Songs like Love Is Teasing by Alex Campbell
Based on a tempo of (+/- 10%) and a similar genre
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The Nettlebed Collective
The Bold Grenadier
171 bpm • D Maj • 02:42 • -10db
21% Popularity • 54% Danceability • 42% Energy • 22% Liveness
0% Instrumentalness • 92% Positiveness
21% Popularity • 54% Danceability • 42% Energy • 22% Liveness
0% Instrumentalness • 92% Positiveness
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Paul Clayton
Spanish Ladies
171 bpm • D Maj • 02:05 • -16db
14% Popularity • 61% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
14% Popularity • 61% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
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The McCalmans
The Rolling Hills of The Borders
171 bpm • G# Maj • 02:55 • -12.57db
26% Popularity • 46% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
26% Popularity • 46% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Alex Campbell
Love Is Teasing
171 bpm • G Maj • 04:09 • -16.32db
2% Popularity • 26% Danceability • 17% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
2% Popularity • 26% Danceability • 17% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
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Alastair McDonald
Clan Ranald's Welcome
171 bpm • A min • 02:31 • -15.97db
15% Popularity • 48% Danceability • 25% Energy • 6% Liveness
0% Instrumentalness • 67% Positiveness
15% Popularity • 48% Danceability • 25% Energy • 6% Liveness
0% Instrumentalness • 67% Positiveness
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Spencer Coverdale
Backwards
172 bpm • A Maj • 02:26 • -19.6db
10% Popularity • 45% Danceability • 19% Energy • 7% Liveness
1% Instrumentalness • 60% Positiveness
10% Popularity • 45% Danceability • 19% Energy • 7% Liveness
1% Instrumentalness • 60% Positiveness
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Alastair McDonald and Leo Maguire
Mouth Music
173 bpm • A Maj • 02:44 • -14.59db
14% Popularity • 66% Danceability • 30% Energy • 24% Liveness
0% Instrumentalness • 84% Positiveness
14% Popularity • 66% Danceability • 30% Energy • 24% Liveness
0% Instrumentalness • 84% Positiveness
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Joe Heaney
The Rocks of Bawn
168 bpm • D# Maj • 03:47 • -13.15db
14% Popularity • 43% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
14% Popularity • 43% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Melrose Quartet
Rise No More
168 bpm • D Maj • 03:17 • -8db
17% Popularity • 52% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
17% Popularity • 52% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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Alex Campbell
1913 Massacre
173 bpm • D Maj • 05:10 • -15.98db
0% Popularity • 36% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
0% Popularity • 36% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Kathie O'Connor
Medley: Comin' Thro' the Rye / Bonnie Ma...
174 bpm • A# Maj • 04:17 • -9.48db
0% Popularity • 35% Danceability • 44% Energy • 84% Liveness
19% Instrumentalness • 91% Positiveness
0% Popularity • 35% Danceability • 44% Energy • 84% Liveness
19% Instrumentalness • 91% Positiveness
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Spencer Coverdale
Dream
174 bpm • C Maj • 01:41 • -24.71db
11% Popularity • 44% Danceability • 8% Energy • 14% Liveness
1% Instrumentalness • 77% Positiveness
11% Popularity • 44% Danceability • 8% Energy • 14% Liveness
1% Instrumentalness • 77% Positiveness
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The Oldham Tinkers
The Rochdale Mashers
174 bpm • G Maj • 02:40 • -15db
13% Popularity • 53% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
13% Popularity • 53% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Darach O'Cathain
Tomás Bán Mac Aogáin
167 bpm • F# Maj • 03:43 • -19.11db
14% Popularity • 38% Danceability • 4% Energy • 32% Liveness
0% Instrumentalness • 44% Positiveness
14% Popularity • 38% Danceability • 4% Energy • 32% Liveness
0% Instrumentalness • 44% Positiveness
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Reg Meuross
Moving On
175 bpm • F Maj • 03:06 • -14.77db
11% Popularity • 38% Danceability • 17% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
11% Popularity • 38% Danceability • 17% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
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Skara Brae
An Saighdiúir Tréigthe
175 bpm • C Maj • 03:29 • -17.6db
7% Popularity • 28% Danceability • 20% Energy • 11% Liveness
91% Instrumentalness • 41% Positiveness
7% Popularity • 28% Danceability • 20% Energy • 11% Liveness
91% Instrumentalness • 41% Positiveness
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Hamish Imlach
I Was a Gay Spark In My Time (Live)
175 bpm • F Maj • 04:03 • -10.57db
13% Popularity • 44% Danceability • 38% Energy • 71% Liveness
0% Instrumentalness • 89% Positiveness
13% Popularity • 44% Danceability • 38% Energy • 71% Liveness
0% Instrumentalness • 89% Positiveness
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Concerto Caledonia
Psalm 124 / The Freedom Come-All-Ye / Th...
