Songs like Love Is Here To Stay by Curtis Stigers
Based on a tempo of (+/- 10%) and a similar genre
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Jean Frye Sidwell
Smile - Charlie Chaplin, Turner & Parson...
81 bpm • C Maj • 04:31 • -16.65db
10% Popularity • 45% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
10% Popularity • 45% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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Bria Skonberg
Dance Me to the End of Love
81 bpm • E min • 05:36 • -17.72db
42% Popularity • 32% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
42% Popularity • 32% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Curtis Stigers
Love Is Here To Stay
81 bpm • G min • 04:19 • -13.32db
48% Popularity • 65% Danceability • 14% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
48% Popularity • 65% Danceability • 14% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
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Anita O'Day
Waiter, Make Mine Blues
81 bpm • G# Maj • 03:20 • -17db
40% Popularity • 56% Danceability • 11% Energy • 21% Liveness
0% Instrumentalness • 36% Positiveness
40% Popularity • 56% Danceability • 11% Energy • 21% Liveness
0% Instrumentalness • 36% Positiveness
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Ferber
Waiter, Ask The Man To Play The Blues
81 bpm • G min • 02:17 • -17.97db
34% Popularity • 60% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
34% Popularity • 60% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Malene Mortensen
Que Sera Sera
81 bpm • A Maj • 03:14 • -8db
45% Popularity • 40% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
45% Popularity • 40% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Eliane Elias
Little Paradise
80 bpm • F min • 04:59 • -15.42db
52% Popularity • 40% Danceability • 28% Energy • 11% Liveness
64% Instrumentalness • 13% Positiveness
52% Popularity • 40% Danceability • 28% Energy • 11% Liveness
64% Instrumentalness • 13% Positiveness
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Kandace Springs
The Nearness Of You
80 bpm • C Maj • 03:36 • -12db
38% Popularity • 44% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
38% Popularity • 44% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Jacqui Naylor
My Funny Valentine
80 bpm • A# Maj • 03:02 • -7db
22% Popularity • 59% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
22% Popularity • 59% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Curtis Stigers
Goodbye
82 bpm • C Maj • 04:43 • -13.37db
17% Popularity • 55% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
17% Popularity • 55% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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Erin Boheme
Someone To Love
80 bpm • B Maj • 04:05 • -17.12db
33% Popularity • 55% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
33% Popularity • 55% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Malene Mortensen
Laughin' At Life
80 bpm • G Maj • 03:25 • -8.83db
29% Popularity • 63% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
29% Popularity • 63% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Suss von Ahn
Alone Again, Naturally
82 bpm • G min • 03:07 • -10db
43% Popularity • 61% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
43% Popularity • 61% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Kat Edmonson
Oh My Love
82 bpm • B min • 02:46 • -11.56db
48% Popularity • 51% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
48% Popularity • 51% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Heather Rigdon
I Miss You Like Paris
80 bpm • A Maj • 03:55 • -14.6db
53% Popularity • 44% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
53% Popularity • 44% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Curtis Stigers
Here We Go Again
80 bpm • C min • 03:50 • -12.13db
7% Popularity • 58% Danceability • 28% Energy • 18% Liveness
0% Instrumentalness • 8% Positiveness
7% Popularity • 58% Danceability • 28% Energy • 18% Liveness
0% Instrumentalness • 8% Positiveness
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Lisa Bassenge
Three Cigarettes in an Ashtray
83 bpm • F Maj • 03:07 • -11db
53% Popularity • 45% Danceability • 10% Energy • 10% Liveness
7% Instrumentalness • 21% Positiveness
53% Popularity • 45% Danceability • 10% Energy • 10% Liveness
7% Instrumentalness • 21% Positiveness
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Malene Mortensen
The Look of Love
79 bpm • G Maj • 03:55 • -13db
42% Popularity • 55% Danceability • 16% Energy • 11% Liveness
1% Instrumentalness • 21% Positiveness
42% Popularity • 55% Danceability • 16% Energy • 11% Liveness
1% Instrumentalness • 21% Positiveness
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Ray Charles
It Had to Be You
83 bpm • D# Maj • 02:44 • -13db
52% Popularity • 50% Danceability • 17% Energy • 6% Liveness
0% Instrumentalness • 30% Positiveness
52% Popularity • 50% Danceability • 17% Energy • 6% Liveness
0% Instrumentalness • 30% Positiveness
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NYC Jazz Quartett
Why Don't You Do Right
79 bpm • D# min • 03:25 • -7.59db
38% Popularity • 48% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
38% Popularity • 48% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Barry Manilow
Moonlight Becomes You
79 bpm • G# Maj • 03:27 • -14.3db
41% Popularity • 35% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
41% Popularity • 35% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Curtis Stigers
My Foolish Heart
82 bpm • A# Maj • 06:56 • -20.64db
