% Liveness
1% Instrumentalness • 41% Positiveness
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Mississippi Sheiks
Sitting On Top Of The World
94 bpm • F# Maj • 03:05 • -13.07db
17% Popularity • 52% Danceability • 12% Energy • 20% Liveness
0% Instrumentalness • 38% Positiveness
17% Popularity • 52% Danceability • 12% Energy • 20% Liveness
0% Instrumentalness • 38% Positiveness
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Ma Rainey
Runaway Blues
86 bpm • F min • 02:26 • -15.72db
35% Popularity • 81% Danceability • 23% Energy • 13% Liveness
1% Instrumentalness • 56% Positiveness
35% Popularity • 81% Danceability • 23% Energy • 13% Liveness
1% Instrumentalness • 56% Positiveness
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Arthur "Big Boy" Crudup
Dig Myself a Hole
94 bpm • A# Maj • 02:23 • -18db
34% Popularity • 70% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
34% Popularity • 70% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Robert Johnson
Kind Hearted Woman Blues
88 bpm • A# min • 02:51 • -17.41db
26% Popularity • 58% Danceability • 15% Energy • 16% Liveness
0% Instrumentalness • 26% Positiveness
26% Popularity • 58% Danceability • 15% Energy • 16% Liveness
0% Instrumentalness • 26% Positiveness
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Mississippi John Hurt
Stagolee
94 bpm • D Maj • 05:37 • -20.74db
21% Popularity • 48% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
21% Popularity • 48% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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Sonny Boy Williamson I
Sugar Mama Blues
86 bpm • D Maj • 02:58 • -15.99db
14% Popularity • 54% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
14% Popularity • 54% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Memphis Minnie
If You See My Rooster (Please Run Him Ho...
94 bpm • D# Maj • 03:15 • -16db
31% Popularity • 79% Danceability • 14% Energy • 11% Liveness
18% Instrumentalness • 67% Positiveness
31% Popularity • 79% Danceability • 14% Energy • 11% Liveness
18% Instrumentalness • 67% Positiveness
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Leroy Carr
How Long, How Long Blues
85 bpm • D# Maj • 03:03 • -12.26db
30% Popularity • 63% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
30% Popularity • 63% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Big Joe Williams
Whistlin' Pines
95 bpm • A Maj • 02:57 • -8.97db
26% Popularity • 61% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
26% Popularity • 61% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Robert Johnson
Drunken Hearted Man - Take 1
88 bpm • D# Maj • 02:25 • -13.28db
21% Popularity • 70% Danceability • 9% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
21% Popularity • 70% Danceability • 9% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Robert Nighthawk
Friar's Point Blues
95 bpm • E Maj • 02:54 • -6db
9% Popularity • 67% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
9% Popularity • 67% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Slim Harpo
What A Dream
95 bpm • D# Maj • 03:06 • -7.56db
19% Popularity • 56% Danceability • 58% Energy • 25% Liveness
0% Instrumentalness • 41% Positiveness
19% Popularity • 56% Danceability • 58% Energy • 25% Liveness
0% Instrumentalness • 41% Positiveness
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Lowell Fulson
Reconsider Baby
95 bpm • C Maj • 03:09 • -10.98db
42% Popularity • 69% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 69% Positiveness
42% Popularity • 69% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 69% Positiveness
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Leroy Carr
Papa's on the House Top
95 bpm • D# Maj • 02:55 • -12db
27% Popularity • 68% Danceability • 28% Energy • 12% Liveness
60% Instrumentalness • 78% Positiveness
27% Popularity • 68% Danceability • 28% Energy • 12% Liveness
60% Instrumentalness • 78% Positiveness
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Mississippi John Hurt
Candy Man
95 bpm • G Maj • 02:56 • -25db
33% Popularity • 43% Danceability • 16% Energy • 10% Liveness
16% Instrumentalness • 71% Positiveness
33% Popularity • 43% Danceability • 16% Energy • 10% Liveness
16% Instrumentalness • 71% Positiveness
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Robert Johnson
Drunken Hearted Man - Take 2
