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Love Is Everywhere
Songs like
Love Is Everywhere
by
Pharoah Sanders
Based on a tempo of (+/- 10%) and a similar genre
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Takeo Moriyama
East Plants
112 bpm • G min • 10:22 • -12.91db
14% Popularity • 61% Danceability • 65% Energy • 31% Liveness
90% Instrumentalness • 50% Positiveness
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Pharoah Sanders
Origin
112 bpm • G# min • 06:54 • -14db
17% Popularity • 57% Danceability • 40% Energy • 10% Liveness
48% Instrumentalness • 56% Positiveness
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Wendell Harrison
Peace of Mind
112 bpm • D Maj • 07:19 • -4db
31% Popularity • 54% Danceability • 94% Energy • 38% Liveness
6% Instrumentalness • 25% Positiveness
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Ronald Langestraat
A fast drive through the universe
112 bpm • A# min • 03:32 • -15db
31% Popularity • 66% Danceability • 57% Energy • 16% Liveness
68% Instrumentalness • 81% Positiveness
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Dorothy Ashby
Myself When Young
112 bpm • D min • 05:20 • -15.92db
27% Popularity • 56% Danceability • 37% Energy • 20% Liveness
1% Instrumentalness • 48% Positiveness
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Gary Wilson
You Were To Good To Be True
112 bpm • A# min • 01:58 • -11.36db
31% Popularity • 67% Danceability • 30% Energy • 11% Liveness
93% Instrumentalness • 56% Positiveness
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Azymuth
Xingó - Version 1
112 bpm • G Maj • 04:56 • -9.59db
16% Popularity • 40% Danceability • 76% Energy • 10% Liveness
78% Instrumentalness • 17% Positiveness
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Pharoah Sanders
Love Is Everywhere
112 bpm • D# Maj • 19:52 • -19db
28% Popularity • 33% Danceability • 42% Energy • 10% Liveness
85% Instrumentalness • 55% Positiveness
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The Tony Williams Lifetime
There Comes A Time
112 bpm • A Maj • 06:01 • -9db
19% Popularity • 40% Danceability • 70% Energy • 34% Liveness
3% Instrumentalness • 47% Positiveness
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Clifford Jordan Quartet
John Coltrane
112 bpm • E min • 06:48 • -15.51db
18% Popularity • 44% Danceability • 33% Energy • 12% Liveness
26% Instrumentalness • 44% Positiveness
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Archie Shepp
Dr. King, The Peaceful Warrior
111 bpm • G# Maj • 02:29 • -30db
32% Popularity • 36% Danceability • 1% Energy • 19% Liveness
62% Instrumentalness • 10% Positiveness
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Dorothy Ashby
Wine The Infidel
111 bpm • F Maj • 03:59 • -15.84db
18% Popularity • 47% Danceability • 38% Energy • 25% Liveness
11% Instrumentalness • 67% Positiveness
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The Durutti Column
Katherine
113 bpm • C Maj • 05:31 • -14.66db
28% Popularity • 73% Danceability • 26% Energy • 25% Liveness
17% Instrumentalness • 24% Positiveness
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Pharoah Sanders
Village Of The Pharoahs, Part Two
113 bpm • D Maj • 04:59 • -14.23db
10% Popularity • 26% Danceability • 51% Energy • 34% Liveness
26% Instrumentalness • 50% Positiveness
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Kenny Garrett
Intro To Africa
111 bpm • G# Maj • 09:21 • -9db
5% Popularity • 47% Danceability • 49% Energy • 54% Liveness
61% Instrumentalness • 25% Positiveness
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Ian Carr
Images
113 bpm • F Maj • 04:55 • -19db
27% Popularity • 58% Danceability • 19% Energy • 10% Liveness
24% Instrumentalness • 34% Positiveness
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Chicago Underground Quartet
Four in the Evening
111 bpm • G Maj • 01:32 • -20.35db
24% Popularity • 24% Danceability • 18% Energy • 11% Liveness
49% Instrumentalness • 15% Positiveness