175 bpm • F Maj • 06:31 • -15.54db
8% Popularity • 33% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
8% Popularity • 33% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Geoff Lakeman
The Farmer's Song
166 bpm • F Maj • 03:25 • -12.91db
10% Popularity • 39% Danceability • 21% Energy • 6% Liveness
0% Instrumentalness • 63% Positiveness
10% Popularity • 39% Danceability • 21% Energy • 6% Liveness
0% Instrumentalness • 63% Positiveness
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Eliza Carthy
Bushes & Briars
166 bpm • D# min • 02:49 • -16.75db
29% Popularity • 38% Danceability • 5% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
29% Popularity • 38% Danceability • 5% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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Darach O'Cathain
Óró Sé Do Bheatha Abhaile
176 bpm • D# Maj • 01:12 • -19.1db
35% Popularity • 47% Danceability • 9% Energy • 68% Liveness
0% Instrumentalness • 59% Positiveness
35% Popularity • 47% Danceability • 9% Energy • 68% Liveness
0% Instrumentalness • 59% Positiveness
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Mick Moloney
No Irish Need Apply
166 bpm • A Maj • 04:16 • -8db
14% Popularity • 56% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
14% Popularity • 56% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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Alex Campbell
The Frozen Logger
176 bpm • C Maj • 02:41 • -13.29db
0% Popularity • 45% Danceability • 33% Energy • 20% Liveness
0% Instrumentalness • 67% Positiveness
0% Popularity • 45% Danceability • 33% Energy • 20% Liveness
0% Instrumentalness • 67% Positiveness
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Harry McClintock
Outside Dan Murphy's Door
177 bpm • G Maj • 02:01 • -17db
8% Popularity • 53% Danceability • 10% Energy • 24% Liveness
0% Instrumentalness • 62% Positiveness
8% Popularity • 53% Danceability • 10% Energy • 24% Liveness
0% Instrumentalness • 62% Positiveness
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The McCalmans
The Mingulay Boat Song
177 bpm • G Maj • 03:12 • -9db
20% Popularity • 40% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
20% Popularity • 40% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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Bell's Chorus
Lowlands Away
177 bpm • C Maj • 02:10 • -13.55db
13% Popularity • 23% Danceability • 20% Energy • 66% Liveness
0% Instrumentalness • 26% Positiveness
13% Popularity • 23% Danceability • 20% Energy • 66% Liveness
0% Instrumentalness • 26% Positiveness
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Hamish Imlach
The Zoological Gardens
178 bpm • G Maj • 02:55 • -7.19db
14% Popularity • 42% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
14% Popularity • 42% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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Jack Rutter
I Was Once a Young Ploughboy
179 bpm • E Maj • 03:18 • -7db
25% Popularity • 21% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
25% Popularity • 21% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
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Alex Campbell
The Streets of Laredo
165 bpm • C Maj • 02:32 • -18.05db
0% Popularity • 48% Danceability • 23% Energy • 15% Liveness
0% Instrumentalness • 80% Positiveness