87 bpm • A# Maj • 02:25 • -14.59db
12% Popularity • 74% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
12% Popularity • 74% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
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Blind Boy Fuller
What's That Smells Like Fish
95 bpm • B min • 02:46 • -12.89db
15% Popularity • 64% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 75% Positiveness
15% Popularity • 64% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 75% Positiveness
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Bessie Smith
Empty Bed Blues, Pt. 1
85 bpm • F Maj • 03:00 • -12.19db
24% Popularity • 67% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
24% Popularity • 67% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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J.B. Lenoir
I Want to Go
85 bpm • C Maj • 01:39 • -9db
31% Popularity • 84% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
31% Popularity • 84% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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Eric Von Schmidt
Turtle Beach
96 bpm • F Maj • 03:53 • -16.57db
14% Popularity • 54% Danceability • 14% Energy • 9% Liveness
7% Instrumentalness • 54% Positiveness
14% Popularity • 54% Danceability • 14% Energy • 9% Liveness
7% Instrumentalness • 54% Positiveness
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Tampa Red
Denver Blues
84 bpm • C Maj • 02:54 • -16.88db
14% Popularity • 60% Danceability • 24% Energy • 30% Liveness
79% Instrumentalness • 55% Positiveness
14% Popularity • 60% Danceability • 24% Energy • 30% Liveness
79% Instrumentalness • 55% Positiveness
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Robert Johnson
Milkcow's Calf Blues
94 bpm • G# min • 02:17 • -16.2db
22% Popularity • 68% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
22% Popularity • 68% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Arthur "Big Boy" Crudup
My Mama Don’t Allow Me - Fire & Fury V...
96 bpm • F min • 02:23 • -20.48db
43% Popularity • 63% Danceability • 13% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
43% Popularity • 63% Danceability • 13% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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Lightnin' Hopkins
Baby Please Don't Go
84 bpm • A Maj • 02:53 • -21db
29% Popularity • 58% Danceability • 9% Energy • 11% Liveness
58% Instrumentalness • 83% Positiveness
29% Popularity • 58% Danceability • 9% Energy • 11% Liveness
58% Instrumentalness • 83% Positiveness
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Slim Harpo
Blues Hangover
96 bpm • G Maj • 03:06 • -7db
34% Popularity • 53% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
34% Popularity • 53% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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Blind Willie Johnson
It's Nobody's Fault but Mine
84 bpm • D# Maj • 03:08 • -14.01db
42% Popularity • 68% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
42% Popularity • 68% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Blind Lemon Jefferson
Jack O' Diamonds Blues
84 bpm • G Maj • 02:44 • -21db
10% Popularity • 44% Danceability • 3% Energy • 25% Liveness
36% Instrumentalness • 56% Positiveness
10% Popularity • 44% Danceability • 3% Energy • 25% Liveness
36% Instrumentalness • 56% Positiveness
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Robert Johnson
Milkcow's Calf Blues - Take 1
94 bpm • D# Maj • 02:15 • -18.8db
13% Popularity • 67% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
13% Popularity • 67% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Big Joe Williams
Back Home Blues
97 bpm • C Maj • 04:22 • -16db
15% Popularity • 59% Danceability • 21% Energy • 9% Liveness
2% Instrumentalness • 49% Positiveness
15% Popularity • 59% Danceability • 21% Energy • 9% Liveness
2% Instrumentalness • 49% Positiveness
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Memphis Minnie & Kansas Joe
When The Levee Breaks
97 bpm • G min • 03:08 • -10.62db
37% Popularity • 70% Danceability • 28% Energy • 10% Liveness
16% Instrumentalness • 48% Positiveness
37% Popularity • 70% Danceability • 28% Energy • 10% Liveness
16% Instrumentalness • 48% Positiveness
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Robert Wilkins
That's No Way to Get Along (Alternate Ta...