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COUNT BUFFALO & THE JAZZ ROCK BAND
Mago-uta
113 bpm • E min • 03:45 • -11db
14% Popularity • 44% Danceability • 41% Energy • 17% Liveness
0% Instrumentalness • 25% Positiveness
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Manfredo Fest
Brazilian Dorian Dream
111 bpm • D Maj • 05:37 • -10db
19% Popularity • 50% Danceability • 75% Energy • 9% Liveness
91% Instrumentalness • 53% Positiveness
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Brahja
Keepers
113 bpm • C# Maj • 05:45 • -10.05db
28% Popularity • 43% Danceability • 44% Energy • 6% Liveness
91% Instrumentalness • 47% Positiveness
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Pharoah Sanders
Village Of The Pharoahs, Part One
111 bpm • G min • 07:13 • -13db
13% Popularity • 30% Danceability • 62% Energy • 45% Liveness
1% Instrumentalness • 50% Positiveness
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Ryo Kawasaki
You Are The Sunlight
113 bpm • F Maj • 06:15 • -13.44db
16% Popularity • 49% Danceability • 30% Energy • 10% Liveness
39% Instrumentalness • 20% Positiveness
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The Lounge Lizards
The First and Royal Queen
111 bpm • C# Maj • 04:00 • -15db
28% Popularity • 75% Danceability • 35% Energy • 5% Liveness
21% Instrumentalness • 70% Positiveness
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Salah Ragab
Neveen
111 bpm • B min • 07:54 • -8db
21% Popularity • 57% Danceability • 86% Energy • 17% Liveness
0% Instrumentalness • 72% Positiveness
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Noël McGhie & Space Spies
Trapeze
111 bpm • F# min • 07:40 • -13.04db
13% Popularity • 47% Danceability • 43% Energy • 12% Liveness
94% Instrumentalness • 40% Positiveness
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Viejas RaÃces
El Viaje de Dumpty
111 bpm • C Maj • 05:15 • -15.61db
11% Popularity • 60% Danceability • 56% Energy • 8% Liveness
87% Instrumentalness • 21% Positiveness
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Anthony Braxton
BOR----H (Opus 23E)
111 bpm • G# Maj • 03:23 • -10.76db
12% Popularity • 49% Danceability • 65% Energy • 9% Liveness
61% Instrumentalness • 76% Positiveness
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Michael White
Journey Of The Black Star
110 bpm • G# min • 02:51 • -15db
19% Popularity • 59% Danceability • 26% Energy • 8% Liveness
84% Instrumentalness • 88% Positiveness
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Pharoah Sanders
Wisdom Through Music
114 bpm • D Maj • 05:43 • -15db
27% Popularity • 36% Danceability • 53% Energy • 30% Liveness
52% Instrumentalness • 83% Positiveness
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Ronald Langestraat
You need to cry
110 bpm • F min • 03:57 • -8db
35% Popularity • 42% Danceability • 56% Energy • 24% Liveness
5% Instrumentalness • 69% Positiveness
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Minoru Muraoka
Nogamigawa Funauta
114 bpm • F# min • 03:59 • -13.26db
34% Popularity • 45% Danceability • 12% Energy • 9% Liveness
8% Instrumentalness • 40% Positiveness
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Rudolph Johnson
The Highest Pleasure
110 bpm • A Maj • 07:38 • -16.95db
14% Popularity • 41% Danceability • 51% Energy • 12% Liveness
81% Instrumentalness • 60% Positiveness
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Tisziji Munoz
Purification By Fire
114 bpm • B min • 10:07 • -14.15db
0% Popularity • 40% Danceability • 58% Energy • 31% Liveness
79% Instrumentalness • 51% Positiveness
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King Britt
Untitled One
114 bpm • F min • 09:40 • -9.14db
9% Popularity • 42% Danceability • 67% Energy • 8% Liveness
90% Instrumentalness • 87% Positiveness
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Alice Coltrane
Shiva-Loka
114 bpm • F Maj • 06:33 • -12.26db
36% Popularity • 21% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Stringtronics
Dawn Mists
114 bpm • D min • 03:30 • -20.92db