0% Popularity • 48% Danceability • 23% Energy • 15% Liveness
0% Instrumentalness • 80% Positiveness
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Spencer Coverdale
You Lost Rhyming
179 bpm • C Maj • 04:24 • -17.89db
10% Popularity • 29% Danceability • 20% Energy • 27% Liveness
5% Instrumentalness • 66% Positiveness
10% Popularity • 29% Danceability • 20% Energy • 27% Liveness
5% Instrumentalness • 66% Positiveness
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Alastair McDonald and Leo Maguire
Rantin Rovin Robin
179 bpm • C Maj • 02:54 • -14db
19% Popularity • 65% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
19% Popularity • 65% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Ronnie Drew
The Humour Is On Me Now
163 bpm • B min • 03:44 • -10.53db
19% Popularity • 45% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
19% Popularity • 45% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
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The JD Edwards Band
Rose - Live Version
180 bpm • E Maj • 03:56 • -9.81db
0% Popularity • 73% Danceability • 70% Energy • 68% Liveness
0% Instrumentalness • 77% Positiveness
0% Popularity • 73% Danceability • 70% Energy • 68% Liveness
0% Instrumentalness • 77% Positiveness
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Gregers Lundh
Malacandra
180 bpm • E min • 01:52 • -16.81db
11% Popularity • 28% Danceability • 36% Energy • 13% Liveness
94% Instrumentalness • 4% Positiveness
11% Popularity • 28% Danceability • 36% Energy • 13% Liveness
94% Instrumentalness • 4% Positiveness
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Alex Campbell
Engine 143
179 bpm • C Maj • 04:34 • -17.59db
0% Popularity • 38% Danceability • 41% Energy • 71% Liveness
0% Instrumentalness • 87% Positiveness
0% Popularity • 38% Danceability • 41% Energy • 71% Liveness
0% Instrumentalness • 87% Positiveness
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The Mary Wallopers
John O'Halloran
180 bpm • A# min • 02:52 • -15.37db
36% Popularity • 55% Danceability • 14% Energy • 37% Liveness
0% Instrumentalness • 24% Positiveness
36% Popularity • 55% Danceability • 14% Energy • 37% Liveness
0% Instrumentalness • 24% Positiveness
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Stan Rogers
Giant
161 bpm • C Maj • 03:35 • -23.03db
19% Popularity • 48% Danceability • 7% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
19% Popularity • 48% Danceability • 7% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
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Ronnie Drew
The Dunes
180 bpm • D Maj • 02:36 • -13.56db
21% Popularity • 63% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
21% Popularity • 63% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Archie Fisher
Lindsay
161 bpm • G Maj • 02:32 • -24.25db
22% Popularity • 54% Danceability • 9% Energy • 10% Liveness
65% Instrumentalness • 77% Positiveness
22% Popularity • 54% Danceability • 9% Energy • 10% Liveness
65% Instrumentalness • 77% Positiveness
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Richard Thompson
Mingulay Boat Song
161 bpm • F Maj • 04:13 • -9.93db
35% Popularity • 34% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
35% Popularity • 34% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Alex Campbell
Why Oh Why?
