Songs like Love Is The Devil by Natalie Jane
Based on a tempo of (+/- 10%) and a similar genre
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Natalie Jane
Love Is the Devil
168 bpm • A Maj • 03:13 • -10.86db
42% Popularity • 61% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
42% Popularity • 61% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
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Livingston
Traitor
168 bpm • F min • 03:05 • -6.79db
57% Popularity • 61% Danceability • 55% Energy • 36% Liveness
0% Instrumentalness • 40% Positiveness
57% Popularity • 61% Danceability • 55% Energy • 36% Liveness
0% Instrumentalness • 40% Positiveness
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Dylan Conrique
get over you
169 bpm • B Maj • 02:53 • -7.07db
45% Popularity • 34% Danceability • 43% Energy • 44% Liveness
0% Instrumentalness • 44% Positiveness
45% Popularity • 34% Danceability • 43% Energy • 44% Liveness
0% Instrumentalness • 44% Positiveness
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Rachel Grae
Love Me Like The First Time
167 bpm • D Maj • 03:17 • -8.54db
53% Popularity • 49% Danceability • 36% Energy • 38% Liveness
0% Instrumentalness • 28% Positiveness
53% Popularity • 49% Danceability • 36% Energy • 38% Liveness
0% Instrumentalness • 28% Positiveness
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Chloe Adams
Dirty Thoughts
167 bpm • G Maj • 02:09 • -7.2db
70% Popularity • 66% Danceability • 46% Energy • 49% Liveness
0% Instrumentalness • 38% Positiveness
70% Popularity • 66% Danceability • 46% Energy • 49% Liveness
0% Instrumentalness • 38% Positiveness
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Jax
Victoria's Secret
167 bpm • F# Maj • 02:56 • -7.64db
69% Popularity • 59% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
69% Popularity • 59% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Britton
if this is goodbye
170 bpm • A min • 04:27 • -11.89db
52% Popularity • 37% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
52% Popularity • 37% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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TAELA
life's a bitch
166 bpm • B min • 02:31 • -5.3db
44% Popularity • 67% Danceability • 63% Energy • 19% Liveness
0% Instrumentalness • 77% Positiveness
44% Popularity • 67% Danceability • 63% Energy • 19% Liveness
0% Instrumentalness • 77% Positiveness
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Benson Boone
Sugar Sweet
170 bpm • D Maj • 02:49 • -2.95db
72% Popularity • 54% Danceability • 83% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
72% Popularity • 54% Danceability • 83% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
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Avery Anna
Make It Look Easy
170 bpm • F# Maj • 02:32 • -4.17db
65% Popularity • 37% Danceability • 69% Energy • 35% Liveness
0% Instrumentalness • 40% Positiveness
65% Popularity • 37% Danceability • 69% Energy • 35% Liveness
0% Instrumentalness • 40% Positiveness
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KINGS
in another life
166 bpm • A Maj • 02:37 • -4.08db
37% Popularity • 58% Danceability • 82% Energy • 20% Liveness
0% Instrumentalness • 33% Positiveness
37% Popularity • 58% Danceability • 82% Energy • 20% Liveness
0% Instrumentalness • 33% Positiveness
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Neoni
DARKSIDE
165 bpm • G min • 02:48 • -6.47db
75% Popularity • 53% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
75% Popularity • 53% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Hanniou
heartbeats duet
171 bpm • A min • 02:31 • -11.41db
54% Popularity • 29% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
54% Popularity • 29% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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TAELA
L.A. MONEY DREAMS
170 bpm • E min • 02:04 • -6.8db
36% Popularity • 62% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 47% Positiveness
36% Popularity • 62% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 47% Positiveness
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Morgan St. Jean
Right
172 bpm • F# min • 02:33 • -11db
41% Popularity • 35% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
41% Popularity • 35% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
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Kylie Muse