6% Popularity • 42% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
6% Popularity • 42% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Elisabeth Melander
A New Path
79 bpm • D Maj • 05:53 • -12.94db
11% Popularity • 31% Danceability • 29% Energy • 11% Liveness
2% Instrumentalness • 16% Positiveness
11% Popularity • 31% Danceability • 29% Energy • 11% Liveness
2% Instrumentalness • 16% Positiveness
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Kevin Mahogany
Pretty Blue
83 bpm • D min • 03:57 • -14db
35% Popularity • 64% Danceability • 29% Energy • 24% Liveness
0% Instrumentalness • 40% Positiveness
35% Popularity • 64% Danceability • 29% Energy • 24% Liveness
0% Instrumentalness • 40% Positiveness
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Steve Tyrell
I've Got a Crush On You
79 bpm • G Maj • 02:32 • -9.17db
55% Popularity • 57% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
55% Popularity • 57% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Kat Edmonson
What a Wonderful World
79 bpm • G# Maj • 02:44 • -15db
45% Popularity • 56% Danceability • 11% Energy • 10% Liveness
1% Instrumentalness • 29% Positiveness
45% Popularity • 56% Danceability • 11% Energy • 10% Liveness
1% Instrumentalness • 29% Positiveness
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Malene Mortensen
Another Day
83 bpm • G min • 04:09 • -13db
40% Popularity • 73% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
40% Popularity • 73% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Curtis Stigers
All The Things You Are
79 bpm • G# Maj • 04:33 • -18.89db
17% Popularity • 41% Danceability • 6% Energy • 26% Liveness
0% Instrumentalness • 16% Positiveness
17% Popularity • 41% Danceability • 6% Energy • 26% Liveness
0% Instrumentalness • 16% Positiveness
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Tierney Sutton
You Must Believe in Spring
79 bpm • C# min • 03:27 • -21.68db
25% Popularity • 45% Danceability • 5% Energy • 11% Liveness
1% Instrumentalness • 25% Positiveness
25% Popularity • 45% Danceability • 5% Energy • 11% Liveness
1% Instrumentalness • 25% Positiveness
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Freddy Cole
Almost in Love
84 bpm • D min • 05:37 • -16.35db
12% Popularity • 60% Danceability • 25% Energy • 37% Liveness
6% Instrumentalness • 24% Positiveness
12% Popularity • 60% Danceability • 25% Energy • 37% Liveness
6% Instrumentalness • 24% Positiveness
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Sinne Eeg
Spring Waltz
84 bpm • A# Maj • 03:26 • -16db
23% Popularity • 48% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
23% Popularity • 48% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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Heather Rigdon
My Mother Would Like You
78 bpm • B min • 04:05 • -12.05db
50% Popularity • 49% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
50% Popularity • 49% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
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Kevin Mahogany
Wild Honey
78 bpm • D Maj • 04:49 • -14.45db
20% Popularity • 58% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
20% Popularity • 58% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Curtis Stigers
Everyone Loves Lovers
83 bpm • C Maj • 04:01 • -13.1db
22% Popularity • 62% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
22% Popularity • 62% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Veronica Swift
Confession / The Other Woman
78 bpm • G min • 06:43 • -15.4db
39% Popularity • 34% Danceability • 12% Energy • 16% Liveness
0% Instrumentalness • 16% Positiveness
39% Popularity • 34% Danceability • 12% Energy • 16% Liveness
0% Instrumentalness • 16% Positiveness
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Beegie Adair
The Gypsy
78 bpm • F Maj • 04:28 • -11.68db
11% Popularity • 54% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
11% Popularity • 54% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Sinne Eeg
The Long and Winding Road
78 bpm • F Maj • 04:14 • -16.68db
35% Popularity • 40% Danceability • 6% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
35% Popularity • 40% Danceability • 6% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
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Dakota Staton
In the Night
78 bpm • F# min • 02:04 • -9db
36% Popularity • 53% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
36% Popularity • 53% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Silje Nergaard
Bewitched, Bothered And Bewildered
78 bpm • A Maj • 05:23 • -12.24db
25% Popularity • 27% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
25% Popularity • 27% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
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Cécile McLorin Salvant
One Step Ahead
85 bpm • C min • 02:09 • -16db
45% Popularity • 48% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
45% Popularity • 48% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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Curtis Stigers
Into Temptation
85 bpm • D# Maj • 04:52 • -13.7db
14% Popularity • 56% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
14% Popularity • 56% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
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Nnenna Freelon
Overjoyed
85 bpm • C Maj • 04:45 • -10db
29% Popularity • 49% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
29% Popularity • 49% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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Bria Skonberg
L.O.V.E.