163 bpm • G# Maj • 02:25 • -13.33db
0% Popularity • 38% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
0% Popularity • 38% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Liam Weldon
Smuggling The Tin
182 bpm • C Maj • 02:30 • -16.68db
15% Popularity • 62% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
15% Popularity • 62% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
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Ian Campbell Folk Group
Cushy Butterfield
182 bpm • A Maj • 02:25 • -5.27db
23% Popularity • 57% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 75% Positiveness
23% Popularity • 57% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 75% Positiveness
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Hamish Imlach
The Tall Tale
182 bpm • D Maj • 02:30 • -8.25db
16% Popularity • 50% Danceability • 56% Energy • 31% Liveness
0% Instrumentalness • 85% Positiveness
16% Popularity • 50% Danceability • 56% Energy • 31% Liveness
0% Instrumentalness • 85% Positiveness
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Peter Alsop
The AFL-CIO Love Song
183 bpm • E Maj • 02:23 • -11.57db
15% Popularity • 48% Danceability • 31% Energy • 70% Liveness
0% Instrumentalness • 50% Positiveness
15% Popularity • 48% Danceability • 31% Energy • 70% Liveness
0% Instrumentalness • 50% Positiveness
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Mike Seeger
John Hardy
160 bpm • C# min • 02:44 • -12db
18% Popularity • 38% Danceability • 41% Energy • 31% Liveness
3% Instrumentalness • 88% Positiveness
18% Popularity • 38% Danceability • 41% Energy • 31% Liveness
3% Instrumentalness • 88% Positiveness
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Alex Campbell
Will Ye Go, Lassie, Go?
180 bpm • D Maj • 03:34 • -17.9db
0% Popularity • 29% Danceability • 14% Energy • 74% Liveness
0% Instrumentalness • 38% Positiveness
0% Popularity • 29% Danceability • 14% Energy • 74% Liveness
0% Instrumentalness • 38% Positiveness
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Skipper's Alley
The Meet Was at Maitiú's
185 bpm • F Maj • 04:09 • -18.16db
17% Popularity • 36% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
17% Popularity • 36% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Peg Clancy
My Grandfather Died
185 bpm • C# min • 01:47 • -15.54db
8% Popularity • 58% Danceability • 10% Energy • 27% Liveness
0% Instrumentalness • 87% Positiveness
8% Popularity • 58% Danceability • 10% Energy • 27% Liveness
0% Instrumentalness • 87% Positiveness
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Dominic Behan
Ering Go Bragh
158 bpm • F min • 02:34 • -11.54db
15% Popularity • 58% Danceability • 22% Energy • 48% Liveness
0% Instrumentalness • 67% Positiveness
15% Popularity • 58% Danceability • 22% Energy • 48% Liveness
0% Instrumentalness • 67% Positiveness
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Alistair Hulett
Among Proddy Dogs & Papes
157 bpm • D Maj • 03:29 • -9.98db
8% Popularity • 45% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
8% Popularity • 45% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
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Rachael McShane
The Molecatcher
156 bpm • D Maj • 04:28 • -8.32db
23% Popularity • 47% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
23% Popularity • 47% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
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Alex Campbell
My Old Gibson Guitar
158 bpm • G# Maj • 03:04 • -14.81db
1% Popularity • 38% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
1% Popularity • 38% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Boys Of The Lough
To Welcome Paddy Home
153 bpm • C Maj • 03:51 • -14.72db
19% Popularity • 34% Danceability • 19% Energy • 37% Liveness
0% Instrumentalness • 38% Positiveness
19% Popularity • 34% Danceability • 19% Energy • 37% Liveness
0% Instrumentalness • 38% Positiveness
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Ewan McLennan
Jock Stewart
152 bpm • B Maj • 02:55 • -12.1db
29% Popularity • 44% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
29% Popularity • 44% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Paul Brady
Paddy's Green Shamrock Shore
150 bpm • B Maj • 06:49 • -21.54db
13% Popularity • 45% Danceability • 31% Energy • 96% Liveness
0% Instrumentalness • 68% Positiveness
13% Popularity • 45% Danceability • 31% Energy • 96% Liveness
0% Instrumentalness • 68% Positiveness
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Luca Augustin
Pretty Girl
150 bpm • A Maj • 03:13 • -13.04db
21% Popularity • 61% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 44% Positiveness
21% Popularity • 61% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 44% Positiveness
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Archie Fisher
Witch of the West-Mer-Lands
149 bpm • E Maj • 04:35 • -21db
19% Popularity • 46% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
19% Popularity • 46% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Alex Campbell