Wreck A Homewrecker
172 bpm • G min • 02:16 • -7.73db
38% Popularity • 63% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
38% Popularity • 63% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Bailey Spinn
time machine
172 bpm • C Maj • 03:12 • -3.19db
51% Popularity • 52% Danceability • 91% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
51% Popularity • 52% Danceability • 91% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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SkyDxddy
Pretty Distraction
172 bpm • F# min • 02:55 • -7.98db
58% Popularity • 47% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
58% Popularity • 47% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Henry Moodie
you were there for me
164 bpm • F# Maj • 03:15 • -4.4db
66% Popularity • 57% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
66% Popularity • 57% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
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Alec Benjamin
If We Have Each Other
173 bpm • A# min • 03:01 • -5.57db
78% Popularity • 66% Danceability • 58% Energy • 30% Liveness
0% Instrumentalness • 86% Positiveness
78% Popularity • 66% Danceability • 58% Energy • 30% Liveness
0% Instrumentalness • 86% Positiveness
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Anna Clendening
I Don't Even Like You Anymore
174 bpm • G Maj • 02:58 • -4.24db
41% Popularity • 46% Danceability • 69% Energy • 20% Liveness
0% Instrumentalness • 43% Positiveness
41% Popularity • 46% Danceability • 69% Energy • 20% Liveness
0% Instrumentalness • 43% Positiveness
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Jessie Murph
Where Do You Go
173 bpm • C Maj • 02:50 • -10.84db
59% Popularity • 37% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
59% Popularity • 37% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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SNOW WIFE
AMERICAN HORROR SHOW
162 bpm • D Maj • 02:29 • -4.89db
67% Popularity • 63% Danceability • 76% Energy • 70% Liveness
0% Instrumentalness • 30% Positiveness
67% Popularity • 63% Danceability • 76% Energy • 70% Liveness
0% Instrumentalness • 30% Positiveness
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Jared Benjamin
meant to be
174 bpm • C min • 02:39 • -8.41db
62% Popularity • 64% Danceability • 52% Energy • 40% Liveness
0% Instrumentalness • 46% Positiveness
62% Popularity • 64% Danceability • 52% Energy • 40% Liveness
0% Instrumentalness • 46% Positiveness
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Benson Boone
Ghost Town
174 bpm • C Maj • 03:13 • -10.06db
70% Popularity • 39% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
70% Popularity • 39% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Jamie Miller
It Is What It Is
162 bpm • E Maj • 02:05 • -5.62db
68% Popularity • 69% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
68% Popularity • 69% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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JESSIA
Serotonin - Acoustic
175 bpm • G min • 03:05 • -8.56db
33% Popularity • 42% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
33% Popularity • 42% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Frawley
Crying My Eyes Out
175 bpm • G# Maj • 02:55 • -2.85db
47% Popularity • 40% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
47% Popularity • 40% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
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Alex Sampson
The Girl Who Cried Love
161 bpm • C Maj • 02:57 • -8.78db
37% Popularity • 34% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
37% Popularity • 34% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Jared Benjamin
Doomsday
174 bpm • A min • 02:28 • -4.57db
63% Popularity • 71% Danceability • 76% Energy • 33% Liveness
0% Instrumentalness • 74% Positiveness
63% Popularity • 71% Danceability • 76% Energy • 33% Liveness
0% Instrumentalness • 74% Positiveness
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Rachel Grae
You Suck
161 bpm • C# min • 03:01 • -5.95db
47% Popularity • 59% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
47% Popularity • 59% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Britton
NEXT ONE
176 bpm • F# min • 03:15 • -8.53db
38% Popularity • 54% Danceability • 49% Energy • 40% Liveness
0% Instrumentalness • 27% Positiveness