97 bpm • G# Maj • 02:53 • -13db
16% Popularity • 43% Danceability • 26% Energy • 21% Liveness
0% Instrumentalness • 36% Positiveness
16% Popularity • 43% Danceability • 26% Energy • 21% Liveness
0% Instrumentalness • 36% Positiveness
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Big Walter Horton
Tell Me Baby
97 bpm • B min • 03:15 • -15.23db
40% Popularity • 56% Danceability • 34% Energy • 28% Liveness
0% Instrumentalness • 58% Positiveness
40% Popularity • 56% Danceability • 34% Energy • 28% Liveness
0% Instrumentalness • 58% Positiveness
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Blind Blake
Hastings Street
84 bpm • F Maj • 03:10 • -10db
28% Popularity • 56% Danceability • 49% Energy • 11% Liveness
88% Instrumentalness • 77% Positiveness
28% Popularity • 56% Danceability • 49% Energy • 11% Liveness
88% Instrumentalness • 77% Positiveness
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Robert Johnson
Little Queen of Spades - Take 1
95 bpm • F Maj • 02:10 • -13.49db
14% Popularity • 80% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
14% Popularity • 80% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Tampa Red
It Hurts Me Too
97 bpm • A# Maj • 02:33 • -8db
23% Popularity • 63% Danceability • 46% Energy • 13% Liveness
1% Instrumentalness • 71% Positiveness
23% Popularity • 63% Danceability • 46% Energy • 13% Liveness
1% Instrumentalness • 71% Positiveness
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Blind Lemon Jefferson
Easy Rider Blues
83 bpm • C Maj • 02:54 • -19.43db
11% Popularity • 44% Danceability • 3% Energy • 19% Liveness
83% Instrumentalness • 56% Positiveness
11% Popularity • 44% Danceability • 3% Energy • 19% Liveness
83% Instrumentalness • 56% Positiveness
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Freddy King
I Love the Woman
97 bpm • C Maj • 02:50 • -10.21db
28% Popularity • 74% Danceability • 29% Energy • 16% Liveness
0% Instrumentalness • 67% Positiveness
28% Popularity • 74% Danceability • 29% Energy • 16% Liveness
0% Instrumentalness • 67% Positiveness
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Blind Boy Fuller
Trucking My Blues Away No 2
97 bpm • C# Maj • 02:55 • -9.35db
17% Popularity • 80% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
17% Popularity • 80% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
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Memphis Minnie
When The Levee Breaks
97 bpm • D Maj • 03:12 • -12.21db
11% Popularity • 66% Danceability • 30% Energy • 9% Liveness
1% Instrumentalness • 52% Positiveness
11% Popularity • 66% Danceability • 30% Energy • 9% Liveness
1% Instrumentalness • 52% Positiveness
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Robert Johnson
Hell Hound On My Trail
96 bpm • A Maj • 02:37 • -12.15db
35% Popularity • 59% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
35% Popularity • 59% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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J.B. Lenoir
Alabama Blues
97 bpm • F# Maj • 03:14 • -8db
41% Popularity • 68% Danceability • 31% Energy • 6% Liveness
0% Instrumentalness • 69% Positiveness
41% Popularity • 68% Danceability • 31% Energy • 6% Liveness
0% Instrumentalness • 69% Positiveness
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Earl Hooker
Blue Guitar
83 bpm • E Maj • 02:46 • -9.33db
30% Popularity • 26% Danceability • 47% Energy • 10% Liveness
83% Instrumentalness • 47% Positiveness
30% Popularity • 26% Danceability • 47% Energy • 10% Liveness
83% Instrumentalness • 47% Positiveness
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Jimmy Rogers
Money, Marbles And Chalk - Single Versio...
98 bpm • B min • 03:20 • -14db
27% Popularity • 57% Danceability • 31% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
27% Popularity • 57% Danceability • 31% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
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Scrapper Blackwell
Blues Before Sunrise
83 bpm • G Maj • 05:08 • -9db
10% Popularity • 60% Danceability • 42% Energy • 7% Liveness
6% Instrumentalness • 50% Positiveness
10% Popularity • 60% Danceability • 42% Energy • 7% Liveness
6% Instrumentalness • 50% Positiveness
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Son House
Am I Right Or Wrong?