20% Popularity • 24% Danceability • 11% Energy • 25% Liveness
9% Instrumentalness • 14% Positiveness
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Susumu Yokota
Naminote
114 bpm • C# Maj • 05:43 • -8.01db
25% Popularity • 68% Danceability • 87% Energy • 10% Liveness
97% Instrumentalness • 76% Positiveness
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Laraaji
Hare Jaya Jaya Rama I
110 bpm • F min • 05:41 • -16.21db
21% Popularity • 47% Danceability • 42% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
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Masaru Imada Trio + 1
Planets
114 bpm • D# Maj • 05:39 • -22db
13% Popularity • 45% Danceability • 18% Energy • 28% Liveness
1% Instrumentalness • 19% Positiveness
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Eberhard Weber
An Evening With Vincent Van Ritz
114 bpm • F Maj • 05:50 • -13db
22% Popularity • 32% Danceability • 47% Energy • 11% Liveness
97% Instrumentalness • 18% Positiveness
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The Awakening
Awakening - Prologue Spring Thing
114 bpm • G# Maj • 09:34 • -17.7db
10% Popularity • 40% Danceability • 43% Energy • 21% Liveness
15% Instrumentalness • 25% Positiveness
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Sonny Sharrock
Black Woman
115 bpm • D Maj • 05:14 • -11db
20% Popularity • 17% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Ana Mazzotti
De um Jeito Só
109 bpm • F Maj • 03:16 • -16.2db
35% Popularity • 40% Danceability • 20% Energy • 22% Liveness
11% Instrumentalness • 23% Positiveness
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Pharoah Sanders
Prince of Peace
109 bpm • B Maj • 08:52 • -10.93db
10% Popularity • 39% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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Eric Dolphy
Sketch Of Melba
115 bpm • C Maj • 04:36 • -14db
22% Popularity • 41% Danceability • 22% Energy • 7% Liveness
94% Instrumentalness • 33% Positiveness
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Alabaster DePlume
I Hope
115 bpm • C# Maj • 05:24 • -10.91db
24% Popularity • 37% Danceability • 42% Energy • 11% Liveness
95% Instrumentalness • 22% Positiveness
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The Sweet Enoughs
Cerberus
109 bpm • C Maj • 04:17 • -11.8db
31% Popularity • 66% Danceability • 60% Energy • 38% Liveness
89% Instrumentalness • 39% Positiveness
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Stefano Torossi
Flying high
109 bpm • B min • 03:40 • -15db
25% Popularity • 51% Danceability • 52% Energy • 5% Liveness
76% Instrumentalness • 80% Positiveness
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Laraaji
Great Bells in the Morning
115 bpm • G# Maj • 02:06 • -18.14db
16% Popularity • 63% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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Pharoah Sanders
Kazuko - Instrumental
115 bpm • C# Maj • 10:15 • -10.63db
27% Popularity • 18% Danceability • 21% Energy • 6% Liveness
83% Instrumentalness • 7% Positiveness
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Karin Krog
Meaning of Love
109 bpm • F Maj • 05:06 • -15db
30% Popularity • 48% Danceability • 58% Energy • 10% Liveness
6% Instrumentalness • 81% Positiveness
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Ill Considered
First Light
115 bpm • E min • 07:36 • -7db
23% Popularity • 31% Danceability • 79% Energy • 10% Liveness
88% Instrumentalness • 54% Positiveness
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Joseph Shabason
I Thought That I Could Get Away with It
115 bpm • F min • 04:45 • -16db
30% Popularity • 35% Danceability • 16% Energy • 10% Liveness
46% Instrumentalness • 14% Positiveness
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The Durutti Column
Conduct
115 bpm • B min • 05:04 • -9db
29% Popularity • 58% Danceability • 40% Energy • 16% Liveness
37% Instrumentalness • 42% Positiveness
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Carlos Niño
Please, wake up.