38% Popularity • 54% Danceability • 49% Energy • 40% Liveness
0% Instrumentalness • 27% Positiveness
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KINGS
thank me later
176 bpm • A min • 03:14 • -8.26db
48% Popularity • 51% Danceability • 68% Energy • 25% Liveness
0% Instrumentalness • 40% Positiveness
48% Popularity • 51% Danceability • 68% Energy • 25% Liveness
0% Instrumentalness • 40% Positiveness
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Chloe Adams
Grave
176 bpm • B min • 02:51 • -9.59db
42% Popularity • 48% Danceability • 41% Energy • 61% Liveness
0% Instrumentalness • 35% Positiveness
42% Popularity • 48% Danceability • 41% Energy • 61% Liveness
0% Instrumentalness • 35% Positiveness
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Leah Kate
F U Anthem
160 bpm • C Maj • 02:35 • -4.34db
55% Popularity • 53% Danceability • 76% Energy • 52% Liveness
0% Instrumentalness • 55% Positiveness
55% Popularity • 53% Danceability • 76% Energy • 52% Liveness
0% Instrumentalness • 55% Positiveness
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Sofia Camara
Different
160 bpm • G Maj • 03:09 • -6.45db
41% Popularity • 56% Danceability • 64% Energy • 48% Liveness
0% Instrumentalness • 49% Positiveness
41% Popularity • 56% Danceability • 64% Energy • 48% Liveness
0% Instrumentalness • 49% Positiveness
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Matt Hansen
break my heart
160 bpm • B min • 02:58 • -5.51db
59% Popularity • 52% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
59% Popularity • 52% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Cian Ducrot
Everyone Who Falls In Love (Has Someone ...
160 bpm • F# min • 02:36 • -6.11db
51% Popularity • 37% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
51% Popularity • 37% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Benson Boone
ROOM FOR 2
160 bpm • D Maj • 02:31 • -5.64db
70% Popularity • 59% Danceability • 50% Energy • 33% Liveness
0% Instrumentalness • 28% Positiveness
70% Popularity • 59% Danceability • 50% Energy • 33% Liveness
0% Instrumentalness • 28% Positiveness
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CHINCHILLA
Little Girl Gone
160 bpm • C# min • 03:08 • -6.34db
74% Popularity • 71% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
74% Popularity • 71% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Leah Kate
Twinkle Twinkle
160 bpm • G min • 02:36 • -4.75db
53% Popularity • 57% Danceability • 85% Energy • 25% Liveness
0% Instrumentalness • 60% Positiveness
53% Popularity • 57% Danceability • 85% Energy • 25% Liveness
0% Instrumentalness • 60% Positiveness
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Natalie Jane
Tattoos
160 bpm • E min • 02:45 • -6.19db
66% Popularity • 47% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
66% Popularity • 47% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Alexander Stewart
blame's on me
159 bpm • C# min • 02:18 • -17.12db
72% Popularity • 31% Danceability • 12% Energy • 17% Liveness
0% Instrumentalness • 24% Positiveness
72% Popularity • 31% Danceability • 12% Energy • 17% Liveness
0% Instrumentalness • 24% Positiveness
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Dove Cameron
Sand
178 bpm • A min • 03:39 • -9.04db
57% Popularity • 32% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
57% Popularity • 32% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
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Dylan
The Alibi
178 bpm • C min • 03:15 • -5.41db
61% Popularity • 51% Danceability • 72% Energy • 22% Liveness
0% Instrumentalness • 31% Positiveness
61% Popularity • 51% Danceability • 72% Energy • 22% Liveness
0% Instrumentalness • 31% Positiveness
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TAELA
good in bed
158 bpm • A# Maj • 02:39 • -4.76db
55% Popularity • 54% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
55% Popularity • 54% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Carolina Rial
Invisible Battles
179 bpm • C Maj • 02:46 • -8.03db
44% Popularity • 39% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
44% Popularity • 39% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Thomas Day
Come Home
158 bpm • E Maj • 03:18 • -6.98db
44% Popularity • 53% Danceability • 48% Energy • 19% Liveness
0% Instrumentalness • 12% Positiveness
44% Popularity • 53% Danceability • 48% Energy • 19% Liveness
0% Instrumentalness • 12% Positiveness