98 bpm • G# Maj • 01:45 • -13.47db
25% Popularity • 67% Danceability • 19% Energy • 12% Liveness
41% Instrumentalness • 76% Positiveness
25% Popularity • 67% Danceability • 19% Energy • 12% Liveness
41% Instrumentalness • 76% Positiveness
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Robert Johnson
Hellhound on My Trail
96 bpm • F# min • 02:34 • -13.85db
30% Popularity • 55% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
30% Popularity • 55% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
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St. Louis Jimmy Oden
Going Down Slow
83 bpm • D# Maj • 03:11 • -12.6db
25% Popularity • 67% Danceability • 27% Energy • 16% Liveness
9% Instrumentalness • 48% Positiveness
25% Popularity • 67% Danceability • 27% Energy • 16% Liveness
9% Instrumentalness • 48% Positiveness
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Tommy Johnson
Cool Drink of Water Blues
83 bpm • C Maj • 03:27 • -13db
14% Popularity • 45% Danceability • 12% Energy • 30% Liveness
0% Instrumentalness • 40% Positiveness
14% Popularity • 45% Danceability • 12% Energy • 30% Liveness
0% Instrumentalness • 40% Positiveness
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Robert Wilkins
That's No Way to Get Along
98 bpm • G# Maj • 02:52 • -14db
24% Popularity • 45% Danceability • 34% Energy • 26% Liveness
0% Instrumentalness • 42% Positiveness
24% Popularity • 45% Danceability • 34% Energy • 26% Liveness
0% Instrumentalness • 42% Positiveness
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Mississippi John Hurt
Corrinna, Corrinna
98 bpm • D Maj • 01:51 • -23.1db
34% Popularity • 49% Danceability • 11% Energy • 13% Liveness
3% Instrumentalness • 71% Positiveness
34% Popularity • 49% Danceability • 11% Energy • 13% Liveness
3% Instrumentalness • 71% Positiveness
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Memphis Minnie
When the Levee Breaks
98 bpm • F min • 03:11 • -10.81db
27% Popularity • 64% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
27% Popularity • 64% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
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Robert Johnson
Kind Hearted Woman Blues - Take 2
97 bpm • F min • 02:27 • -16.79db
19% Popularity • 63% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
19% Popularity • 63% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Arthur "Big Boy" Crudup
Mean Ol' Frisco
98 bpm • F min • 02:37 • -11db
25% Popularity • 60% Danceability • 51% Energy • 11% Liveness
61% Instrumentalness • 56% Positiveness
25% Popularity • 60% Danceability • 51% Energy • 11% Liveness
61% Instrumentalness • 56% Positiveness
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Lonnie Johnson
Some Day Baby
82 bpm • D# Maj • 03:08 • -12.62db
25% Popularity • 50% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
25% Popularity • 50% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
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J.B. Lenoir
Eisenhower Blues
98 bpm • A# min • 02:52 • -11.59db
32% Popularity • 78% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
32% Popularity • 78% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
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Guitar Slim
The Things That I Used To Do
98 bpm • F Maj • 03:00 • -14db
41% Popularity • 48% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
41% Popularity • 48% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Memphis Minnie
When the Levee Breaks - Alternate Take
98 bpm • G min • 03:09 • -14.35db
19% Popularity • 65% Danceability • 27% Energy • 12% Liveness
8% Instrumentalness • 61% Positiveness
19% Popularity • 65% Danceability • 27% Energy • 12% Liveness
8% Instrumentalness • 61% Positiveness
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Robert Johnson
Stones In My Passway
98 bpm • E min • 02:28 • -14db
25% Popularity • 67% Danceability • 14% Energy • 17% Liveness
0% Instrumentalness • 49% Positiveness
25% Popularity • 67% Danceability • 14% Energy • 17% Liveness
0% Instrumentalness • 49% Positiveness
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Mississippi John Hurt
Make Me A Pallet On Your Floor
98 bpm • F Maj • 04:33 • -24db
39% Popularity • 66% Danceability • 9% Energy • 11% Liveness
18% Instrumentalness • 76% Positiveness
39% Popularity • 66% Danceability • 9% Energy • 11% Liveness
18% Instrumentalness • 76% Positiveness
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Lonnie Johnson
Blue Ghost Blues
98 bpm • A# Maj • 03:09 • -10.23db
14% Popularity • 62% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
14% Popularity • 62% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
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J.B. Lenoir
Born Dead
82 bpm • A# Maj • 03:47 • -14.68db
11% Popularity • 61% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
11% Popularity • 61% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Arthur "Big Boy" Crudup
Death Valley Blues
82 bpm • A# Maj • 02:43 • -14db
31% Popularity • 74% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
31% Popularity • 74% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Robert Pete Williams
I've Grown So Ugly
100 bpm • A# min • 02:47 • -16.62db
18% Popularity • 69% Danceability • 34% Energy • 8% Liveness
3% Instrumentalness • 92% Positiveness
18% Popularity • 69% Danceability • 34% Energy • 8% Liveness
3% Instrumentalness • 92% Positiveness
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Robert Johnson
Sweet Home Chicago
98 bpm • F# Maj • 02:59 • -12.14db
43% Popularity • 66% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
43% Popularity • 66% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