Needle Of Death
186 bpm • G min • 04:14 • -20.73db
0% Popularity • 39% Danceability • 15% Energy • 11% Liveness
7% Instrumentalness • 38% Positiveness
0% Popularity • 39% Danceability • 15% Energy • 11% Liveness
7% Instrumentalness • 38% Positiveness
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Caladh Nua
Song - Beeswing
150 bpm • D Maj • 04:45 • -9.54db
26% Popularity • 57% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
26% Popularity • 57% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Silly Wizard
The Fisherman's Song
197 bpm • G Maj • 05:53 • -18db
23% Popularity • 26% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
23% Popularity • 26% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Paul Brady
Paddy's Green Shamrock Store
150 bpm • B Maj • 06:08 • -9.29db
19% Popularity • 43% Danceability • 29% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
19% Popularity • 43% Danceability • 29% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
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Dervish
The Galway Shawl
197 bpm • E Maj • 05:04 • -10.45db
28% Popularity • 30% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
28% Popularity • 30% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
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Waterson:Carthy
Raggle Taggle Gipsies
148 bpm • D Maj • 04:26 • -10db
15% Popularity • 35% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
15% Popularity • 35% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Alex Campbell
Plane Wreck at Los Gatos
156 bpm • C Maj • 04:42 • -16.61db
0% Popularity • 32% Danceability • 11% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
0% Popularity • 32% Danceability • 11% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
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Dessie O'Halloran
Ould Ballymore
148 bpm • A Maj • 02:43 • -9.99db
12% Popularity • 56% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
12% Popularity • 56% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Alastair McDonald and Leo Maguire
Loch Lomond
147 bpm • D# Maj • 03:36 • -18.39db
37% Popularity • 51% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
37% Popularity • 51% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Roy Bailey
What You Do With What You've Got
199 bpm • C Maj • 02:29 • -13.98db
8% Popularity • 68% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
8% Popularity • 68% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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Aiden Langwell
No Time Left
199 bpm • D min • 03:24 • -17.75db
21% Popularity • 40% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
21% Popularity • 40% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Maddy Prior & Tim Hart
Cannily Cannily
146 bpm • F Maj • 02:23 • -12.15db
12% Popularity • 46% Danceability • 26% Energy • 24% Liveness
0% Instrumentalness • 40% Positiveness
12% Popularity • 46% Danceability • 26% Energy • 24% Liveness
0% Instrumentalness • 40% Positiveness
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Alex Campbell
Been on the Road So Long
149 bpm • D Maj • 03:44 • -11.84db
9% Popularity • 26% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
9% Popularity • 26% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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The Johnstons
O'Carolan's Concerto
146 bpm • D Maj • 02:19 • -16.63db
15% Popularity • 56% Danceability • 44% Energy • 10% Liveness
86% Instrumentalness • 97% Positiveness
15% Popularity • 56% Danceability • 44% Energy • 10% Liveness
86% Instrumentalness • 97% Positiveness
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Starla Angus
Born 2B Cruel
146 bpm • C Maj • 03:59 • -7db
0% Popularity • 50% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
0% Popularity • 50% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
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David Francey
Poorer Then
201 bpm • C Maj • 01:46 • -12.19db
22% Popularity • 56% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
22% Popularity • 56% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
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Dominic Behan
The Recruiting Sergeant
201 bpm • E Maj • 01:44 • -5.07db
18% Popularity • 54% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 86% Positiveness
18% Popularity • 54% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 86% Positiveness
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Carl Peterson
The Elfin Knight
145 bpm • B min • 04:29 • -19.94db
12% Popularity • 56% Danceability • 7% Energy • 13% Liveness
2% Instrumentalness • 41% Positiveness
12% Popularity • 56% Danceability • 7% Energy • 13% Liveness
2% Instrumentalness • 41% Positiveness
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Willie Brady
The Boys From County Cork
204 bpm • A Maj • 01:24 • -10.46db
19% Popularity • 60% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
19% Popularity • 60% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