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Rachel Grae
Lived It Twice
158 bpm • A# Maj • 02:53 • -6.07db
48% Popularity • 62% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
48% Popularity • 62% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
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Dove Cameron
White Glove
178 bpm • G Maj • 02:30 • -4.82db
55% Popularity • 66% Danceability • 69% Energy • 32% Liveness
0% Instrumentalness • 48% Positiveness
55% Popularity • 66% Danceability • 69% Energy • 32% Liveness
0% Instrumentalness • 48% Positiveness
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Munn
someone, please come help
157 bpm • C# min • 02:41 • -9.01db
49% Popularity • 51% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
49% Popularity • 51% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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TAELA
unforgivable
157 bpm • C Maj • 02:17 • -5.77db
44% Popularity • 61% Danceability • 73% Energy • 20% Liveness
0% Instrumentalness • 61% Positiveness
44% Popularity • 61% Danceability • 73% Energy • 20% Liveness
0% Instrumentalness • 61% Positiveness
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Ashley Kutcher
Boy From Carolina
180 bpm • A# Maj • 04:02 • -7.48db
44% Popularity • 34% Danceability • 54% Energy • 28% Liveness
0% Instrumentalness • 21% Positiveness
44% Popularity • 34% Danceability • 54% Energy • 28% Liveness
0% Instrumentalness • 21% Positiveness
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Austin Giorgio
You Put a Spell on Me
180 bpm • B min • 02:37 • -6.83db
58% Popularity • 52% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
58% Popularity • 52% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
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Ryan Mack
Only Human
180 bpm • G min • 02:15 • -7.09db
67% Popularity • 71% Danceability • 51% Energy • 5% Liveness
0% Instrumentalness • 67% Positiveness
67% Popularity • 71% Danceability • 51% Energy • 5% Liveness
0% Instrumentalness • 67% Positiveness
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Dove Cameron
Boyfriend
180 bpm • G min • 02:33 • -6.54db
75% Popularity • 34% Danceability • 61% Energy • 19% Liveness
0% Instrumentalness • 23% Positiveness
75% Popularity • 34% Danceability • 61% Energy • 19% Liveness
0% Instrumentalness • 23% Positiveness
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Jessica Baio
20 something
180 bpm • A# Maj • 02:40 • -3.55db
58% Popularity • 58% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
58% Popularity • 58% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
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ASTON
Middle Fingers
180 bpm • G# min • 03:38 • -3db
51% Popularity • 56% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
51% Popularity • 56% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
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Bailey Spinn
runner up
180 bpm • F Maj • 02:21 • -5.37db
52% Popularity • 48% Danceability • 85% Energy • 56% Liveness
0% Instrumentalness • 36% Positiveness
52% Popularity • 48% Danceability • 85% Energy • 56% Liveness
0% Instrumentalness • 36% Positiveness
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Dylan Conrique
i miss you (skin to skin)
181 bpm • G min • 03:22 • -5db
55% Popularity • 27% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
55% Popularity • 27% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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emlyn
10 20 30 (sped up version)
181 bpm • A Maj • 03:17 • -4.4db
34% Popularity • 40% Danceability • 76% Energy • 19% Liveness
0% Instrumentalness • 30% Positiveness
34% Popularity • 40% Danceability • 76% Energy • 19% Liveness
0% Instrumentalness • 30% Positiveness
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Alexander Stewart
back to you
156 bpm • A# Maj • 02:49 • -8db
50% Popularity • 46% Danceability • 44% Energy • 21% Liveness
0% Instrumentalness • 63% Positiveness
50% Popularity • 46% Danceability • 44% Energy • 21% Liveness
0% Instrumentalness • 63% Positiveness
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Cian Ducrot
I'll Be Waiting
156 bpm • C# Maj • 02:52 • -4.11db
71% Popularity • 52% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
71% Popularity • 52% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Sadie Jean
WYD Now?