77 bpm • G min • 02:34 • -5.41db
29% Popularity • 62% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
29% Popularity • 62% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
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Bryan Ferry
As Time Goes By
85 bpm • C# Maj • 02:34 • -14.63db
50% Popularity • 50% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
50% Popularity • 50% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
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Silje Nergaard
Be Still My Heart
77 bpm • D# min • 04:59 • -11.28db
43% Popularity • 52% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
43% Popularity • 52% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
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Roberta Gambarini
Porgy, I's Your Woman Now/I Loves You , ...
85 bpm • C min • 07:24 • -15.44db
11% Popularity • 34% Danceability • 9% Energy • 15% Liveness
0% Instrumentalness • 13% Positiveness
11% Popularity • 34% Danceability • 9% Energy • 15% Liveness
0% Instrumentalness • 13% Positiveness
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Curtis Stigers
Hooray For Love
85 bpm • G Maj • 02:47 • -10.11db
21% Popularity • 70% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
21% Popularity • 70% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
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Delicatessen
I love the way you're breaking my heart
86 bpm • F Maj • 02:08 • -15.99db
43% Popularity • 61% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
43% Popularity • 61% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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Madeleine Peyroux
Everybody's Talkin'
86 bpm • G# Maj • 05:09 • -18.59db
36% Popularity • 62% Danceability • 18% Energy • 10% Liveness
18% Instrumentalness • 28% Positiveness
36% Popularity • 62% Danceability • 18% Energy • 10% Liveness
18% Instrumentalness • 28% Positiveness
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Katharine McPhee
All the Way
76 bpm • F# min • 03:55 • -12.14db
44% Popularity • 48% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
44% Popularity • 48% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Jill Barber
Be My Man
76 bpm • A Maj • 03:00 • -11db
56% Popularity • 44% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
56% Popularity • 44% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Kay Starr
My Kinda Love - 2002 - Remastered; 24 Bi...
86 bpm • G Maj • 02:40 • -12db
39% Popularity • 70% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
39% Popularity • 70% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
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Kurt Elling
Moonlight Serenade
87 bpm • D# Maj • 04:22 • -18.25db
48% Popularity • 38% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
48% Popularity • 38% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Heather Rigdon
Sunday Morning With You
87 bpm • G# Maj • 03:02 • -10.34db
56% Popularity • 47% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
56% Popularity • 47% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Madeleine Peyroux
Smile
87 bpm • B Maj • 03:57 • -15.59db
52% Popularity • 64% Danceability • 20% Energy • 10% Liveness
24% Instrumentalness • 14% Positiveness
52% Popularity • 64% Danceability • 20% Energy • 10% Liveness
24% Instrumentalness • 14% Positiveness
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Hailey Tuck
Polkadots & Moonbeams
87 bpm • A# Maj • 05:06 • -11.12db
47% Popularity • 64% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
47% Popularity • 64% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Count Basie
Rusty Dusty Blues
87 bpm • C# Maj • 03:07 • -10.69db
41% Popularity • 56% Danceability • 26% Energy • 6% Liveness
67% Instrumentalness • 64% Positiveness
41% Popularity • 56% Danceability • 26% Energy • 6% Liveness
67% Instrumentalness • 64% Positiveness
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Malene Mortensen
You Belong to Me
75 bpm • F Maj • 03:48 • -11.97db
36% Popularity • 53% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
36% Popularity • 53% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Shelby Lynne
The Look Of Love
87 bpm • C Maj • 03:21 • -16db
49% Popularity • 84% Danceability • 13% Energy • 10% Liveness
3% Instrumentalness • 46% Positiveness
49% Popularity • 84% Danceability • 13% Energy • 10% Liveness
3% Instrumentalness • 46% Positiveness
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Lou Rawls
The Shadow Of Your Smile - Digitally Rem...