109 bpm • C min • 04:56 • -22.73db
23% Popularity • 27% Danceability • 7% Energy • 13% Liveness
86% Instrumentalness • 10% Positiveness
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Pharoah Sanders
Myth
109 bpm • G Maj • 01:43 • -27.96db
13% Popularity • 17% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Arthur Russell
The Deer In The Forest Part 1
115 bpm • C Maj • 01:35 • -20.18db
40% Popularity • 46% Danceability • 14% Energy • 12% Liveness
94% Instrumentalness • 37% Positiveness
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Ashra
Oasis
109 bpm • D Maj • 03:46 • -20.74db
36% Popularity • 70% Danceability • 15% Energy • 11% Liveness
77% Instrumentalness • 60% Positiveness
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Hailu Mergia
Embuwa Bey Lamitu
116 bpm • G# Maj • 06:05 • -10.98db
37% Popularity • 41% Danceability • 50% Energy • 12% Liveness
3% Instrumentalness • 79% Positiveness
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Jon Hassell
Dreaming
108 bpm • F min • 06:09 • -13.29db
25% Popularity • 28% Danceability • 48% Energy • 8% Liveness
94% Instrumentalness • 25% Positiveness
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Franklin Kiermyer
Esra Alawi
108 bpm • D min • 06:47 • -8.21db
2% Popularity • 24% Danceability • 70% Energy • 32% Liveness
14% Instrumentalness • 26% Positiveness
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Pharoah Sanders
Africa
108 bpm • D# Maj • 08:25 • -16.87db
16% Popularity • 46% Danceability • 31% Energy • 10% Liveness
5% Instrumentalness • 60% Positiveness
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Elysian Spring
Lotus
116 bpm • G Maj • 08:01 • -16.72db
20% Popularity • 39% Danceability • 15% Energy • 10% Liveness
94% Instrumentalness • 52% Positiveness
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Angel Bat Dawid
No Space Fo Us
108 bpm • C Maj • 03:48 • -12.14db
13% Popularity • 43% Danceability • 41% Energy • 8% Liveness
45% Instrumentalness • 34% Positiveness
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Hailu Mergia
Mestirawi Debdabe
116 bpm • A min • 04:36 • -10.12db
23% Popularity • 70% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
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Jaco Pastorius
Okonkole y Trompa
108 bpm • E min • 04:25 • -23.9db
32% Popularity • 61% Danceability • 42% Energy • 11% Liveness
95% Instrumentalness • 98% Positiveness
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Dorothy Ashby
Truth Spoken Here
108 bpm • B Maj • 02:50 • -10.74db
37% Popularity • 71% Danceability • 63% Energy • 50% Liveness
92% Instrumentalness • 68% Positiveness
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Pharoah Sanders
Red, Black & Green
108 bpm • D# min • 08:56 • -10.45db
20% Popularity • 20% Danceability • 87% Energy • 44% Liveness
88% Instrumentalness • 31% Positiveness
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Alice Coltrane
Something About John Coltrane
117 bpm • G# min • 09:40 • -13db
35% Popularity • 30% Danceability • 56% Energy • 11% Liveness
3% Instrumentalness • 36% Positiveness
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David Murray
O' léonso
107 bpm • F min • 07:57 • -5.17db
1% Popularity • 54% Danceability • 89% Energy • 17% Liveness
9% Instrumentalness • 35% Positiveness
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Hailu Mergia
Zengadyw Derekou
116 bpm • G# Maj • 03:40 • -10.59db
31% Popularity • 63% Danceability • 58% Energy • 20% Liveness
90% Instrumentalness • 87% Positiveness
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Byard Lancaster
It's Not up to Us
107 bpm • D min • 04:53 • -13.45db
14% Popularity • 38% Danceability • 36% Energy • 30% Liveness
38% Instrumentalness • 58% Positiveness
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Calvin Keys
Shawn-Neeq
117 bpm • A Maj • 05:54 • -17.88db
22% Popularity • 42% Danceability • 25% Energy • 10% Liveness
92% Instrumentalness • 36% Positiveness
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Steve Kuhn
The Meaning of Love
107 bpm • G Maj • 03:00 • -15.87db
34% Popularity • 40% Danceability • 34% Energy • 10% Liveness
60% Instrumentalness • 34% Positiveness
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Tisziji Munoz
Thank You All Great Spirits (Thank You F...
118 bpm • D Maj • 10:56 • -14.51db
0% Popularity • 48% Danceability • 65% Energy • 10% Liveness
31% Instrumentalness • 63% Positiveness
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Ronald Langestraat
Give and take
118 bpm • D min • 05:00 • -12db
28% Popularity • 70% Danceability • 69% Energy • 28% Liveness
82% Instrumentalness • 71% Positiveness
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Hailu Mergia
Yemanesh Ayinama
117 bpm • C# Maj • 07:11 • -10.07db
34% Popularity • 46% Danceability • 55% Energy • 16% Liveness
1% Instrumentalness • 77% Positiveness
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Pharoah Sanders
Save Our Children
106 bpm • F# Maj • 07:52 • -8.59db
15% Popularity • 56% Danceability • 63% Energy • 11% Liveness
30% Instrumentalness • 56% Positiveness
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Admas
Anchi Bale Game
119 bpm • A# min • 05:14 • -9.78db
36% Popularity • 55% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Pat Metheny
Midwestern Nights Dream
106 bpm • D Maj • 06:06 • -23db
36% Popularity • 41% Danceability • 10% Energy • 15% Liveness
83% Instrumentalness • 11% Positiveness
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Dorothy Ashby
Joyful Grass And Grape
106 bpm • F min • 03:41 • -13.41db
28% Popularity • 58% Danceability • 38% Energy • 14% Liveness
78% Instrumentalness • 54% Positiveness
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David Behrman
Leapday Night, Scene 1
119 bpm • B min • 06:30 • -16.96db
15% Popularity • 17% Danceability • 15% Energy • 26% Liveness
3% Instrumentalness • 4% Positiveness
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Syrinx
Hollywood Dream Trip
119 bpm • F min • 05:13 • -11.73db
30% Popularity • 22% Danceability • 27% Energy • 12% Liveness
91% Instrumentalness • 14% Positiveness
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Nala Sinephro
Space 4
119 bpm • G# min • 06:19 • -14.29db
36% Popularity • 42% Danceability • 25% Energy • 14% Liveness
78% Instrumentalness • 8% Positiveness
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Archie Shepp
You're What This Day Is All About
105 bpm • G min • 01:48 • -15.31db
18% Popularity • 57% Danceability • 23% Energy • 32% Liveness
12% Instrumentalness • 45% Positiveness
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David Axelrod
Song Of Innocence
105 bpm • G Maj • 04:34 • -12db
25% Popularity • 45% Danceability • 53% Energy • 28% Liveness
57% Instrumentalness • 48% Positiveness
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The Ethics
Lost in A Lonely World
105 bpm • E min • 02:34 • -11.12db
35% Popularity • 50% Danceability • 12% Energy • 10% Liveness
7% Instrumentalness • 20% Positiveness
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Dorothy Ashby
Secret Love
119 bpm • C Maj • 03:35 • -13.07db
9% Popularity • 51% Danceability • 51% Energy • 9% Liveness
25% Instrumentalness • 55% Positiveness
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Charles Stepney
Step on Step
105 bpm • F Maj • 04:02 • -13.32db
13% Popularity • 69% Danceability • 41% Energy • 15% Liveness
84% Instrumentalness • 66% Positiveness
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Germán Bringas
Caminatas
120 bpm • G min • 04:47 • -6.21db
13% Popularity • 47% Danceability • 42% Energy • 11% Liveness
61% Instrumentalness • 24% Positiveness
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Archie Shepp
A Prayer
120 bpm • G min • 06:29 • -12.65db
11% Popularity • 31% Danceability • 36% Energy • 8% Liveness
45% Instrumentalness • 21% Positiveness
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Pete Brandt's Method
What You Are
105 bpm • G min • 03:35 • -10.85db
35% Popularity • 65% Danceability • 60% Energy • 9% Liveness
34% Instrumentalness • 61% Positiveness
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Yusef Lateef
Ching Miau - Remastered 2023
104 bpm • G min • 03:19 • -12.37db
40% Popularity • 39% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Angel Bat Dawid
Black Family
119 bpm • D Maj • 06:18 • -12db
11% Popularity • 38% Danceability • 32% Energy • 14% Liveness
1% Instrumentalness • 26% Positiveness
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Henry Franklin
Soft Spirit
104 bpm • C Maj • 07:31 • -16.02db
18% Popularity • 30% Danceability • 34% Energy • 13% Liveness
92% Instrumentalness • 38% Positiveness
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Misha Panfilov
Meteor
120 bpm • G# Maj • 04:23 • -10.52db
10% Popularity • 64% Danceability • 45% Energy • 13% Liveness
51% Instrumentalness • 35% Positiveness
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Yasuaki Shimizu
Asate
104 bpm • B Maj • 05:24 • -15.62db
13% Popularity • 65% Danceability • 52% Energy • 8% Liveness
84% Instrumentalness • 66% Positiveness
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Daniel Villarreal
Bella Vista
121 bpm • E Maj • 02:26 • -8.91db
21% Popularity • 66% Danceability • 85% Energy • 15% Liveness
91% Instrumentalness • 97% Positiveness
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Ronald Langestraat
Girl where are you?
104 bpm • E min • 03:49 • -11.26db
30% Popularity • 58% Danceability • 52% Energy • 10% Liveness
12% Instrumentalness • 59% Positiveness
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Alain Goraguer
Strip Tease
121 bpm • D min • 02:24 • -15db
36% Popularity • 38% Danceability • 29% Energy • 13% Liveness
98% Instrumentalness • 32% Positiveness
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Love Is Everywhere