181 bpm • C# Maj • 02:24 • -10.99db
69% Popularity • 38% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
69% Popularity • 38% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Bailey Spinn
happy ending
156 bpm • C Maj • 03:04 • -3.32db
59% Popularity • 52% Danceability • 83% Energy • 24% Liveness
0% Instrumentalness • 26% Positiveness
59% Popularity • 52% Danceability • 83% Energy • 24% Liveness
0% Instrumentalness • 26% Positiveness
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EMELINE
this is how i learn to say no
181 bpm • A# Maj • 02:22 • -7.76db
59% Popularity • 38% Danceability • 59% Energy • 46% Liveness
0% Instrumentalness • 50% Positiveness
59% Popularity • 38% Danceability • 59% Energy • 46% Liveness
0% Instrumentalness • 50% Positiveness
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emlyn
dot dot dot
156 bpm • G# min • 02:17 • -7.74db
43% Popularity • 60% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
43% Popularity • 60% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Benson Boone
Slow It Down
181 bpm • G# Maj • 02:41 • -4.68db
81% Popularity • 43% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
81% Popularity • 43% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Alex Warren
Give You Love
155 bpm • C# Maj • 03:03 • -4.09db
55% Popularity • 59% Danceability • 72% Energy • 19% Liveness
0% Instrumentalness • 52% Positiveness
55% Popularity • 59% Danceability • 72% Energy • 19% Liveness
0% Instrumentalness • 52% Positiveness
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Natalie Jane
Do or Die
182 bpm • G Maj • 02:30 • -5.79db
60% Popularity • 45% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
60% Popularity • 45% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
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Bailey Spinn
my worst enemy
182 bpm • A min • 03:21 • -5.69db
51% Popularity • 44% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
51% Popularity • 44% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Nessa Barrett
lie
155 bpm • D Maj • 03:34 • -8.26db
59% Popularity • 65% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
59% Popularity • 65% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
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Matt Hansen
break my bones
183 bpm • E Maj • 02:49 • -9.28db
66% Popularity • 42% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
66% Popularity • 42% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Chloe Adams
Barbie Doll
154 bpm • A min • 02:05 • -4.9db
40% Popularity • 63% Danceability • 73% Energy • 33% Liveness
0% Instrumentalness • 76% Positiveness
40% Popularity • 63% Danceability • 73% Energy • 33% Liveness
0% Instrumentalness • 76% Positiveness
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Andi
Crazier Best Friend
154 bpm • A# Maj • 02:51 • -5.47db
54% Popularity • 67% Danceability • 67% Energy • 25% Liveness
0% Instrumentalness • 61% Positiveness
54% Popularity • 67% Danceability • 67% Energy • 25% Liveness
0% Instrumentalness • 61% Positiveness
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Leah Kate
10 Things I Hate About You
154 bpm • G# Maj • 02:37 • -2.97db
72% Popularity • 54% Danceability • 79% Energy • 17% Liveness
0% Instrumentalness • 45% Positiveness
72% Popularity • 54% Danceability • 79% Energy • 17% Liveness
0% Instrumentalness • 45% Positiveness
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Rachel Grae
Friend Like Me
154 bpm • F# Maj • 02:32 • -5.82db
60% Popularity • 67% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
60% Popularity • 67% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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Hanniou
too good to be true
154 bpm • C# Maj • 03:04 • -11db
39% Popularity • 54% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
39% Popularity • 54% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Nessa Barrett
die first
183 bpm • G# min • 02:57 • -6.73db
68% Popularity • 44% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
68% Popularity • 44% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Jillian Rossi
under the weather
185 bpm • C# Maj • 02:31 • -8.78db
55% Popularity • 51% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
55% Popularity • 51% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Andi
Convince Myself
185 bpm • F# Maj • 03:02 • -7.69db
46% Popularity • 33% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
46% Popularity • 33% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
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Clinton Kane
BITTERSWEET
152 bpm • C# min • 02:38 • -5.35db
51% Popularity • 59% Danceability • 79% Energy • 26% Liveness
0% Instrumentalness • 23% Positiveness