87 bpm • E min • 04:40 • -15db
32% Popularity • 37% Danceability • 23% Energy • 97% Liveness
0% Instrumentalness • 26% Positiveness
32% Popularity • 37% Danceability • 23% Energy • 97% Liveness
0% Instrumentalness • 26% Positiveness
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Lizz Wright
I'm Confessin'
87 bpm • C# Maj • 02:58 • -16db
49% Popularity • 65% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
49% Popularity • 65% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Erin Boheme
Teach Me Tonight
75 bpm • G Maj • 04:40 • -14.85db
31% Popularity • 47% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
31% Popularity • 47% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Heather Rigdon
Heartbroken Me
75 bpm • G min • 02:50 • -13.97db
57% Popularity • 58% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
57% Popularity • 58% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Emilia Mitiku
Officially a Fool
75 bpm • G min • 02:40 • -11.32db
32% Popularity • 51% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
32% Popularity • 51% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
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Ellen Andersson
Once Upon a Summertime
88 bpm • B Maj • 04:39 • -16.83db
33% Popularity • 30% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
33% Popularity • 30% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Cécile McLorin Salvant
Monday
88 bpm • F min • 02:01 • -15.47db
41% Popularity • 39% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
41% Popularity • 39% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Hailey Tuck
Seems You'd Want Me
75 bpm • A Maj • 03:06 • -8.86db
52% Popularity • 67% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
52% Popularity • 67% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Abbey Lincoln
Do Nothing 'Til You Hear From Me
74 bpm • G Maj • 02:16 • -10db
40% Popularity • 42% Danceability • 27% Energy • 22% Liveness
0% Instrumentalness • 36% Positiveness
40% Popularity • 42% Danceability • 27% Energy • 22% Liveness
0% Instrumentalness • 36% Positiveness
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Madeleine Peyroux
To Love You All Over Again
89 bpm • B Maj • 03:57 • -12db
50% Popularity • 65% Danceability • 33% Energy • 22% Liveness
0% Instrumentalness • 41% Positiveness
50% Popularity • 65% Danceability • 33% Energy • 22% Liveness
0% Instrumentalness • 41% Positiveness
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Veronica Swift
Prisoner of Love
74 bpm • C# Maj • 04:16 • -12.57db
41% Popularity • 47% Danceability • 17% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
41% Popularity • 47% Danceability • 17% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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Flora MartÃnez
Good Morning Heartache
74 bpm • D# min • 03:13 • -9.03db
38% Popularity • 52% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
38% Popularity • 52% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Freddy Cole
Easy To Love
89 bpm • D min • 07:04 • -14.59db
16% Popularity • 54% Danceability • 34% Energy • 9% Liveness
83% Instrumentalness • 42% Positiveness
16% Popularity • 54% Danceability • 34% Energy • 9% Liveness
83% Instrumentalness • 42% Positiveness
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Hailey Tuck
My Funny Valentine
73 bpm • G# Maj • 04:13 • -10.94db
46% Popularity • 56% Danceability • 32% Energy • 10% Liveness
1% Instrumentalness • 20% Positiveness
46% Popularity • 56% Danceability • 32% Energy • 10% Liveness
1% Instrumentalness • 20% Positiveness
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Lizz Wright
Stars Fell On Alabama
90 bpm • D Maj • 03:52 • -14.39db
50% Popularity • 49% Danceability • 20% Energy • 11% Liveness
1% Instrumentalness • 16% Positiveness
50% Popularity • 49% Danceability • 20% Energy • 11% Liveness
1% Instrumentalness • 16% Positiveness
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Madeleine Peyroux
I Can't Stop Loving You
89 bpm • D# Maj • 04:17 • -11.25db
31% Popularity • 61% Danceability • 39% Energy • 12% Liveness
1% Instrumentalness • 25% Positiveness
31% Popularity • 61% Danceability • 39% Energy • 12% Liveness
1% Instrumentalness • 25% Positiveness
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Suss von Ahn
Don't Cry for Louie
90 bpm • G Maj • 03:05 • -9.19db
30% Popularity • 69% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
30% Popularity • 69% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Roberta Gambarini
You Are There
73 bpm • C Maj • 02:48 • -17.59db
28% Popularity • 40% Danceability • 8% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
28% Popularity • 40% Danceability • 8% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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Curtis Stigers
The Way You Look Tonight
91 bpm • D Maj • 04:53 • -16.1db
17% Popularity • 58% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
17% Popularity • 58% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Cyrille Aimee
I'll Be Seeing You
90 bpm • F min • 03:19 • -18.35db
43% Popularity • 58% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
43% Popularity • 58% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Dakota Staton
Say It Ain't So, Joe
91 bpm • A# min • 02:16 • -10.44db
39% Popularity • 67% Danceability • 32% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
39% Popularity • 67% Danceability • 32% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
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Lisa Lovbrand
Embraceable You
72 bpm • C Maj • 04:58 • -11.45db
17% Popularity • 39% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
17% Popularity • 39% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Bria Skonberg
You're Getting to Be a Habit with Me
72 bpm • A# Maj • 03:38 • -14.47db
34% Popularity • 66% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
34% Popularity • 66% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Susie Anoli
If Dreams Come True
91 bpm • B min • 02:25 • -14db
29% Popularity • 61% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
29% Popularity • 61% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Nnenna Freelon
The Very Thought of You
91 bpm • D# Maj • 06:01 • -16.03db
40% Popularity • 42% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
40% Popularity • 42% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Manhattan Jazz Quartett
Autumn Leaves
91 bpm • A min • 03:58 • -10.38db
39% Popularity • 49% Danceability • 55% Energy • 36% Liveness
0% Instrumentalness • 62% Positiveness
39% Popularity • 49% Danceability • 55% Energy • 36% Liveness
0% Instrumentalness • 62% Positiveness
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Curtis Stigers
But Not For Me
91 bpm • G# Maj • 03:16 • -14.92db
5% Popularity • 59% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
5% Popularity • 59% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Lisa Lovbrand
Light My Fire
91 bpm • G# Maj • 05:01 • -10.66db
24% Popularity • 71% Danceability • 30% Energy • 36% Liveness
0% Instrumentalness • 54% Positiveness
24% Popularity • 71% Danceability • 30% Energy • 36% Liveness
0% Instrumentalness • 54% Positiveness
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June Christy
Something Cool - Mono
72 bpm • A# min • 04:18 • -9.92db
46% Popularity • 32% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
46% Popularity • 32% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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Connie Lansberg
You Hit the Spot
92 bpm • C Maj • 02:14 • -11db
46% Popularity • 68% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
46% Popularity • 68% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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Katharine McPhee
It Never Entered My Mind
71 bpm • C# Maj • 04:28 • -12.38db
36% Popularity • 57% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
36% Popularity • 57% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Delicatessen
I'm through with love
92 bpm • A# Maj • 06:11 • -15.25db
27% Popularity • 60% Danceability • 23% Energy • 11% Liveness
3% Instrumentalness • 15% Positiveness
27% Popularity • 60% Danceability • 23% Energy • 11% Liveness
3% Instrumentalness • 15% Positiveness
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Curtis Stigers
This Bitter Earth
72 bpm • A# Maj • 03:22 • -12.01db
15% Popularity • 45% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
15% Popularity • 45% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Erin Boheme
Let's Do It
71 bpm • D# Maj • 05:08 • -15.53db
30% Popularity • 43% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
30% Popularity • 43% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
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melissa elliotte
It Must Be Love
71 bpm • F min • 03:13 • -11.22db
31% Popularity • 62% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
31% Popularity • 62% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Connie Lansberg
What'll I Do
91 bpm • A# Maj • 04:05 • -14db
41% Popularity • 35% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
41% Popularity • 35% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Laura & Anton
No Guarantees
71 bpm • G Maj • 03:08 • -11.61db
38% Popularity • 38% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
38% Popularity • 38% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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Kandace Springs
Place To Hide
93 bpm • A Maj • 03:44 • -9.49db
49% Popularity • 56% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
49% Popularity • 56% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Curtis Stigers
Valentine’s Day
71 bpm • A Maj • 03:43 • -15.68db
21% Popularity • 57% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
21% Popularity • 57% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