51% Popularity • 59% Danceability • 79% Energy • 26% Liveness
0% Instrumentalness • 23% Positiveness
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Jade LeMac
Car Accident
152 bpm • C min • 03:33 • -4.16db
43% Popularity • 69% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 71% Positiveness
43% Popularity • 69% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 71% Positiveness
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Jenna Raine
Lovesick
152 bpm • C# Maj • 02:31 • -5.73db
59% Popularity • 59% Danceability • 73% Energy • 19% Liveness
0% Instrumentalness • 70% Positiveness
59% Popularity • 59% Danceability • 73% Energy • 19% Liveness
0% Instrumentalness • 70% Positiveness
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Kylie Muse
Doe Eyes
152 bpm • A min • 02:48 • -8.51db
32% Popularity • 66% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
32% Popularity • 66% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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JESSIA
One of the Guys
152 bpm • G Maj • 01:58 • -4.12db
54% Popularity • 76% Danceability • 77% Energy • 30% Liveness
0% Instrumentalness • 72% Positiveness
54% Popularity • 76% Danceability • 77% Energy • 30% Liveness
0% Instrumentalness • 72% Positiveness
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Natalie Jane
Bloodline
186 bpm • G min • 02:34 • -5.89db
50% Popularity • 43% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 8% Positiveness
50% Popularity • 43% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 8% Positiveness
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VOILÀ
Something Blue
152 bpm • F# min • 03:06 • -7.58db
64% Popularity • 55% Danceability • 62% Energy • 59% Liveness
0% Instrumentalness • 41% Positiveness
64% Popularity • 55% Danceability • 62% Energy • 59% Liveness
0% Instrumentalness • 41% Positiveness
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Bellah Mae
Drama King
151 bpm • C Maj • 02:37 • -4.25db
56% Popularity • 58% Danceability • 88% Energy • 50% Liveness
0% Instrumentalness • 67% Positiveness
56% Popularity • 58% Danceability • 88% Energy • 50% Liveness
0% Instrumentalness • 67% Positiveness
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Andi
Never Dated You
151 bpm • B Maj • 02:01 • -6db
42% Popularity • 68% Danceability • 68% Energy • 22% Liveness
0% Instrumentalness • 79% Positiveness
42% Popularity • 68% Danceability • 68% Energy • 22% Liveness
0% Instrumentalness • 79% Positiveness
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Jessie Murph
About You
151 bpm • G Maj • 02:40 • -5db
57% Popularity • 70% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
57% Popularity • 70% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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P!X!E
Tattoo Shop
150 bpm • C min • 01:58 • -8.04db
51% Popularity • 68% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 40% Positiveness
51% Popularity • 68% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 40% Positiveness
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Zoe Clark
That's Funny
150 bpm • B min • 02:27 • -4.08db
30% Popularity • 61% Danceability • 93% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
30% Popularity • 61% Danceability • 93% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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Selena Gomez
People You Know
150 bpm • G# min • 03:14 • -8.08db
78% Popularity • 70% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
78% Popularity • 70% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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TAELA
replacement
150 bpm • A Maj • 02:16 • -5.1db
43% Popularity • 62% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
43% Popularity • 62% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
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Lala Sadii
Love Is BS
150 bpm • E Maj • 03:12 • -6.68db
52% Popularity • 59% Danceability • 72% Energy • 30% Liveness
0% Instrumentalness • 74% Positiveness
52% Popularity • 59% Danceability • 72% Energy • 30% Liveness
0% Instrumentalness • 74% Positiveness
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Faouzia
Tears of Gold
150 bpm • F min • 02:56 • -5.7db
65% Popularity • 59% Danceability • 66% Energy • 32% Liveness
0% Instrumentalness • 62% Positiveness
65% Popularity • 59% Danceability • 66% Energy • 32% Liveness
0% Instrumentalness • 62% Positiveness
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Jessie Murph
I Would've
150 bpm • D Maj • 02:30 • -10db
64% Popularity • 60% Danceability • 26% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness
64% Popularity • 60% Danceability • 26% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness
